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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Engaging Perspectives: New Art From Singapore, 26 January – 31 March 2013, Installation view: Ang Song Nian, Towards A New Interior (2013).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Engaging Perspectives: New Art From Singapore, 26 January – 31 March 2013, Installation view: Ang Song Nian, Towards A New Interior (2013).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Engaging Perspectives: New Art From Singapore, 26 January – 31 March 2013, Installation view: Mike Chang, Arrival Reception (2013).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Engaging Perspectives: New Art From Singapore, 26 January – 31 March 2013, Installation view: Robert Zhao Renhui, The Glacier Study Project (2013).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Engaging Perspectives: New Art From Singapore, 26 January – 31 March 2013, Installation view: Black Baroque Committee, The Photographer An Executioner's Assistant (2013).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Engaging Perspectives: New Art From Singapore, 26 January – 31 March 2013, Installation view: Jasper Yu, Jasper's Travelogue (2012).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Engaging Perspectives: New Art From Singapore, 26 January – 31 March 2013, Installation view: Singapore Psychogeographical Society (Debbie Ding), Spotspotting (2009-Present).
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2013-01-26
Exhibition End Date
2013-03-31
Collaboration
Yes
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Engaging Perspectives: New Art from Singapore</i>
Description
An account of the resource
Curated by Eugene Tan, <i>Engaging Perspectives: New Art From Singapore</i> present works that engage with multifaceted perspectives about Singapore by a generation of artists born in the 1980s and currently working in Singapore. The nine artists and collectives, who are at differing stages of their careers from emerging artists to those who have exhibited internationally will examine the diverse but related ways in which they engage with the everyday. Their works explore the physical structures as as the invisible structures and networks that govern our everyday lives, the relationship of our increasingly urbanised environments to nature, as well as the systems of meaning making through the creation of images and signs that exists in our society. The exhibition aims to provide new perspectives about the everyday within the context of Singapore, and how this engagement with the everyday is also invariably an engagement with global perspectives.
Contributor
An entity responsible for making contributions to the resource
Ang Song Nian
Black Baroque Committee
Mike Chang
Nah Yong En
Bruce Quek
Singapore Psychogeographical Society
Frayn Yong
Jasper Yu
Zhao Renhui
Eugene Tan
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Installation
Multimedia Installation
Photography
Sculpture
Subject
The topic of the resource
Spaces of the Curatorial
History
Urbanism
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
CITIES FOR PEOPLE offers a platform to contemplate the possibilities for our shared space, reformulate our demands accordingly, and project solutions and desires for the future.
Exhibition Mode
Festival
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2016-11-13
Exhibition End Date
2017-01-22
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>CITIES FOR PEOPLE NTU CCA Ideas Fest 2016/7</i>
Subject
The topic of the resource
Knowledge Production
Public Sphere
Urbanism
Ecology
Spaces of the Curatorial
Architecture
Environmental Crisis
Description
An account of the resource
<i>CITIES FOR PEOPLE</i> is the pilot edition of the annual NTU CCA Ideas Fest, a platform to catalyse critical exchange of ideas and encourage thinking “out of the box”. It is a bottom-up approach linking the artistic and academic community with grassroots initiatives. This pilot edition expands artistic interventions and engages contemporary issues such as air, water, food, environment, and social interaction in connection to artistic and cultural fields, academic research, and design applications. <br /><br />The 10-day programme, coinciding with Singapore Art Week 2017 and Art After Dark at Gillman Barracks, comprises a conglomerate of performances, public installations, participatory projects and social experiment, urban farming initiatives, public dialogues, and a variety of workshops. It cumulates in a three-day summit that brings together a prominent group of architects, theorists, researchers, curators, and community groups to discuss and exchange ideas about urbanism, modes of exchange, critical spatial practice, and to envision a future city. <i>CITIES FOR PEOPLE</i> offers a platform to contemplate the possibilities for our shared space, reformulate our demands accordingly, and project solutions and desires for the future. <br /><br /><i>CITIES FOR PEOPLE</i>, borrowing the title from a book by eminent Singapore architect William S. W. Lim published in 1990, expands on some of the ideas Lim developed, particularly in relation to tropical environments and recycling, as well as his call for a humanistic architecture. Organised on the occasion of the exhibition <i>Incomplete Urbanism: Attempts at Critical Spatial Practice</i>, this event is an invitation to share and engage in cooperative projects and collective experiences that critically reflect on current challenges in urban and social development.
Contributor
An entity responsible for making contributions to the resource
Ute Meta Bauer
Khim Ong
indieguerillas
Lulu Lutfi Labibi
Ari Wulu
Lucy + Jorge Orta
Foodscape Collective
Marjetica Potrč
Laura Anderson Barbata
Brooklyn Jumbies
Misso Russell Keith
Post-Museum
Xu Tan
Edible Garden City
Michelle Lai
Dan Susman
Victoria Marshall
Medium
The material or physical carrier of the resource.
Performance
Sound
Installation
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alexandra Pirici, Re-Collection, 2018, performative exercise with performers. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alexandra Pirici, Re-Collection, 2018, performative exercise with performers. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alexandra Pirici, Re-Collection, 2018, performative exercise with performers. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alexandra Pirici, Re-Collection, 2018, performative exercise with performers. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cally Spooner, DRAG DRAG SOLO, 2016, single-channel projection and Bedtime Beats, 2016, sound installation, with choreographies by Maggie Segale, 2018. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cally Spooner, DRAG DRAG SOLO, 2016, single-channel projection and Bedtime Beats, 2016, sound installation, with choreographies by Maggie Segale, 2018. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cally Spooner, DRAG DRAG SOLO, 2016, single-channel projection and Bedtime Beats, 2016, sound installation, with choreographies by Maggie Segale, 2018. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cally Spooner, DRAG DRAG SOLO, 2016, single-channel projection and Bedtime Beats, 2016, sound installation, with choreographies by Maggie Segale, 2018. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Maria Loboda, This Work is Dedicated to an Emperor, 2012–ongoing, installation with 10 Eugenia oleina trees. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Maria Loboda, This Work is Dedicated to an Emperor, 2012–ongoing, installation with 10 Eugenia oleina trees. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Stagings. Soundings. Readings. employs an open, multidisciplinary structure that challenges traditional modes of presentation and re-presentation through a range of artistic practices and formats.
Exhibition Mode
Festival
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Offsite
Exhibition Start Date
2018-09-21
Exhibition End Date
2018-11-06
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Stagings. Soundings. Readings. Free Jazz II</i>
Subject
The topic of the resource
Body
Performance
Identity
Institutional Critique
Description
An account of the resource
<i>Stagings. Soundings. Readings. Free Jazz II</i> reviews the performative format that marked NTU CCA Singapore’s inauguration in 2013. <i>Free Jazz</i> 2013 was a series of talks and performances where participants of various disciplines were invited to imagine and envision a new institution and its potential. On its five-year anniversary, the Centre continues advocating for free spaces, celebrating the practice of improvisation, as well as of collective and performative approaches. Discussing ethical values with an expanded sense of community, territorial, and environmental concerns, <i>Stagings. Soundings. Readings.</i> employs an open, multidisciplinary structure that challenges traditional modes of presentation and re-presentation through a range of artistic practices and formats. <br /><br />Situated within a complex and contemporary understanding of the Centre’s current overarching research topic CLIMATES. HABITATS. ENVIRONMENTS., the featured works link theory and practice, emphasising collectiveness. Today, the planet is witnessing a moment of unprecedented loss of biodiversity, habitat destruction, and cultural transformations. In the face of such agitated times juxtaposed with advanced communicative tools, contemporary social and environmental issues require responses from a collective body, through establishing processes of instigation, negotiation, and collaboration. <br /><br />Can we learn from what we see as opposed to being merely seduced by images, becoming active participants instead of only passive observers? <i>Stagings. Soundings. Readings.</i> is an enactment between the artists and the audience. The invited artists engage with a less prescribed environment, reflecting on history, collective action, and human interaction. <br /><br />Located outside the Centre, <b>Maria Loboda</b>‘s sculptural installation is grounded in historical narratives as a reminder that things can change and be taken down overnight, especially by the invisible mechanisms of power. In the Centre’s foyer, <b>Tyler Coburn</b> addresses forms of labour and examines the notion of writing in the 21st century by engaging with complexities of our legal, technological, and geopolitical networks, while <b>Heman Chong</b> analyses motifs of exchange and its boundaries, embracing the space of inter-human connections. <br /><br />Unfolding in the exhibition space, <b>Cally Spooner</b> brings to Singapore an exercise in building new vocabulary and knowledge through bodily means. Using the space as a laboratory, the work investigates new ways of organising and working together. <b>Alexandra Pirici</b>’s choreography explores the possibility of collectively assembling memories of human and non-human presence on the planet. <b>Carlos Casas</b> presents his long-term multi-format ethnographic research based on the human ecology and richness of one of the world’s highest inhabited villages, Hichigh, located in the Pamir mountain range in Tajikistan. Together with composer <b>Phill Niblock</b>, they will create an audio-visual experience, traversing landscape, soundscape, and contemporary music that changes with every iteration. <br /><br />In response to the five-year anniversary and by taking the topic of its celebration <i>Free Jazz</i> literally, <b>Ming Wong</b> will stage an improvisational performance. Similarly, <b>Boris Nieslony</b> (Germany), Co-founder of the artist collective Black Market International, will engage with pioneering Singaporean artist <b>Lee Wen</b> with a discussion and performance. <br /><br />Further probing conventional formats, the accompanying programmes include readings by curator <b>Anca Rujoiu</b> (Romania/Singapore) and poets <b>Peter Sipeli</b> and <b>1angrynative</b> (both Fiji), as well as Behind the Scenes conversations with contributing artists. In The Single Screen, works by <b>Anton Ginzburg</b> (Russia/United States), <b>Mariana Silva</b> (Portugal/United States), <b>Luke Fowler</b> (United Kingdom), <b><b><b>Justin Shoulder </b></b></b>and <b><b><b>Bhenji Ra </b></b></b>(both Philippines/Australia), and others, will add a filmic perspective to the dialogue. <br /><br />This multitude of celebratory events instigates an active engagement with the now, following a conscious desire to become truly present. <br /><br />Curated by <strong>Ute Meta Bauer</strong>, Founding Director, NTU CCA Singapore, and Professor, School of Art, Design and Media, Nanyang Technological University, and <strong>Magdalena Magiera</strong>, Curator, Outreach and Education, NTU CCA Singapore.
Contributor
An entity responsible for making contributions to the resource
Heman Chong
Maria Loboda
Cally Spooner
Maggie Segale
Jesper List Thomsen
Tyler Coburn
Richard Roe
Carlos Casas
Phill Niblock
Ming Wong
Alexandra Pirici
Ying Cai
Weixin Chong
Chloe Chotrani
Nina Djekic
Farid Fairuz
Adam Lau
Je Leung
Loo Zihan
Yue Ru Ma
Hanna Mikosch
Yulin Ng
Rachel Nip
Isabel Phua
Jamil Schulze
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Performance
Sound
Installation
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, Laure Prouvost, Eva 43 years old (2002). Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, Shubigi Rao, Visual snow (2014), Performance. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, Still from Desniansky Raion (2007), Cyprien Gaillard; part of the screening programme The tear down curated by Anca Rujoiu & Vera Mey. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, Still from Untitled (2011), Khvay Samnang; part of the screening programme Phnom Penh: Rescue Archaeology The Body and The Lens in the City curated by Erin Gleeson presented in collaboration with Sa Sa Bassac, Phnom Penh, Cambodia. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, I feel their pane (2014), Sonya Lacey, Performance. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, I feel their pane (2014), Sonya Lacey, Performance. Photograph by Clare Bottomley.
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Dublin Core
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Title
A name given to the resource
T H E P A R A D I S E = L O S T B O D Y (2014), Nigel Rolfe, Performance, Part 1 & 2. Photograph by Clare Bottomley.
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Dublin Core
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Title
A name given to the resource
CCA – Centre for Contemporary Art, Singapore; The Disappearance, 5 April –6 April 2014, Stills from the screening programme The Margins of Exhibition curated by David Teh.With works by: Anthea Behm, Sherman Ong, Wok the Rock, Emile Zile, Nitipong Thinthubthai. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
CCA – Centre for Contemporary Art, Singapore; The Disappearance, 5 April –6 April 2014, Stills from the screening programme The Margins of Exhibition curated by David Teh.With works by: Anthea Behm, Sherman Ong, Wok the Rock, Emile Zile, Nitipong Thinthubthai. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
CCA – Centre for Contemporary Art, Singapore; The Disappearance, 5 April –6 April 2014, Stills from the screening programme The Margins of Exhibition curated by David Teh.With works by: Anthea Behm, Sherman Ong, Wok the Rock, Emile Zile, Nitipong Thinthubthai. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
CCA – Centre for Contemporary Art, Singapore; The Disappearance, 5 April –6 April 2014, Stills from the screening programme Phnom Penh: Rescue Archaeology The Body and The Lens in the City curated by Erin Gleeson presented in collaboration with Sa Sa Bassac, Phnom Penh, Cambodia. With works by: Khvay Samnang, Lim Sokchanlina, Anida Yeou Ali, Sok Chanrado, Leang Seckon, Tith Kanitha and Svay Sareth. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
CCA – Centre for Contemporary Art, Singapore; The Disappearance, 5 April –6 April 2014, Stills from the screening programme Phnom Penh: Rescue Archaeology The Body and The Lens in the City curated by Erin Gleeson presented in collaboration with Sa Sa Bassac, Phnom Penh, Cambodia. With works by: Khvay Samnang, Lim Sokchanlina, Anida Yeou Ali, Sok Chanrado, Leang Seckon, Tith Kanitha and Svay Sareth. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nigel Rolfe, T H E P A R A D I S E = L O S T B O D Y (2014), Performance Part 2
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nigel Rolfe, T H E P A R A D I S E = L O S T B O D Y (2014), Performance Part 2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
The Disappearance acknowledges the inherent changes into an exhibition space and its continuous rewriting. What happens after an exhibition is over? What we remember? How we remember?
Exhibition Mode
Exhibition
Curated Film Programme
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2014-04-05
Exhibition End Date
2014-04-06
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>The Disappearance</i>
Subject
The topic of the resource
Experiential
Embodiment
Spaces of the Curatorial
Description
An account of the resource
<i>The Disappearance</i> situates itself in the architectural setting of a previous exhibition <i>Paradise Lost</i>. It works with what is left out: the traces of the show in the space; its echoes in our memory, <i>The Disappearance</i> conceals and reveals: what has happened before and what will follow. Subject to operations of installation and de-installation, an exhibition space if continuously edited: we erase one text to inscribe another. <i>The Disappearance</i> acknowledges the inherent changes into an exhibition space and its continuous rewriting. What happens after an exhibition is over? What we remember? How we remember? <br /><br />Curated by Anca Rujoiu (Curator for Exhibitions) and Vera Mey (Curator for Residencies), <i>The Disappearance</i> is conceived as a durational event unfolding over two days including a continuous series of manifestations from live performances to film screenings.
Contributor
An entity responsible for making contributions to the resource
Anca Rujoiu
Vera May
Cyprien Gaillard
Malak Helmy
Sonya Lacey
Manuel Pelmus
Laure Prouvost
Shubigi Rao
Nigel Rolfe
Marie Shannon
Diego Tonus
Mona Vătămanu & Florin Tudor
Erin Gleeson
Planting Rice
David Teh
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Performance
Film
-
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Dublin Core
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Title
A name given to the resource
Installation shots of No Country: Contemporary Art for South and Southeast Asia, the inaugural touring exhibition of the Guggenheim UBS MAP Global Art Initiative, at the Centre for Contemporary Art Singapore, a national research centre of the Nanyang Technological University (NTU), May 10, 2014 – July 20, 2014.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Installation shots of No Country: Contemporary Art for South and Southeast Asia, the inaugural touring exhibition of the Guggenheim UBS MAP Global Art Initiative, at the Centre for Contemporary Art Singapore, a national research centre of the Nanyang Technological University (NTU), May 10, 2014 – July 20, 2014.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Installation shot of No Country: Contemporary Art for South and Southeast Asia, the inaugural touring exhibition of the Guggenheim UBS MAP Global Art Initiative, at the NTU Centre for Contemporary Art Singapore, May 10, 2014 – July 20, 2014. Courtesy of Solomon R. Guggenheim Museum, New York, and NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Installation shots of No Country: Contemporary Art for South and Southeast Asia, the inaugural touring exhibition of the Guggenheim UBS MAP Global Art Initiative, at the Centre for Contemporary Art Singapore, a national research centre of the Nanyang Technological University (NTU), May 10, 2014 – July 20, 2014.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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No Country: Contemporary Art for South and Southeast Asia, May 10, 2014 – July 20, 2014, Reza Afisina, What . . ., 2001. Color video, with sound, 11 min., edition 3/3. Installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Installation shots of No Country: Contemporary Art for South and Southeast Asia, the inaugural touring exhibition of the Guggenheim UBS MAP Global Art Initiative, at the Centre for Contemporary Art Singapore, a national research centre of the Nanyang Technological University (NTU), May 10, 2014 – July 20, 2014.
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Dublin Core
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Title
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No Country: Contemporary Art for South and Southeast Asia, May 10, 2014 – July 20, 2014,Amar Kanwar, The Trilogy: A Season Outside (1997), 1997–2003. Color video, with sound, 30 min., edition 5/6. Installation view. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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No Country: Contemporary Art for South and Southeast Asia, May 10, 2014 – July 20, 2014,Amar Kanwar, The Trilogy: A Season Outside (1997), 1997–2003. Color video, with sound, 30 min., edition 5/6. Installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Installation shot of No Country: Contemporary Art for South and Southeast Asia, the inaugural touring exhibition of the Guggenheim UBS MAP Global Art Initiative, at the NTU Centre for Contemporary Art Singapore, May 10, 2014 – July 20, 2014. Courtesy of Solomon R. Guggenheim Museum, New York, and NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Title
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No Country: Contemporary Art for South and Southeast Asia, May 10, 2014 – July 20, 2014, Sopheap Pich, Morning Glory, 2011. Rattan, bamboo, wire, plywood, and steel, 17 feet 6 inches x 103 inches x 74 inches (533.4 x 261.6 x 188 cm). Installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Installation shot of No Country: Contemporary Art for South and Southeast Asia, the inaugural touring exhibition of the Guggenheim UBS MAP Global Art Initiative, at the NTU Centre for Contemporary Art Singapore, May 10, 2014 – July 20, 2014. Courtesy of Solomon R. Guggenheim Museum, New York, and NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
No Country: Contemporary Art for South and Southeast Asia, May 10, 2014 – July 20, 2014, Bani Abidi, The Boy Who Got Tired of Posing, 2006. Installation view. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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No Country: Contemporary Art for South and Southeast Asia, May 10, 2014 – July 20, 2014, Tang Da Wu, Our Children, 2012. Galvanized steel, glass, and milk. Installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Installation shot of No Country: Contemporary Art for South and Southeast Asia, the inaugural touring exhibition of the Guggenheim UBS MAP Global Art Initiative, at the NTU Centre for Contemporary Art Singapore, May 10, 2014 – July 20, 2014. Courtesy of Solomon R. Guggenheim Museum, New York, and NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
No Country: Contemporary Art for South and Southeast Asia is part of a multi-year collaboration that charts contemporary art practice in South and Southeast Asia, Latin America, and the Middle East and North Africa.
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2014-05-10
Exhibition End Date
2014-07-20
Collaboration
Yes
Commissioned Work
No
Related Countries
Thailand
Philippines
Indonesia
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Exhibition Mode
Exhibition
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>No country: Contemporary Art for South and Southeast Asia</i>
Subject
The topic of the resource
Regionalism
Geopolitics
Migration
Diaspora
Cultural Heritage
Description
An account of the resource
<i>No Country: Contemporary Art for South and Southeast Asia</i> is part of the Guggenheim UBS MAP Global Art Initiative which was launched in April 2012, a multi-year collaboration that charts contemporary art practice in three geographic regions—South and Southeast Asia, Latin America, and the Middle East and North Africa—and encompasses curatorial residencies, international touring exhibitions, audience-driven education programming, and acquisitions for the Guggenheim’s permanent collection. <br /><br />Curated by June Yap, No Country at NTU Centre for Contemporary Art Singapore brought the artworks back to the Southeast Asia region from which many of the artists hail and called for an even closer examination of regional cultural representations and relations. This return suggests the possibility of a renewed understanding through a process of mutual rediscovery that transcends physical and political borders. The exhibition in Singapore also marked the debut of two works from the Guggenheim UBS MAP Purchase Fund not previously shown as part of <i>No Country: Loss</i> by Sheela Gowda and <i>Morning Glory</i> by Sopheap Pich.
Contributor
An entity responsible for making contributions to the resource
June Yap
Sheela Gowda
Sopheap Pich
Amar Kanwar
Arin Dwihartanto Sunaryo
Bani Abidi
Navin Rawanchaikul
Norberto Roldan
Poklong Anading
Reza Afisina
Shilpa Gupta
Tang Da Wu
Tayeba Begum Lipi
The Otolith Group
Tran Luong
Tuan Andrew Nguyen
Vincent Leong
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Sculpture
Painting
Mixed Media
Installation
Photography
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Hybrid Musical instrument Cygnus A: built by a solitary spider Nephila kenianensis and two semi-social spiders Cyrtophora citricola (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Hybrid semi-social solitary musical instrument NGC 613: built by a pair of Cyrtophora moluccensis, one day, one Cyrtophora cirticola, three weeks and one Agelena labirintica, six weeks (2014).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Solitary monochord HH 46/47 (2015).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Social, solitary, solitary musical instrument Arp 107: built by a pair of Stegodyphus dumicola, three weeks, one Steatoda grossa, six weeks and two young Tegenaria domestica, eight weeks (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Hybrid Musical instrument Cygnus A: built by a solitary spider Nephila kenianensis and two semi-social spiders Cyrtophora citricola (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Hybrid Musical instrument Cygnus A: built by a solitary spider Nephila kenianensis and two semi-social spiders Cyrtophora citricola (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Solitary monochord HH 46/47 (2015).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Social, solitary, solitary musical instrument Arp 107: built by a pair of Stegodyphus dumicola, three weeks, one Steatoda grossa, six weeks and two young Tegenaria domestica, eight weeks (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Social, solitary, solitary musical instrument Arp 107: built by a pair of Stegodyphus dumicola, three weeks, one Steatoda grossa, six weeks and two young Tegenaria domestica, eight weeks (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Social, solitary, solitary musical instrument Arp 107: built by a pair of Stegodyphus dumicola, three weeks, one Steatoda grossa, six weeks and two young Tegenaria domestica, eight weeks (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Social, solitary, solitary musical instrument Arp 107: built by a pair of Stegodyphus dumicola, three weeks, one Steatoda grossa, six weeks and two young Tegenaria domestica, eight weeks (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Social, solitary, solitary musical instrument Arp 107: built by a pair of Stegodyphus dumicola, three weeks, one Steatoda grossa, six weeks and two young Tegenaria domestica, eight weeks (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
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Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Social, solitary, solitary musical instrument Arp 107: built by a pair of Stegodyphus dumicola, three weeks, one Steatoda grossa, six weeks and two young Tegenaria domestica, eight weeks (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
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Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Solitary monochord HH 46/47 (2015).
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Dublin Core
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Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Drum-set M33, NGC 598 for a vibrational ensemble (2015). Laser vibrometer, membrane, piezo elements, amplifier. In collaboration with Dr. Roland Mühletheler.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Social, solitary, solitary musical instrument Arp 107: built by a pair of Stegodyphus dumicola, three weeks, one Steatoda grossa, six weeks and two young Tegenaria domestica, eight weeks (2014). Spidersilk, carbon fibre, and glass.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Social, solitary, solitary musical instrument Arp 107: built by a pair of Stegodyphus dumicola, three weeks, one Steatoda grossa, six weeks and two young Tegenaria domestica, eight weeks (2014). Spidersilk, carbon fibre, and glass.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Situated at the intersection between art, architecture and science, Arachnid Orchestra. Jam Sessions is a new production by Tomás Saraceno commissioned by the centre that brings his long-term research on spider webs into the realm of sound.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2015-10-23
Exhibition End Date
2015-12-20
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tomás Saraceno: <i>Arachnid Orchestra. Jam Sessions</i>
Subject
The topic of the resource
Posthumanism
Sustainability
Coexistence
Biodiversity
Ecology
Technology
Description
An account of the resource
NTU CCA Singapore is pleased to present the pioneering and visionary work of artist Tomás Saraceno for the first time in Southeast Asia. Situated at the intersection between art, architecture and science, Saraceno’s artistic practice is an articulation of a utopian vision for new forms of sustainable living and cohabitation. <br /><br /><i>Arachnid Orchestra. Jam Sessions</i> at NTU CCA Singapore is a new production by Tomás Saraceno commissioned by the centre that brings his long-term research on spider webs into the realm of sound. The artist uses spider webs as musical instruments embodying the incredible structural properties of the spider’s silk, but also the spider’s sophisticated mode of communication through vibrations. <br /><br /><i>Arachnid Orchestra. Jam Sessions</i> is a pioneering investigation by Saraceno and his studio in Berlin that involves a range of collaborators from various universities and disciplines. The exhibition space is turned into an interactive sound and visual installation, a process-driven laboratory for experimentation that pushes the boundaries of interspecies communication. <br /><br />As an extension of the exhibition, a dedicated website (www.arachnidorchestra.org) will operate as a research platform and playful hypertext of musical tuning.
Contributor
An entity responsible for making contributions to the resource
Tomás Saraceno
Ute Meta Bauer
Anca Rujoiu
Medium
The material or physical carrier of the resource.
Multimedia Installation
Sound
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Relation
A related resource
<a href="https://medium.com/illumination-curated/astonishing-secrets-of-spiders-human-wisdom-is-way-behind-d2b99ec7ab5">Astonishing Secrets of Spiders - Human Wisdom is Way Behind</a>
-
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Dublin Core
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Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Incomplete Urbanism: Attempts of Critical Spatial Practice, 29 October 2016 – 29 January 2017, NTU Centre for Contemporary Art Singapore, installation view.
Dublin Core
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Title
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Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Incomplete Urbanism: Attempts of Critical Spatial Practice is an open-ended exhibition that serves as a laboratory of ideas, exploring the indeterminacy and changeability of urban living.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2016-10-29
Exhibition End Date
2017-01-29
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
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<i>Incomplete Urbanism: Attempts of Critical Spatial Practice</i>
Subject
The topic of the resource
Urbanism
Capitalism
Globalisation
Public Sphere
Regionalism
Description
An account of the resource
<b><i>Incomplete Urbanism: Attempts of Critical Spatial Practice</i></b> is an open-ended exhibition that serves as a laboratory of ideas, exploring the indeterminacy and changeability of urban living. Borrowing its title from eminent Singaporean architect William S.W. Lim’s book <i>Incomplete Urbanism: A Critical Urban Strategy for Emerging Economies</i> (2012), this multifaceted project takes Lim’s practice and the initiatives of the Asian Urban Lab that he started with colleagues in 2003, as a point of departure. It presents various researches into the spatial, cultural and social aspects of city life according to the publications Lim was involved with. <br /><br />Acknowledging Lim’s contributions as a prolific urban theorist and catalyst of ideas, whose vision asks that we reconsider the traditions of Asian architecture for the “contemporary vernacular”, <i>Incomplete Urbanism</i> is a direct response to his critical ideas – a space is generated to encourage participation and agency. <br /><br />Lim’s key ideas will be explored by commissioned projects from several contributors, including <b>Dr Marc Glöde</b> (Germany/Singapore), film curator, Visiting Scholar, School of Art, Design (ADM) and Media, Nanyang Technological University (NTU), Singapore; <b>Laura Miotto </b>(Italy/Singapore), Associate Professor, NTU ADM; <b>Shirley Surya</b> (Indonesia/Hong Kong), Associate Curator for Design and Architecture, M+, Hong Kong and NTU CCA Singapore Visiting Research Fellows; <b>Dr Etienne Turpin</b> (Canada/Indonesia), Research Scientist, Urban Risk Lab, Massachusetts Institute of Technology, United States; and <b>Sissel Tolaas</b> (Norway/Germany), smell researcher and artist. <br /><br /><i>Incomplete Urbanism</i> seeks to present a dynamic space to engage urban issues, through discussions, debates, a programme on classic Singapore films, workshops and other collective efforts.
Contributor
An entity responsible for making contributions to the resource
Ute Meta Bauer
Khim Ong
Magdalena Magiera
Medium
The material or physical carrier of the resource.
Installation
Film
Print
Video
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Southeast Asia
-
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Dublin Core
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Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, anGie seah, Talk to the Hand. NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, Bo Wang, mixed-media map. NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, Ho Rui An, Hotel Singapore. NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, Koh Nguang How, Snippets from Singapore Art Archive Project at NTU CCA Singapore. NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, Heman Chong, The Library of Unread Books. Courtesy NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, Heman Chong, The Library of Unread Books. Courtesy NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, Li Ran, It is not Complicated, A Guide Book, film still, 2016. Courtesy the artist.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, Mona Vătămanu & Florin Tudor,
Le monde et les choses. Courtesy NTU Centre for Contemporary Art Singapore, exhibition view.
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The Making of an Institution, 11 February – 7 May 2017, SHIMURAbros, Chasing the Light, film still, 2017. Courtesy the artist.
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Title
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The Making of an Institution, 11 February – 7 May 2017, Tamara Weber, Close Readings. REBUS, inkjet digital print, 2016. Courtesy NTU CCA Singapore.
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The Making of an Institution, 11 February – 7 May 2017, Zul Mahmod, RESONANCES: READYMADE SOUND SCULPTURES, 2016. Courtesy NTU CCA Singapore.
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Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
The Making of an Institution creates a communal space where projects and research explorations by the Centre’s Artists-, Curators-in- Residence, and Research Fellows coexist with ongoing series of talks, screenings, performances, and workshops.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2017-02-11
Exhibition End Date
2017-05-07
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
A name given to the resource
<i>The Making Of An Institution</i>
Subject
The topic of the resource
Knowledge Production
Cultural Production
Institutional Critique
Artistic Research
Description
An account of the resource
<i>The Making of an Institution</i> captures different moments in the development of the NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) connecting artistic projects, discursive manifestations, and the institutional apparatus in a seamless display. It looks back into its young past in order to shape its future. Challenging the format of an exhibition, <i>The Making of an Institution</i> creates a communal space where projects and research explorations by the Centre’s Artists-, Curators-in- Residence, and Research Fellows coexist with ongoing series of talks, screenings, performances, and workshops. The project engages the Centre’s main pillars–Exhibitions, Residencies, Research and Academic Education – bringing to a close the overarching curatorial narrative <i>Place.Labour.Capital.</i> that served as a framework for its activities since 2013. <br /><br />Established in 2013, the Centre embodies the complexity of a contemporary art institution in times of knowledge economy and global art. The role of a contemporary art institution should not be limited to the presentation of art. It feeds off and nurtures the cultural ecosystem it belongs to through a complex series of actions that often reside in the realm of the immaterial. The Centre’s inaugural programme <i>Free Jazz</i> addressed the foundational question “What can this institution be?” highlighting the skill of improvisation and free play. Three years later, different questions are to be raised: What could the role of the NTU CCA Singapore be for the years to come within a fast changing local, regional, and global cultural landscape? What are the criteria to evaluate its achievements and impact? <br /><br />In revisiting its own process of institutional building, NTU CCA Singapore appropriates the format and language of a “public report”. While a public report is conventionally employed to deliver an official written narrative, the Centre’s report unfolds in the exhibition space through the languages of the performative, the discursive, and the archival. <br /><br />“It’s amazing how far we were able to come in just three years,” said Ute Meta Bauer, Founding Director, NTU CCA Singapore. “<i>The Making of an Institution</i> is a celebration of the international community we have built, including scholars, artists, and the public. Now it is time for us to reflect and analyse our achievements before the exciting next steps ahead.” <br /><br /><i>The Making of an Institution</i> is divided into four sections borrowed from the structure of a public report: <i>Reason to Exist: The Director’s Review; Ownership, Development, and Aspirations; Artistic Research; and Communication and Mediation. The first section, Reason to Exist: The Director’s Review</i> maps out a network of institutions, like NTU CCA Singapore, that place research at the core of their identity. Each guest director will closely examine the vision, mission, and operative model of her respective organisation in a series of talks aimed at deepening our understanding of the changing role of contemporary cultural institutions. <i>Ownership, Development, and Aspirations</i> is a public panel with several members of the NTU CCA Singapore’s International Advisory Board and its stakeholders representatives that stresses the importance of feedback and exchange among peers especially in the development phase of an institution. The section dedicated to <i>Artistic Research</i> frames the material and immaterial aspects that constitute contemporary art practices. It takes over the Centre’s physical <i>Spaces of the Curatorial</i>—The Exhibition Hall, The Single Screen, The Lab, and The Vitrine—juxtaposing artworks and research projects by NTU CCA Singapore’s Artists-, Curators-in- Residence, and Research Fellows alongside various formats of public programming. Finally, Communication and Mediation explores the production of an institution’s identity through visual communication and spatial practices. Through workshops and presentations, artists, architects, and designers will discuss how they create diverse visual and spatial identities for art institutions. <br /><br />The public report will culminate into a book planned for publication in mid-2017, gathering the voices of all the artists, curators, researchers, and academics who have contributed to this first phase of the Centre. The Making of an Institution is curated by Ute Meta Bauer, Founding Director, Anna Lovecchio, Curator, Residencies, and Anca Rujoiu, Manager, Publications.
Contributor
An entity responsible for making contributions to the resource
åbäke
Hamra Abbas
Rodolfo Andaur
Diana Campbell Betancourt
Dinu Bodiciu
Kray Chen
Chris Chong Chan Fui
Heman Chong
Renée Staal
Weixin Chong
Choy Ka Fai
Ann Demeester
Rosemary Forde
Marc Glöde
Yuko Hasegawa
Bani Haykal
Bahbak Hashemi-Nezhad
Maria Hlavajova
Ho Rui An
James Jack
siren eun young jung
Christoph Knoth
Koh Nguang How
Wilfried Kuehn
Bastian von Lehsten
Li Ran
Loo Zihan
Zulkifle Mahmod
Ato Malinda
Alice Miceli
Laura Miotto
Regina Möller
Arjuna Neuman
UuDam Tran Nguyen
Nikos Papastergiadis
Jegan Vincent de Paul
Emily Pethick
Thao-Nguyen Phan
Souliya Phoumivong
Ana Prvački
Arin Rungjang
anGie seah
Jeremy Sharma
SHIMURAbros
Alec Steadman
Sanne Oorthuizen
Anocha Suwichakornpong
Erika Tan
Guo-Liang Tan
Tan Pin Pin
Philip Tinari
John Tirman
Mona Vătămanu
Florin Tudor
Bo Wang
Farah Wardani
Tamara Weber
Jason Wee
Otty Widasari
abake
Reee Staal
Marc Glode
Regina Moller
Ana Prvacki
Medium
The material or physical carrier of the resource.
Installation
Film
Print
Video
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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Dublin Core
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Title
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Apichatpong Weerasethakul, Fireworks (Archive), 2014. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Apichatpong Weerasethakul, Fireworks (Archive), 2014. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Apichatpong Weerasethakul, Fireworks (Archive), 2014. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Apichatpong Weerasethakul, Fireworks (Archive), 2014. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view of exhibition entrance.
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Dublin Core
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Title
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Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view of exhibition entrance.
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Dublin Core
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Title
A name given to the resource
Ho Tzu Nyen, The Name, 2015. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Ho Tzu Nyen, The Name, 2015. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nguyen Trinh Thi, Letters from Panduranga, 2015. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nguyen Trinh Thi, Letters from Panduranga, 2015. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Park Chan-kyong, Citizen’s Forest, 2016. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Park Chan-kyong, Citizen’s Forest, 2016. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
Dublin Core
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Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Ghosts and Spectres — Shadows of History brings to light clouded histories at times not officially recounted but those that remain a lingering presence in collective memories through local mythologies, ghostly figures, and traditions.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2017-09-01
Exhibition End Date
2017-11-19
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Vietnam
South Korea
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
A name given to the resource
<i>Ghosts and Spectres – Shadows of History</i>
Subject
The topic of the resource
Archival Practice
Fiction
Supernatural
Mythology
Politics
Description
An account of the resource
<i>Ghosts and Spectres — Shadows of History</i> features video installations and films by <b>Apichatpong Weerasethakul</b> (Thailand), <b>Ho Tzu Nyen</b> (Singapore), <b>Nguyen Trinh Thi</b> (Vietnam), and <b>Park Chan-kyong</b> (South Korea). The artists’ research into their own cultural and historical backgrounds gain shape through allegories that re-evaluate the social and political reforms in Post-War and Cold-War Asia. The cinematic works in the exhibition combine fact and fiction. They not only allude to rarely discussed subject-matters but also raise crucial questions about power and authority, construction of narratives, repression of identities, and collective trauma. <br /><br />Embedded in the vernacular, ghosts, myths, and rituals present systems of knowledge that enable the expression of unknown worlds. <i>Ghosts and Spectres — Shadows of History</i> brings to light clouded histories at times not officially recounted but those that remain a lingering presence in collective memories through local mythologies, ghostly figures, and traditions. The works create their own language and systems of reference, reflecting current efforts of exposing written historical accounts and contemporary situations that subvert mainstream narratives. <br /><br />In parallel, The Lab, NTU CCA Singapore’s platform for research in-progress, will be featuring projects by <b>siren eun young jung</b> (South Korea) and <b>Choy Ka Fai</b> (Singapore/Germany), both recent NTU CCA Singapore artists-in-residence. While jung focuses on <i>Yeoseong Gukgeuk</i>, a vanishing form of traditional Korean theatre featuring only female performers, Choy brings up his long-time research into <i>Butoh</i> dance, also called “dance of darkness,” and looks at its evolution and influence through one of the <i>Butoh</i> founders, Tatsumi Hijikata. <br /><br />Ghosts and Spectres—Shadows of History is curated by <b>Ute Meta Bauer</b>, Founding Director, NTU CCA Singapore, and Professor, School of Art, Design and Media, NTU, and <b>Khim Ong</b>, Deputy Director, Curatorial Programmes.
Contributor
An entity responsible for making contributions to the resource
Apichatpong Weerasethakul
Ho Tzu Nyen
Nguyen Trinh Thi
Park Chan-kyong
siren eun young jung
Choy Ka Fai
Ute Meta Bauer
Khim Ong
Medium
The material or physical carrier of the resource.
Video
Multimedia Installation
Film
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, foyer view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
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Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
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Title
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Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/4e6a1eae89e79d6ae70c466261d0d2b6.jpg?Expires=1712793600&Signature=p2UUE479kAYlrV%7EvJD5Z1gJBypuSSH8nfV6n%7EPQpDc1N5Hbu%7EwTkSWVQeq5hKLP2lXJnFqxUQ61eGYezG0M940yU40sZS9uL3p1TUl7N5xHnsuU%7E5zwX7oGfMABYlntsLVk97DFmi8fo4WKArdnRsvSHRPsecZsJWosFJYD8cNug9oCTw%7EztTEKfAvoMvXTxDHU-3ySdsdX5b1XShydsoWHVfsBTVjJAx7uDLfuFkRMHzkS8Gp51789lbtCGbsr-Hj-R9rlQBOfr%7EhXR96PJuNMGTQAojnCbZu1KLPdhAFOuhIO1RI%7ECJUzHGFBPPUtnUgBTPWE1gvF6kjsQa%7EBRYA__&Key-Pair-Id=K6UGZS9ZTDSZM
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, outdoor view. Courtesy NTU CCA Singapore.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
The Ground: From the Land to the Sea comprises two layers of auditory experiences that interact with each other, conceived as a composition that unfolds in space with its unique sound library and instruments.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2018-03-24
Exhibition End Date
2018-06-24
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Tarek Atoui The Ground: From the Land to the Sea</i>
Subject
The topic of the resource
Performance
Body
Materiality
Nature
Description
An account of the resource
NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) is pleased to present the first solo exhibition in Southeast Asia by sound artist and composer <b>Tarek Atoui</b>, conceived as a composition that unfolds in space with its unique sound library and instruments. It is the first large-scale exhibition that Atoui has created through interweaving objects, instruments, and recordings, some borrowed from pre-existing projects, others newly collected and produced. <br /><br /><i>The Ground: From the Land to the Sea</i> comprises two layers of auditory experiences that interact with each other as well as with the spatial and sonic qualities of NTU CCA Singapore’s exhibition hall, merging them into a single composition. Enveloping the main exhibition space are a set of speakers that play the sounds of underwater environments as well as human and industrial activities in the harbours of Athens and Abu Dhabi, recorded for the project <i>I/E</i> (2015–ongoing). Building upon the sound collection, Atoui has, as part of this presentation in Singapore, recorded at local harbours and waterfronts, together with composer and sound artist <b>Éric La Casa</b>. <br /><br />The recording process in Singapore took Atoui and La Casa to a range of waterfront sites and islands including the Jurong Fishery Port, Pulau Sebarok (an oil storage facility and refuelling port off the Southern coastline), on an oil tanker, and along the Singapore shores. During these trips, the duo picked out acoustic features of these environs, both underwater and on land, and captured them in their diverse forms—as vibrations, audible noise, and inaudible audio waves, etc.— using devices such as a recorder, a hydrophone, contact microphones, and selfmade omnidirectional microphones. Drawing reference to the emergence of acoustic ecology, which attempts to understand and analyse characteristics of sonic environments such as geological formations, organisms, and human interactions, Atoui’s auditory library is an artistic interpretation of the ecology of our times. Set within a “white cube,” the audience is transposed into an immersive audio-visual topography, becoming part of the installation. <br /><br />Most of the instruments shown are part of <i>The Ground</i> project, the result of the artist’s five-year-long investigation of natural cycles in the Pearl River Delta, first presented at Mirrored Gardens, a project space in Guangzhou, China, in 2017. Also presented are instruments created for previous projects, such as <i>The Reverse Collection</i> (2014–16) and <i>WITHIN</i> (2012–13). This ensemble of unusual instruments is enriched with new additions, including a set of porcelain and ceramic discs, on which traditional Arabic rhythms are engraved, and a customised record player that rotates at irregular speeds, never reading a disc the same way twice. <br /><br />At the core of Atoui’s practice lies an ongoing process of inviting composers, musicians, and artists to collaborate on his pieces in search of new ideas, gestures, and experiences. For the current exhibition, Atoui will engage with local and international musicians who will be invited to appropriate his composition and intervene in the exhibition space. He will work with acclaimed sound artists and musicians <b>Vivian Wang</b> and <b>Yuen Chee Wai</b>, as well as music curator <b>Mark Wong</b>, who in turn will invite other musicians and sound artists to inhabit the installation throughout the course of the exhibition. <br /><br />The exhibition is curated by <b>Ute Meta Bauer</b>, Founding Director, NTU CCA Singapore, and Professor, School of Art, Design and Media, Nanyang Technological University, and <b>Khim Ong</b>, Deputy Director, Curatorial Programmes, NTU CCA Singapore. Supported by Institut français, with the additional support of the Embassy of France in Singapore and Institut français Singapour. <br /><br /><b>Tarek Atoui</b> has invited local and international musicians to engage with his exhibition and appropriate the installation for given periods of time. He worked with acclaimed sound artists and musicians <b>Vivian Wang</b> and <b>Yuen Chee Wai</b>, as well as music curator <b>Mark Wong</b>, who each will host three other musicians and sound artists. The guests will inhabit the exhibition and freely experiment with Atoui’s instruments throughout the course of the exhibition. <br /><br />Schedule for upcoming Guest Musicians in the Exhibition Hall: <br /><br /><b>Vivian Wang</b> (Singapore): 26 – 30 March <br /><b>Yuen Chee Wai</b> (Singapore): 31 March – 3 April <br /><b>Darren Ng</b> (Singapore): 7 – 10 April <br /><b>Uriel Barthélémi</b> (France): 13 – 17 April <br /><b>Tini Aliman</b> (Singapore): 28 April – 1 May <br /><b>Wu Junhan</b> (Singapore): 2 – 5 May <br /><b>The Analog Girl</b> (Singapore): 10 – 13 May <br /><b>Cheryl Ong</b> (Singapore): 19 – 22 May <br /><b>Zai Tang</b> (Singapore): 31 May – 3 June <br /><b>Bani Haykal</b> (Singapore): 4 – 7 June <br /><b>Dharma</b> (Singapore): 13 – 16 June <br /><b>Sudarshan Chandra Kumar</b> (Malaysia): 19 – 22 June
Contributor
An entity responsible for making contributions to the resource
Tarek Atoui
Yuen Chee Wai
Mark Wong
Vivian Wang
Darren Ng
Uriel Barthélémi
Tini Aliman
Wu Junhan
The Analog Girl
Cheryl Ong
Zai Tang
Bani Haykal
Dharma
Sudarshan Chandra Kumar
Ute Meta Bauer
Khim Ong
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Southeast Asia
Medium
The material or physical carrier of the resource.
Multimedia Installation
Installation
Sound
Object