Browse Items (31 total)

Ulrike Ottinger, China. The Arts – The People: Photographs and Films from the 1980s and 1990s, 27 May – 13 August 2017, NTU Centre for Contemporary Art Singapore, installation view.
The exhibition China. The Arts – The People, Photographs and Films from the 1980s and 1990s by acclaimed filmmaker Ulrike Ottinger (b. 1942 in Constance, Germany) is the first large-scale exhibition by the award-winning filmmaker and artist in Asia.…

Trinh T. Minh-ha, A Tale of Love, 1995. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
“The making of each film transforms the way I see myself and the world. Once I start engaging in the process of making a film or in any artistic excursion, I am also embarking upon a journey whose point of arrival is unknown to me.”—Trinh T. Minh-ha…

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Driven by his interest in exploring the conditions of the human body, multi-disciplinary artist Choy Ka Fai focuses his research on choreographic practices in
Asia. The wind that cuts the body presents his current investigation into Butoh, which…

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Invisible to the human eye, geological kinships flow under the oceans and lay deep into the earth’s crust. When they manifest themselves, it is often in apocalyptic forms that disrupt existing ecosystems and the course of human life. In geography,…

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The mixed-media selection presented in The Vitrine stems from Railtrack Songmaps, a project exploring competing claims to nature and culture that resound along the former Malaysian railway tracks at Tanglin Halt. For at least five decades, birds,…

Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) is pleased to present the first solo exhibition in Southeast Asia by sound artist and composer Tarek Atoui, conceived as a composition that unfolds in space with its unique sound library…

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Confounding ordinary notions of legibility, the work of Sonya Lacey addresses the politics of communication by tampering with the concrete textures of language. Specifically conceived for The Vitrine, Speed Reading combines two bodies of work that…

Siah Armajani, Tomb for Arthur Rimbaud, 2016, painted balsa and aluminium, 48.26 x 39.37 x 39.37 cm. Siah Armajani: Spaces for the Public. Spaces for Democracy. (2019), NTU Centre for Contemporary Art Singapore, installation view.
Considered a leading figure in public art, Iranian-born artist Siah Armajani merges architecture and conceptual art in his sculptures, drawings, and public installations. Informed by democratic ideologies and inspired by American vernacular…

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Interested in the contiguities and frictions between the natural and urban environment, Izat Arif has conducted experiential and erratic fieldwork in various landscapes in Singapore observing plants, soil, insects, and traces of human presence. This…

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Developed during the last five years of Phyoe Kyi’s life, The Museum Project stands out as one of the artist’s most ambitious, albeit unfinished, undertakings at the time of his sudden death in 2018. Bringing together its three main stages, the…
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