Geraldine Kang
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Sustainability">Sustainability</a>
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Looking at the overlooked is the core of Geraldine Kang’s projects. She intends to use her residency as an incubatory period to think about the role of waste and its management in the context of urban living, a subject matter that is often regarded as invisible in Singapore. Throughout this project, she will focus on labour issues and investigate theoretical approaches towards the act and the politics of cleaning. Kang will reflect on alternative possibilities to the aesthetisation of waste in order to create cross-disciplinary dialogues that can lead to concrete action.
1 March – 30 June 2017
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Hu Yun
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Hu Yun’s practice is grounded in research, surveys, travels, oral histories, and archives. Since 2012, Hu has made several trips to China, Hong Kong, Macau, and Southeast Asia to retrace the footsteps of missionaries such as Matteo Ricci and St. Francis Xavier, exploring both the factual and the imaginary. In line with this research, Hu will be investigating Chinese cemeteries and graveyards in Singapore as spaces of historical encounters. Of particular interest are the symbolisms of epitaphs on early 20th century tombstones as a reflection of the political landscape in China. Hu will also retrace the immigration of Chinese artists from China to Singapore in the early 20th century through Mr Koh Nguang How’s <i>Singapore Art Archive Project</i>.
27 March – 17 May 2017
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Irwan Ahmett and Tita Salina
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Departing from a specific historical episode, the artists will explore the contemporary currency of gestures of sabotage in the context of the geopolitical frictions between Indonesia and Singapore. This research is part of <i>Ring of Fire</i> (2014-ongoing), a long-term project focused on natural disasters and geopolitical collisions named after the vast geographical area that runs from New Zealand to Chile stretching across Southeast Asia. By framing uncanny relationships between tectonic instability and political unrest, the pair seek to address conditions of vulnerability as well as the tensions related to environment, social justice, freedom of expression, and human rights among Southeast Asian countries.
1 March – 29 March 2018
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Irwan+Ahmett+">Irwan Ahmett </a>
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Jacqueline Hoang Nguyen
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As part of her residency, Jacqueline Hoàng Nguyễn will expand on <i>The Archive as a Subject</i>, a long-term project that positions photographs and other vernacular artefacts at the junction of the private and the public, as well as the personal and the political, raising complex global issues related to concepts of territory, migration, and identity. Looking at the traces of her own family’s history, she aims to explore the friction that is generated when such mundane items are appropriated by institutional narratives, especially when they are framed in different cultural contexts. While in Singapore, she intends to further her research looking specifically at the history of the refugee camp in Sembawang which housed Vietnamese refugees for twenty years.
4 December 2017 – 31 January 2018
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Jamie North
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During the residency, North will be conducting photographic investigations on the ways in which local plant species manage to adapt to Singapore’s constantly changing built environment. In alignment with his long-standing interest in the intersection between the natural and the artificial, North regards Singapore as a radical case study to observe the complex tensions brimming at the interface between nature and human-made structures. He will also focus on the inescapable cycles of decomposition and renewal that, accelerated by the high humidity of the tropical climate, blur the boundaries between the organic and the man-made.
1 November – 22 December 2017
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Kartik Sood
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In line with his multidisciplinary interests, during the residency Kartik Sood intends to engage with a local theatre actor or dance performer as well as research into local literature focusing on the issue of cultural coexistence in Singapore.
11 September – 31 October 2017
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Lucy Davis
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Continuing to expand The Migrant Ecologies Project , Lucy Davis will focus on <i>Railtrack Songmaps</i>, the first iteration of which was launched as a multimedia installation at Gillman Barracks in 2016. A three-year research project conducted in conjunction with Nature Society of Singapore and National University of Singapore, Railtrack Songmaps features recordings of birds along the Tanglin Halt rail tracks, collecting the fleeting voices of nature to explore interspecies communication and the entanglements of animal life and urban development. Due to its wide-ranging interdisciplinary approach, the project unfolds through collaborations with several artists, scientists, designers, and photographers based in Singapore.
3 April – 30 June 2017
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Manon de Boer
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In the past four years, de Boer has been questioning her practice and the impact that critical recognition and the professionalization of her work as a practicing artist has made upon her creative process. At this self-reflective juncture, the artist is interested in the conditions for thinking and inspiration, investigating notions of open-ended time and of personal and societal rhythms. In her view, to place aimless, untroubled” time in relation to creativity, research, and production offers a political counterpoint to the outcome-driven model that rules the art world and our contemporary life, opening up a space for creation that allows for experimentation, boredom, and failure. During the residency, de Boer plans to further develop this research engaging in conversation with a variety of experts that can help her reframe the question of time.
3 July – 15 September 2017
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Martha Atienza
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Born into a family of seafarers, Martha Atienza’s fascination with the maritime is nurtured by her deep-seated connection with the water and modes of living that unfold at sea. During the residency, Atienza aims to explore Singapore’s relationship with water and its geopolitical role in shaping connections and contrasts with neighboring countries. Using the studio as a space for experimentation, she will also further develop her methods of working with water.
12 February – 13 April 2018
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Matthias Sohr
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Taking advantage of Singapore’s position as a science and technology hub, Sohr will dedicate his residency to refine existing strands of work and explore new ones. He aims to advance his research on the history, materials, and aesthetics of Printed Circuit Board (PCB) and, also, to pursue his investigation into the accessibility of art spaces for the disabled. During the residency, Sohr will gradually transform his studio into a temporary space for the production of new sculptures and installations.
3 April – 30 June 2017
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Matthias+Sohr">Matthias Sohr</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>