Knowledge Production]]> Cijin’s Tongue. Set up with the support of the National Sun Yat-sen University in the kitchen of a former military dormitory in Cijin District (Taiwan), Cijin’s Tongue is a multicultural lab for social innovation. Over the last century, what used to be a fishermen’s village turned into a container port and tourist destination gathering a diverse community of inhabitants hailing from China and Southeast Asia. Focusing on the quotidian act of food consumption, Wu utilises cooking, eating, tasting, and sharing as heuristic tools to examine processes of social change brought about by colonialism, the Cold War, and globalisation. During the residency, she plans to broaden the scope of her research by exploring analogous patterns of change in the specific context of Singapore researching local food economies and practices of food consumption.]]> ]]> Wu Mali]]> Curating]]> Southeast Asia]]> Curatorial Practice]]> LEAP magazine. His residency coincided with Art Stage 2015. His residency coincides with Art Stage 2015 and he will conduct extensive studio visits with various Singapore artists. Peckham will facilitate the Q&A session for NTU CCA Singapore Artist-in-Residence Matthew Mazzotta where he will draw upon his experiences of working in China to question public art practices.]]> Robin Peckham]]> Asia]]> Labour]]> Globalisation]]> will look at two exhibition projects, The Great Ephemeral (New Museum, 2015) and Trading Futures (co-curated with Pauline Yao, Taipei Contemporary Art Centre, 2012) relating them to NTU CCA Singapore’s overarching curatorial framework PLACE.LABOUR.CAPITAL. Cheng’s discussion explores the speculative nature of the global market, including the hypothetical systems of labour, value, consumption, and desire.]]> Meiya Cheng]]> Curating]]> Asia]]> Geopolitics]]> Identity]]>
The artist was scheduled to be in-residence from April – June 2020. Due to the COVID-19 virus outbreak and international travel restrictions, the artist was unable to participate in the residency programme physically.

Liu Yu screened Somehow I feel relaxed here (2017) as part of the Residencies Online Screening Programme Stakes of Conscious(ness), conceived by Dr Anna Lovecchio for the three artists whose residency at NTU CCA Singapore has been disrupted by the viral pandemic.]]>
Liu Yu]]> Installation]]> Video]]> Asia]]>
Globalisation]]> History]]> Chia-Wei Hsu]]> Chia Wei Hsu]]> Film]]> Video]]> Asia]]> History]]> Politics]]> Chang Wen-Hsuan]]> Installation]]> Video]]> Southeast Asia]]> The Ring of Fire (2014 – ongoing) by Irwan Ahmett and Tita Salina]]> Geopolitics]]> Migration]]> Politics]]> Activism]]> Irwan Ahmett and Tita Salina, this geologically unstable territory demarcates a field of artist inquiry.

Since 2014, the Indonesian duo have embarked upon a journey that engages issues of social injustice, political struggles, colonial histories, and environmental crises encountered along erratic routes that stretch from Indonesia to New Zealand, from Taiwan and South Korea to Japan. The Ring of Fire (2014–ongoing) brings together for the first time the most significant works realised by the artists, either together or individually, since the inception of the project.]]>
Irwan Ahmett]]> Tita Salina]]> Video]]> Print]]> Object]]> Installation]]> Asia]]> Oceania]]>