Using ideas of spiritual mapping, where ‘territorial demons’ of a geographical location are identified, the artist intends to chart the history of the charismatic movement in Singapore beginning from the first recorded instance of glossolalia to current Christian eschatologies. In the process of charting such histories through maps and diagrams, conceptualisations of the ‘territorial spirits of the land’, the dichotomy between the demon/demonised, and the understanding of material spaces through such a lens will be dissected. Using self-portraiture alongside map-making, the research grounded in discourses of spiritual warfare will serve as a form of autoethnography. Through image-making, the artist hopes to formalise the research into frameworks that will structure his development within performative expressions, installations, the moving image, and sound.
]]>Branching out from previous collaborative research on spiritual mapping, Zachary Chan will spend his residency developing maps and diagrams as a way of building an archive of the charismatic evangelical movement in Singapore.
Using ideas of spiritual mapping, where ‘territorial demons’ of a geographical location are identified, the artist intends to chart the history of the charismatic movement in Singapore beginning from the first recorded instance of glossolalia to current Christian eschatologies. In the process of charting such histories through maps and diagrams, conceptualisations of the ‘territorial spirits of the land’, the dichotomy between the demon/demonised, and the understanding of material spaces through such a lens will be dissected. Using self-portraiture alongside map-making, the research grounded in discourses of spiritual warfare will serve as a form of autoethnography. Through image-making, the artist hopes to formalise the research into frameworks that will structure his development within performative expressions, installations, the moving image, and sound.