2
10
1331
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
As an expanded version of his NTU CCA Residencies project, Singapore Art Archive Project @ Centre for Contemporary Art, Koh Nguang How presents the temporary exhibition Shui Tit Sing – 100 Years of an Artist through his Archives. Following this idea of a responsive archive, Koh has chosen to profile one of the lesser known early artists from Singapore’s art history, Shui Tit Sing (1914 – 1997), who commenced his artistic training in 1935, the same year the Gillman Barracks were erected.
Programme Type
Talk and Lecture
Audience
General
Programme Series
Residencies Insights
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies Insights: Shui Tit Sing – “100 Years of an Artist through his Archives” an exhibition by the “Singapore Art Archive Project @ CCA (SAAP@CCA)” curated by Artist-in-Residence Koh Nguang How
Subject
The topic of the resource
Archival Practice
Description
An account of the resource
19 Dec 2014, Fri 7:00pm - 10:00pm<br /><br /><span>As an expanded version of his NTU CCA Residencies project, </span><em>Singapore Art Archive Project @ Centre for Contemporary Art</em><span>, </span><strong>Koh Nguang How</strong><span> presents the temporary exhibition Shui Tit Sing – </span><em>100 Years of an Artist through his Archives</em><span>. Following this idea of a responsive archive, Koh has chosen to profile one of the lesser known early artists from Singapore’s art history, Shui Tit Sing (1914 – 1997), who commenced his artistic training in 1935, the same year the Gillman Barracks were erected. Shui trained at the Hangzhou National Fine Art College in Western painting and developed a practice that crosses fluidly between this Western style, as seen through fauvist devices in early self portraits, through to his Chinese ink painting. He is known for his wood carving sculptures largely influenced by bas relief from temples around Southeast Asia. An avid photographer, painter and sculptor Shui remained active within exhibitions including at the National Museum Art Gallery from 1946 to early 1990s. Shui also spent the 1960s and 1970s travelling through Southeast Asia gaining influences from the various art forms encountered in Cambodia, Thailand, Borneo and Sumatra. Curated by Koh, material in this exhibition demonstrates an artist re-constructing the activities of another artist through ephemera, sketches, reproductions and original artworks, reflecting the complexities of Shui’s artistic and intellectual “vita active” as an artist, journalist and educator. Koh was granted guardianship of this unique collection by the family of Shui Tit Sing.</span>
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-12-19
Contributor
An entity responsible for making contributions to the resource
Koh Nguang How
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Talk and Lecture
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artists talks with Sam Durant and Ana Prvacki
Subject
The topic of the resource
Artistic Research
Description
An account of the resource
15 Aug 2014, Fri 7:00pm - 9:00pm
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-08-15
Contributor
An entity responsible for making contributions to the resource
Ana Prvacki
Sam Durant
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Tour
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Commissioned Work
No
Education
Yes
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Curator's Tours
Subject
The topic of the resource
Education
Description
An account of the resource
<span>15 Mar 2013, Fri 7:00pm - 8:30pm</span><br /><span>22 Mar 2013, Fri 7:00pm - 8:30pm</span><br /><span><span>29 Mar 2013, Fri 7:00pm - 8:30pm<br /><br /></span></span>
<div>
<p>A series of tours of the exhibition <em>Engaging Perspectives: New Art from Singapore </em>led by young curators from Singapore. Join the curators and get first-hand insights into the works on display, as they discuss ideas and issues concerning current artistic practices in Singapore.</p>
<p><br />CURATOR’S TOUR BY JOLEEN LOH</p>
<p>Friday, 15 March 2013, 7pm</p>
<p><br />CURATOR’S TOUR BY TAN GUO-LIANG</p>
<p>Friday, 22 March 2013, 7pm</p>
<p> <br />CURATOR’S TOUR BY SAM I-SHAN</p>
<p>Friday, 29 March 2013, 7pm</p>
<p>A public programme of <em>Engaging</em><em> Perspectives: New Art from Singapore</em>.</p>
</div>
<span><br /></span>
Date
A point or period of time associated with an event in the lifecycle of the resource
15, 22, 29 March 2013
Contributor
An entity responsible for making contributions to the resource
Joleen Loh
Tan Guo-Liang
Sam I-Shan
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/487163058">https://vimeo.com/487163058</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
487163058
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
02:34:28
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Allan Sekula Symposium Part 1: Working with Allan Sekula
Subject
The topic of the resource
Oceans & Seas
Labour
Capitalism
Description
An account of the resource
<span>26 Sep 2015 10.30am – 2.30pm <br /><br />On the occasion of Allan Sekula’s exhibition, Fish Story, to be continued, NTU CCA Singapore presents an international symposium that will mark a concluding point to the show and will highlight the continued relevance of Allan Sekula’s work and writings on the theme of globalisation and capitalism. The symposium will bring together art professionals who have collaborated with Allan Sekula across the years, as well as different researchers and artists who share a set of common interests with his work.The programme will focus on key themes underlying Allan Sekula’s practice including questions of critical realism in contemporary art, representation of labour as well as the vast topic of the sea.<br /><br />Part 1: Working with Allan Sekula Speakers: Hilde van Gelder, Carles Guerra, Roger Buergel and Mercedes Vicente. Moderated by Ute Meta Bauer<br /></span>
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-09-26
Contributor
An entity responsible for making contributions to the resource
Hilde Van Gelder
Carles Guerra
Roger Buergel
Mercedes Vicente
Ute Meta Bauer
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Europe
North America
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
Surname or Business Name
The Drawing Room
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014
Birthplace
Philippines
Occupation
Professional title or identity
Art Gallery
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Nearly two decades ago, The Drawing Room began as a specialist venue revitalizing works on paper. It has since expanded to various artistic formats grounded on defined sensibilities that map the complex scope of thinking attributed to the terrain of contemporary Philippine art.
The gallery features artists whose respective practices represent the country in constant frenetic flux and depict the ensemble of realities that makes up a complex society. It values the depth of a relationship a gallery offers to the artist and propels them through a critical program of exposure and support of their interdisciplinary artistic process.
Aside from monthly exhibitions in Manila, The Drawing Room circulates its artists off-site shows in other spaces in Hong Kong, Singapore, Taipei, Jakarta, New York, and Paris. It is a regular participant of art fairs both local and international.
Professional Website
Leave blank if not applicable
<a href="https://www.drawingroomgallery.com">https://www.drawingroomgallery.com</a>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Philippines
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Guest Curator
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Drawing Room
Subject
The topic of the resource
Cultural Production
Contributor
An entity responsible for making contributions to the resource
The Drawing Room
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Performance
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
Yes
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Performance: Shubigi Rao, Visual Snow (2014)
Subject
The topic of the resource
Performance
Description
An account of the resource
<span>5 Apr 2014, Sat 4:00pm - 5:00pm<br /><br /><em>Visual Snow</em> (2014) is an important installment in Shubigi Rao’s ongoing biographical study of S. Raoul<sup>1</sup>, which, for the first time, will examine his work in the context of the disappearing film.<br /><br /><sup>1</sup> S. Raoul acted as if the world needed obscure scholarship, freed from economic and nationalist imperatives, liberated from any agenda save that of furthering said scholarship, a form of quiet activism that has numerous historical precedents and antecedents. S. Raoul was also a mentor and patron of sorts to the younger Rao, who eventually became his biographer.<br /><br />A public programme of <em>The Disappearance</em>.</span>
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-04-05
Contributor
An entity responsible for making contributions to the resource
Shubigi Rao
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Marian
Surname or Business Name
Pastor Roces
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014, 2021
Birthplace
Philippines
Occupation
Professional title or identity
Art Critic
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Marian Pastor Roces is a cultural critic and independent curator whose research interests include cities, international contemporary art events, museums, 19th-century expositions and the politics of nature. With TAO Inc., a museum developemtn corporation she founded in 1997, Pastor Roces has established and "re-curated" a number of major Philippines musuems. She has been awarded a grant to convene an international conference on the politics of beauty by the Prince Claus Fund, was selected by the Japan Foundation to be parrt of the Asian Leaders Fellowship Programme, and was a member of the evaluation team sent ot the Dakar Biennal by the Mondriaan Foundation. With Brian Trust Inc., a think tank in which she is a partner, Pastor Roces co-writee the Mindanao Peace and Development Plan currently being implemented in the troubled south of the Philippines. Among her contributions to institutional criticism is the essay on biennals, "Crystal Palace Exhibitions".
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Philippines
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Writer
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Professional Website
Leave blank if not applicable
<a href="https://www.taocurators.com/about">https://www.taocurators.com/about</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marian Pastor Roces
Subject
The topic of the resource
Curatorial Practice
Institutional Critique
Contributor
An entity responsible for making contributions to the resource
Marian Pastor Roces
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Discussion - Conversation
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
Yes
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Special Brunch and Screening Session with Isaac Julien and Mark Nash
Subject
The topic of the resource
Institutional Critique
Description
An account of the resource
<span>26 Oct 2014, Sun 11:00am - 1:00pm<br /><br />Mark Nash will be in conversation with Isaac Julien addressing the artist’s work in <em>Theatrical Fields</em>, but also more recent productions such as <em>Playtime. </em>A screening of <em>Playtime </em>will follow the conversation.<br /><br />A public programme of <em>Theatrical Fields: Critical Strategies in performance, film and video</em>.</span>
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-10-26
Contributor
An entity responsible for making contributions to the resource
Isaac Julien
Mark Nash
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Talk and Lecture
Audience
General
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
Yes
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist’s Talk: Isaac Julien
Subject
The topic of the resource
Knowledge Production
Description
An account of the resource
24 Oct 2014, Fri 7:00pm - 8:30pm, School of the Arts Singapore (SOTA) <br /><br />This talk takes place at School of the Arts Singapore (SOTA) and is part of the Louis Vuitton – SOTA Arts Excellence Programme. Isaac Julien will share his approach in filming and research at the basis of his most recent films, which include Playtime (2014) and Ten Thousand Waves (2010).<br /><br />A public programme of <em>Theatrical Fields: Critical Strategies in performance, film and video</em>.
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-10-24
Contributor
An entity responsible for making contributions to the resource
Isaac Julien
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Middle East
Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Kaige
Surname or Business Name
Chen
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015
Birth Date
1952
Birthplace
China
Occupation
Professional title or identity
Filmmaker
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>The son of a filmmaker from the earlier generation of Chinese socialist realism, Chen Kaige represents the Fifth Generation, filmmakers who attended Beijing Film Institute after the Cultural Revolution. After graduating in 1982, Chen and his classmates began a new wave in Chinese cinema by emphasizing the visual and aural qualities of film rather than traditional dramatic and literary elements. Their films have also been characterized by a strong political commitment which has led to objections from censors and has limited their domestic audience to students and intellectuals. Outside China, however, Chen Kaige and the other Fifth Generation filmmakers have drawn attention from an increasingly wide circle of film sophisticates who have hailed their efforts as the next most important New Wave. Chen has been awarded top festival prizes in Tokyo, Cannes and Berlin.<br /><br />He is a known for <em>Farewell My Concubine </em>(1993), <em>Yellow Earth</em> (1984) and <em>Together with You</em>(2002). In recent years, Chen directed the war film <i>The Battle at Lake Changjin</i> and its sequel with Tsui Hark and Dante Lam, with the two films characterized by propagandistic storytelling and made in cooperation with the Chinese Communist Party.<br /></span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
China
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Chen Kaige
Subject
The topic of the resource
Labour
Politics
Contributor
An entity responsible for making contributions to the resource
Chen Kaige
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia