Curatorial Practice]]> ArtReview Asia gave a talk during her residency at the Singapore Art Book Fair 2014. Lin met with local artists to understand the art scene in Singapore with research facilitated by Vera Mey NTU CCA Singapore Curator, Residencies.]]> Aimee Lin]]> Curating]]> Southeast Asia]]> Ana Prvački]]> Performance]]> Body]]> Ana Prvački]]> Ana Prvacki]]> Performance]]> Video]]> Drawing]]> Southeast Asia]]> History]]> Anocha Suwichakornpong]]> Film]]> Southeast Asia]]> Ecosystems]]> Urbanism]]> Arjuna Neuman]]> Southeast Asia]]> Performance]]> History]]> Politics]]>
As a critically reflective artist and thinker, Haykal’s work examines the perceptions, relevance and culture of sound and music. This is often materialised through collaborations with artists across all fields as a means to discover new musical forms. These compositions can be interpreted as language in which to understand wider politics at play.]]>
Bani Haykal]]> Writing/Text]]> Sound]]> Southeast Asia]]>
Oceans & Seas]]> Geopolitics]]> Charles Lim]]> Film]]> Southeast Asia]]> Spaces of the Curatorial]]> Shui Tit Sing – 100 Years of an Artist through his Archives as part of his Singapore Art Archive Project @ CCA (SAAP@CCA).]]> Erin Gleeson]]> Curating]]> Southeast Asia]]> Artistic Research]]> Hendrik Folkerts]]> Film]]> Performance]]> Southeast Asia]]> History]]> Stories of Khayalan Island (2013- ) which commenced with rumours of an island that disappeared near Singapore. While in residence, he will search for evidence of Khayalan Island amidst the paradoxes of the rapidly changing harbour. Historical maps will be redrawn based on collective imaginations of space and sea vessels will be rebuilt to visit contingent islands at risk of vanishing. A search for this imaginary island in the social and ecological realities of today provides the basis for a book of stories as well as newly created artworks.]]> James Jack]]> Writing/Text]]> Southeast Asia]]> Archival Practice]]> Singapore Art Archive Project @ Centre for Contemporary Art (SAAP@CCA) encompasses material touching the Singapore art scene from the 1920s until the arrival of the Internet. An entirely material archive with most documentation provided by the artist himself, this project developed as a response to the lack of a national art archive.

His residency at NTU CCA Singapore enabled public access to the archive for an extended period of time with a wealth of material showing extensive regional exchange as well as many international exhibitions in Singapore, debunking the myth of an isolated art scene .The ensuing dialogue and conversation with Koh are key when visiting this collection. Here the role of the artist is the role of cultural memory keeper.]]>
Koh Nguang How]]> Installation]]> Performance]]> Southeast Asia]]>