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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Paradise Lost, 18 January – 30 March 2014, Exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Paradise Lost, 18 January – 30 March 2014, Exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Paradise Lost, 18 January – 30 March 2014, Installation view: Zarini Bhimji, Yellow Patch (2011).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Paradise Lost, 18 January – 30 March 2014, Installation view: Zarini Bhimji, Yellow Patch (2011).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Paradise Lost, 18 January – 30 March 2014, Installation view: Fiona Tan, Disorient (2009).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Paradise Lost, 18 January – 30 March 2014, Installation view: Fiona Tan, Disorient (2009).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Paradise Lost, 18 January – 30 March 2014, Installation view: Trinh T. Minh-ha, Surname Viet Given Name Nam (1989).
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Paradise Lost, 18 January – 30 March 2014, Installation view: Trinh T. Minh-ha, Surname Viet Given Name Nam (1989).
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2014-01-18
Exhibition End Date
2014-03-30
Collaboration
No
Commissioned Work
No
Short Description
Paradise Lost explores narratives of travel and migration, place and displacement, the personal intertwined with colonial history, and introduces an imaginary Asia as a space of projections and desires.
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Related Countries
China
Vietnam
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Paradise Lost</i>
Description
An account of the resource
<i>Paradise Lost</i> is NTU CCA Singapore’s inaugural exhibition, curated by Ute Meta Bauer (Founding Director) and Anca Rujoiu (Curator for Exhibitions). Conceived as a constellation of three artistic productions that together explore narratives of travel and migration, place and displacement, the personal intertwined with colonial history, <i>Paradise Lost</i> introduces an imaginary Asia — Asia as a space of projections and desires stemming from an experience of dislocation and asynchronicity. <br /><br />The exhibition juxtaposed trans-generational perspectives, bringing together three major installations of moving image: <i>Surname Viet Given Name Nam</i> (1989) by Trinh T. Minh-ha, <i>Yellow Patch</i> (2011) by Zarina Bhimji and <i>Disorient</i> (2009) by Fiona Tan. <br /><br />While all three artists are of Asian descent, their education and artistic practice unfolded in Europe and the U.S., gaining international exposure from there. Paradise Lost marked the first time these works were shown in Asia in an exhibition context.
Contributor
An entity responsible for making contributions to the resource
Trinh T. Minh-ha
Zarina Bhimji
Fiona Tan
Ute Meta Bauer
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Film
Video
Multimedia Installation
Subject
The topic of the resource
Migration
Globalisation
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Apichatpong Weerasethakul, Fireworks (Archive), 2014. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Apichatpong Weerasethakul, Fireworks (Archive), 2014. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Apichatpong Weerasethakul, Fireworks (Archive), 2014. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Apichatpong Weerasethakul, Fireworks (Archive), 2014. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view of exhibition entrance.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view of exhibition entrance.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ho Tzu Nyen, The Name, 2015. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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1450fc3929e143baacc9e2b7d544205a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ho Tzu Nyen, The Name, 2015. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Nguyen Trinh Thi, Letters from Panduranga, 2015. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Nguyen Trinh Thi, Letters from Panduranga, 2015. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Park Chan-kyong, Citizen’s Forest, 2016. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
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Park Chan-kyong, Citizen’s Forest, 2016. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
Dublin Core
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Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Ghosts and Spectres — Shadows of History brings to light clouded histories at times not officially recounted but those that remain a lingering presence in collective memories through local mythologies, ghostly figures, and traditions.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2017-09-01
Exhibition End Date
2017-11-19
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Vietnam
South Korea
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
A name given to the resource
<i>Ghosts and Spectres – Shadows of History</i>
Subject
The topic of the resource
Archival Practice
Fiction
Supernatural
Mythology
Politics
Description
An account of the resource
<i>Ghosts and Spectres — Shadows of History</i> features video installations and films by <b>Apichatpong Weerasethakul</b> (Thailand), <b>Ho Tzu Nyen</b> (Singapore), <b>Nguyen Trinh Thi</b> (Vietnam), and <b>Park Chan-kyong</b> (South Korea). The artists’ research into their own cultural and historical backgrounds gain shape through allegories that re-evaluate the social and political reforms in Post-War and Cold-War Asia. The cinematic works in the exhibition combine fact and fiction. They not only allude to rarely discussed subject-matters but also raise crucial questions about power and authority, construction of narratives, repression of identities, and collective trauma. <br /><br />Embedded in the vernacular, ghosts, myths, and rituals present systems of knowledge that enable the expression of unknown worlds. <i>Ghosts and Spectres — Shadows of History</i> brings to light clouded histories at times not officially recounted but those that remain a lingering presence in collective memories through local mythologies, ghostly figures, and traditions. The works create their own language and systems of reference, reflecting current efforts of exposing written historical accounts and contemporary situations that subvert mainstream narratives. <br /><br />In parallel, The Lab, NTU CCA Singapore’s platform for research in-progress, will be featuring projects by <b>siren eun young jung</b> (South Korea) and <b>Choy Ka Fai</b> (Singapore/Germany), both recent NTU CCA Singapore artists-in-residence. While jung focuses on <i>Yeoseong Gukgeuk</i>, a vanishing form of traditional Korean theatre featuring only female performers, Choy brings up his long-time research into <i>Butoh</i> dance, also called “dance of darkness,” and looks at its evolution and influence through one of the <i>Butoh</i> founders, Tatsumi Hijikata. <br /><br />Ghosts and Spectres—Shadows of History is curated by <b>Ute Meta Bauer</b>, Founding Director, NTU CCA Singapore, and Professor, School of Art, Design and Media, NTU, and <b>Khim Ong</b>, Deputy Director, Curatorial Programmes.
Contributor
An entity responsible for making contributions to the resource
Apichatpong Weerasethakul
Ho Tzu Nyen
Nguyen Trinh Thi
Park Chan-kyong
siren eun young jung
Choy Ka Fai
Ute Meta Bauer
Khim Ong
Medium
The material or physical carrier of the resource.
Video
Multimedia Installation
Film
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
-
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Dublin Core
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Title
A name given to the resource
Liang Shaoji, Lonely Cloud, 2016. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
A name given to the resource
Liang Shaoji, Lonely Cloud, 2016. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Manish Nai, Untitled, 2018. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Phi Phi Oanh, Palimpsest, 2013–18. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Phi Phi Oanh, Palimpsest, 2013–18. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
A name given to the resource
Sopheap Pich, Delta, 2007. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Vivian Xu, Silkworm Project, 2013–ongoing. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Trees of Life – Knowledge in Material, 21 July – 30 September 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Trees of Life – Knowledge in Material, 21 July – 30 September 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
A name given to the resource
Trees of Life – Knowledge in Material, 21 July – 30 September 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Liang Shaoji, Lonely Cloud, 2016. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Manish Nai, Untitled, 2018. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Phi Phi Oanh, Palimpsest, 2013–18. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Sopheap Pich, Red Grid, 2015. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Vivian Xu, Silkworm Project, 2013–ongoing. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Trees of Life – Knowledge in Material, 2018, NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Trees of Life – Knowledge in Material, 2018, NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Trees of Life – Knowledge in Material, 2018, NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Trees of Life – Knowledge in Material, 2018, NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Trees of Life – Knowledge in Material, 2018, NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
Dublin Core
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Title
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Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Trees of Life – Knowledge in Material embarks on an inquiry into natural materials, exploring the knowledge they embody as biological forms as well as within social, geopolitical, and historical contexts.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2018-07-21
Exhibition End Date
2018-09-30
Collaboration
No
Commissioned Work
No
Related Countries
India
Vietnam
Cambodia
China
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
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Title
A name given to the resource
<i>Trees of Life — Knowledge in Material</i>
Subject
The topic of the resource
Materiality
Biodiversity
Geopolitics
Botany
Indigenous Knowledge
Ecosystems
Description
An account of the resource
NTU Centre for Contemporary Art Singapore is embarking on an inquiry into natural materials, exploring the knowledge they embody as biological forms as well as within social, geopolitical, and historical contexts.<i>Trees of Life – Knowledge in Material</i> is part of the Centre’s long-term research cluster Climates.Habitats.Environments. <br /><br />This exhibition focuses on materials from four plants deeply rooted in Asia: <b>indigo</b> (<i>Indigofera tinctoria</i>), <b>lacquer</b> (<i>Rhus succedanea and Melanorrhoea usitata</i>), <b>rattan</b> (<i>Calamoideae</i>), and <b>mulberry</b> (<i>Morus</i>). The works trace the ongoing involvement with these plants in the artistic practices of <b>Manish Nai</b> (India) with indigo, <b>Phi Phi Oanh</b> (United States/Vietnam) with lacquer, <b>Sopheap Pich</b> (Cambodia) with rattan, and <b>Liang Shaoji</b> (China) and <b>Vivian Xu</b> (China) with mulberry silk. While the featured installations serve as a starting point to uncover the materiality of the chosen plants, the study of their natural and cultural DNA allows further exploration into their biological processes and diverse usages at their locale. <br /><br />The artworks intertwine with selected research documents that address the complex histories and circulation, as well as the effects of human intervention on these natural resources. Starting from the properties and characteristics of the materials themselves, the project expands into their cultural representation and significance for communities and their crafts. <br /><br />The longstanding social and cultural practices associated with indigo, lacquer, rattan, and mulberry silk have accumulated a vast repository of knowledge, whether formal or tacit. Beyond the format of the exhibition, topical seminars will be dedicated to each of the four materials, further investigating their social applications over centuries in terms of their materiality, cultural references, or expanded ecology, and as arising from technological advancements. The lectures, panels, talks, and workshops feature the participating artists, as well as craftsmen, scientists, ethnobotanists, anthropologists, scholars, and designers who are working with these materials and researching innovative applications. From the diverse perspectives offered by the contributors, the public programme excavates layers of meanings and reiterates the deeper role art and craft traditions have in supporting local communities and their ecosystems. <br /><br />Topical seminars take place between <b>21 July and 8 September 2018.</b> <br /><br /><b>On Lacquer</b>: 21, 22 July <br /><br /><b>On Rattan</b>: 25, 26 August <br /><br /><b>On Indigo</b>: 4, 19 August, and 1 September <br /><br /><b>On Mulberry</b>: 8 September <br /><br />The project <i>Trees of Life – Knowledge in Material</i> is led by <b>Ute Meta Bauer</b>, Founding Director, NTU CCA Singapore and Professor, NTU School of Art, Design and Media (ADM); <b>Laura Miotto</b>, Associate Professor and Co-director, MA Museum Studies and Curatorial Practices, NTU ADM; and <b>Khim Ong</b>, Deputy Director, Curatorial Programmes, NTU CCA Singapore.
Contributor
An entity responsible for making contributions to the resource
Manish Nai
Phi Phi Oanh
Sopheap Pich
Liang Shaoji
Vivian Xu
Laura Miotto
Ute Meta Bauer
Khim Ong
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Painting
Sculpture
Multimedia Installation
Object
-
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Dublin Core
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Title
A name given to the resource
Trinh T. Minh-ha, A Tale of Love, 1995. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Trinh T. Minh-ha, Forgetting Vietnam, 2015. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Title
A name given to the resource
Trinh T. Minh-ha, Forgetting Vietnam, 2015. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Title
A name given to the resource
Trinh T. Minh-ha, Forgetting Vietnam, 2015. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Title
A name given to the resource
Trinh T. Minh-ha, The Fourth Dimension, 2001. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Title
A name given to the resource
Trinh T. Minh-ha, The Fourth Dimension, 2001. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Title
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Trinh T. Minh-ha, Night Passage, 2004. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Title
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Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Title
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Trinh T. Minh-ha. Films. Installation view (2020–21), NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Trinh T. Minh-ha. Films. Installation view (2020–21), NTU Centre for Contemporary Art Singapore.
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Trinh T. Minh-ha. Films. Installation view (2020–21), NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Title
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Trinh T. Minh-ha. Films. Installation view (2020–21), NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Title
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Trinh T. Minh-ha. Films. Installation view (2020–21), NTU Centre for Contemporary Art Singapore.
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Title
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Trinh T. Minh-ha, Shoot for the Contents, 1991. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Dublin Core
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Title
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Trinh T. Minh-ha, Shoot for the Contents, 1991. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Title
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Trinh T. Minh-ha, Shoot for the Contents, 1991. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Title
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Trinh T. Minh-ha, What about China? (Part I of II), 2020–21, Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
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Trinh T. Minh-ha. Films. Wall text(2020–21), NTU Centre for Contemporary Art Singapore.
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Title
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Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Trinh T. Minh-ha. Films. explores the ethics of representation in ethnographic film, debates on global socio-political developments, and different layers of feminist discourse.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2020-10-07
Exhibition End Date
2021-02-28
Collaboration
Yes
Commissioned Work
No
Related Countries
Vietnam
Japan
United States
China
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
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Title
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<i>Trinh T. Minh-ha. Films</i>
Subject
The topic of the resource
Race
Feminism
Technology
Diaspora
Capitalism
Displacement
Description
An account of the resource
<i>“The making of each film transforms the way I see myself and the world. Once I start engaging in the process of making a film or in any artistic excursion, I am also embarking upon a journey whose point of arrival is unknown to me.”—Trinh T. Minh-ha</i> <br /><br />Trinh T. Minh-ha. Films. is the first institutional exhibition of filmmaker, music composer, writer, anthropologist, feminist and postcolonial theorist Trinh T. Minh-ha in Asia, presented in an exhibition format. Five of her films—<b>Forgetting Vietnam</b> (2015), <b>Night Passage</b> (2004), <b><i>The Fourth Dimension</i></b> (2001), <b><i>A Tale of Love</i></b> (1995) and <b><i>Shoot for the Contents</i></b> (1991), filmed over a quarter of a century, in different parts of Asia—are simultaneously on view in five small-scale movie theatres in The Exhibition Hall. As the viewer wanders from one theatre to the next, the proximity of the films enables their narratives to interrelate. This spatial configuration took its point of departure from Trinh’s exhibition at the Secession, Vienna, in 2001. <br /><br /><b><i>Forgetting Vietnam</i></b>, framed by two ancient Vietnamese myths, was made in commemoration of the 40th anniversary of the end of the Vietnam war, touching on the memory of trauma. <b><i>Night Passage</i></b>, inspired by Miyazawa Kenji’s novel <b><i>Milky Way Railroad</i></b> (1927), narrates the spiritual journey of a young female immigrant and her two companions, into a world of in-between realities. Shot in Japan, <b><i>The Fourth Dimension</i></b> is Trinh’s first digital film. Using special video effects to composite images and sound in multiple layers, this film is an exploration of time through rituals of religion and culture, new technology and everyday reality. <b><i>A Tale of Love</i></b> is a retelling of 19th-century Vietnamese poem <b><i>The Tale of Kiều</i></b> (1820), through a modern-day Vietnamese immigrant in the United States. In this film, Trinh experiments with various cinematic techniques and elements. <b><i>Shoot for the Contents</i></b>, an excursion into allegories, explores cultural and political shifts in China, as refracted by the June Fourth incident in Beijing. <br /><br />Presented in the Centre’s Single Screen from 31 October 2020 is Trinh’s newest cinematic work, <b><i>What about China?</i></b> (Part I of II, 2020–21). Initiated by NTU CCA Singapore, and co-commissioned with Rockbund Art Museum (RAM), Shanghai, the film takes the notion of harmony in China as a site of creative manifestation, and draws from footage shot in 1993 and 1994, in Eastern and Southern China, specifically from provinces Anhui, Hubei, Zhejiang, Fujian and Guangxi—linked to the remote origins of Chinese civilisation. <br /><br />Through <b><i>Trinh T. Minh-ha. Writings.</i></b>, a display of Trinh’s books on reading platforms along the passageway connecting the five theatres in The Exhibition Hall, as well as Why are they so afraid of a lotus?, presented in The Lab by CCA Wattis Institute for Contemporary Arts (Wattis), San Francisco, that showcases its year-long research season on her multifaceted practice, viewers are able to encounter her extensive writing that is core to her practice. <br /><br />Trinh’s early films, <b><i>Surname Viet Given Name Nam</i></b> (1989), <b><i>Naked Spaces—Living is Round</i></b> (1985), and <b><i>Reassemblage</i></b> (1982), are part of an online film programme, <b><i>Speaking / Thinking Nearby</i></b>. Other films selected echo strands of discussions in Trinh’s layered practice, ranging from ethics of representation, to aspects of migration, global socio-politics, and feminism. <br /><br />Besides the film programme Speaking / Thinking Nearby, other public programmes include Mother Always Has a Mother, an online convening presented by the Centre, Wattis, and RAM, and “There is no such thing as documentary”, a conference that brings together filmmakers, film historians, and curators to question the politics embedded in presentation and representation, perception, context, and the spatial. <br /><br />This is NTU CCA Singapore’s final presentation in its current exhibition space, its opening coinciding with the Centre’s seventh anniversary. By the end of this exhibition, the Centre would have hosted 55 exhibitions since its inception in 2013, inaugurated by the show Paradise Lost (2014), featuring works by Trinh T. Minh-ha alongside those of Zarina Bhimji and Fiona Tan. <br /><br />Trinh T. Minh-ha (Vietnam/United States) is Professor of Gender & Women’s Studies and of Rhetoric at the University of California, Berkeley, and an award-winning artist and filmmaker. She grew up in South Vietnam during the Vietnam War and pursued her education at the National Conservatory of Music and Theater in Ho Chi Minh City. In 1970, she migrated to the United States where she continued her studies in music composition, ethnomusicology, and French literature at the University of Illinois, Urbana-Champaign. She embarked on a career as an educator and has taught in diverse disciplines which brought her to the National Conservatory of Music in Dakar, Senegal, where she shot her first film, Reassemblage. Trinh’s cinematic oeuvre has been featured in numerous exhibitions and film festivals. She has participated in biennales across the globe including Documenta11, Kassel (2002), and most recently at Manifesta 13, Marseille (2020). A prolific writer, she has authored nine books. <br /><br />Trinh T. Minh-ha. Films. is curated by Ute Meta Bauer (Germany/Singapore), Founding Director, NTU CCA Singapore, and Professor, NTU ADM. <br /><br />This project focuses on the multi-layered practice of Trinh T. Minh-ha as a filmmaker, writer, music composer and educator, generating a multi-year (2019–2022) research and programme partnership between NTU CCA Singapore, RAM, Wattis, and the Württembergischer Kunstverein Stuttgart.
Contributor
An entity responsible for making contributions to the resource
Trinh T. Minh-ha
Ute Meta Bauer
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Film
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Vitrine
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Does a landscape harbour ill-feelings towards events and circumstances that have caused it harm? What forgotten stories would a land reveal? Nguyen’s photographs suggest these environments contain a plethora of unspoken histories.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Vitrine
Exhibition Start Date
2019-05-28
Exhibition End Date
2019-12-01
Collaboration
No
Commissioned Work
No
Related Countries
Vietnam
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Landscape Series #1</i>, 2013 by Nguyen Trinh Thi
Subject
The topic of the resource
Archival Practice
Geopolitics
Ecosystems
Environmental Crisis
Description
An account of the resource
Interested in the idea of landscapes as a quiet witness to history, artist Nguyen Trinh Thi collects and compilates hundreds of images in which anonymous persons are portrayed pointing towards seemingly empty locations within a landscape. Taken by innumerable Vietnamese press photographers, figures are always captured in the same position, gesturing towards the landscape to indicate a past event, the location of something gone or something lost or missing. We are left with no information about the people and their specific thoughts or feelings, only their repetitious sameness of pointing towards an “evidence” within the silent landscape. <br /><br />The land bearing witness to the volatile transitions in our geo-political, cultural, and social systems questions the extent of which unsustainable and environmentally-taxing practices effect the environment. Does a landscape harbour ill-feelings towards events and circumstances that have caused it harm? And if it were to break its silence, what forgotten stories would it reveal? Rather than disregarding the land, Nguyen’s photographs suggest these environments contain a plethora of unspoken histories. <br /><br />Nguyen’s works are built upon and are often generative of one another. Parallel to this presentation, two of her films, <i>Vietnam the Movie</i> (2015) and <i>Fifth Cinema</i> (2018), will be on view in The Single Screen from 28 May – 9 June and 11 – 23 June respectively. This screening is part of the Centre’s Film Screening Programme: <i>Faces of Histories</i>, 14 May – 17 July 2019.
Contributor
An entity responsible for making contributions to the resource
Ngyuen Trinh Thi
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Installation
Photography
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Art Labor will recreate a Hammock Café serving traditional Vietnamese coffee, akin to the many itinerant roadside-resting spots of the Central Highlands of Vietnam.
Cycle
Cycle 2 (2015 – 2016)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Vietnam
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Art Labor
Description
An account of the resource
Art Labor will recreate a Hammock Café serving traditional Vietnamese coffee, akin to the many itinerant roadside-resting spots of the Central Highlands of Vietnam. The café will be a place for visitors to sit together, chat, rest, observe, think or simply pass time, alluding to the café culture central to Vietnamese daily life. The name <i>Jarai Dew Hammock Café</i> is an introduction into Art Labor’s long-term project. That takes inspiration from the Jarai people of Vietnam's Central Highlands and their philosophy on the cycle of life. After death, humans will go through many stages to get back to their origins of existence. The final stage is that they transform into dew (ia ngôm in Jarai language) evaporating into the environment – a state of non-being – the beginning particles of a new existence.
Date
A point or period of time associated with an event in the lifecycle of the resource
1 December – 13 December 2015
Contributor
An entity responsible for making contributions to the resource
Art Labor
Medium
The material or physical carrier of the resource.
Installation
Performance
Subject
The topic of the resource
Experiential
Indigenous Knowledge
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Bui Cong Khanh is interested in studying historical flows of Chinese immigration across the Southeast Asian region, and Singapore in particular, by tracking down the movements of Chinese porcelain artifacts.
Cycle
Cycle 4 (2017 – 2018)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Vietnam
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bui Cong Khanh
Description
An account of the resource
Bui Cong Khanh is interested in studying historical flows of Chinese immigration across the Southeast Asian region, and Singapore in particular, by tracking down the movements of Chinese porcelain artifacts. His research intertwines the Chinese ancestry of the artist’s own family and traditional forms of Chinese cultural heritage, while concurrently addressing the complexities embedded in the construction of national identities. During his residency, he also plans to collaborate with local kilns and porcelain workshops.
Date
A point or period of time associated with an event in the lifecycle of the resource
4 December 2017 – 31 January 2018
Contributor
An entity responsible for making contributions to the resource
Bui Cong Khanh
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
Medium
The material or physical carrier of the resource.
Installation
Painting
Subject
The topic of the resource
History
Diaspora
Migration
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
The artist plans to delve deeper into the intersections between botanical studies, colonial histories, and urban planning in Indochina, framing them against the backdrop of ancestral wisdom and haunting presences.
Location
Onsite (CCA)
Offsite
Online
Online
Collaboration
No
Commissioned Work
No
Related Countries
Vietnam
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Cycle
Cycle 7 (2020 – 2021)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lêna Bùi
Description
An account of the resource
Research interests: <br /><br />- Botanical studies and urban planning <br />- Regional folklore, ghost myths, animistic practices <br />- Alternative historiographies <br /><br />Inspired by the recent felling of Khaya senegalensis (a tree species native to West Africa) in one of Ho Chi Minh City’s oldest streets for urban development purposes, Lêna Bùi’s project revolves around widespread regional beliefs about hungry and unresolved spirits residing in trees. The artist plans to delve deeper into the intersections between botanical studies, colonial histories, and urban planning in Indochina, framing them against the backdrop of ancestral wisdom and haunting presences. The research will eventually lead to an articulation of unspoken stories from times gone by.<br /><br />The residency of Lêna Bùi was scheduled for April – June 2020, but the COVID-19 pandemic outbreak rendered international travel impossible. In order to continue to support artistic research and foster collaborations beyond borders, the NTU CCA Residencies Programme initiated Residencies Rewired, a project that trailblazes new pathways to collaboration.<br /><br /><br />Research Liaison: Elizabeth Ang <br /><br />Elizabeth Ang is a freelance creative and writer who holds a BA in International History from the London School of Economics and Political Science. Her research interests include Cold War historiography as well as social, cultural, and religious histories of Southeast Asia.
Date
A point or period of time associated with an event in the lifecycle of the resource
1 December 2020 – 28 February 2021
Contributor
An entity responsible for making contributions to the resource
Lêna Bùi
Lena Bui
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Botany
Mythology
Animism
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Furthering his own interests into the histories and properties of materials, during the residency Richard Streitmatter-Tran plans to engage with an active studio practice to develop new skills and focus on the next steps of his production.
Cycle
Cycle 4 (2017 – 2018)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Vietnam
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Richard Streitmatter-Tran
Description
An account of the resource
Furthering his own interests into the histories and properties of materials, during the residency Richard Streitmatter-Tran plans to engage with an active studio practice and to experiment with both animate and inanimate materials from Southeast Asia to develop new skills and focus on the next steps of his production.
Date
A point or period of time associated with an event in the lifecycle of the resource
4 September – 31 October 2017
Contributor
An entity responsible for making contributions to the resource
Richard Streitmatter-Tran
Medium
The material or physical carrier of the resource.
Drawing
Painting
Performance
Subject
The topic of the resource
Materiality
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Thao-Nguyen Phan will expand her research on the introduction of the Latin alphabet as a writing system in Vietnam, exploring how the same transition occurred in other Southeast Asian countries such as Singapore, Malaysia, Indonesia, and the Philippines.
Cycle
Cycle 3 (2016 – 2017)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Vietnam
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span>Thảo Nguyên Phan (</span>Thao-Nguyen Phan)
Description
An account of the resource
Thao-Nguyen Phan will expand her research on the introduction of the Latin alphabet as a writing system in Vietnam, exploring how the same transition occurred in other Southeast Asian countries such as Singapore, Malaysia, Indonesia, and the Philippines. In Vietnam, the Romanised script was first introduced in the 17th century by catholic missionaries to spread Christianity, playing a significant role in the process of colonization of the country. While official accounts celebrate the adoption of the Latin alphabet as a symbol of modernity, the implications of this historical process are far more complex and tell stories of cultural loss and gain, national amnesia, and violence.
Date
A point or period of time associated with an event in the lifecycle of the resource
3 January – 26 January 2017
22 February – 24 March 2017
Contributor
An entity responsible for making contributions to the resource
Thao Nguyen Phan
Thảo Nguyên Phan
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Installation
Painting
Subject
The topic of the resource
Ways of Seeing