Browse Items (1200 total)

Alexandra Pirici, Re-Collection, 2018, performative exercise with performers. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
Stagings. Soundings. Readings. Free Jazz II reviews the performative format that marked NTU CCA Singapore’s inauguration in 2013. Free Jazz 2013 was a series of talks and performances where participants of various disciplines were invited to imagine…

Armin Linke, OCEANS. Dialogues between ocean floor and water column, 2017, four-channel installation.The Oceanic, 2017, NTU Centre for Contemporary Art Singapore.
NTU Centre for Contemporary Art Singapore is pleased to present The Oceanic, an exhibition focusing on large-scale human interventions in oceanic ecospheres with contributions by 12 artists, filmmakers, composers, and researchers who engage with both…

Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) is pleased to present the first solo exhibition in Southeast Asia by sound artist and composer Tarek Atoui, conceived as a composition that unfolds in space with its unique sound library…

Liang Shaoji, Lonely Cloud, 2016. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
NTU Centre for Contemporary Art Singapore is embarking on an inquiry into natural materials, exploring the knowledge they embody as biological forms as well as within social, geopolitical, and historical contexts.Trees of Life – Knowledge in Material…

Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
NTU Centre for Contemporary Art Singapore presents Quadra Medicinale Singapore, the late Belgian artist Jef Geys’s first institutional exhibition in Asia. Geys’s conceptual practice adopted an interdisciplinary and collaborative process of research…

Ade Darmawan, Tuban, 2019, multimedia installation. Arus Balik – From below the wind to above the wind and back again (2019), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
NTU Centre for Contemporary Art Singapore is pleased to present Arus Balik – From below the wind to above the wind and back again, an exhibition project that initiated from a conversation between Belgian curator Philippe Pirotte and Jakarta-based…

Siah Armajani, Tomb for Arthur Rimbaud, 2016, painted balsa and aluminium, 48.26 x 39.37 x 39.37 cm. Siah Armajani: Spaces for the Public. Spaces for Democracy. (2019), NTU Centre for Contemporary Art Singapore, installation view.
Considered a leading figure in public art, Iranian-born artist Siah Armajani merges architecture and conceptual art in his sculptures, drawings, and public installations. Informed by democratic ideologies and inspired by American vernacular…

Animali Domestici, Bangkok Opportunistic Ecologies, 2019, printed synthetic fabric canvas, embroidery, 300 x 300 cm. The Posthuman City. Climates. Habitats. Environments. (2019), NTU Centre for Contemporary Art Singapore.
Currently, more than half of the world’s human population lives in urban areas. Urban growth poses challenges to the various city dwellers, and creates material demands that cause lasting damage to the wider environment. The climate crisis is already…

John Akomfrah, The Unfinished Conversation, 2012. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
Non-Aligned in the press! Read Stephanie Bailey’s article in Ocula and Object Lessons Space‘s interview with Dr Karin Oen, the Centre’s Deputy Director of Curatorial Programmes. The Unfinished Conversation (2012), John Akomfrah (United Kingdom), Two…

Trinh T. Minh-ha, A Tale of Love, 1995. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
“The making of each film transforms the way I see myself and the world. Once I start engaging in the process of making a film or in any artistic excursion, I am also embarking upon a journey whose point of arrival is unknown to me.”—Trinh T. Minh-ha…
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