Residencies OPEN x SAW 2024
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<p><strong>Residencies OPEN</strong><span> </span>reveals the rich diversity of contemporary art practices by offering a rare insight into the creative processes that unfold inside the artist’s studios. Discover how the space of the studio constitutes a springboard for artistic experimentation, innovation, and research.</p>
<p>This session of Residencies OPEN offers a unique opportunity for the public to meet our Artists-in-Residence<span> </span><strong>Anthony Chin</strong>,<span> </span><strong>Irfan Kasban</strong>, and<span> </span><strong>Shahmen Suku</strong><span> </span>(all Singapore)! Come visit the NTU CCA Singapore Residencies Studios to encounter their works-in-progress and explore the processes and research interests developed during their residencies.</p>
<p><em>The 10<sup>th</sup> Cycle of the Residencies Programme by NTU Centre for Contemporary Art Singapore is supported by<span> </span>National Arts Council. This cycle hosts six Singapore Artists-in-Residence: Yanyun Chen, Anthony Chin, Irfan Kasban, Ben Loong, Shahmen Suku, and Zulkhairi Zulkiflee.<br /><br /></em><strong></strong><strong>Anthony Chin<br /></strong><br />Saturdays, 20 January & 27 January, 2:00 – 9:00pm<br />Sundays, 21 January & 28 January, 2:00 – 7:00pm<br />Block 37 Malan Road, #01-03<br /><br />Anthony Chin dedicated the past five months researching Singapore’s colonial past through sites such as Gillman Barracks and its surrounding locations. The artist is interested in the historic relationship between Singapore and Japan, and during his residency he looked into OKA 9420, a biological laboratory established by the Imperial Japanese Army soon after the Fall of Singapore in 1942. Anthony seeks to develop a deeper understanding of the history of bio-chemical warfare while unpacking current ethical concerns surrounding the rapid advancements in science and technology. Presented during Residencies Open is <em>OKA-9420, </em>a new work developed during the artists stay at Gillman Barracks. This work is accompanied by three existing works:<em> Air Doa Selamat </em>(2020), <em>TROPHY </em>(2020), and <em>Rinann Steel Mill – INGOT </em>(2021).<br /><br />The artist will be conducting tours throughout the two weekends. Each tour lasts approximately 35 minutes.<br />Saturdays, 20 & 27 January: 3pm, 5pm, 7pm<br />Sundays, 21 & 28 January: 3pm, 5pm</p>
<h4 class="wp-block-heading"><strong>Irfan Kasban</strong></h4>
<p>Saturdays, 20 January & 27 January, 2:00 – 9:00pm<br />Sundays, 21 January & 28 January, 2:00 – 7:00pm<br />Block 37 Malan Road, #01-01<br /><br />Irfan Kasban has spent his residency expanding his long-term research project <em>Port of Reciprocity</em>, also the namesake for his studio these past five months which has been opened up as a site for visitors from all walks of life. Hosting a series of activities including cooking, screenings, and sharing sessions, this convivial get together is born out of the artists own experience of burn out. For Residencies Open, visitors will encounter objects created by the artist which can all be activated to make sound. Facilitated activations will be conducted by invited collaborators over the two weekends with hopes of creating a song that comforts the collective consciousness.</p>
<p class="wp-block-heading"><strong>Shahmen Suku</strong></p>
<p>Saturdays, 20 January & 27 January, 2:00 – 9:00pm<br />Sundays, 21 January & 28 January, 2:00 – 7:00pm<br />Block 37 Malan Road, #01-02<br /><br />Shahmen Suku explores his own Tamil culture through his family history, cultural ceremony, and food. Having previously addressed different aspects of the rich Tamil cultural traditions of his maternal lineage via the alter ego Radha, the artist has spent his residency letting go of this persona and directly confronting the conflicting and multipolar narratives of his family history which include economic struggles, heated arguments, health issues, and prolonged disagreements. Presented in his studio is documentation of a recent trip to India, alongside research conducted in Singapore that evidence the artist’s attempt to further uncover the story of his maternal grandfather. Documentation on display includes photographs, films, government documents, recipes, and the artist’s family tree that traces back three generations to his grandfather who first migrated to Singapore.</p>
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20 - 21 January 2024
27 - 28 January 2024
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Kartik Sood
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In line with his multidisciplinary interests, during the residency Kartik Sood intends to engage with a local theatre actor or dance performer as well as research into local literature focusing on the issue of cultural coexistence in Singapore.
11 September – 31 October 2017
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Baptist Coelho
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During the residency, Baptist Coelho will turn his focus to the history of the Indian National Army (INA) and the Rani of Jhansi Regiment, two military units created in Singapore respectively in 1942 and 1943. During the Japanese occupation of Singapore, almost 20,000 Indian prisoners-of-war were instigated by their Japanese captors to create the INA with the goal to free India from British colonial rule. This short-lived military formation, which was disbanded in 1945, also included the Rani of Jhansi Regiment, one of the very few all-female combat units developed during the Second World War. Coelho aims to trace back patterns of everyday life at a time of war and delve into the reasons that drove INA women, most of who had never set foot in India, to fight for the country’s independence. Continuing his extensive research on the psychological and physical disruptions caused by war and conflict, the artist will critically interweave personal memories, historic accounts, and archival records laying out the groundwork for the production of a new work.
2 October – 30 December 2019
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<i>Trees of Life — Knowledge in Material</i>
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NTU Centre for Contemporary Art Singapore is embarking on an inquiry into natural materials, exploring the knowledge they embody as biological forms as well as within social, geopolitical, and historical contexts.<i>Trees of Life – Knowledge in Material</i> is part of the Centre’s long-term research cluster Climates.Habitats.Environments. <br /><br />This exhibition focuses on materials from four plants deeply rooted in Asia: <b>indigo</b> (<i>Indigofera tinctoria</i>), <b>lacquer</b> (<i>Rhus succedanea and Melanorrhoea usitata</i>), <b>rattan</b> (<i>Calamoideae</i>), and <b>mulberry</b> (<i>Morus</i>). The works trace the ongoing involvement with these plants in the artistic practices of <b>Manish Nai</b> (India) with indigo, <b>Phi Phi Oanh</b> (United States/Vietnam) with lacquer, <b>Sopheap Pich</b> (Cambodia) with rattan, and <b>Liang Shaoji</b> (China) and <b>Vivian Xu</b> (China) with mulberry silk. While the featured installations serve as a starting point to uncover the materiality of the chosen plants, the study of their natural and cultural DNA allows further exploration into their biological processes and diverse usages at their locale. <br /><br />The artworks intertwine with selected research documents that address the complex histories and circulation, as well as the effects of human intervention on these natural resources. Starting from the properties and characteristics of the materials themselves, the project expands into their cultural representation and significance for communities and their crafts. <br /><br />The longstanding social and cultural practices associated with indigo, lacquer, rattan, and mulberry silk have accumulated a vast repository of knowledge, whether formal or tacit. Beyond the format of the exhibition, topical seminars will be dedicated to each of the four materials, further investigating their social applications over centuries in terms of their materiality, cultural references, or expanded ecology, and as arising from technological advancements. The lectures, panels, talks, and workshops feature the participating artists, as well as craftsmen, scientists, ethnobotanists, anthropologists, scholars, and designers who are working with these materials and researching innovative applications. From the diverse perspectives offered by the contributors, the public programme excavates layers of meanings and reiterates the deeper role art and craft traditions have in supporting local communities and their ecosystems. <br /><br />Topical seminars take place between <b>21 July and 8 September 2018.</b> <br /><br /><b>On Lacquer</b>: 21, 22 July <br /><br /><b>On Rattan</b>: 25, 26 August <br /><br /><b>On Indigo</b>: 4, 19 August, and 1 September <br /><br /><b>On Mulberry</b>: 8 September <br /><br />The project <i>Trees of Life – Knowledge in Material</i> is led by <b>Ute Meta Bauer</b>, Founding Director, NTU CCA Singapore and Professor, NTU School of Art, Design and Media (ADM); <b>Laura Miotto</b>, Associate Professor and Co-director, MA Museum Studies and Curatorial Practices, NTU ADM; and <b>Khim Ong</b>, Deputy Director, Curatorial Programmes, NTU CCA Singapore.
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Amar Kanwar: <i>The Sovereign Forest </i>in collaboration with Sudhir Pattnaik/Samadrusti and Sherna Dastur
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Amar Kanwar has been filming the industrial interventions that have reshaped and permanently destroyed parts of Odisha’s landscape – a battleground on issues of development and displacement since the 1990s. The resulting conflicts between local communities, the government, and corporations over the use of agricultural lands, forests, revers and minerals, have led to an ongoing regime of violence that is unpredictable and often invisible. A long-term commitment of Kanwar, <i>The Sovereign Forest</i> initiates a creative response to the understanding of crime, politics, human rights and ecology. The validity of poetry as evidence in a trial, the discourse on seeing, and the determination of self, all come together as a constellation of films, texts, books, photographs, objects, seeds and processes. <br /><br /><i>The Sovereign Forest</i> is produced with the support of Samadrusti, Odisha, India; Thyssen-Bornemisza Art Contemporary, Vienna, Austria; Centre Pompidou, Paris, France; Yorkshire Sculpture Park, United Kingdom; Public Press, New Delhi, India; and dOCUMENTA (13), Kassel, Germany. <br /><br />The exhibition at NTU CCA Singapore and its public programmes are curated by Ute Meta Bauer, Khim Ong, and Magdalena Magiera, in collaboration with Amar Kanwar, Sudhir Pattnaik and Sherna Dastur.<br /><br /><em>T</em><em>he Sovereign Forest<span> </span></em><span>is produced with the support of Samadrusti, Odisha, India; Thyssen-Bornemisza Art Contemporary, Vienna, Austria; Centre Pompidou, Paris, France; Yorkshire Sculpture Park, United Kingdom; Public Press, New Delhi, India; and </span><em>dOCUMENTA (13)</em><span>, Kassel, Germany.</span>
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