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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Taking Donna Haraway's quote as a starting point, Vapour Islands invites us to consider the global ecosystem as a network of entangled and interconnected life-forces, taking the earth's hydrolic cycle and consider the ways in which thin air can be transformed into a present thick with possibility.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2019-03-07
Exhibition End Date
2019-04-07
Collaboration
No
Commissioned Work
No
Related Countries
None
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Vapour Islands: to live and die well together in a thick present*</i>
Subject
The topic of the resource
The Anthropocene
Environmental Crisis
Capitalism
Coexistence
Posthumanism
Ecosystems
Description
An account of the resource
“To live and die well together in a thick present,” quotes the seminal text <i>Staying with the Trouble: Making Kin in the Cthulhucene</i> by Donna Haraway. In this text, Haraway responds to the rising sense of alarm surrounding ecological discourses on the Anthropocene and the Capitalocene. The book is a proposal to move instead towards the discursive framework of the Cthulhucene—an ecological epoch that, for Haraway, “eschews futurism” and remains resolutely with the present and all its problems; one that stays with the trouble and finds kin within it. <br /><br />To consider the global ecosystem as a network of entangled and interconnected life-forces, the ecological imminence is also an imminence of existence. It begins with disappearance—of water, of trees, of entire habitats and species—all turned to vapour and thin air. And yet thin air in a thick present takes vapour as a beginning, too: vapour cycles through time, becoming cloud, becoming rainfall, becoming water-body again. Taking the Earth’s hydrologic cycle—that is, the sequence of processes detailing the cyclical movement of water on and off the Earth’s surface—as its entry-point, <i>Vapour Islands: to live and die well together in a thick present*</i> is an archipelago of thematic “islands,” in which each island corresponds to one of the four main stages of the hydrologic cycle: evaporation, condensation, precipitation, and percolation. Interacting with books and research materials from the Centre’s Public Resource Platform while thinking through the cycle of water, this presentation moves through and between loss and regain, release and redistribution, to consider the ways in which thin air can be transformed into a present thick with possibility.
Contributor
An entity responsible for making contributions to the resource
Sophie Goltz
Soh Kay Min
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Europe
Medium
The material or physical carrier of the resource.
Video
Print
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View: Bees (2015).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, vitrine from Bees containing two masks (plaster cloth, wire, and Japanese watercolor), two stones, instructions for bee dance (marker on paper), one photocopy, two magnifying glasses, one dead bee, and one glass bee made by Vittorio Costantini.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View: Fish (2015).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, vitrine from Fish containing one mask (plaster cloth, wire, and Japanese watercolor), nine sea-urchin shells, one sand dollar, one dried seahorse, one drawing (pigmented- inkjet exhibition copy), three photocopies, two Japanese postcards(facsimilies), six pieces of white sea cora, and one glass sea sponge.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View: Wind (2015).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View: Wind (2015).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, vitrine from Wind containing one found mas, one bird’s skull, one bird’s nest, four postcards, two photocopies, one miniature glass owl made by Virrorio Costantini, and two mirrored glass props made by Alexander Rosenberg.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View: Homeroom (2015).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, vitrine from Homeroom containing one found mask, two glass frogs made by Vittorio Costantini, one fossil, two found black-and-white photographs, two color photographs by Joan Jonas, one photocopy, one found card, and two hand mirrors.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View: Mirror (2015).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View: Mirror (2015).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View: Mirror (2015).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
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Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
They Come to Us without a Word is a video and performance by Joan Jonas, as his first large-scale exhibition in Singapore and Southeast Asia.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2016-01-22
Exhibition End Date
2016-04-03
Collaboration
No
Commissioned Work
No
Related Countries
None
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
A name given to the resource
Joan Jonas: <i>They Come to Us Without a Word</i>
Subject
The topic of the resource
Supernatural
Ecology
Ecosystems
Biodiversity
Coexistence
Environmental Crisis
Description
An account of the resource
The NTU Centre for Contemporary Art Singapore is honoured to present <i>They Come to Us without a Word</i>, video and performance pioneer Joan Jonas’ first large-scale exhibition in Singapore and Southeast Asia. <i>They Come to Us without a Word</i> was organised for the U.S. Pavilion of the 56th Venice Biennale by the MIT List Visual Arts Center and co-curated by Paul C. Ha, Director of the MIT List Visual Arts Center and Ute Meta Bauer, Founding Director of the NTU Centre for Contemporary Art Singapore. With this exhibition Jonas evokes the fragility of nature, using her own poetic language to address the irreversible impact of human interference on the environmental equilibrium of our planet. <br /><br /><u>Acknowledgements</u> <i>They Come to Us without a Word</i> was organised for the U.S. Pavilion of the 56th Venice Biennale by the MIT List Visual Arts Center and co-curated by Paul C. Ha, Director of the MIT List Visual Arts Center and Ute Meta Bauer, Founding Director of the NTU Centre for Contemporary Art Singapore. The exhibition was generously supported by U.S. Department of State, Cynthia and John Reed, the Helen Frankenthaler Foundation, and the Massachusetts Institute of Technology. Additional major support was provided by the Council for the Arts at MIT, Toby Devan Lewis, VIA Art Fund, Agnes Gund, Lambent Foundation. <br /><br />The exhibition in Singapore is organised by the NTU Centre for Contemporary Art Singapore, Nanyang Technological University with support by the Economic Development Board, Singapore. Additional support has also been provided by the U.S. Embassy Singapore.
Contributor
An entity responsible for making contributions to the resource
Paul C. Ha
Ute Meta Bauer
Joan Jonas
Medium
The material or physical carrier of the resource.
Film
Video
Multimedia Installation
Drawing
Mixed Media
Object
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
North America
-
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Dublin Core
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Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Constanze Ruhm, X Characters / RE(hers)AL (2003/4). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Constanze Ruhm, X Characters / RE(hers)AL (2003/4). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Constanze Ruhm, X Characters / RE(hers)AL (2003/4). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Eva Meyer and Eran Schaerf, She might belong to you (2007), She might (combination #1) (2007/14). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Eva Meyer and Eran Schaerf, She might belong to you (2007), She might (combination #1) (2007/14). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Eva Meyer and Eran Schaerf, She might belong to you (2007), She might (combination #1) (2007/14). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Theatrical Fields, 22 August – 2 November 2014, Exhibition View.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Theatrical Fields, 22 August – 2 November 2014, Exhibition View.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Isaac Julien, Vagabondia (2000). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Isaac Julien, Vagabondia (2000). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Isaac Julien, Vagabondia (2000). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Joan Jonas, Lines in the Sand (2002). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Joan Jonas, Lines in the Sand (2002). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Joan Jonas, Lines in the Sand (2002). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Joan Jonas, Lines in the Sand (2002). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Joan Jonas, Lines in the Sand (2002). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Joan Jonas, Lines in the Sand (2002). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Judith Barry, Voice off (1999). Courtesy of NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Judith Barry, Voice off (1999). Courtesy of NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Judith Barry, Voice off (1999). Courtesy of NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Judith Barry, Voice off (1999). Courtesy of NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Judith Barry, Voice off (1999). Courtesy of NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Stan Douglas, Suspiria (2003). Courtesy NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields, 22 August – 2 November 2014, Installation view: Stan Douglas, Suspiria (2003). Courtesy NTU Centre for Contemporary Art Singapore.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Theatrical Fields introduces theatricality as a critical strategy in performance, film and video.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2014-08-22
Exhibition End Date
2014-11-02
Collaboration
No
Commissioned Work
No
Related Countries
None
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Theatrical Fields</i>
Subject
The topic of the resource
Embodiment
Experiential
Theatre
Ritual
Description
An account of the resource
<i>Theatrical Fields</i> introduces theatricality as a critical strategy in performance, film and video. This exhibition presents six video installations shown for the first time in Southeast Asia: <i>Voice off</i> by Judith Barry (USA),<i> Suspiria</i> by Stan Douglas (Canada), <i>Lines in the Sand<i> by Joan Jonas (USA), </i>Vagabondia</i> by Isaac Julien (UK), <i>She Might Belong to You</i> by Eva Meyer & Eran Schaerf (Germany / Israel), <i>X Characters Re(hers)AL</i> by Constanze Ruhm (Austria). Situated in juxtaposition, the works generate temporal spaces for experimental action, creating unfamiliar proximities and encounters. <br /><br /><i>Theatrical Fields</i> was curated by Ute Meta Bauer (Founding Director) with Anca Rujoiu (Curator for Exhibitions), and was first presented and commissioned by the Bildmuseet, Umea in Sweden (2013). <br /><br />As a collaboration, Bildmuseet Umea and NTU Centre for Contemporary Art Singapore will publish a catalogue including keynotes from the symposium and additional commissioned essays.
Contributor
An entity responsible for making contributions to the resource
Judith Barry
Stan Douglas
Joan Jonas
Isaac Julien
Eva Meyer
Eran Schaerf
Constanze Ruhm
Ute Meta Bauer
Anca Rujoiu
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Medium
The material or physical carrier of the resource.
Video
Multimedia Installation
Object
Performance
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Lim Yi Yong: SEA STATE, NTU Centre for Contemporary Art Singapore, 30 April – 10 July 2016, installation view. Courtesy of NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Lim Yi Yong: SEA STATE, NTU Centre for Contemporary Art Singapore, 30 April – 10 July 2016, installation view. Courtesy of NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Lim Yi Yong: SEA STATE, NTU Centre for Contemporary Art Singapore, 30 April – 10 July 2016, installation view. Courtesy of NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Lim Yi Yong: SEA STATE, NTU Centre for Contemporary Art Singapore, 30 April – 10 July 2016, installation view. Courtesy of NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Charles Lim Yi Yong, SEA STATE, 30 April – 10 July 2016, Exhibition view: SEA STATE 8: THE GRID (2014), SEA STATE 7: sandman (2015), and SEA STATE
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Lim Yi Yong: SEA STATE, NTU Centre for Contemporary Art Singapore, 30 April – 10 July 2016, installation view. Courtesy of NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Lim Yi Yong: SEA STATE, NTU Centre for Contemporary Art Singapore, 30 April – 10 July 2016, installation view. Courtesy of NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Lim Yi Yong: SEA STATE, NTU Centre for Contemporary Art Singapore, 30 April – 10 July 2016, installation view. Courtesy of NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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NTU Centre for Contemporary Art Singapore; Charles Lim Yi Yong, SEA STATE 1: inside\outside (2005), Installation includes 84 framed C-prints, VHF radio, and prepared GSP1 charts based on the port-limit of Singapore, published in 2004 by the Maritime and Port Authority of Singapore.
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Dublin Core
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Title
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Charles Lim Yi Yong: SEA STATE, NTU Centre for Contemporary Art Singapore, 30 April – 10 July 2016, installation view. Courtesy of NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Lim Yi Yong: SEA STATE, NTU Centre for Contemporary Art Singapore, 30 April – 10 July 2016, installation view. Courtesy of NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Lim Yi Yong: SEA STATE, NTU Centre for Contemporary Art Singapore, 30 April – 10 July 2016, installation view. Courtesy of NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Charles Lim Yi Yong, SEA STATE, 30 April – 10 July 2016, Installation view, SEA STATE 2: as evil disappears (Sajahat Buoy) (2014), Encrusted navigational buoy.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Charles Lim Yi Yong, SEA STATE, 30 April – 10 July 2016, Installation view, SEA STATE 2: as evil disappears (Sajahat Buoy) (2014), Encrusted navigational buoy.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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NTU Centre for Contemporary Art Singapore; Charles Lim Yi Yong, SEA STATE, 30 April – 10 July 2016, Installation view, SEA STATE 2: as evil disappears (Sajahat Buoy) (2014), Encrusted navigational buoy.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Charles Lim Yi Yong, SEA STATE, 30 April – 10 July 2016, Exhibition view
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Dublin Core
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Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Charles Lim Yi Yong, SEA STATE, 30 April – 10 July 2016, Exhibition view
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
SEA STATE examines the biophysical, political and psychic contours of Singapore through the visible and invisible lenses of the sea.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2016-04-30
Exhibition End Date
2016-07-10
Collaboration
No
Commissioned Work
No
Related Countries
None
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Charles Lim Yi Yong: SEA STATE</i>
Subject
The topic of the resource
Geopolitics
Sustainability
Ecology
Ecosystems
Nature
Climate Crisis
Oceans & Seas
Description
An account of the resource
<i>SEA STATE</i> by artist Charles Lim Yi Yong, commissioned for the Singapore Pavilion for the 56th Venice Biennale and curated by Shabbir Hussain Mustafa, will be presented at the NTU CCA Singapore from 30 April to 10 July 2016. For over a decade, Lim’s ongoing project <i>SEA STATE</i> examines the biophysical, political and psychic contours of Singapore through the visible and invisible lenses of the sea. <i>SEA STATE</i> is an in-depth inquiry by an artist that scrutinises both man-made systems, opening new perspectives on our everyday surroundings, from unseen landscapes and disappearing islands to the imaginary boundaries of a future landmass. <br /><br />First held at the Palazzo Franchetti on the occasion of the Singapore Pavilion at the 56th Venice Biennale, the symposium <i>The Geopolitical and the Biophysical: a structured conversation on Art and Southeast Asia in context</i> will continue and expand upon the debate with a second iteration at NTU CCA Singapore during Lim’s exhibition on 17 and 18 June 2016. <br /><br />The presentation of <i>SEA STATE</i> and the symposium <i>The Geopolitical and the Biophysical: a structured conversation on Art and Southeast Asia in context, Part II</i> held at NTU CCA Singapore are generously supported by the Ministry of Culture, Community & Youth, National Arts Council Singapore and the Singapore Tourism Board.
Contributor
An entity responsible for making contributions to the resource
Charles Lim Yi Yong
Ute Meta Bauer
Medium
The material or physical carrier of the resource.
Video
Multimedia Installation
Film
Photography
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Allan Sekula: Fish Story, to be continued, 3 July – 27 September 2015, Exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Allan Sekula: Fish Story, to be continued, 3 July – 27 September 2015, Installation view: Allan Sekula, Fish Story, Chapter 1 and Middle Passage (Chapter 3).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Allan Sekula: Fish Story, to be continued, 3 July – 27 September 2015, Installation view: Allan Sekula, Fish Story, Chapter 1 and Middle Passage (Chapter 3).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Allan Sekula: Fish Story, to be continued, 3 July – 27 September 2015, Installation view: Allan Sekula, Fish Story, Middle Passage (Chapter 3).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Allan Sekula: Fish Story, to be continued, 3 July – 27 September 2015, Installation view: Allan Sekula, Fish Story, Walking on Water (Chapter 9).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Allan Sekula: Fish Story, to be continued, 3 July – 27 September 2015, Installation view: Allan Sekula, Lottery of the Sea (2006).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Allan Sekula: Fish Story, to be continued, 3 July – 27 September 2015, Installation view: Allan Sekula, Lottery of the Sea (2006).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Allan Sekula: Fish Story, to be continued, 3 July – 27 September 2015, Installation view: Allan Sekula, The Forgotten Space (2010).
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Fish Story, to be continued presents an investigation of the global maritime industry, an extensive research of the late artist, theorist, photography historian and critic, Allan Sekula.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2015-07-03
Exhibition End Date
2015-09-27
Collaboration
No
Commissioned Work
No
Related Countries
None
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Allan Sekula: <i>Fish Story, to be continued</i>
Subject
The topic of the resource
Capitalism
Decolonialism
Globalisation
Geopolitics
Technology
Oceans & Seas
Description
An account of the resource
<i>Fish Story, to be continued</i> presents an investigation of the global maritime industry, an extensive research of the late artist, theorist, photography historian and critic, Allan Sekula. Showing for the first time in Southeast Asia, NTU CCA Singapore will juxtapose chapters from <i>Fish Story</i> (1988 – 1993) alongside two film works, <i>Lottery of the Sea</i> (2006) and <i>The Forgotten Space</i> (2010) co-directed with Nöel Burch. With a focus on the core works of his explorations of the maritime world, this exhibition aims to emphasise Allan Sekula’s sustained argument that the sea is the “forgotten space” of the contemporary global economy. <i>Fish Story, to be continued</i> will include works from the collections of Fond Regional d’art contemporain Bretagne, the Museum of Modern Art (MoMA), New York and Thyssen Bornemisza Art Contemporary (TBA 21), Vienna. <br /><br />An International Symposium is organised on the occasion of <i>Fish Story, to be continued</i> on Saturday 26 September 2015. Bringing together different researchers and artists who have collaborated or share common interests with Allan Sekula’s work, the symposium will focus on key themes of his practice including questions of critical realism in contemporary art and representation of labour. <br /><br />This exhibition is part of NTU CCA Singapore’s curatorial programme PLACE.LABOUR.CAPITAL., a trandisciplinary research addressing the complexities of a world in flux and the network of connections that such underlying elements define at both local and global scale.
Contributor
An entity responsible for making contributions to the resource
Allan Sekula
Ute Meta Bauer
Anca Rujoiu
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Europe
North America
Medium
The material or physical carrier of the resource.
Photography
Film