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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Hong Kong
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Screenings: Hong Kong Film Series. Selected and introduced by Yung Ma, Curator, Contemporary and Prospective Creation Department, Centre Pompidou, Paris, France
Subject
The topic of the resource
Urbanism
Modernity
Ways of Seeing
Date
A point or period of time associated with an event in the lifecycle of the resource
8 - 10 December 2016
Contributor
An entity responsible for making contributions to the resource
Liu Chuang
Wong Ping
May Fung
Clara Law
Cao Fei
Tsai Ming-Liang
Tsai Ming-liang
Yung Ma
Description
An account of the resource
<div class="event_single_dates text__exhibitions">8 Dec 2016, Thu - 9 Dec 2016, Fri 07:30 PM - 10:00 PM<br />10 Dec 2016, Sat 02:00 PM - 05:00 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road<br /><br /><strong>Thursday, 8 December</strong><br /><strong>7.30 – 10.00pm</strong><br /><p><b><em>Untitled (Festival)</em>, Liu Chuang, China, 2011, 5 min</b><br /><em>Untitled (Festival)</em> is set in an urban context, documenting a journey of an invidividual through a city filled with rubble and debris. It begins with the individual picking up a sheet of paper, lighting it up on fire and then throwing it to the ground. The act becomes repetitive, a commentary to the normalcy of accepting the conditions imposed on them without protest.</p>
<p><b><em>Autumn Moon</em>, Clara Law, Hong Kong, 1992, 108 min</b><br />Weary of work, Tokio comes to Hong Kong looking for good food. He meets a 15 year-old girl called Wai. Her parents are in Canada dealing with immigration matters, as well as buying a house and sending her brother off to university. Wai is left behind in Hong Kong with her 80 year-old grandmother and her cat. Tokio finds himself more interested in the grandmother’s cooking. Wai, on the other hand is secretly in love with a boy in her school but is reluctant to show her passion, for fear that she is unable to handle the situation when she has to emigrate.<br /><br /><b><em>After Reality</em>, Zhou Tao, China, 2013, 14 min</b><br /><em>After Reality</em><span> was filmed mostly in Guangzhou, China and in some parts of Paris, France, in abandoned urban or rural surroundings. By creating alternating images throughout the editing process, Zhou Tao intends to create a third space where the gaze rests on the biodiversity of these escheated areas, as to the human body that performs on it. The “reality” of an urban life is conditioned by the cause of urban planning, where ideologically, everything is under human control. After-reality exposes the beauty of the luxuriant subtropical vegetation, an alienation from the cities, creating a feel of wonder that is beyond narration.</span></p>
<strong>Friday, 9 December</strong><br /><strong>7.30 – 10.00pm<br /><br /></strong>
<p><b><em>She Said Why Me</em>, May Fung, Hong Kong 1989, 8 min</b><br />A woman travels, blindfolded, from an ancient countryside temple to a bustling city. Her surroundings change, but her sense of unease lingers. The film takes the female perspective to combine the past and present, expressing a sense of anxiety that permeated Hong Kong during that particular moment in time.</p>
<p><b><em>Jungle of Desire</em>, Wong Ping, Hong Kong, 2016, 6 min 50 sec</b><br />An impotent husband, an unsatisfied wife and a megalomaniac policeman. A perfect ecosystem in the concrete jungle. A jungle where you can be at grip with lust and no moral laws.</p>
<p><b>A surprise film (145 min) will be screened <br /><br />Saturday, 10 December<br />2.00 – 5.00pm</b></p>
<b><em>Haze and Fog</em>, Cao Fei, China, 2013, 47 min</b><br /><em>Haze and Fog</em><span> is a new type of zombie movie filmed in modern China. The film explores the ways of the collective consciousness of people living in the time of “magical metropolises”. It is a term Cao Fei describes as emerging from seemingly tedious, mundane, day-to-day life where a magical reality is created through struggles at the tipping point between the visible and the invisible.</span><br /><br /><p><b><em>What Time Is It There?</em>, Tsai Ming Liang, Taiwan, 2001, 116 min</b><br />After the death of his father, Shiao Kang begins to fear darkness. He locks himself in his room and sleeps with the lights on. He believes that his father’s ghost is still around.</p>
<p>In the day, he sells watches on the crossover bridge of the Taipei Train Station. A woman by the name of Shiang–Chyi, who is about to travel abroad, comes to him to buy a watch. She takes a liking on Shiao Kang’s own watch and is adamant on buying it. According to traditional beliefs, within the period of seven weeks of mourning, a property should never being transferred as it would bring bad luck to the receiver. The story unfolds between the two individuals as their realities start to shift, alternating their experiences with one another.<br /><br /></p>
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<p>This screening is a public programme of <em><span>Incomplete Urbanism: Attempts of Critical Spatial Practice</span></em>.</p>
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Pursuing his sustained interest in natural bodies and biological mechanisms, Trevor Yeung intends to explore Singapore’s culture and politics of nature preservation and gardening.
Cycle
Cycle 6 (2019 – 2020)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Hong Kong
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Trevor Yeung
Description
An account of the resource
Pursuing his sustained interest in natural bodies and biological mechanisms, Trevor Yeung intends to explore Singapore’s culture and politics of nature preservation and gardening. More specifically, he will investigate the history of Singapore Botanic Gardens, their role as a laboratory for exploiting natural resources, and the effect of the introduction of foreign plants on local ecosystems. Furthermore, having spent some time working in Singapore in 2011, the artist aims to track down and reconnect with his former colleagues and supervisors, whom he has since lost touch with, in order to gather stories of personal growth and professional development and reflect on the fleeting boundaries that define interpersonal relationships. Ultimately, the artist aims to produce a new series of works that muse on his own relationship with people, plants, and society in Singapore.
Date
A point or period of time associated with an event in the lifecycle of the resource
3 January – 27 March 2020
Contributor
An entity responsible for making contributions to the resource
Trevor Yeung
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Mixed Media
Subject
The topic of the resource
Ways of Seeing