<i>No country: Contemporary Art for South and Southeast Asia</i>
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<i>No Country: Contemporary Art for South and Southeast Asia</i> is part of the Guggenheim UBS MAP Global Art Initiative which was launched in April 2012, a multi-year collaboration that charts contemporary art practice in three geographic regions—South and Southeast Asia, Latin America, and the Middle East and North Africa—and encompasses curatorial residencies, international touring exhibitions, audience-driven education programming, and acquisitions for the Guggenheim’s permanent collection. <br /><br />Curated by June Yap, No Country at NTU Centre for Contemporary Art Singapore brought the artworks back to the Southeast Asia region from which many of the artists hail and called for an even closer examination of regional cultural representations and relations. This return suggests the possibility of a renewed understanding through a process of mutual rediscovery that transcends physical and political borders. The exhibition in Singapore also marked the debut of two works from the Guggenheim UBS MAP Purchase Fund not previously shown as part of <i>No Country: Loss</i> by Sheela Gowda and <i>Morning Glory</i> by Sopheap Pich.
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<i>Exhibit 101</i>: Li Ran and Gary Ross Pastrana
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Unfolding over two months, Artists-in-Residence <b>Li Ran</b> and <b>Gary Ross Pastrana</b> will develop projects for The Lab, NTU CCA Singapore’s space for experimentation, which are speculations on how an image is created and deconstructed. <br /><br />Gary Ross Pastrana’s <i>An ASEAN Exhibition 1</i> creates an artistic gesture around the idea of Southeast Asia as a reference with no visual referent. The artist engaged DSM Solutions, a young Singaporean creative collective, to stage a “Contemporary Southeast Asia Art Exhibition-Themed Event” and prototype props that could stand in for Southeast Asian artworks. In this manner, the artist has effectively outsourced the sometimes-problematic task of representing Southeast Asia, an implied obligation of artists invited to regionally themed group exhibitions within the region. <br /><br />Li Ran presents a new project <i>Waiting for the Fog to Drift Away</i>, a collaboration with Singapore Management University (SMU), Assistant Professor Rowan Wang, a specialist in overall planning science. Li Ran will conduct interviews to gain planning advice from Wang in an attempt to define the most successful trajectory for the life of an artist as a business enterprise, estimating production levels and peaks and troughs in key life moments.
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Amy Lien & Enzo Camacho
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Amy Lien & Enzo Camacho’s residency research focuses on employees of financial institutions in Singapore. It fixates on the college graduates who have recently entered the field, and who are becoming biologically shaped by the dominating but fraught system of globalized financial capital. This artistic research began after hearing stories about the extreme work routines and social lives of these fresh recruits in Singapore. The best stories were about Enzo Camacho’s sister, a beautiful, young third-year analyst at a prominent investment bank in this city.
2 November – 27 November 2015
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Buen Calubayan
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Illustrating a new way of seeing, Buen Calubayan’s <i>Instructions on Viewing the Landscape</i> is an long-term exercise in seeing the bigger picture, literally and figuratively, which subtly challenges notions of national identity and colonialism. Articulated through a complex set of rules, this conceptual work is an investigative device aimed to unpack the history of late 19th century Filipino art – a period of significant political changes propelled by the revolutions against the Spanish rule. In re-examining and reviewing the landscapes of celebrated painters Juan Luna (1857 – 1899) and Félix Resurrección Hidalgo (1855 – 1913), the artist locates their vanishing points and brings to the fore unexpected tensions between the viewer and the artwork. Over the course of his residency, Calubayan will extend the scope of the project in order to pinpoint the metaphorical vanishing points in Singapore’s landscape, locating their historical, economic, and religious coordinates.
2 May – 29 June 2017
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Gary Ross Pastrana
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Gary Ross Pastrana will collect “Fifty Shared Words” as a response to the overlaps in histories and languages in the various parts of Southeast Asia. With these words he will write short descriptions, musings, meditations or anecdotes about each word, comparable in format with Primo Levi’s Periodic Table. Research will be kept to informal conversations with artists and other everyday people encountered during the residency to keep the whole experience direct, unmediated, and current. The aim is not to come up with an academic linguistic study but to encounter words in actual usage by real people and in the process learn through communication. Short stays in other neighboring countries like Malaysia and Indonesia, (to meet artists and visit artists communities) is also worked into the plan to expose to varying settings and the more subtle differences in context and usage of the words.
6 July – 2 October 2015
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John Torres
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During the residency, John Torres plans to experiment with “parasitical filmmaking strategies” as the starting point of a series of works he intends to realise throughout Southeast Asia. By positioning himself at the periphery of ongoing film productions, Torres will collect their multiple “excesses:” spillages in light, sound, props, furniture, scenic design, and everything that may linger outside the perimeter of the main set. Tapping onto other directors’ scraps and making use of resources that have already been paid for to create his own separate narrative, the artist aims to test out a playful method for bypassing the financial limitations of independent film productions. In light of his recent role as father, this work will be developed within the framework of Remote Daddy Project: a way of structuring the artist’s work schedule around his daughter’s sleep and feeding schedule so as to strike a balance between making art and raising a family.
8 January – 28 March 2019
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Joselina Cruz
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As part of her time in Singapore Joselina Cruz will connect with the current NTU CCA Singapore exhibition, <em>Charles Lim Yi Yong: SEA STATE</em> and with the artist, understanding his practice and process. Cruz will also connect with local artists and institutions and explore the Singapore art scene in connection to the larger region of Southeast Asia and The Philippines.
16 May – 20 May 2016
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Martha Atienza
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Born into a family of seafarers, Martha Atienza’s fascination with the maritime is nurtured by her deep-seated connection with the water and modes of living that unfold at sea. During the residency, Atienza aims to explore Singapore’s relationship with water and its geopolitical role in shaping connections and contrasts with neighboring countries. Using the studio as a space for experimentation, she will also further develop her methods of working with water.
12 February – 13 April 2018
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
Yason Banal
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Yason Banal’s work-in-progress is inspired by a conceptual astronomy around abstraction and document, ranging from Jose Rizal’s transglobal coordination and Isabelo Delos Reyes’ experimental archive amidst 19th century politics and anti-imperialist imagination, to possible contemporary coordinates in supernatural reality TV, lo-fi internet culture, geomarket forces and neo-migrant formalism.
6 July – 6 August 2015
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