SHIMURAbros
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=History">History</a>
During their residency, the SHIMURAbros will expand their previous research on Singapore’s archaeology and film history to explore the reverse trajectories and movements of various archaeological objects from Southeast Asia to Singapore. They aim at gathering relevant materials and scouting locations to produce <i>ROAD MOVIE – Road to Singapore</i>. Episode 2, as the second part of a work created on occasion of their residency and exhibition at NUS Museum (Singapore) in 2013.
1 November – 30 December 2016
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Pelin Tan
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Urbanism">Urbanism</a>
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Pelin Tan is involved in research-based artistic and architectural projects that focus on urban conflict & territorial politics, gift economy, the condition of labour and mixed methods in research. She has also done research into artist-run-spaces whilst she was a research fellow with The Japan Foundation in 2012. While in residence, Tan will connect with local artists and institutions whilst exploring the larger region of Southeast Asia.
10 – 14 April 2016
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Asia">Asia</a>
Orit Gat
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Orit Gat will lead an Exhibition (de)Tour: <i>Townhall or Marketplace, Can Art find a Public Space on the Internet? Can it Create One? which is part of Incomplete Urbanism: Attempts of Critical Spatial Practice</i>’s public programme. She will look at a number of specific artworks, which conflate the urban and digital space as well as the hidden aspects of the internet’s infrastructure. In light of internet changes since 1995, Gat will examine possibilities art opens up to make the internet a genuine public space of the commons.
14 November – 22 November 2016
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Orit+Gat">Orit Gat</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
Mechtild Widrich
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Working on the expansion of global art geographies, Writer-in-Residence Mechtild Widrich has previously focused her analysis on the opening of the National Gallery Singapore. While in residence, Widrich will expand her research and connect with local artists, curators and art administrators whose work revolves around performance art and issues related to urban development and museum studies.
22 November – 28 November 2016
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Mechtild+Widrich">Mechtild Widrich</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
Márton Orosz
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While in residence Márton Orosz will further his research on György Kepes, the Hungarian-born artist, designer, educator and theorist who founded the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (MIT) in 1967 as a “brainstorming laboratory” for artists and scientists to bridge the gap between art and science and address the social responsibility of design. He will explore the trans-regional connections of Kepes’ theories in Southeast Asia to shed light on the values shared by painters, designers, and architects who came into contact with Kepes and maintained a similar interest in the ecological consciousness and art’s capacity to trigger social transformations. Orosz plans to interview Choy Weng Yang, a seminal figure in the Singaporean art scene who visited Kepes in 1973, and to conduct archival research at the National Library and at the National Gallery Singapore.
1 February – 7 February 2017
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=M%C3%A1rton+Orosz">Márton Orosz</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Marton+Orosz">Marton Orosz</a>
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Martin Germann
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Martin Germann will connect with local artists and institutions during his residency. He will also give a talk focusing on S.M.A.K’s unique politics in developing solo exhibition in close collaboration with artists placing them at the centre of her activities.
5 December – 9 December 2016
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Martin+Germann">Martin Germann</a>
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Maria Lind
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Maria Lind will connect with local artists and institutions whilst researching the art scene in Singapore for the upcoming Gwangju Biennale 2016. Lind will give a public talk sharing her experience working in and around Tensta Konsthall in Stockholm, Sweden where she currently holds the position as director. Her talk will also address notions of proximity, embeddedness, agility, shared concerns and contact/conflict zones.
23 May – 25 May 2016
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Maria Hlavajova
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Responding to the concept of The Making of an Institution, Maria Hlavajova will discuss the notion of “instituting otherwise” using BAK, basis voor actuele kunst, in Utrecht, an institution of which she is the founding director, as an example. Dedicated to thinking about, with, and through art, BAK engages in long-term research trajectories engaging with the urgencies that define our contemporary, including issues of social and environmental justice and the relevance of digital technologies. Hlavajova will draw upon her research within a number of interrelated projects she is involved with, including <em>Former West</em> (2008–2016) and <em>Future Vocabularies</em> (2014–ongoing), all the while exploring the shifts within our existing conceptual lexicon for artistic, intellectual, and activist practices.
20 March – 25 March 2017
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Loo Zihan
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Whilst in residence, Loo Zihan will continue his research into 'The Ray Langenbach Archive of Performance Art' which documents over 20 years of performance art in Southeast Asia from 1988 to the present. Loo’s research is an extension of his reenactments and installations such as <i>Cane (2011, 2012), Archiving Cane (2012) and Artists’ General Assembly: The Langenbach Archive</i> (2013), which have stemmed out of specific documentation from the archive. Loo aims to tap into the mostly unexplored parts of the archive, of abstract and informal, day-to-day recordings of memories and incidents. As a nostalgic and intimate reflection on the arts scene of the early to mid 1990's in Singapore, Loo will unpack the archival material and return to the medium of an experimental essay film that aims to challenge the boundaries between documentary, fiction and experimental filmmaking.
16 June – 9 September 2016
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Loo+Zihan">Loo Zihan</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
Kray Chen
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Urbanism">Urbanism</a>
Kray Chen’s practice brings attention to the peculiar characteristics of forms, gestures and behaviours in society to discuss the value of progress. While in residence, Chen continues this line of research into the absurd, such as ‘Waiting’, reflecting on the psyche of a place that pits labour against gratification, fragments against the whole, traditions against modernization.
11 April – 12 August 2016
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kray+Chen">Kray Chen</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>