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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
John Akomfrah, The Unfinished Conversation, 2012. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
John Akomfrah, The Unfinished Conversation, 2012. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
John Akomfrah, The Unfinished Conversation, 2012. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
John Akomfrah, The Unfinished Conversation, 2012. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
John Akomfrah, The Unfinished Conversation, 2012. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Naeem Mohaiemen, Two Meetings and a Funeral, 2017. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Naeem Mohaiemen, Two Meetings and a Funeral, 2017. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Naeem Mohaiemen, Two Meetings and a Funeral, 2017. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Naeem Mohaiemen, Two Meetings and a Funeral, 2017. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Naeem Mohaiemen, Two Meetings and a Funeral, 2017. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Otolith Group, Nucleus of the Great Union, 2017. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Otolith Group, Nucleus of the Great Union, 2017. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Otolith Group, Nucleus of the Great Union, 2017. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Otolith Group, Nucleus of the Great Union, 2017. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Amplifying and celebrating defining voices and intertwining personal lives with political movements, Non-Aligned examines the new possibilities for progressive social movements but also the struggles that define the post-WWII period.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2020-04-04
Exhibition End Date
2020-09-27
Collaboration
No
Commissioned Work
No
Related Countries
Bangladesh
United States
United Kingdom
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Non-Aligned</i>
Subject
The topic of the resource
Race
Decolonialism
Archival Practice
Geopolitics
Displacement
Regionalism
Diaspora
Description
An account of the resource
<i>Non-Aligned</i> in the press! Read Stephanie Bailey’s article in <u>Ocula</u> and <u>Object Lessons Space</u>‘s interview with Dr Karin Oen, the Centre’s Deputy Director of Curatorial Programmes. <br /><br /><b><i>The Unfinished Conversation</i></b> (2012), <b>John Akomfrah</b> (United Kingdom), <b><i>Two Meetings and a Funeral</i></b> (2017), <b>Naeem Mohaiemen</b> (Bangladesh/United States), <b><i>Nucleus of the Great Union</i></b> (2017), <b>The Otolith Group</b> (United Kingdom) <br /><br />The British Empire spanned from Asia to Australia to Africa to America to the Caribbean. The various colonial territories gained their sovereignty and independence at different times, in processes of decolonization that played out in the histories of nations, but also determined the lives of individuals. <i>Non-Aligned</i> brings together three moving-image works by artists, filmmakers, and writers that inquire into the challenging transition periods from colonial rule to the independence of nations. <br /><br />The presented works apply archival material in different ways. The focus spans from the work and personal histories of intellectuals who experienced these unprecedented circumstances first-hand, including Jamaican-born British theorist Stuart Hall (1932-2014) and African American novelist Richard Wright (1908-1960), to the history of political organization around the Non-Aligned Movement. This process of examining the interconnected stories of place, identity, and the conscious assertion of difference from established Western narratives, is also embedded in the personal histories of the artists. <br /><br />The Non-Aligned Movement was formally established in 1961 on principles such as world peace and cooperation, human rights, anti-racism, respect, disarmament, non-aggression, and justice. At the height of the Cold War, a large group of African, Asian, and Latin American countries navigating post-colonial constellations attempted a diversion from the two major powers—the United States and the Soviet Union—forming what is to date the largest grouping of states worldwide, after the United Nations. The non-aligned nations, which Singapore joined in 1970, wished to secure independence and territorial sovereignty, and fight against imperialism, domination, and foreign interference. <br /><br />This history is at the core of <b><i>Two Meetings and a Funeral</i></b> (2017), a feature-length three-channel video installation by <b>Naeem Mohaiemen</b>. It explores Bangladesh’s historical pivot from the socialist perspective of the 1973 Non-Aligned Movement meeting in Algeria to the emergence of a petrodollar-funded Islamic perspective at the 1974 Organisation of Islamic Countries meeting in Lahore. Recounted by Algerian publisher Samia Zennadi, Bangladeshi politician Zonayed Saki, and Indian historian Vijay Prashad, Mohaiemen’s film considers the erosion of the idea of “Third World” as a political space that was to open the potential for decoloniality and socialism, while articulating the internal contradictions behind its unfortunate failure. <br /><br />In the video essay <b><i>Nucleus of the Great Union</i></b> (2017), <b>The Otolith Group</b> traces Richard Wright on his first trip to Africa in 1953. Travelling the Gold Coast for 10 weeks, he witnessed political campaigns for independence in West Africa, yet feeling alienation at his first encounter with the continent. For this film, The Otolith Group reconciled excerpts from Wright’s book <i>Black Power: A Record of Reactions in a Land of Pathos</i> (1954) with a selection of the over 1,500 previously unpublished photographs the writer took on his journey. Wright’s initially intended book including both text and photos was inadequately published without images. Through this work, The Otolith Group finally honors Wright’s initial aim of seeing image and text as one single narration. <br /><br /><b><i>The Unfinished Conversation</i></b> (2012) is an in-depth inquiry by filmmaker <b>John Akomfrah</b> into the personal archive of audio interviews and television recordings of the influential theorist and educator Stuart Hall. The multi-screen film installation unfolds as a layered journey through the paradigm-changing work of the late intellectual, regarded as a key founder of cultural studies, who triangulated gender, race, and class. Hall was particularly invested in black identity linked to the history of colonialism and slavery. <br /><br />Amplifying and celebrating defining voices and intertwining personal lives with political movements, the featured works in <i>Non-Aligned</i> examine not only the new possibilities for progressive social and independence movements but also the inherent struggles that define the post-WWII period. <br /><br /><i>Non-Aligned</i> is curated by <b>Ute Meta Bauer</b>, Founding Director, NTU CCA Singapore, and Professor, School of Art, Design and Media, NTU. <br /><br /><b>FILM PROGRAMME: THIRD WAY / AFTER BANDUNG</b> <br />This programme features films that engage post-colonial processes covering different moments and geopolitical contexts. The Asian-African Conference in 1955, known as the Bandung Conference, amidst the complex processes of decolonization, established self-determination, non-aggression, and equality as part of the core values that then formed the Non-Aligned Movement. This history is unpacked and contextualised through this series of screenings. <br /><br />Co-curated by writer and curator <b>Mark Nash</b> and film researcher <b>Vladimir Seput</b>. <br /><br /><b>READING CORNER</b> <br />Accompanying this exhibition is a library of over 50 books on postcolonialism, decoloniality, the history of the Cold War, the Non-Aligned Movement, archiving, as well as theory of the moving image and publications on and by John Akomfrah, Naeem Mohaiemen, and The Otolith Group. Authors include Frantz Fanon, Stuart Hall, and Richard Wright, as well as Kodwo Eshun, Rosalind C. Morris, Bojana Piškur and Gayatri Chakravorty Spivak, among many others. <br /><br />In light of COVID-19, we have removed the reading corner for the safety of our visitors. <br /><br />We have selected texts on, or in conversation with, some of them to be used for online reading groups. These additional texts including articles by Vijay Prashad and Elspeth Probyn, and book chapters by Adil Johan and S.R. Joey Long. <br /><br /><b>ACTIVITY CARDS</b> <br />Designed for young audiences aged 13 and above, the <i>Non-Aligned</i> activity cards explore several core themes of the exhibition through thoughtful reflection questions and engaging activities. While the Centre strongly encourages audiences to experience the artworks in person, the cards may also be used independently at home or in the classroom.
Contributor
An entity responsible for making contributions to the resource
John Akomfrah
Naeem Mohaiemen
The Otolith Group
Mark Nash
Vladimir Seput
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
South America
Asia
Africa
Medium
The material or physical carrier of the resource.
Film
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6e2614388e747a66c6107092e90d226f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Through his research on the theory and practice of “the hyperimage”, Alfredo Cramerotti aims to research and meet artists, curators, and writers working at the cusp of visual information and networked imaging, in order to scope future collaborations.
Cycle
Cycle 6 (2019 – 2020)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
United Kingdom
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alfredo Cramerotti
Description
An account of the resource
Through his research on the theory and practice of “the hyperimage”, Alfredo Cramerotti aims to research and meet artists, curators, and writers working at the cusp of visual information and networked imaging, in order to scope future collaborations. During his residency, Cramerotti will also present a lecture titled <i>The Curator as Meta Artist. Modes of Curation in the Age of [Aesthetic] Uncertainty</i>, discussing three different modes in which curatorial practice can function.
Date
A point or period of time associated with an event in the lifecycle of the resource
19 July – 26 July 2019
Contributor
An entity responsible for making contributions to the resource
Alfredo Cramerotti
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Curating
Subject
The topic of the resource
Curatorial Practice
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d2da0e12feb7f1e65c8dd489439f6c64
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During the residency, Ang Song Nian will continue his ongoing investigation into human interventions on the urban landscape by focusing on plant nurseries and the potted plants industry in Singapore.
Cycle
Cycle 6 (2019 – 2020)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
United Kingdom
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ang Song Nian
Description
An account of the resource
During the residency, Ang Song Nian will continue his ongoing investigation into human interventions on the urban landscape by focusing on plant nurseries and the potted plants industry in Singapore. This research unfolds in the wake of a residency at Bangkok University Gallery that culminated with the work <i>As They Grow Older and Wiser</i> (2016). Ang was fascinated by the legal loopholes that allowed for a massive transplanting of rare and exotic trees from the region of Chiang Mai to the fast-changing city of Bangkok for decorative purposes. Framed against Singapore’s nation-building narratives, the artist is interested in the manipulation of nature through state-driven initiatives and policies of environmental control, greening, and city-branding. Such endeavours include the Tree Planting campaign of 1963 and the government’s subsequent initiatives directed to fabricate a new understanding of nature and obliterate the country’s past of clearing forests to make way for plantation economy.
Date
A point or period of time associated with an event in the lifecycle of the resource
2 May – 30 August 2019
Contributor
An entity responsible for making contributions to the resource
Ang Song Nian
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Photography
Installation
Subject
The topic of the resource
Urbanism
Environmental Crisis
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Darcy Lange: Hard, however, and useful is the small, day-to-day work takes the video work of New Zealand artist, Darcy Lange (1946 – 2005) as the starting point for a complex discussion concerning the representation of labour.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2015-08-12
Exhibition End Date
2015-09-27
Collaboration
No
Commissioned Work
No
Related Countries
United Kingdom
New Zealand
Spain
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Darcy Lange: <i>Hard, however, and useful is the small, day-to-day work</i>
Subject
The topic of the resource
Labour
Capitalism
Inequality
Politics
Description
An account of the resource
Integrated within NTU CCA Singapore’s overarching research framework PLACE.LABOUR.CAPITAL, The Lab will present Darcy Lange: <i>Hard, however, and useful is the small, day-to-day work</i>, taking the video work of New Zealand artist, <b>Darcy Lange</b> (1946 – 2005) as the starting point for a complex discussion concerning the representation of labour. During the 1970s, Lange developed a socially engaged video practice with remarkable studies of people at work that draw from documentary traditions as well as conceptual and structuralist video making. With his seminal style of real-time, unedited, without commentary, lengthy observations of workers that came to characterise his Work Studies series (1972 – 77), Lange aimed to “convey the image of work as work, as an occupation, as an activity, as creativity and as a time consumer”. <br /><br />Curated by guest curator, Mercedes Vicente.
Contributor
An entity responsible for making contributions to the resource
Darcy Lange
Mercedes Vicente
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Oceania
Medium
The material or physical carrier of the resource.
Video
Print
-
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87bdcb5fc5f7bf6f4194217ebc8252ed
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Emily Pethick will present a talk on The Showroom, London, United Kingdom looking at its mission statement and how this was developed in tandem with the organisation’s development.
Cycle
Cycle 3 (2016 – 2017)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
United Kingdom
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Emily Pethick
Description
An account of the resource
Responding to the context of the exhibition <i>The Making of an Institution</i>, Emily Pethick will present a talk on The Showroom, London, United Kingdom looking at its mission statement and how this was developed in tandem with the organisation’s development. This talk is part of <i>Reason to Exist: The Director’s Review</i> that brings together directors and founders of organisations that adopt critical and innovative strategies to advance the development of contemporary art practices and discourses. Pethick will also engage and connect with local artists and institutions.
Date
A point or period of time associated with an event in the lifecycle of the resource
12 February – 19 February 2017
Contributor
An entity responsible for making contributions to the resource
Emily Pethick
Medium
The material or physical carrier of the resource.
Curating
Subject
The topic of the resource
Spaces of the Curatorial
-
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c94a96ad5b6b2450a51ecd70958dad09
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Joan Jonas’s work is inhabited by a multitude of human and non-human creatures, which traverse her drawings, videos, and performances in a plurality of gestures and configurations.
Cycle
Cycle 3 (2016 – 2017)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
United Kingdom
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filipa Ramos
Description
An account of the resource
Filipa Ramos will lead an Exhibition <i>(de)Tour of Joan Jonas: They Come to Us Without a Word</i>. Joan Jonas’s work is inhabited by a multitude of human and non-human creatures, which traverse her drawings, videos, and performances in a plurality of gestures and configurations. Assembled in idiosyncratic, non-narrative manners, these animal selves propose new temporal conventions and ways of being in the world. Ramos’ (de)Tour will be a journey across the creatures Jonas summons and collaborates with through her work. Ramos will also connect with artists and writers and explore the Singapore art scene as well as the larger region of Southeast Asia.
Date
A point or period of time associated with an event in the lifecycle of the resource
9 February – 12 February 2016
Contributor
An entity responsible for making contributions to the resource
Filipa Ramos
Medium
The material or physical carrier of the resource.
Curating
Film
Subject
The topic of the resource
Curatorial Practice
Fiction
-
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1d2b97077e776e18f0c130a523cb6764
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281b6c35de44f38334a996f5e1ea63b9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Luke Willis Thompson’s practice explores sites and objects that embody a sense of historical, political or social consequence to trace the fault lines of race and class in his chosen context.
Cycle
Cycle 1 (2014 – 2015)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
United Kingdom
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Luke Willis Thompson
Description
An account of the resource
Luke Willis Thompson’s practice explores sites and objects that embody a sense of historical, political or social consequence to trace the fault lines of race and class in his chosen context. Stories of representation, dispossession, and the day-to-day politics of cultural difference collapse into and spiral out of the work His research in Singapore has involved connections between Southeast Asia, the Caribbean and Great Britain in an “umbilical” relationship linked by the trade of cotton and other essential goods.
Date
A point or period of time associated with an event in the lifecycle of the resource
27 November 2014 – 27 January 2015
Contributor
An entity responsible for making contributions to the resource
Luke Willis Thompson
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Object
Subject
The topic of the resource
History
Politics
-
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e235732eecb668f4108e9c80a41940dd
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
The artist was scheduled to be in-residence from July – September 2020. Due to the COVID-19 virus outbreak and international travel restrictions, the artist was unable to participate in the residency programme physically.
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
United Kingdom
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Cycle
Cycle 7 (2020 – 2021)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marianna Simnett
Description
An account of the resource
The artist was scheduled to be in-residence from July – September 2020. Due to the COVID-19 virus outbreak and international travel restrictions, the artist was unable to participate in the residency programme physically.<br /><br />Marianna Simnett made a new film <em>Tito’s Dog</em> (2020) as part of the Residencies Online Screening Programme <em>Stakes of Conscious(ness)</em>, conceived by Dr Anna Lovecchio for the <span>three artists whose residency at NTU CCA Singapore has been disrupted by the viral pandemic.</span>
Date
A point or period of time associated with an event in the lifecycle of the resource
1 July – 30 September 2020
Contributor
An entity responsible for making contributions to the resource
Marianna Simnett
Medium
The material or physical carrier of the resource.
Installation
Sculpture
Subject
The topic of the resource
Body
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
-
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815904766d10de4e193813677f132097
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During the residency, Michael Birchall will connect with local artists and institutions committed to socially engaged practices. He will give a lecture titled Curatorial Consciousness. Participation between practice and process in the context of Mapletree-NTU CCA Singapore Art Education Programme Series.
Cycle
Cycle 5 (2018 – 2019)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
United Kingdom
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Michael Birchall
Description
An account of the resource
During the residency, Michael Birchall will connect with local artists and institutions committed to socially engaged practices. He will give a lecture titled <i>Curatorial Consciousness. Participation between practice and process</i> in the context of Mapletree-NTU CCA Singapore Art Education Programme Series.
Date
A point or period of time associated with an event in the lifecycle of the resource
15 October – 21 October 2018
Contributor
An entity responsible for making contributions to the resource
Michael Birchall
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Curating
Performance
Subject
The topic of the resource
Curatorial Practice
-
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88c30a4530e9519895def6faebc35489
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Gat will examine possibilities art opens up to make the internet a genuine public space of the commons.
Cycle
Cycle 3 (2016 – 2017)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
United Kingdom
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Orit Gat
Description
An account of the resource
Orit Gat will lead an Exhibition (de)Tour: <i>Townhall or Marketplace, Can Art find a Public Space on the Internet? Can it Create One? which is part of Incomplete Urbanism: Attempts of Critical Spatial Practice</i>’s public programme. She will look at a number of specific artworks, which conflate the urban and digital space as well as the hidden aspects of the internet’s infrastructure. In light of internet changes since 1995, Gat will examine possibilities art opens up to make the internet a genuine public space of the commons.
Date
A point or period of time associated with an event in the lifecycle of the resource
14 November – 22 November 2016
Contributor
An entity responsible for making contributions to the resource
Orit Gat
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Writing/Text
Subject
The topic of the resource
Urbanism