Performance]]> Activism]]> Malevich looks at the idea of going back to “square one”. Within his residency, Lee has focused on drawing and improvisation through music and performance and as an opportunity to revisit and revive past projects.

His recent concerns have revolved around the memory of Singapore’s art history through the initiation of the Independent Archive and Resource Centre documenting performance art and recent conversations with art historian and NTU visiting faculty, Nora Taylor have result in a wider discussion on how to remember performance art practices here.]]>
Lee Wen]]> Performance]]> Southeast Asia]]>
History]]> Politics]]> Luke Willis Thompson]]> Object]]> Southeast Asia]]> Public Sphere]]>
His research also involves looking at the different possibilities and limits of public space and public artwork in Singapore.]]>
Matthew Mazzotta]]> Southeast Asia]]>
History]]> Politics]]> Labour]]> Mona Vătămanu]]> Florin Tudor]]> Mona Vatamanu]]> Film]]> Painting]]> Europe]]> Southeast Asia]]> Globalisation]]> Newell Harry]]> Southeast Asia]]> Politics]]> Untitled (Singapore) (2014), as part of research undertaken during his time on the NTU CCA Singapore Residencies Programme. The work explores the idea of airspace as monitored and ambiguous. The site of the NTU CCA Singapore Residencies studios is also the site of a former military camp built in 1935. Phinthong heard that airspace is a negotiated place of ownership between various nations. Singapore itself sought permission from neighbouring countries to use different airspaces and is home to one of the world’s most active airports. This permission is vital to the ongoing activity of Changi airport. An agreement in 2004 between the respective Singapore and Thai Governments was reached whereby seven used F-16 jet fighters from Singapore were given to the Thai Royal Air force, along with 15 years of military base training in Udon Thani, a north Thailand. Working with artist, Tanatchai Bandasak, Phinthong has been collecting images of these jets during their daily training practice.]]> Pratchaya Phinthong]]> Southeast Asia]]> Curatorial Practice]]> LEAP magazine. His residency coincided with Art Stage 2015. His residency coincides with Art Stage 2015 and he will conduct extensive studio visits with various Singapore artists. Peckham will facilitate the Q&A session for NTU CCA Singapore Artist-in-Residence Matthew Mazzotta where he will draw upon his experiences of working in China to question public art practices.]]> Robin Peckham]]> Asia]]> Activism]]> Politics]]>
True to his existing practice, during his time as an Artist-in-Residence, Ise will note take through drawing and create a series of events utilising food as a social binder whilst also going deeper into its layered histories and how this connects to Southeast Asia.]]>
Roslisham Ismail ]]> Ise]]> Roslisham Bin Ismail]]> Installation]]> Southeast Asia]]>
Politics]]> Sam Durant]]> Curating]]> Southeast Asia]]> Cultural Production]]>
While in residency at NTU CCA Singapore, McDowell aims to connect with local artists, curators, and educators to gain an awareness of the Singaporean arts communities. She is especially keen to understand how curatorial education is being developed by institutions in Singapore, what the particular needs and desires are of participants in these conversations and how connections might be made with the Curatorial PhD programme she founded in Melbourne, Australia. She will conduct research on experimental education and artistic labour, two areas of her research interests and present a public lecture in progress on the latter topic, titled Is the Post-Occupational Condition the New Post-Medium Condition?]]>

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Tara McDowell]]> Curating]]> Southeast Asia]]>