Browse Items (28 total)

Otty Widasari will research the public memory of Southeast Asia and it’s residents imagination about Singapore. Historically, Singapore is a small island in the region of Southeast Asia and has been known, since the colonial era, as a trade and…

Having noticed a tendency in writings on Thai contemporary art in quoting and referring to a restricted set of sociocultural texts, Narawan Pathomvat will conduct a research-based project focusing on mapping and analyzing bibliographical data in…

Meiya Cheng will look at two exhibition projects, The Great Ephemeral (New Museum, 2015) and Trading Futures (co-curated with Pauline Yao, Taipei Contemporary Art Centre, 2012) relating them to NTU CCA Singapore’s overarching curatorial framework…

Mary Sherman will introduce TransCultural Exchange’s international conferences which were originally created to help American artists and arts organisations become aware of the networks of international residencies that exist around the globe. The…

Li Ran provides exhibitionary structures in which to look at wider dynamics of fabricated structures in narrative and history. In Beyond Geography (2012) he looks at the National Geographic style of the anthropological but with the caricature of the…

Jompet Kuswidananto has long been interested in matters related to the spaces in between the binary oppositions within society. In his previous series, the intersections of past and present, tradition and modernity, magical and mechanical, memory and…

During his residency Jeremy Sharma will focus on the idea of ‘Vertical Progression' , observing the logic of production, the production of ideas and the idea of the use of the studio space through different strategies of art making. The research will…

Hamra Abbas has a versatile artistic practice that straddles a wide range of media, from paper collage and painting to ephemeral soft plasticine sculpture and video. Her works often take a humorous look towards widely accepted traditions,…

Haegue Yang will shift her attention to researching film histories in Southeast Asia. These film histories within the region intersect with her research on Korean filmmaker Shin Sangok who was kidnapped by North Korean in 1978 and produced 17 films…

Guo-Liang Tan’s practice revolves around how the space of painting and writing can be charged with affect and otherness. Tan is interested in how this sense of absence, pointing towards an imagined past and/or future, frames our present-ness and of…