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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Choy Ka Fai intends to research the tensions and ideals that underlie the establishment of Singapore as a utopian “prototype city” investigating the multiple narratives that frame the efforts to export such an utopia.
Cycle
Cycle 3 (2016 – 2017)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Germany
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Choy Ka Fai
Description
An account of the resource
Regarded as a successful model of strategic governance and urban planning across Asia, Singapore has shared her infrastructure plans and industrial development expertise with other countries since the 1990s. Choy Ka Fai intends to research the tensions and ideals that underlie the establishment of Singapore as a utopian “prototype city” investigating the multiple narratives that frame the efforts to export and, occasionally to forge, such an utopia.
Date
A point or period of time associated with an event in the lifecycle of the resource
20 February – 12 May 2017
Contributor
An entity responsible for making contributions to the resource
Choy Ka Fai
Ka Fai Choy
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Installation
Sound
Subject
The topic of the resource
Urbanism
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
While in residence, Erin Gleeson gave a public talk with her nomination for the NTU CCA Singapore Residency Programme, Artist-in-Residence, Luke Willis Thompson.
Cycle
Cycle 1 (2014 – 2015)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Cambodia
Germany
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Erin Gleeson
Description
An account of the resource
While in residence, Erin Gleeson gave a public talk with her nomination for the NTU CCA Singapore Residency Programme, Artist-in-Residence, Luke Willis Thompson. She also had introductory visits and curatorial tours to important institutional spaces and made a number of first-contact studio visits, finding synergies with CCA artist-in-residence, Koh Nguang How's research for <i>Shui Tit Sing – 100 Years of an Artist through his Archives as part of his Singapore Art Archive Project @ CCA (SAAP@CCA)</i>.
Date
A point or period of time associated with an event in the lifecycle of the resource
29 November – 4 December 2014
Contributor
An entity responsible for making contributions to the resource
Erin Gleeson
Medium
The material or physical carrier of the resource.
Curating
Subject
The topic of the resource
Spaces of the Curatorial
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During the residency Falke Pisano plans to broaden her understanding of colonial history and practices of decolonization by exploring the context of Southeast Asia.
Cycle
Cycle 5 (2018 – 2019)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Germany
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Falke Pisano
Description
An account of the resource
Falke Pisano’s current research addresses the development of modern science and its process of institutionalization. Started in 2015, The Value of Mathematics explores the cultural implications of Western paradigms that posit mathematics as the objective language of the natural world. The notions of progress, rationality and universality embedded in the official discourse are destabilized as the artist negotiates different modes of thinking and opens up the possibility for diversity, pluralism, and heterogeneity in the realm of empirical sciences. During the residency she plans to broaden her understanding of colonial history and practices of decolonization by exploring the context of Southeast Asia. Conjunctly, she also intends to focus on biomedicine—the enduring paradigm of 20th century medicine that has shaped a normative idea of the body— exploring the influence of different cultural conditions on the creation of a multiplicity of bodies.
Date
A point or period of time associated with an event in the lifecycle of the resource
2 July – 28 September 2018
Contributor
An entity responsible for making contributions to the resource
Falke Pisano
Subject
The topic of the resource
Technology
History
Decolonialism
Medium
The material or physical carrier of the resource.
Installation
Sculpture
Drawing
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Haegue Yang will shift her attention to researching film histories in Southeast Asia.
Cycle
Cycle 2 (2015 – 2016)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Germany
South Korea
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Haegue Yang
Description
An account of the resource
Haegue Yang will shift her attention to researching film histories in Southeast Asia. These film histories within the region intersect with her research on Korean filmmaker Shin Sangok who was kidnapped by North Korean in 1978 and produced 17 films after his prolific career in South Korea. Shin had co-produced films in partnership with the famed Shaw Brothers of Singapore before his abduction. While in residence Haegue Yang will also examine questions of home, destinies and narratives that are interwoven with migratory figures in a colonial history. Her research on the Southeast Asian Diaspora figures extends from an annual commission, <i>Accommodating the Epic Dispersion – On Non-Cathartic Volume of Dispersion</i> (2012) for Haus der Kunst in Munich. The length of this work’s title is deliberate, in response to the overlapping of diaspora history with the specific history of the work’s location — a large and voluminous hall once known as ‘Ehrenhalle’ under the Third Reich. By critically extending and dispersing a reconstruction of histories in an epic dimension, the work introduced issues of migration, diaspora, movement and thereby, colonialism, through questions such as, “is movement mental or physical? When we migrate, do we lose our sense of home? How do we maintain and accommodate our migratory destinies and narratives?”
Date
A point or period of time associated with an event in the lifecycle of the resource
14 December 2015 – 15 January 2016
28 March – 17 April 2016
Contributor
An entity responsible for making contributions to the resource
Haegue Yang
Medium
The material or physical carrier of the resource.
Installation
Sculpture
Subject
The topic of the resource
History
Diaspora
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During the residency, the studio will become a laboratory to develop an open-ended body of works and activities, artistic interventions and temporary collective platforms that variously engage the irrational, and the hallucinatory.
Cycle
Cycle 6 (2019 – 2020)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
France
Germany
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Iris Touliatou
Description
An account of the resource
Following her fascination for the unstable properties of matter and the ungraspable substance of the atmosphere, Iris Touliatou intends to pursue a research that goes under the provisional title of Animal Storms. The project approaches Singapore from “a climatic perspective,” it frames the weather as a metaphor of uncertainty, a form of language, and a space of collective resistance that allows us to talk about our futures, bodies, hopes, and fears. Through a combination of fieldwork and studio-based practice, the artist will mobilise diverse methodologies to expand the notion of air and water through physical, symbolic, imaginary, metaphorical associations as well as through states of movement. During the residency, the studio will become a laboratory to develop an open-ended body of works and activities, artistic interventions and temporary collective platforms that variously engage the irrational, the ambiguous, the performative, and the hallucinatory.
Date
A point or period of time associated with an event in the lifecycle of the resource
1 April – 1 July 2019
Contributor
An entity responsible for making contributions to the resource
Iris Touliatou
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Object
Subject
The topic of the resource
Nature
-
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3c9ee2b7cf4739d4f079661d8aac07c9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During the residency, Krist Gruijthuijsen will connect with local artists and institutions in Singapore.
Cycle
Cycle 5 (2018 – 2019)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Germany
Netherlands
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Krist Gruijthuijsen
Description
An account of the resource
During the residency, Krist Gruijthuijsen will connect with local artists and institutions in Singapore. He will present a talk titled <em>The Ouroboros Effect</em> featuring a selection of projects initiated over the past decade that reflect upon the importance in his curatorial practice of the artist’s voice and of the material and social conditions of artistic production.
Date
A point or period of time associated with an event in the lifecycle of the resource
2 April – 8 April 2018
Contributor
An entity responsible for making contributions to the resource
Krist Gruijthuijsen
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Curatorial Practice
Artistic Research
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During the residency, Miya Yoshida will connect with local artists and institutions in Singapore.
Cycle
Cycle 6 (2019 – 2020)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Germany
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Miya Yoshida
Description
An account of the resource
During the residency, Miya Yoshida will connect with local artists and institutions in Singapore. She will deliver a lecture <i>Re-framing “Measuring the World”</i> that reconsiders the hype of social engineering and the wide adoption of algorithm through conceptual and post-conceptual practices. Contemplating the equation of art and life as well as “statactivism” (i.e. the mobilization of statistics), Yoshida will draw lines of connections between imagination, affect, and current transformations in technologies of quantification.
Date
A point or period of time associated with an event in the lifecycle of the resource
2 April – 16 April 2019
Contributor
An entity responsible for making contributions to the resource
Miya Yoshida
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Curating
Subject
The topic of the resource
Curatorial Practice
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
NTU Centre for Contemporary Art Singapore presents the second-cycle exhibition of SEA AiR – Studio Residencies for Southeast Asian Artists in the European Union (SEA AiR), a programme developed by NTU CCA Singapore and funded by the European Union. Titled Passages, this exhibition features new works by artists Priyageetha Dia (Singapore), Ngoc Nau (Vietnam) and Saroot Supasuthivech (Thailand), inspired by their three-month-long residencies in Europe.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Block 38
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
28 November 2023
Exhibition End Date
28 January 2024
Collaboration
Yes
Commissioned Work
Yes
Related Countries
Singapore
Vietnam
Thailand
Germany
The Netherlands
Lithuania
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Passages
Subject
The topic of the resource
Decolonialism
Postcolonialism
Technology
Identity
Supernatural
Description
An account of the resource
<p><strong>NTU Centre for Contemporary Art Singapore</strong> presents the second-cycle exhibition of <strong>SEA AiR – Studio Residencies for Southeast Asian Artists in the European Union (SEA AiR)</strong>, a programme developed by NTU CCA Singapore and funded by the European Union. Titled <strong><em>Passages</em></strong>, this exhibition features new works by artists <strong>Priyageetha Dia</strong> (Singapore), <strong>Ngoc Nau</strong> (Vietnam) and <strong>Saroot Supasuthivech</strong> (Thailand), inspired by their three-month-long residencies in Europe. </p>
<p>As part of the SEA AiR programme, Dia had undertaken her residency at <strong>Jan van Eyck Academie</strong> (Netherlands), Nau at <strong>Rupert</strong> (Lithuania) and Supasuthivech at<strong> Künstlerhaus Bethanien</strong><span> </span>(Germany) through the summer. Bringing back their experiences from diverse contexts in the EU to Singapore for this exhibition,<span> </span><em>Passages</em><span> </span>speaks of the artists’ journeys across geographical and cultural boundaries from one continent to another; the cultural exchanges that take place during this time; and the continuous development of ideas as they return to their home countries to create new works for the exhibition.<br /><br /><em><span>Employing new media technologies to aid their storytelling, each artist creates speculative narratives that traverse time and space, shifting between the past and present. While distinct in their artistic research and practices, their works evoke memories and explore meanings in liminal spaces, reverberating in their journey from one passage to the next.</span><br /><br /></em><strong>Priyageetha Dia’s</strong><span> </span>research interest lies in the plantations of Southeast Asia and their colonial histories, including those of migrant labour and structures of production and power. She explores gaps in historical records that are not only text-based, but also non-textual ones such as photographs, artefacts and oral interviews. Her four-channel sound installation<span> </span><strong><em>Sap Sonic</em></strong><span> </span>is a sonification of images from the photo album of the Sumatra Caoutchouc Company, a rubber planting company, from the archives of Rijksmuseum, Amsterdam. Beyond their visual representations, the images bear witness to the power dynamics between the coloniser and its labourers as well as the hierarchy between nature and machine. Reframing this landscape from a visual to a sonic one,<span> </span><em>Sap Sonic<span> </span></em>serves as an aural gateway to the plantations as it delves into the lived yet unspoken lives of those who work on and inhabit the plantations, both human and nonhuman. Accompanying the work,<span> </span><em>Sap Script</em><span> </span>is a text installation in white latex paint, referencing rubber sap, on a black, obsidian-like background. Its typeface echoes the slender and linear structure of rubber trees, distorted to resemble the waveform of sound waves. Through the intangible, unseen nature of sound, Sap Sonic probes aspects of the visual world; expanding the agentive possibilities of the uncounted and the underheard.<br /><br /><span>Upon her arrival in Vilnius, Lithuania, for her residency, </span><strong>Ngoc Nau</strong><span> was drawn to Soviet-era architectural elements in the city, such as the Soviet brutalist architecture of the Vilnius Palace of Concerts and Sports. She also became intrigued with the iconic image of a Lenin statue being removed, with its legs severed, from the city centre square in 1991. This imagery became a point of departure for her exploration into multifaceted aspects of post-Soviet realities in her own country. Portraying contemporary life amidst the remnants of socialist architecture and monuments using 3D animation and visual effects, Nau’s video installation, </span><strong><em>Virtual Reverie: Echoes of a Forgotten Utopia</em></strong><span>, demonstrates the transformative power of technology in reshaping our perceptions of reality. Central to the work is a constructed representation of the Vietnam-Soviet Friendship Palace of Culture and Labour in Hanoi, Vietnam, that serves as a stage for five hip-hop dancers embarking on a symbolic journey. As they interact with elements drawn from historical references in Vietnam and Lithuania, the dancers bridge the gap between historical artifacts and contemporary experiences. Echoing the ebb and flow of ideologies, their passage brings about new meanings when past memories evolve in the face of shifting landscapes.<br /><br /><strong>Saroot Supasuthivech’s</strong> multimedia installation,<strong><em> Spirit-forward in G Major</em></strong>, charts the transformative journey experienced by Thai expatriates in Germany, told through a metaphoric cycle of life, death and rebirth. The work’s narrative unfolds in four parts. “New Beginnings” uses therapeutic dialogues to depict the initial migrant experience. “A Surreal Interlude”, based on interviews conducted with Thai monks and nuns in Berlin, transports viewers into a realm of magic and mortality inspired by Grimm’s fairy tales. The third segment focuses on a Thai music score <em>Sai Samon</em>, the oldest documented. Finally, “A Glimpse Beyond” dives into a poetic meditation on death and the afterlife, told from the viewpoint of the deceased. This poignant culmination is an exploration into a liminal reality between the familiar and the surreal, encapsulating the interplay of tradition, adaptation and preservation within an evolving cultural landscape.</span></p>
<div class="wp-block-image">
<p><em>Passages </em>will be held through Singapore Art Week 2024, with a public programme taking place on 20 January 2024. Details of the public programme can be found<span> </span>here. </p>
<p>SEA AiR – Studio Residencies for Southeast Asian Artists in the European Union<em> </em>is made possible thanks to a generous grant of the European Union. </p>
</div>
<p><strong><span>Dates</span><br />Opening reception: </strong><br />28 November 2023, 5–8pm<br />Refreshments will be served</p>
<p><strong>Public programme:</strong><br />20 January 2023, 4-5.30pm</p>
<p><strong>Opening Hours</strong>:<br />1 December 2023 – 14 January 2024: Friday – Sunday, 1–7pm<br />Closed on 24, 25, 31 December 2023 and 1 January 2024<br /><br />Singapore Art Week<br />19 – 28 January 2024: Monday – Sunday, 1–7pm<br />Late nights on 20 and 27 January 2024: Saturday, 1–9pm</p>
<p><strong><span>Location:</span></strong><br />NTU CCA Singapore Residencies Studios<br />Block 38 Malan Road<br />Gillman Barracks<br />Singapore 109441</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
28 November 2023 - 28 January 2024
Contributor
An entity responsible for making contributions to the resource
Priyageetha Dia
Ngoc Nau
Nguyen Hong Ngoc
Saroot Supasuthivech
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Medium
The material or physical carrier of the resource.
Mixed Media
Multimedia Installation
Video
Sound
-
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b6a85d37f6a7c51ce1defa8a1daa1371
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Rossella Biscotti will deepen her research interest into colonial structures of power and management at the turn of the 20th century and the way in which these structures are interwoven with contemporary practices of production and distribution.
Cycle
Cycle 6 (2019 – 2020)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Belgium
Netherlands
Germany
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rossella Biscotti
Description
An account of the resource
Sourcing oral histories and female accounts, delving into archives, and mapping sites associated with different forms of mining, exploitation, and confinement, Rossella Biscotti will deepen her research interest into colonial structures of power and management at the turn of the 20th century and the way in which these structures are interwoven with contemporary practices of production and distribution. Expanding on a recently produced body of works that explore the physical and aesthetic properties of rubber—notably its resistance and its resemblance to human skin—the artist aims to research its production process on site. She will conduct archival research on colonial trade, botanical imports, and intensive cultivations in preparation for her field trips to rubber and oil palm plantations in the region.
Date
A point or period of time associated with an event in the lifecycle of the resource
7 January – 27 March 2020
Contributor
An entity responsible for making contributions to the resource
Rossella Biscotti
Medium
The material or physical carrier of the resource.
Film
Performance
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Archival Practice
Botany
-
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3c1d112e904a3c01623554521420c86f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Noack spent time in Singapore further understanding different institutional structures.
Cycle
Cycle 2 (2015 – 2016)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Germany
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ruth Noack
Description
An account of the resource
As part of her time in Singapore she presented the lecture “Non-transmittable form? Thoughts on the impossibility to show what might need to be shown today” which she described as “It is a contemporary given that cultures are replete with forms that have been transmitted from elsewhere. Most discourse on global art either assumes that this transmission has been easy and neutral, or fraught and based on power relations. Whether the problem of transmission is articulated or not, it is commonly taken for granted that exhibitions are functioning transmission machines. But what about form that simply does not transfer? Or does not transfer simply?” <br /><br />Noack also spent time in Singapore further understanding different institutional structures.
Date
A point or period of time associated with an event in the lifecycle of the resource
9 November – 13 November 2015
Contributor
An entity responsible for making contributions to the resource
Ruth Noack
Medium
The material or physical carrier of the resource.
Curating
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Spaces of the Curatorial