Browse Items (31 total)

NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Hybrid Musical instrument Cygnus A: built by a solitary spider Nephila kenianensis and two semi-social spiders Cyrtophora citricola (2014). Spidersilk, carbon fibre, and glass.
NTU CCA Singapore is pleased to present the pioneering and visionary work of artist Tomás Saraceno for the first time in Southeast Asia. Situated at the intersection between art, architecture and science, Saraceno’s artistic practice is an…

NTU Centre for Contemporary Art Singapore; Simryn Gill: Hugging The Shore, 27 March – 14 June 2015, Installation view
Simryn Gill’s first major solo exhibition in Southeast Asia brings together a series of works that reveal the artist’s specific attitude towards how we produce meaning and make a place for ourselves in the world. NTU CCA Singapore will present three…

NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View: Bees (2015).
The NTU Centre for Contemporary Art Singapore is honoured to present They Come to Us without a Word, video and performance pioneer Joan Jonas’ first large-scale exhibition in Singapore and Southeast Asia. They Come to Us without a Word was organised…

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Integrated within NTU CCA Singapore’s overarching research framework PLACE.LABOUR.CAPITAL, The Lab will present Darcy Lange: Hard, however, and useful is the small, day-to-day work, taking the video work of New Zealand artist, Darcy Lange (1946 –…

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How to breathe deeply and sing expressively in this moment when the mouth and nose embody danger? How to have pleasure in music when in its essences it is airborne and moist? Let us return power and agency to the mouth and voice while still…

Amar Kanwar, The Sovereign Forest, 30 July – 9 October 2016, NTU Centre for Contemporary Art Singapore, exhibition view. Courtesy NTU CCA Singapore.
Amar Kanwar has been filming the industrial interventions that have reshaped and permanently destroyed parts of Odisha’s landscape – a battleground on issues of development and displacement since the 1990s. The resulting conflicts between local…

Allan Sekula: Fish Story, to be continued, 3 July – 27 September 2015, Exhibition view.
Fish Story, to be continued presents an investigation of the global maritime industry, an extensive research of the late artist, theorist, photography historian and critic, Allan Sekula. Showing for the first time in Southeast Asia, NTU CCA Singapore…

NTU Centre for Contemporary Art Singapore; Yang Fudong: Incidental Scripts, 12 December 2014 – 1 March 2014, Installation view: Yang Fudong, About the Unknown Girl – Ma Sise (2013 - 2014), The Forgotten Bow-knot.
Yang Fudong, a leading international figure of contemporary art and one the most important artists to emerge out of China in the 1990s, staged his first major solo exhibition in Southeast Asia at the NTU Centre for Contemporary Art Singapore. The…

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As a genre of theatre that features exclusively women actors, Yeoseong Gukgeuk reached the peak of popularity in the 1950s and 1960s, its success being tightly intertwined with the process of modernisation of South Korea. While today it lingers on…

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Engaging The Vitrine as a site imbricated with complex histories and practices of display, Fyerool Darma complicates our understanding of Telok Blangah, the area where Gillman Barracks is located and where the artist recently moved, through objects…
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