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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Chinese Cabbage, from Seed Bag Series, 2018, acrylic paint on canvas. Quadra Medicinale Singapore (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, foyer view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, outdoor view. Courtesy NTU CCA Singapore.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Quadra Medicinale Singapore introduces an artistic practice that questions the hierarchies and adaptability of nature and society, provoking reflections on both their communicable and imperceptible structures.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2018-12-01
Exhibition End Date
2019-03-03
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Italy
France
Russia
Belgium
United States
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Jef Geys Quadra Medicinale Singapore</i>
Subject
The topic of the resource
Botany
Urbanism
Ecosystems
Archival Practice
Pedagogy
Description
An account of the resource
NTU Centre for Contemporary Art Singapore presents <i>Quadra Medicinale Singapore</i>, the late Belgian artist <b>Jef Geys</b>’s first institutional exhibition in Asia. Geys’s conceptual practice adopted an interdisciplinary and collaborative process of research and knowledge-formation, and was driven by his belief that art should be intertwined with the everyday. <br /><br />For <i>Quadra Medicinale</i> (2009), Geys invited residents of Villeurbanne, New York, Moscow, and Brussels to demarcate a geometrical quadrant, with their home or workplace at the centre, and document 12 unassuming street plants, or “weeds.” From this collection, the collaborators uncovered the productive, and often times medicinal, properties of these plants. <br /><br /><i>Quadra Medicinale</i> is structured as a universal manual capable of being replicated anywhere and has, since its first presentation at the Pavilion of Belgium during the 53rd Venice Biennale International Art Exhibition in 2009, been realised and shown in various cities including at the Museum of Contemporary Art Detroit (2010). The exhibition was followed by similar methods of botanical and medicinal plant studies as documented in the accompanying publication <i>Kempens Informatieblad</i>. This alternative model set up by Geys for collective knowledge production, sharing, and documentation has, underlying its process, a socially-active role: Geys asked questions such as, “What can a homeless person who has a toothache, for example, chew-on to ease the pain, and to eventually cure the problem?” <br /><br />On view will be four chapters of the project, including a newly-created Singapore chapter following Geys’s instructions with contributions by local collaborators, Louise Neo and Teo Siyang. Each chapter includes framed plant specimens with their characteristics labelled, photographs of the site where the plants were originally found, as well as maps of the geographical quadrant explored. Through inciting a collaborative process, Geys created a unique model for knowledge production and sharing. <br /><br />Questioning mainstream and organised systems of urban planning and information dissemination, Geys casted doubt on the fundaments of language and visual representation, interrogating art’s relation to meaning-making. He produced a text explaining the <i>Quadra Medicinale</i> project that has been translated into 10 languages, with annotations by the artist himself on the translations. Their display as large-format scrolls, further probes systems of interpretation, communication, and accessibility. A selection of these text scrolls and a Malay translation, produced for this exhibition, will be shown. <br /><br /><i>Quadra Medicinale Singapore</i> introduces an artistic practice that questions the hierarchies and adaptability of nature and society, provoking reflections on both their communicable and imperceptible structures. It also poses the question of whether conceptual artworks can be continued after an artist’s passing. <br /><br />In addition to the elements from <i>Quadra Medicinale</i>, the exhibition includes two paintings from Geys’s <i>Seed-bags</i> series (1963–2018), a long-term project the artist started when, during his own gardening process, he discovered that the image of the vegetables or flowers pictured on the bag did not match the actual plant. With these paintings, which Geys would create every year, he challenged the accuracy and truth of commercial photography. The medium, however, played a significant role in the artist’s practice enabling him to accumulate an extensive archive of his own projects and interests. <br /><br />In The Single Screen, <i>Day and Night and Day</i>… (2002), his 36-hour-long film produced for Documenta 11 (Kassel, Germany), will be screened in parallel to the exhibition. This film is a mesmeric sequence composed of thousands of black-and-white photographs Geys took from the mid-1950s to 1998. <br /><br />The exhibition is made possible by generous loans from the Jef Geys Estate and Air de Paris. <br /><br /><i>Quadra Medicinale Singapore</i> is curated by <b>Dirk Snauwaert</b>, Artistic Director at WIELS Contemporary Art Centre, Brussels, in collaboration with <b>Ute Meta Bauer</b> and <b>Khim Ong</b>, NTU CCA Singapore. Snauwaert was the Curator of <i>Jef Geys: Quadra Medicinale</i> in Venice 2009, commissioned for the National Pavilion of Belgiumby the Flemish Community. Snauwaert was an NTU CCA Singapore Curator-in-Residence in 2015.
Contributor
An entity responsible for making contributions to the resource
Louise Neo
Teo Siyang
Dirk Snauwaert
Ute Meta Bauer
Khim Ong
Medium
The material or physical carrier of the resource.
Photography
Print
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
North America
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Mary Otis Stevens. The i Press Series presents the work of pioneering American architect and thinker Mary Otis Stevens through her architectural designs and books on architecture, urbanism, and social space.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2020-02-14
Exhibition End Date
2020-08-16
Collaboration
No
Commissioned Work
No
Related Countries
United States
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Mary Otis Stevens. The i Press Series</i>
Subject
The topic of the resource
Public Sphere
Urbanism
Geopolitics
Activism
Politics
Description
An account of the resource
<b>Mary Otis Stevens</b> (b.1928) is a pioneering American architect. Her architectural designs, along with the founding of i Press (1968-1978), an important publisher of books on architecture, urbanism, and social space, were linked to her ability to radically re-envision space and relationships. In the context of the Cold War and American political activism in the 1960s, her work, which were often in collaboration with her partner, fellow architect and i Press co-founder Thomas McNulty, revealed her foundational training in philosophy and her commitment to de-centralising hierarchies. Revisiting her work more than fifty years later, the themes of active citizen participation in government, integrated planning, and genuine risk-taking to make substantial change in people’s lives remain relevant and crucial means of incorporating a social context into the practice of architecture. On view is Mary’s sensitivity to variations, large and small, visible in her work as a publisher as well as her drawings and architectural designs. This research presentation also explores <i>The Ideal Communist City</i>, an i Press publication by Alexei Gutnov et al. from 1970 that offers a deep dive into a utopian proposition that “the new city is a world belonging to all and to each.” <br /><br />In order to help introduce the <i>i Press series on the human environment</i> to a wide audience, NTU CCA Singapore, with series editors Ute Meta Bauer (Founding Director, NTU CCA and Professor, NTU ADM), James Graham (Director of Publications, Columbia University GSAPP), and Pelin Tan (2019-2020 Keith Haring Fellow in Art and Activism, Bard College), is currently working with i Press and Mary Otis Stevens to republish several original i Press books with revisions and commentary by contemporary theorists and practitioners. <br /><br /><i>Mary Otis Stevens. The i Press Series</i> is curated by Dr Karin Oen, Deputy Director, Curatorial Programmes, NTU CCA Singapore
Contributor
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Mary Otis Stevens
Karin Oen
Coverage
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North America
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Print
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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John Akomfrah, The Unfinished Conversation, 2012. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
John Akomfrah, The Unfinished Conversation, 2012. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
John Akomfrah, The Unfinished Conversation, 2012. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
John Akomfrah, The Unfinished Conversation, 2012. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
John Akomfrah, The Unfinished Conversation, 2012. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Naeem Mohaiemen, Two Meetings and a Funeral, 2017. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Naeem Mohaiemen, Two Meetings and a Funeral, 2017. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Naeem Mohaiemen, Two Meetings and a Funeral, 2017. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Naeem Mohaiemen, Two Meetings and a Funeral, 2017. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Naeem Mohaiemen, Two Meetings and a Funeral, 2017. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Otolith Group, Nucleus of the Great Union, 2017. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Otolith Group, Nucleus of the Great Union, 2017. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Otolith Group, Nucleus of the Great Union, 2017. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Otolith Group, Nucleus of the Great Union, 2017. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Amplifying and celebrating defining voices and intertwining personal lives with political movements, Non-Aligned examines the new possibilities for progressive social movements but also the struggles that define the post-WWII period.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2020-04-04
Exhibition End Date
2020-09-27
Collaboration
No
Commissioned Work
No
Related Countries
Bangladesh
United States
United Kingdom
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Non-Aligned</i>
Subject
The topic of the resource
Race
Decolonialism
Archival Practice
Geopolitics
Displacement
Regionalism
Diaspora
Description
An account of the resource
<i>Non-Aligned</i> in the press! Read Stephanie Bailey’s article in <u>Ocula</u> and <u>Object Lessons Space</u>‘s interview with Dr Karin Oen, the Centre’s Deputy Director of Curatorial Programmes. <br /><br /><b><i>The Unfinished Conversation</i></b> (2012), <b>John Akomfrah</b> (United Kingdom), <b><i>Two Meetings and a Funeral</i></b> (2017), <b>Naeem Mohaiemen</b> (Bangladesh/United States), <b><i>Nucleus of the Great Union</i></b> (2017), <b>The Otolith Group</b> (United Kingdom) <br /><br />The British Empire spanned from Asia to Australia to Africa to America to the Caribbean. The various colonial territories gained their sovereignty and independence at different times, in processes of decolonization that played out in the histories of nations, but also determined the lives of individuals. <i>Non-Aligned</i> brings together three moving-image works by artists, filmmakers, and writers that inquire into the challenging transition periods from colonial rule to the independence of nations. <br /><br />The presented works apply archival material in different ways. The focus spans from the work and personal histories of intellectuals who experienced these unprecedented circumstances first-hand, including Jamaican-born British theorist Stuart Hall (1932-2014) and African American novelist Richard Wright (1908-1960), to the history of political organization around the Non-Aligned Movement. This process of examining the interconnected stories of place, identity, and the conscious assertion of difference from established Western narratives, is also embedded in the personal histories of the artists. <br /><br />The Non-Aligned Movement was formally established in 1961 on principles such as world peace and cooperation, human rights, anti-racism, respect, disarmament, non-aggression, and justice. At the height of the Cold War, a large group of African, Asian, and Latin American countries navigating post-colonial constellations attempted a diversion from the two major powers—the United States and the Soviet Union—forming what is to date the largest grouping of states worldwide, after the United Nations. The non-aligned nations, which Singapore joined in 1970, wished to secure independence and territorial sovereignty, and fight against imperialism, domination, and foreign interference. <br /><br />This history is at the core of <b><i>Two Meetings and a Funeral</i></b> (2017), a feature-length three-channel video installation by <b>Naeem Mohaiemen</b>. It explores Bangladesh’s historical pivot from the socialist perspective of the 1973 Non-Aligned Movement meeting in Algeria to the emergence of a petrodollar-funded Islamic perspective at the 1974 Organisation of Islamic Countries meeting in Lahore. Recounted by Algerian publisher Samia Zennadi, Bangladeshi politician Zonayed Saki, and Indian historian Vijay Prashad, Mohaiemen’s film considers the erosion of the idea of “Third World” as a political space that was to open the potential for decoloniality and socialism, while articulating the internal contradictions behind its unfortunate failure. <br /><br />In the video essay <b><i>Nucleus of the Great Union</i></b> (2017), <b>The Otolith Group</b> traces Richard Wright on his first trip to Africa in 1953. Travelling the Gold Coast for 10 weeks, he witnessed political campaigns for independence in West Africa, yet feeling alienation at his first encounter with the continent. For this film, The Otolith Group reconciled excerpts from Wright’s book <i>Black Power: A Record of Reactions in a Land of Pathos</i> (1954) with a selection of the over 1,500 previously unpublished photographs the writer took on his journey. Wright’s initially intended book including both text and photos was inadequately published without images. Through this work, The Otolith Group finally honors Wright’s initial aim of seeing image and text as one single narration. <br /><br /><b><i>The Unfinished Conversation</i></b> (2012) is an in-depth inquiry by filmmaker <b>John Akomfrah</b> into the personal archive of audio interviews and television recordings of the influential theorist and educator Stuart Hall. The multi-screen film installation unfolds as a layered journey through the paradigm-changing work of the late intellectual, regarded as a key founder of cultural studies, who triangulated gender, race, and class. Hall was particularly invested in black identity linked to the history of colonialism and slavery. <br /><br />Amplifying and celebrating defining voices and intertwining personal lives with political movements, the featured works in <i>Non-Aligned</i> examine not only the new possibilities for progressive social and independence movements but also the inherent struggles that define the post-WWII period. <br /><br /><i>Non-Aligned</i> is curated by <b>Ute Meta Bauer</b>, Founding Director, NTU CCA Singapore, and Professor, School of Art, Design and Media, NTU. <br /><br /><b>FILM PROGRAMME: THIRD WAY / AFTER BANDUNG</b> <br />This programme features films that engage post-colonial processes covering different moments and geopolitical contexts. The Asian-African Conference in 1955, known as the Bandung Conference, amidst the complex processes of decolonization, established self-determination, non-aggression, and equality as part of the core values that then formed the Non-Aligned Movement. This history is unpacked and contextualised through this series of screenings. <br /><br />Co-curated by writer and curator <b>Mark Nash</b> and film researcher <b>Vladimir Seput</b>. <br /><br /><b>READING CORNER</b> <br />Accompanying this exhibition is a library of over 50 books on postcolonialism, decoloniality, the history of the Cold War, the Non-Aligned Movement, archiving, as well as theory of the moving image and publications on and by John Akomfrah, Naeem Mohaiemen, and The Otolith Group. Authors include Frantz Fanon, Stuart Hall, and Richard Wright, as well as Kodwo Eshun, Rosalind C. Morris, Bojana Piškur and Gayatri Chakravorty Spivak, among many others. <br /><br />In light of COVID-19, we have removed the reading corner for the safety of our visitors. <br /><br />We have selected texts on, or in conversation with, some of them to be used for online reading groups. These additional texts including articles by Vijay Prashad and Elspeth Probyn, and book chapters by Adil Johan and S.R. Joey Long. <br /><br /><b>ACTIVITY CARDS</b> <br />Designed for young audiences aged 13 and above, the <i>Non-Aligned</i> activity cards explore several core themes of the exhibition through thoughtful reflection questions and engaging activities. While the Centre strongly encourages audiences to experience the artworks in person, the cards may also be used independently at home or in the classroom.
Contributor
An entity responsible for making contributions to the resource
John Akomfrah
Naeem Mohaiemen
The Otolith Group
Mark Nash
Vladimir Seput
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
South America
Asia
Africa
Medium
The material or physical carrier of the resource.
Film
-
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Dublin Core
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Title
A name given to the resource
Siah Armajani, Tomb for Arthur Rimbaud, 2016, painted balsa and aluminium, 48.26 x 39.37 x 39.37 cm. Siah Armajani: Spaces for the Public. Spaces for Democracy. (2019), NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Siah Armajani: Spaces for the Public. Spaces for Democracy. (2019), NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Front: Siah Armajani, Sacco and Vanzetti Reading Room #3, 1988, glazed wood, synthetic resin, glass, steel, brick, aluminium, pencils, dimensions variable. Siah Armajani: Spaces for the Public. Spaces for Democracy. (2019), NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Siah Armajani: Spaces for the Public. Spaces for Democracy., 20 July – 3 November 2019. NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Siah Armajani: Spaces for the Public. Spaces for Democracy., 20 July – 3 November 2019. NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Siah Armajani: Spaces for the Public. Spaces for Democracy., 20 July – 3 November 2019. NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Siah Armajani: Spaces for the Public. Spaces for Democracy., 20 July – 3 November 2019. NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Siah Armajani: Spaces for the Public. Spaces for Democracy., 20 July – 3 November 2019. NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Siah Armajani: Spaces for the Public. Spaces for Democracy., 20 July – 3 November 2019. NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Siah Armajani: Spaces for the Public. Spaces for Democracy., 20 July – 3 November 2019. NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Siah Armajani: Spaces for the Public. Spaces for Democracy., 20 July – 3 November 2019. NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Siah Armajani: Spaces for the Public. Spaces for Democracy., 20 July – 3 November 2019. NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Siah Armajani: Spaces for the Public. Spaces for Democracy., 20 July – 3 November 2019. NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Siah Armajani, Sacco and Vanzetti Reading Room #3, 1988, glazed wood, synthetic resin, glass, steel, brick, aluminium, pencils, dimensions variable. Siah Armajani: Spaces for the Public. Spaces for Democracy. (2019), NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Siah Armajani: Spaces for the Public. Spaces for Democracy. (2019), NTU Centre for Contemporary Art Singapore, Single Screen.
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Dublin Core
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Title
A name given to the resource
Siah Armajani: Spaces for the Public. Spaces for Democracy. (2019), NTU Centre for Contemporary Art Singapore, Single Screen.
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Dublin Core
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Title
A name given to the resource
Siah Armajani, Bread Basket, 1975, aluminium, 30.5 x 30.5 cm. Siah Armajani: Spaces for the Public. Spaces for Democracy. (2019), NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Siah Armajani, Street Corner No. 1, 1994, bronze and wood, 134.6 x 280.7 x 33 cm. Siah Armajani: Spaces for the Public. Spaces for Democracy. (2019), NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Siah Armajani, Street Corner No. 2, 1994, bronze, 171.5 x 279.4 x 22.9 cm. Siah Armajani: Spaces for the Public. Spaces for Democracy. (2019), NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Siah Armajani, Grease Protector, 1975, aluminium, 47 x 33 cm. Siah Armajani: Spaces for the Public. Spaces for Democracy. (2019), NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Siah Armajani, Cooking Spoon, 1975, aluminium, 36.8 x 11.4 cm. Siah Armajani: Spaces for the Public. Spaces for Democracy. (2019), NTU Centre for Contemporary Art Singapore, installation view.
Dublin Core
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Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Informed by democratic ideologies and inspired by American vernacular architecture, Armajani's works include gathering spaces for communality, emphasizing the “nobility of usefulness."
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2019-07-20
Exhibition End Date
2019-11-03
Collaboration
No
Commissioned Work
No
Related Countries
United States
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Siah Armajani. Spaces for the Public Spaces for Democracy</i>
Subject
The topic of the resource
Public Sphere
Politics
Description
An account of the resource
Considered a leading figure in public art, Iranian-born artist <b>Siah Armajani</b> merges architecture and conceptual art in his sculptures, drawings, and public installations. Informed by democratic ideologies and inspired by American vernacular architecture, his works include gathering spaces for communality, emphasizing the “nobility of usefulness.” His highly acclaimed public art and architectural projects have included bridges, gardens, and outdoor structures, that have been commissioned and presented worldwide. A retrospective featuring his artistic career spanning over more than five decades was recently on view at the Walker Art Center, Minneapolis, and inaugurates in March at The MET Breuer, New York. <br /><br />Taking centre stage in the exhibition, the large-scale installation <i>Sacco & Vanzetti Reading Room #3</i> (1988) will unfold along its several comprising elements, such as two rooms, tables, chairs, and racks with books, magazines, and pencils noticeably arranged like spikes. <i>The Reading Room</i> is designed as a functional and inviting space for the visitors of the exhibition to use. The books populating the space are by or about the poets, philosophers, and political activists Armajani has dedicated different works to, many from his <i>Tomb</i> series. Initiated by Armajani in 1972, the <i>Tomb</i> series include drawings and models, of which seven are also on view in the exhibition. <br /><br />The list of authors includes: Theodor Adorno, Hannah Arendt, Walter Benjamin, John Berryman, Dietrich Bonhoeffer, John Dewey, Ralph Waldo Emerson, Luigi Galleani, Emma Goldman, Hafez, Martin Heidegger, Thomas Jefferson, Frank O’Hara, Sylvia Plath, Edgar Allan Poe, Arthur Rimbaud, Richard Rorty, Sacco and Vanzetti, Ahmad Shamlou, Henry David Thoreau, Alfred North Whitehead, Walt Whitman, and Nima Yooshij. <br /><br /><strong>READING GROUPS</strong> <br /><br />NTU CCA Singapore has selected books by and about the philosophers, poets, and political activists that Siah Armajani has dedicated works to, as part of the installation, which is designed for use by the visiting public as a functional and inviting space. Throughout the exhibition period, the installation will host reading groups or other events that respond to the displayed books. <br /><br /><strong>OPEN CALL</strong> <br /><br />In addition, NTU CCA Singapore is seeking interested individuals, groups, or organisations to engage with the artist’s works. The Sacco and Vanzetti Reading Room #3 is available to be used for readings, gatherings, discussions, workshops, or other events. Interested parties can appropriate the installation and exhibition space, including the books accompanying the installation, and respond to the exhibition and its title, the artist and the work, or related topics. <br /><br /><br /><i>Siah Armajani: Spaces for the Public. Spaces for Democracy. </i>is curated by <b>Ute Meta Bauer</b>, Founding Director of the NTU CCA Singapore, and Professor, School of Art, Design and Media, Nanyang Technological University, Singapore. <br /><br />The exhibition is made possible by generous loans from the <b>MMK Museum for Modern Art</b>, Frankfurt, and <b>Rossi & Rossi</b>, Hong Kong. <br /><br />Special thank you to <b>Susanne Pfeffer</b>, Director, and <b>Mario Kramer</b>, Head of Collection, MMK, as well as <b>Fabio Rossi</b> and <strong>Josie Browne</strong>, project liaison. <br /><br />With gratitude to <b>Siah Armajani</b> and <b>Barbara Armajani</b>.
Contributor
An entity responsible for making contributions to the resource
Siah Armajani
Ute Meta Bauer
MMK Museum for Modern Art
Rossi & Rossi
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
North America
Medium
The material or physical carrier of the resource.
Sculpture
Painting
Installation
Object
-
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Dublin Core
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Title
A name given to the resource
Trinh T. Minh-ha, A Tale of Love, 1995. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Trinh T. Minh-ha, Forgetting Vietnam, 2015. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Trinh T. Minh-ha, Forgetting Vietnam, 2015. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Trinh T. Minh-ha, Forgetting Vietnam, 2015. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Trinh T. Minh-ha, The Fourth Dimension, 2001. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Trinh T. Minh-ha, The Fourth Dimension, 2001. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Title
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Trinh T. Minh-ha, Night Passage, 2004. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Title
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Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Title
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Trinh T. Minh-ha. Films. Installation view (2020–21), NTU Centre for Contemporary Art Singapore.
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Title
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Trinh T. Minh-ha. Films. Installation view (2020–21), NTU Centre for Contemporary Art Singapore.
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Title
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Trinh T. Minh-ha. Films. Installation view (2020–21), NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Title
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Trinh T. Minh-ha. Films. Installation view (2020–21), NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Title
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Trinh T. Minh-ha. Films. Installation view (2020–21), NTU Centre for Contemporary Art Singapore.
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Title
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Trinh T. Minh-ha, Shoot for the Contents, 1991. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Title
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Trinh T. Minh-ha, Shoot for the Contents, 1991. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Title
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Trinh T. Minh-ha, Shoot for the Contents, 1991. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Title
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Trinh T. Minh-ha, What about China? (Part I of II), 2020–21, Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Title
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Trinh T. Minh-ha. Films. Wall text(2020–21), NTU Centre for Contemporary Art Singapore.
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Title
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Exhibitions
Description
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NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Trinh T. Minh-ha. Films. explores the ethics of representation in ethnographic film, debates on global socio-political developments, and different layers of feminist discourse.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2020-10-07
Exhibition End Date
2021-02-28
Collaboration
Yes
Commissioned Work
No
Related Countries
Vietnam
Japan
United States
China
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
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Title
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<i>Trinh T. Minh-ha. Films</i>
Subject
The topic of the resource
Race
Feminism
Technology
Diaspora
Capitalism
Displacement
Description
An account of the resource
<i>“The making of each film transforms the way I see myself and the world. Once I start engaging in the process of making a film or in any artistic excursion, I am also embarking upon a journey whose point of arrival is unknown to me.”—Trinh T. Minh-ha</i> <br /><br />Trinh T. Minh-ha. Films. is the first institutional exhibition of filmmaker, music composer, writer, anthropologist, feminist and postcolonial theorist Trinh T. Minh-ha in Asia, presented in an exhibition format. Five of her films—<b>Forgetting Vietnam</b> (2015), <b>Night Passage</b> (2004), <b><i>The Fourth Dimension</i></b> (2001), <b><i>A Tale of Love</i></b> (1995) and <b><i>Shoot for the Contents</i></b> (1991), filmed over a quarter of a century, in different parts of Asia—are simultaneously on view in five small-scale movie theatres in The Exhibition Hall. As the viewer wanders from one theatre to the next, the proximity of the films enables their narratives to interrelate. This spatial configuration took its point of departure from Trinh’s exhibition at the Secession, Vienna, in 2001. <br /><br /><b><i>Forgetting Vietnam</i></b>, framed by two ancient Vietnamese myths, was made in commemoration of the 40th anniversary of the end of the Vietnam war, touching on the memory of trauma. <b><i>Night Passage</i></b>, inspired by Miyazawa Kenji’s novel <b><i>Milky Way Railroad</i></b> (1927), narrates the spiritual journey of a young female immigrant and her two companions, into a world of in-between realities. Shot in Japan, <b><i>The Fourth Dimension</i></b> is Trinh’s first digital film. Using special video effects to composite images and sound in multiple layers, this film is an exploration of time through rituals of religion and culture, new technology and everyday reality. <b><i>A Tale of Love</i></b> is a retelling of 19th-century Vietnamese poem <b><i>The Tale of Kiều</i></b> (1820), through a modern-day Vietnamese immigrant in the United States. In this film, Trinh experiments with various cinematic techniques and elements. <b><i>Shoot for the Contents</i></b>, an excursion into allegories, explores cultural and political shifts in China, as refracted by the June Fourth incident in Beijing. <br /><br />Presented in the Centre’s Single Screen from 31 October 2020 is Trinh’s newest cinematic work, <b><i>What about China?</i></b> (Part I of II, 2020–21). Initiated by NTU CCA Singapore, and co-commissioned with Rockbund Art Museum (RAM), Shanghai, the film takes the notion of harmony in China as a site of creative manifestation, and draws from footage shot in 1993 and 1994, in Eastern and Southern China, specifically from provinces Anhui, Hubei, Zhejiang, Fujian and Guangxi—linked to the remote origins of Chinese civilisation. <br /><br />Through <b><i>Trinh T. Minh-ha. Writings.</i></b>, a display of Trinh’s books on reading platforms along the passageway connecting the five theatres in The Exhibition Hall, as well as Why are they so afraid of a lotus?, presented in The Lab by CCA Wattis Institute for Contemporary Arts (Wattis), San Francisco, that showcases its year-long research season on her multifaceted practice, viewers are able to encounter her extensive writing that is core to her practice. <br /><br />Trinh’s early films, <b><i>Surname Viet Given Name Nam</i></b> (1989), <b><i>Naked Spaces—Living is Round</i></b> (1985), and <b><i>Reassemblage</i></b> (1982), are part of an online film programme, <b><i>Speaking / Thinking Nearby</i></b>. Other films selected echo strands of discussions in Trinh’s layered practice, ranging from ethics of representation, to aspects of migration, global socio-politics, and feminism. <br /><br />Besides the film programme Speaking / Thinking Nearby, other public programmes include Mother Always Has a Mother, an online convening presented by the Centre, Wattis, and RAM, and “There is no such thing as documentary”, a conference that brings together filmmakers, film historians, and curators to question the politics embedded in presentation and representation, perception, context, and the spatial. <br /><br />This is NTU CCA Singapore’s final presentation in its current exhibition space, its opening coinciding with the Centre’s seventh anniversary. By the end of this exhibition, the Centre would have hosted 55 exhibitions since its inception in 2013, inaugurated by the show Paradise Lost (2014), featuring works by Trinh T. Minh-ha alongside those of Zarina Bhimji and Fiona Tan. <br /><br />Trinh T. Minh-ha (Vietnam/United States) is Professor of Gender & Women’s Studies and of Rhetoric at the University of California, Berkeley, and an award-winning artist and filmmaker. She grew up in South Vietnam during the Vietnam War and pursued her education at the National Conservatory of Music and Theater in Ho Chi Minh City. In 1970, she migrated to the United States where she continued her studies in music composition, ethnomusicology, and French literature at the University of Illinois, Urbana-Champaign. She embarked on a career as an educator and has taught in diverse disciplines which brought her to the National Conservatory of Music in Dakar, Senegal, where she shot her first film, Reassemblage. Trinh’s cinematic oeuvre has been featured in numerous exhibitions and film festivals. She has participated in biennales across the globe including Documenta11, Kassel (2002), and most recently at Manifesta 13, Marseille (2020). A prolific writer, she has authored nine books. <br /><br />Trinh T. Minh-ha. Films. is curated by Ute Meta Bauer (Germany/Singapore), Founding Director, NTU CCA Singapore, and Professor, NTU ADM. <br /><br />This project focuses on the multi-layered practice of Trinh T. Minh-ha as a filmmaker, writer, music composer and educator, generating a multi-year (2019–2022) research and programme partnership between NTU CCA Singapore, RAM, Wattis, and the Württembergischer Kunstverein Stuttgart.
Contributor
An entity responsible for making contributions to the resource
Trinh T. Minh-ha
Ute Meta Bauer
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Film
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
“Speaking nearby” to the exhibition Trinh T. Minh-ha. Films., this research presentation showcases the Wattis Institute’s year-long research season on Trinh’s multifaceted practice as a filmmaker, writer and theorist.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2020-10-24
Exhibition End Date
2021-01-10
Collaboration
Yes
Commissioned Work
No
Related Countries
United States
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Why are they so afraid of a lotus?</i>
Subject
The topic of the resource
Feminism
Identity
Politics
Description
An account of the resource
“Speaking nearby” to the exhibition <i>Trinh T. Minh-ha. Films.,</i> this research presentation showcases the Wattis Institute’s year-long research season on Trinh’s multifaceted practice as a filmmaker, writer and theorist. What does the promise of “speaking nearby” rather than “speaking about” look like today? What are the politics of hospitality? What are the problematics of “post-feminism,” and how do we challenge the West as the authoritative subject of feminist knowledge? Expanding the discursive orbit of these questions, the presentation features projects by artists <b>Hồng-Ân Trương </b>(US) and <b>Genevieve Quick</b> (US), and is accompanied by the online convening <i>Mother Always Has a Mother</i>, a result of the ongoing research collaboration between NTU CCA Singapore, Rockbund Art Museum (Shanghai), and the Wattis Institute. <br /><br />Conceived by <b>Kim Nguyen</b> (Canada/United States), Curator and Head of Programs, CCA Wattis Institute for Contemporary Arts (Wattis), San Francisco.
Contributor
An entity responsible for making contributions to the resource
Hồng-Ân Trương
Genevieve Quick
Kim Nguyen
Rockbund Art Museum
CCA Wattis Institute for Contemporary Arts
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
Medium
The material or physical carrier of the resource.
Video
Installation
Print
-
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4b6b8ad8c8bb6872764135037803e2a5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
In her videos, services, concoctions and drawings, Ana Prvacki uses a gently pedagogical and comedic approach in an attempt to reconcile etiquette and erotics.
Cycle
Cycle 1 (2014 – 2015)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
United States
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span>Ana Prvački</span>
Description
An account of the resource
In her videos, services, concoctions and drawings, Ana Prvacki uses a gently pedagogical and comedic approach in an attempt to reconcile etiquette and erotics. Prvacki’s practice also centres around the human negotiation involved in endeavours such as hospitality, team efforts through music or questioning our normative cultural codes around ways of being in and navigating a contemporary life.
Date
A point or period of time associated with an event in the lifecycle of the resource
6 July – 28 August 2014
Contributor
An entity responsible for making contributions to the resource
Ana Prvački
Ana Prvacki
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Performance
Video
Drawing
Subject
The topic of the resource
Performance
Body
-
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b619f2c7a98b356c62087a806d1c37f4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During the residency, Anthony Huberman will connect with local artists and institutions in Singapore.
Cycle
Cycle 4 (2017 – 2018)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
United States
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Anthony Huberman
Description
An account of the resource
During the residency, Anthony Huberman will connect with local artists and institutions in Singapore. He will deliver a lecture that addresses concepts of tools, devices, and machines in relation to the exhibition MECHANISMS, he recently curated at CCA Wattis Institute for Contemporary Arts, San Francisco, United States. Furthering his connection with the region, Huberman will also travel to the Philippines to participate in the <i>Public Lecture Series 2018</i> at the Museum of Contemporary Art and Design (MCAD), Manila.
Date
A point or period of time associated with an event in the lifecycle of the resource
29 January – 7 February 2018
Contributor
An entity responsible for making contributions to the resource
Anthony Huberman
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Curating
Subject
The topic of the resource
Curatorial Practice
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Arjuna Neuman works towards a diagnostic of the economic, affective and ideological systems that envelop us; he uses the history of the nuclear industry and technology more generally to this end.
Cycle
Cycle 1 (2014 – 2015)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
United States
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Arjuna Neuman
Description
An account of the resource
Arjuna Neuman works towards a diagnostic of the economic, affective and ideological systems that envelop us; he uses the history of the nuclear industry and technology more generally to this end. Neuman researched Singapore as a “City within a Garden” through the concept of “Borrowed Scenery”, an ancient Chinese and Japanese garden design as it re-appears in unusual places: from an Israeli-Singaporean Military collaboration on various weapons, to the Singapore Tourism Board’s masterplan, to local gateway architecture built by foreign stars.
Date
A point or period of time associated with an event in the lifecycle of the resource
6 January – 3 April 2015
Contributor
An entity responsible for making contributions to the resource
Arjuna Neuman
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Ecosystems
Urbanism
-
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a6ef25a6a05c567ae49448cc685a8406
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During the residency, Barbara London will connect with local artists and institutions in Singapore.
Cycle
Cycle 4 (2017 – 2018)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
United States
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Barbara London
Description
An account of the resource
During the residency, Barbara London will connect with local artists and institutions in Singapore. Reflecting on her experiences at MoMA where she founded the video exhibition and collection programmes, London will deliver a public lecture that will touch upon the museums’ support of the medium from its early formative years to the present. She will also conduct a two-day professional short course titled <i>Time-Based Media in Collections</i>.
Date
A point or period of time associated with an event in the lifecycle of the resource
13 March – 27 March 2018
Contributor
An entity responsible for making contributions to the resource
Barbara London
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
North America
Medium
The material or physical carrier of the resource.
Video
Subject
The topic of the resource
Spaces of the Curatorial