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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
NTU Centre for Contemporary Art Singapore presents the second-cycle exhibition of SEA AiR – Studio Residencies for Southeast Asian Artists in the European Union (SEA AiR), a programme developed by NTU CCA Singapore and funded by the European Union. Titled Passages, this exhibition features new works by artists Priyageetha Dia (Singapore), Ngoc Nau (Vietnam) and Saroot Supasuthivech (Thailand), inspired by their three-month-long residencies in Europe.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Block 38
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
28 November 2023
Exhibition End Date
28 January 2024
Collaboration
Yes
Commissioned Work
Yes
Related Countries
Singapore
Vietnam
Thailand
Germany
The Netherlands
Lithuania
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Passages
Subject
The topic of the resource
Decolonialism
Postcolonialism
Technology
Identity
Supernatural
Description
An account of the resource
<p><strong>NTU Centre for Contemporary Art Singapore</strong> presents the second-cycle exhibition of <strong>SEA AiR – Studio Residencies for Southeast Asian Artists in the European Union (SEA AiR)</strong>, a programme developed by NTU CCA Singapore and funded by the European Union. Titled <strong><em>Passages</em></strong>, this exhibition features new works by artists <strong>Priyageetha Dia</strong> (Singapore), <strong>Ngoc Nau</strong> (Vietnam) and <strong>Saroot Supasuthivech</strong> (Thailand), inspired by their three-month-long residencies in Europe. </p>
<p>As part of the SEA AiR programme, Dia had undertaken her residency at <strong>Jan van Eyck Academie</strong> (Netherlands), Nau at <strong>Rupert</strong> (Lithuania) and Supasuthivech at<strong> Künstlerhaus Bethanien</strong><span> </span>(Germany) through the summer. Bringing back their experiences from diverse contexts in the EU to Singapore for this exhibition,<span> </span><em>Passages</em><span> </span>speaks of the artists’ journeys across geographical and cultural boundaries from one continent to another; the cultural exchanges that take place during this time; and the continuous development of ideas as they return to their home countries to create new works for the exhibition.<br /><br /><em><span>Employing new media technologies to aid their storytelling, each artist creates speculative narratives that traverse time and space, shifting between the past and present. While distinct in their artistic research and practices, their works evoke memories and explore meanings in liminal spaces, reverberating in their journey from one passage to the next.</span><br /><br /></em><strong>Priyageetha Dia’s</strong><span> </span>research interest lies in the plantations of Southeast Asia and their colonial histories, including those of migrant labour and structures of production and power. She explores gaps in historical records that are not only text-based, but also non-textual ones such as photographs, artefacts and oral interviews. Her four-channel sound installation<span> </span><strong><em>Sap Sonic</em></strong><span> </span>is a sonification of images from the photo album of the Sumatra Caoutchouc Company, a rubber planting company, from the archives of Rijksmuseum, Amsterdam. Beyond their visual representations, the images bear witness to the power dynamics between the coloniser and its labourers as well as the hierarchy between nature and machine. Reframing this landscape from a visual to a sonic one,<span> </span><em>Sap Sonic<span> </span></em>serves as an aural gateway to the plantations as it delves into the lived yet unspoken lives of those who work on and inhabit the plantations, both human and nonhuman. Accompanying the work,<span> </span><em>Sap Script</em><span> </span>is a text installation in white latex paint, referencing rubber sap, on a black, obsidian-like background. Its typeface echoes the slender and linear structure of rubber trees, distorted to resemble the waveform of sound waves. Through the intangible, unseen nature of sound, Sap Sonic probes aspects of the visual world; expanding the agentive possibilities of the uncounted and the underheard.<br /><br /><span>Upon her arrival in Vilnius, Lithuania, for her residency, </span><strong>Ngoc Nau</strong><span> was drawn to Soviet-era architectural elements in the city, such as the Soviet brutalist architecture of the Vilnius Palace of Concerts and Sports. She also became intrigued with the iconic image of a Lenin statue being removed, with its legs severed, from the city centre square in 1991. This imagery became a point of departure for her exploration into multifaceted aspects of post-Soviet realities in her own country. Portraying contemporary life amidst the remnants of socialist architecture and monuments using 3D animation and visual effects, Nau’s video installation, </span><strong><em>Virtual Reverie: Echoes of a Forgotten Utopia</em></strong><span>, demonstrates the transformative power of technology in reshaping our perceptions of reality. Central to the work is a constructed representation of the Vietnam-Soviet Friendship Palace of Culture and Labour in Hanoi, Vietnam, that serves as a stage for five hip-hop dancers embarking on a symbolic journey. As they interact with elements drawn from historical references in Vietnam and Lithuania, the dancers bridge the gap between historical artifacts and contemporary experiences. Echoing the ebb and flow of ideologies, their passage brings about new meanings when past memories evolve in the face of shifting landscapes.<br /><br /><strong>Saroot Supasuthivech’s</strong> multimedia installation,<strong><em> Spirit-forward in G Major</em></strong>, charts the transformative journey experienced by Thai expatriates in Germany, told through a metaphoric cycle of life, death and rebirth. The work’s narrative unfolds in four parts. “New Beginnings” uses therapeutic dialogues to depict the initial migrant experience. “A Surreal Interlude”, based on interviews conducted with Thai monks and nuns in Berlin, transports viewers into a realm of magic and mortality inspired by Grimm’s fairy tales. The third segment focuses on a Thai music score <em>Sai Samon</em>, the oldest documented. Finally, “A Glimpse Beyond” dives into a poetic meditation on death and the afterlife, told from the viewpoint of the deceased. This poignant culmination is an exploration into a liminal reality between the familiar and the surreal, encapsulating the interplay of tradition, adaptation and preservation within an evolving cultural landscape.</span></p>
<div class="wp-block-image">
<p><em>Passages </em>will be held through Singapore Art Week 2024, with a public programme taking place on 20 January 2024. Details of the public programme can be found<span> </span>here. </p>
<p>SEA AiR – Studio Residencies for Southeast Asian Artists in the European Union<em> </em>is made possible thanks to a generous grant of the European Union. </p>
</div>
<p><strong><span>Dates</span><br />Opening reception: </strong><br />28 November 2023, 5–8pm<br />Refreshments will be served</p>
<p><strong>Public programme:</strong><br />20 January 2023, 4-5.30pm</p>
<p><strong>Opening Hours</strong>:<br />1 December 2023 – 14 January 2024: Friday – Sunday, 1–7pm<br />Closed on 24, 25, 31 December 2023 and 1 January 2024<br /><br />Singapore Art Week<br />19 – 28 January 2024: Monday – Sunday, 1–7pm<br />Late nights on 20 and 27 January 2024: Saturday, 1–9pm</p>
<p><strong><span>Location:</span></strong><br />NTU CCA Singapore Residencies Studios<br />Block 38 Malan Road<br />Gillman Barracks<br />Singapore 109441</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
28 November 2023 - 28 January 2024
Contributor
An entity responsible for making contributions to the resource
Priyageetha Dia
Ngoc Nau
Nguyen Hong Ngoc
Saroot Supasuthivech
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Medium
The material or physical carrier of the resource.
Mixed Media
Multimedia Installation
Video
Sound
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
VIRTUAL REVERIE: ECHOES OF A FORGOTTEN UTOPIA
Date
A point or period of time associated with an event in the lifecycle of the resource
2023
Contributor
An entity responsible for making contributions to the resource
Ngoc Nau
Nguyen Hong Ngoc
Creator
An entity primarily responsible for making the resource
Ngoc Nau
Nguyen Hong Ngoc
Format
The file format, physical medium, or dimensions of the resource
Video still
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Cycle
SEA AiR Cycle 2 (2023 - 2024)
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
Yes
Commissioned Work
Yes
Related Countries
Vietnam
Lithuania
Short Description
During the residency, Ngoc Nau intends to research the impact of urbanisation and modernisation on contemporary living conditions, collective memories, traditional practices, and the natural landscape.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ngoc Nau
Nguyen Hong Ngoc
Subject
The topic of the resource
Urbanism
Technology
Modernity
Description
An account of the resource
<div class="type-subtitle highlight-yellow"><b>12 April - 30 June 2023<br />Artist-in-Residence at Rupert (Vilnius)<br /></b><em><br />“I feel very grateful and proud to have been selected for the second edition of the SEA AiR programme and I am very excited about my upcoming residency in Vilnius. It will allow me to connect further with European culture and artists and to find new inspirations and materials to feed my research and thinking. I am very curious to see which bridges I will be able to establish between Northern Europe and Southeast Asia to foster my creative process. I look forward to engage in this opportunity and produce an innovative artwork for the exhibition in Singapore later this year.”</em><b><br /></b></div>
<div class="type-subtitle">
<p>The multimedia practice of Ngoc Nau encompasses photography, holograms, and Augmented Reality (AR) and she is currently working with 3D software and other open source technologies to create new possibilities for video installation. In Nau’s work, different materials and techniques attempt to capture the subtle ways in which new media shape and dictate our views of reality. Blending traditional culture and spiritual beliefs with modern technologies and lifestyles, her work often responds to Vietnam’s accelerated urban development. She has participated in several exhibitions across Asia, including the Thailand Biennale, Korat (2021) and the Singapore Biennale (2019) among others. She also participated in documenta 15, Kassel, Germany (2022) with Sa Sa Art Projects.</p>
<p>During the residency, Ngoc Nau intends to research the impact of urbanisation and modernisation on contemporary living conditions, collective memories, traditional practices, and the natural landscape. Situating herself within the creative community of Rupert will allow her to explore Lithuanian cultural landscape and to access a new trove of materials, including oral traditions, historical archives, and ritual ceremonies. Through encounters will the local community, she intends to unearth the traditional values and ancient practices that have been lost to industrial and technological advancements in order to come to a better understanding of how different communities configure their values and identities within the fast-changing landscape of today. Nau is particularly interested in the gaps created by modern development in the intergenerational transmission of knowledge and she plans to experiment with new media technologies to imagine modes of being that reconcile the past and the future.</p>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
12 April - 30 June 2023
Contributor
An entity responsible for making contributions to the resource
Ngoc Nau
Nguyen Hong Ngoc
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Medium
The material or physical carrier of the resource.
Mixed Media
Video
Photography
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During his residency, UuDam Tran Nguyen will work on Time Boomerang, a long-term project started in 2013 that explores the lasting influence of colonialism.
Cycle
Cycle 3 (2016 – 2017)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Vietnam
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
UuDam Tran Nguyen
Description
An account of the resource
“Have formerly colonised countries become colonising countries learning from their own past? To what extent does the colonial past still affect our actions and mind-sets?” During his residency, UuDam Tran Nguyen will work on <i>Time Boomerang</i>, a long-term project started in 2013 that explores the lasting influence of colonialism. As a Vietnamese artist whose life has been defined by diasporic experiences, he frames his relation to history from a personal perspective. Articulated in eight phases, this ambitious project has a global scope and moves along a dizzying timeline of 250 millions years. The first phase, titled <i>Phase 1. The Real Distance of Things Measured: The Cast of the Hands and Its Five Fingertips</i>, revolves around the idea of measurement and has been presented at the Bildmuseet Museum of Contemporary Art, Umeå, Sweden, (2015). <br /><br />UuDam Tran Nguyen’s multidisciplinary practice spans across different mediums often combining sophisticated technological devices with materials such as clay, rubber, wood, and fabrics.
Date
A point or period of time associated with an event in the lifecycle of the resource
15 November – 30 December 2016
Contributor
An entity responsible for making contributions to the resource
UuDam Tran Nguyen
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Performance
Photography
Subject
The topic of the resource
Mythology
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Tiffany Chung's research explores the notion of “colonialism as civilising mission”, predominantly in the sphere of public works that the British carried out in Singapore.
Cycle
Cycle 1 (2014 – 2015)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Vietnam
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tiffany Chung
Description
An account of the resource
Tiffany Chung's research explores the notion of “colonialism as civilising mission”, predominantly in the sphere of public works that the British carried out in Singapore, in comparison with the policy that underlay the construction of Indochina by French imperialism during its colonial rule in the neighbouring region. These comparative studies examined the connections between imperialism and modernity, the continuities of late-colonialism and the process of nation building – whether it is the construction of a national history or its national land development. <br /><br />Chung looked into the local Vietnamese Refugee Camps as well as the National Archives of Singapore and the National Museum Archives of Singapore.
Date
A point or period of time associated with an event in the lifecycle of the resource
7 July – 3 September 2014
Contributor
An entity responsible for making contributions to the resource
Tiffany Chung
Medium
The material or physical carrier of the resource.
Drawing
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Urbanism
Environmental Crisis
History
Decolonialism
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Thao-Nguyen Phan will expand her research on the introduction of the Latin alphabet as a writing system in Vietnam, exploring how the same transition occurred in other Southeast Asian countries such as Singapore, Malaysia, Indonesia, and the Philippines.
Cycle
Cycle 3 (2016 – 2017)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Vietnam
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span>Thảo Nguyên Phan (</span>Thao-Nguyen Phan)
Description
An account of the resource
Thao-Nguyen Phan will expand her research on the introduction of the Latin alphabet as a writing system in Vietnam, exploring how the same transition occurred in other Southeast Asian countries such as Singapore, Malaysia, Indonesia, and the Philippines. In Vietnam, the Romanised script was first introduced in the 17th century by catholic missionaries to spread Christianity, playing a significant role in the process of colonization of the country. While official accounts celebrate the adoption of the Latin alphabet as a symbol of modernity, the implications of this historical process are far more complex and tell stories of cultural loss and gain, national amnesia, and violence.
Date
A point or period of time associated with an event in the lifecycle of the resource
3 January – 26 January 2017
22 February – 24 March 2017
Contributor
An entity responsible for making contributions to the resource
Thao Nguyen Phan
Thảo Nguyên Phan
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Installation
Painting
Subject
The topic of the resource
Ways of Seeing
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Furthering his own interests into the histories and properties of materials, during the residency Richard Streitmatter-Tran plans to engage with an active studio practice to develop new skills and focus on the next steps of his production.
Cycle
Cycle 4 (2017 – 2018)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Vietnam
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Richard Streitmatter-Tran
Description
An account of the resource
Furthering his own interests into the histories and properties of materials, during the residency Richard Streitmatter-Tran plans to engage with an active studio practice and to experiment with both animate and inanimate materials from Southeast Asia to develop new skills and focus on the next steps of his production.
Date
A point or period of time associated with an event in the lifecycle of the resource
4 September – 31 October 2017
Contributor
An entity responsible for making contributions to the resource
Richard Streitmatter-Tran
Medium
The material or physical carrier of the resource.
Drawing
Painting
Performance
Subject
The topic of the resource
Materiality
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
The artist plans to delve deeper into the intersections between botanical studies, colonial histories, and urban planning in Indochina, framing them against the backdrop of ancestral wisdom and haunting presences.
Location
Onsite (CCA)
Offsite
Online
Online
Collaboration
No
Commissioned Work
No
Related Countries
Vietnam
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Cycle
Cycle 7 (2020 – 2021)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lêna Bùi
Description
An account of the resource
Research interests: <br /><br />- Botanical studies and urban planning <br />- Regional folklore, ghost myths, animistic practices <br />- Alternative historiographies <br /><br />Inspired by the recent felling of Khaya senegalensis (a tree species native to West Africa) in one of Ho Chi Minh City’s oldest streets for urban development purposes, Lêna Bùi’s project revolves around widespread regional beliefs about hungry and unresolved spirits residing in trees. The artist plans to delve deeper into the intersections between botanical studies, colonial histories, and urban planning in Indochina, framing them against the backdrop of ancestral wisdom and haunting presences. The research will eventually lead to an articulation of unspoken stories from times gone by.<br /><br />The residency of Lêna Bùi was scheduled for April – June 2020, but the COVID-19 pandemic outbreak rendered international travel impossible. In order to continue to support artistic research and foster collaborations beyond borders, the NTU CCA Residencies Programme initiated Residencies Rewired, a project that trailblazes new pathways to collaboration.<br /><br /><br />Research Liaison: Elizabeth Ang <br /><br />Elizabeth Ang is a freelance creative and writer who holds a BA in International History from the London School of Economics and Political Science. Her research interests include Cold War historiography as well as social, cultural, and religious histories of Southeast Asia.
Date
A point or period of time associated with an event in the lifecycle of the resource
1 December 2020 – 28 February 2021
Contributor
An entity responsible for making contributions to the resource
Lêna Bùi
Lena Bui
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Botany
Mythology
Animism
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Bui Cong Khanh is interested in studying historical flows of Chinese immigration across the Southeast Asian region, and Singapore in particular, by tracking down the movements of Chinese porcelain artifacts.
Cycle
Cycle 4 (2017 – 2018)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Vietnam
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bui Cong Khanh
Description
An account of the resource
Bui Cong Khanh is interested in studying historical flows of Chinese immigration across the Southeast Asian region, and Singapore in particular, by tracking down the movements of Chinese porcelain artifacts. His research intertwines the Chinese ancestry of the artist’s own family and traditional forms of Chinese cultural heritage, while concurrently addressing the complexities embedded in the construction of national identities. During his residency, he also plans to collaborate with local kilns and porcelain workshops.
Date
A point or period of time associated with an event in the lifecycle of the resource
4 December 2017 – 31 January 2018
Contributor
An entity responsible for making contributions to the resource
Bui Cong Khanh
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
Medium
The material or physical carrier of the resource.
Installation
Painting
Subject
The topic of the resource
History
Diaspora
Migration
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Art Labor will recreate a Hammock Café serving traditional Vietnamese coffee, akin to the many itinerant roadside-resting spots of the Central Highlands of Vietnam.
Cycle
Cycle 2 (2015 – 2016)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Vietnam
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Art Labor
Description
An account of the resource
Art Labor will recreate a Hammock Café serving traditional Vietnamese coffee, akin to the many itinerant roadside-resting spots of the Central Highlands of Vietnam. The café will be a place for visitors to sit together, chat, rest, observe, think or simply pass time, alluding to the café culture central to Vietnamese daily life. The name <i>Jarai Dew Hammock Café</i> is an introduction into Art Labor’s long-term project. That takes inspiration from the Jarai people of Vietnam's Central Highlands and their philosophy on the cycle of life. After death, humans will go through many stages to get back to their origins of existence. The final stage is that they transform into dew (ia ngôm in Jarai language) evaporating into the environment – a state of non-being – the beginning particles of a new existence.
Date
A point or period of time associated with an event in the lifecycle of the resource
1 December – 13 December 2015
Contributor
An entity responsible for making contributions to the resource
Art Labor
Medium
The material or physical carrier of the resource.
Installation
Performance
Subject
The topic of the resource
Experiential
Indigenous Knowledge
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Vitrine
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Does a landscape harbour ill-feelings towards events and circumstances that have caused it harm? What forgotten stories would a land reveal? Nguyen’s photographs suggest these environments contain a plethora of unspoken histories.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Vitrine
Exhibition Start Date
2019-05-28
Exhibition End Date
2019-12-01
Collaboration
No
Commissioned Work
No
Related Countries
Vietnam
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Landscape Series #1</i>, 2013 by Nguyen Trinh Thi
Subject
The topic of the resource
Archival Practice
Geopolitics
Ecosystems
Environmental Crisis
Description
An account of the resource
Interested in the idea of landscapes as a quiet witness to history, artist Nguyen Trinh Thi collects and compilates hundreds of images in which anonymous persons are portrayed pointing towards seemingly empty locations within a landscape. Taken by innumerable Vietnamese press photographers, figures are always captured in the same position, gesturing towards the landscape to indicate a past event, the location of something gone or something lost or missing. We are left with no information about the people and their specific thoughts or feelings, only their repetitious sameness of pointing towards an “evidence” within the silent landscape. <br /><br />The land bearing witness to the volatile transitions in our geo-political, cultural, and social systems questions the extent of which unsustainable and environmentally-taxing practices effect the environment. Does a landscape harbour ill-feelings towards events and circumstances that have caused it harm? And if it were to break its silence, what forgotten stories would it reveal? Rather than disregarding the land, Nguyen’s photographs suggest these environments contain a plethora of unspoken histories. <br /><br />Nguyen’s works are built upon and are often generative of one another. Parallel to this presentation, two of her films, <i>Vietnam the Movie</i> (2015) and <i>Fifth Cinema</i> (2018), will be on view in The Single Screen from 28 May – 9 June and 11 – 23 June respectively. This screening is part of the Centre’s Film Screening Programme: <i>Faces of Histories</i>, 14 May – 17 July 2019.
Contributor
An entity responsible for making contributions to the resource
Ngyuen Trinh Thi
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Installation
Photography