Performance]]> Yason Banal]]> Installation]]> Performance]]> Southeast Asia]]> Performance]]> Body]]> Impro Committe collaboration project (2014, Beijing).

The Living Room Tour project has to takes place at someone’s home, a place while he/she lives. whatever the size is, with or without speakers, has or has no electricity; at least one audience is required and the owner of the home is encouraged to invite audiences. The performers may use furniture, kitchenware or anything available. The initial idea of this project came from feeling tired about low-end speakers and wanting to create a sonic space without the expense or formalities which go with this. He says the concert is a temporary mandala, a metaphor for the world. Within this environment is a destabilisation of hierarchy and there is no difference between large and small or professional and amateur. The quality of listening is from participants’s devotion.]]>
Yan Jun]]> Object]]> Sound]]> Southeast Asia]]>
Ways of Seeing]]> Weixin Chong]]> Object]]> Print]]> Southeast Asia]]> Spaces of the Curatorial]]> Syafiatudina]]> Curating]]> Southeast Asia]]> Architecture]]> Simon Soon]]> Southeast Asia]]> Knowledge Production]]> Pulp is part of her lifetime project, as an attempt to bridge languages/histories/cultures and civilisations in a globalised world where homogenisation and imposed ideas of conformity have led to their disappearance. While in residence, Rao will look primarily at Singapore and Southeast and South Asia, drawing connections between languages (Jawi and Sanskrit, for example), the histories of print, mass literacy and the role of archives in defining national identities especially in a post-colonial context. Through this research Rao hopes to create discourse about the way we use collate, sort, keep and discard knowledge, and the relevance of this to individual and national identities, as well as the implications for humanism and our species as a whole.]]> Shubigi Rao]]> Installation]]> Asia]]> Ecology]]>
The ephemeral element of the whole idea and process of the project is to investigate Southeast Asia's ancestors and technologies in a cultural pattern that can bring hope and understanding to a new legacy. This project also attempts to pursue questions of property, public space and ecology and to understand more about the authority that claim the land and the sky.]]>
Shooshie Sulaiman]]> Drawing]]> Southeast Asia]]>
Architecture]]> Education]]> Sally Tallant]]> Film]]> Performance]]> Southeast Asia]]> Tradition]]> Knowledge Production]]> Fiction]]> Saleh Husein]]> Object]]> Painting]]> Southeast Asia]]> Spaces of the Curatorial]]>
Noack also spent time in Singapore further understanding different institutional structures.]]>
Ruth Noack]]> Curating]]> Southeast Asia]]>