Thảo Nguyên Phan (Thao-Nguyen Phan)]]> Ways of Seeing]]> Thao Nguyen Phan]]> Thảo Nguyên Phan]]> Installation]]> Painting]]> Southeast Asia]]> Nature]]> In Depth (landmines) (2014-ongoing). So far she has conducted field research in Cambodia, Colombia, and Bosnia where she photographed several mine-contaminated areas. The artist plans to examine other sites where landmines and unexploded ordnance remain an active deadly threat. She is especially interested in the landmine situation in Angola, the most heavily mined country in the world as a result of decades of conflict and civil war. The process of gathering relevant materials and managing the complex logistics required by trips to such dangerous areas are all essential components of the work. The artist intends to use her studio to experiment with different spatial presentations of In Depth (landmines) and to initiate new lines of research around the subject of landscape, looking into areas affected by plagues and epidemics and exploring the possibilities involved in their photographic representation.]]> Alice Miceli]]> Photography]]> Film]]> Southeast Asia]]> South America]]> Ecosystems]]> Globalisation]]> They Come to Us without a Word at the U.S. Pavilion during the 56th Venice Biennale. While in residence Daneri will give a Curatorial Tour of Joan Jonas: They Come to Us without a Word at the NTU CCA Singapore and will provide a deeper understanding of Jonas' way of working and share insights into how the artist developed the different elements of her exhibition. Daneri will research Singapore’s port city status and different mutations of trade and migration and how this has affected the psychogeographic landscape of Singapore. She will also connect with local artists to gain an awareness of Singaporean arts communities.]]> Anna Daneri]]> Curating]]> Southeast Asia]]> Artistic Research]]> Curatorial Practice]]> Dublett (2012 – 2016). Each edition of Dublett consists of a new artist’s book and an anthology of commissioned texts on the artist or project at hand, written by contributors from a variety of disciplines that aim to cultivate art mediation within a book format. While in residence, Szefer Karlsen also aims to connect with artists, curators, writers and designers in Singapore, focusing on the intersections between editorial and curatorial practices.]]> Anne Szefer Karlsen]]> Curating]]> Southeast Asia]]> Artistic Research]]> Antariksa]]> Writing/Text]]> Southeast Asia]]> History]]> Arin Rungjang]]> Southeast Asia]]> History]]> Globalisation]]> Ato Malinda]]> Installation]]> Object]]> Painting]]> Africa]]> Southeast Asia]]> Curatorial Practice]]> Activism]]> The Grand Domestic Revolution and Composing the Commons and will share models of collaboration and self-organisation developed at Casco.]]> Binna Choi]]> Curating]]> Southeast Asia]]> Nature]]> Urbanism]]> Bo Wang]]> Film]]> Performance]]> Asia]]> Urbanism]]> ]]> Choy Ka Fai]]> Ka Fai Choy]]> Installation]]> Sound]]> Southeast Asia]]>