2
10
33
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Uriel
Surname or Business Name
Barthélémi
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018
Birthplace
France
Occupation
Professional title or identity
Musician
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Uriel Barthélémi is a drummer, composer and electro-acoustic musician. His language combines percussion, performance, sound & video programming and composition. He infuses each of his projects with this polymorphic and multicultural dimension. His multifaceted identity is found in the musical works he generates, dense and unclassifiable. Following his studies at the conservatoires of Reims, La Courneuve, Montreuil, and Ircam, he embarked upon electro-acoustic compositional work. This has led him to collaborate in numerous areas of the performing arts from 2002 onwards: dance, marionettes, theater, as well as the visual arts.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
France
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Performer
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Uriel Barthélémi
Subject
The topic of the resource
Performance
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Contributor
An entity responsible for making contributions to the resource
Uriel Barthélémi
Uriel Barthelemi
-
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05a8bcda43b9b2f82e1156ccc9126b12
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
Surname or Business Name
Centre Pompidou, Paris, France
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
France
Contributor Type
Institutional Partner
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Centre Pompidou, Paris, France
Description
An account of the resource
The Centre Pompidou is a place of exchange and debate where knowledge and creativity come together in dialogue.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Contributor
An entity responsible for making contributions to the resource
Centre Pompidou, Paris, France
-
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e2aea3874cbd3b3d9ba5859008b1598f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
Surname or Business Name
Fond Regional d’art contemporain Bretagne
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
France
Contributor Type
Institutional Partner
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fond Regional d’art contemporain Bretagne
Description
An account of the resource
Contemporary art is the focus at this striking, modern museum which features over 5000 works.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Contributor
An entity responsible for making contributions to the resource
Fond Regional d’art contemporain Bretagne
-
https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/5a936b07f64b866610c415cf83a27ff3.jpg?Expires=1712793600&Signature=GUkOjINU1dDAz1b%7EoYK7G%7EtX73d09cRp618sE9EkWyhx%7EUbfA7xOPk3S%7EBayGv3zqins%7EnB2KC0FseuJ7bm-blLFcsvAsBsaWYIduVv6aH4kKmwQEl%7EuEXE%7EX0%7EwbvpduKbkFnSbf431-IoMACGQhqK2N17YtPAN28JCQooDwm3FLgxn-CXtZ355zewwceZ048WGhvev93OoA%7ErNZi29-MvfxICs787cBKqSOd4zKrjW%7E4Ve1h%7EJuku3bNqKt3fuLrDWdkI9GWXneWWeQbMjxEX6XlCfr0ydohh9RYaiOV4kM3ZpIwt07gEPSP-EfRCvpdIlS1eoKs82DvgwqR%7EbRQ__&Key-Pair-Id=K6UGZS9ZTDSZM
5ae78208e569e7676a04c86d2061d581
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Nataša
Surname or Business Name
Petrešin-Bachlez
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019
Affiliation
Company, organization, or institution name
NTU CCA Singapore
Birthplace
Slovenia
Occupation
Professional title or identity
Curator
Writer
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Nataša Petrešin-Bachelez is an independent curator, editor, and writer based in Paris whose research interest spans situated curatorial practices, empathy, transnational feminism, slow institutions, degrowth, and performative practices in the former Eastern Europe.She is the curator of the Contour Biennale 9 (Mechelen, Belgium, 2019). She is developing, with Giovanna Zapperi, the first comprehensive exhibition of the videos of French actress and feminist activist Delphine Seyrig (1932-1990). She co-founded, with Elisabeth Lebovici and Patricia Falguières,<i>Something You Should Know</i>, a seminar series held at the School of Advanced Studies in the Social Sciences (EHESS) and she is a member of the research group <i>Travelling Féministe</i> at the Centre audiovisuel Simone de Beauvoir, both in Paris. <br /><br /><span>Her previous exhibitions include: </span><em>Let’s Talk about the Weather. Art and Ecology in a Time of Crisis</em><span> (curated with Nora Razian), Sursock Museum (Beirut, Lebanon, 2016); </span><em>Becoming Earthlings. Blackmarket for Useful Knowledge and Non-Knowledge #18</em><span> (curated with Alexander Klose, Council, and Mobile Academy), Musée de l’Homme (Paris, France, 2015); </span><em>Tales of Empathy</em><span>, Jeu de Paume (Paris, France, 2014), and </span><em>Resilience</em><span>, Triennial of Contemporary Art, Museum of Contemporary Art (Ljubljana, Slovenia, 2013) amongst others. Petrešin-Bachelez was chief editor of </span><em>L’Internationale Online</em><span> (2014-2017) and of the </span><em>Manifesta Journal</em><span> (2012-2014); co-director of Les Laboratoires d’Aubervilliers (2010-2012), and co-founder of Cluster, an European network of small-scale art institutions. She has contributed texts to numerous publications and magazines such </span><em>e-flux journal</em><span>, </span><em>Bidoun</em><span>, </span><em>Sarai Reader,</em><span> </span><em>Springerin</em><span>, </span><em>Parkett Magazine</em><span>.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
France
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Curator-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nataša Petrešin-Bachelez
Subject
The topic of the resource
Feminism
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Nataša Petrešin-Bachelez
Natasa Petresin-Bachelez
-
https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/8b71ade376712df78f06b4df7d9494a1.jpg?Expires=1712793600&Signature=byOpkmbRh9x9ggOffj1Tm15t5LWipfO6%7ELaKgNLtTeD3RVIp5F2eGkI%7EMGdY7%7E8xYdNNJ1IjlfYm86AJpGLnwe2KVKZKVnC-qRlJj6Ns4Nwyw4a8L5MoB6B-0bVjujVTHOVIXLWDq81u82XLfpO5gEL9ywoL3-iWbA-IUvZkQDRPZnYlh-pO2c-n1H6NsCuFn1zTN2y--jBdALaHrdC6vdmu3pb2bpy4FpR0XDiLE0ZoG78T9ZWD-O%7E%7EAeQoYa1OYIl7BlR6dh0XYONydhltoA4Ovgikb9EQgs5pXnuobP65Z-%7E5SFGXENXxT1AzBz-rIMEI8MOPu%7Ei6m5cqwJ%7Eqyg__&Key-Pair-Id=K6UGZS9ZTDSZM
e51b2e4ad68798273c5083624d614cdb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Iris
Surname or Business Name
Touliatou
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019
Birthplace
Greece
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
The artistic practice of Iris Touliatou (b. 1981, Greece) composes and decomposes concepts, narratives, objects, and bodies through subtle alchemical operations that probe the enigmatic nature of existence. By experimenting with an ever-growing array of materials and techniques, she seeks moments of slippages, instances of misalignments, chance meetings, and unexpected findings that are out of the experimenter’s control. Amongst her solo exhibitions are at Radio Athènes, Athens, Greece (upcoming, June 2019), <i>Woman spinning</i> at Palermo, Stuttgart, Germany (2019) and <i>Some Seine</i>, <i>HYLE</i>, Athens, Greece (2017). She has participated in international group exhibitions such as <i>May the bridges I burn light the way</i>, 5x5x5: Selected Projects, Manifesta 12, Palermo, Italy (2018) and <i>Expanded Ecologies</i>, National Museum of Contemporary Art, Athens, Greece (2009).
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
France
Germany
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Birth Date
1981
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Iris Touliatou
Subject
The topic of the resource
Nature
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Iris Touliatou
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
Surname or Business Name
Les Presses du Réel
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2017
Affiliation
Company, organization, or institution name
Les Presses du Réel
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Les Presses du Réel is an independent publishing house based in France.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
France
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Commercial Partner
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Les Presses du Réel
Description
An account of the resource
Les Presses du Réel is an independent publishing house based in France.
Contributor
An entity responsible for making contributions to the resource
Les Presses du Réel
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Jean-François
Surname or Business Name
Lyotard
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Birth Date
1924
Birthplace
France
Death Date
1998
Occupation
Professional title or identity
Philosopher
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Jean-Francois Lyotard was a French philosopher. His influential book <i>The Postmodern Condition</i> (1979) would come to define postmodernism. He introduced the concept of “master narrative” as a critique of hegemonic forms of knowledge that attempt to construct and make sense of history. His writings span philosophy, politics, and aesthetics, all unified by a persistent view that reality consists of singular events that cannot be accurately represented. Lyotard made a substantial contribution in theatrical theory where he opposed the analytic rigidity of semiotics. Lyotard’s vision of a “theater of energies,” rather than of signs, was particularly relevant in the theoretical grounding of the concept of performance.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
France
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Scholar
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jean-François Lyotard
Subject
The topic of the resource
Theatre
Description
An account of the resource
Jean-François Lyotard was a French philosopher.<br /><br />His essay, The Tooth, The Palm, was featured in NTU CCA Singapore's first publication, <em>Theatrical Fields: Critical Strategies in Performance, Film, and Video </em>(2016).
Contributor
An entity responsible for making contributions to the resource
Jean-François Lyotard
Jean-Francois Lyotard
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Régis
Surname or Business Name
Durand
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Birth Date
1941
Birthplace
France
Occupation
Professional title or identity
Art critic
Curator
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Regis Durand is an art critic and independent curator based in Paris. He has served as the artistic director of the <i>Printemps de Cahors Festival</i>, director of the Centre National de la Photographie, and director of the Galerie Nationale du Jeu de Paume in Paris. He was written extensively on contemporary art, with a focus on the practice of photography, and has co-authored monographs on the work of Cindy Sherman, Thomas Demand, and Orlan, among others.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
France
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Scholar
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Régis Durand
Subject
The topic of the resource
Theatre
Description
An account of the resource
Régis Durand is an art critic and independent curator based in Paris.<br /><br />His essay, The Disposition Of The Voice ws featured in NTU CCA Singapore's first publication, <em>Theatrical Fields: Critical Strategies in Performance, Film, and Video</em> (2016).
Contributor
An entity responsible for making contributions to the resource
Régis Durand
Regis Durand
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Jacques
Surname or Business Name
Derrida
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Birth Date
1930
Birthplace
France
Death Date
2004
Occupation
Professional title or identity
Semiotic theorist
Philosopher
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Jacques Derrida was a French semiotic theorist and philosopher. Celebrated as the founder of deconstructionist thought, Derrida examined and rejected traditional binary forms of analysis, asserting that duality is in fact always hierarchical. He wrote over forty books, which include his seminal <i>Speech and Phenomena</i> and <i>Writing and Difference</i>, both from 1967. Derrida applied his theory of deconstruction to works in the philosophy of art, while also demonstrating how artworks themselves could be deconstructive of historical discourses on art. His writings on visual arts include his explorations of representation in <i>The Truth in Painting </i>(1978) and later in <i>Memoirs of the Blind: The Self-Portrait and Other Ruins</i> (1993). Throughout his work, Derrida expressed strong interest in the radicality of Artaud’s theater, aligning the practice of deconstruction with Artaud’s projected new theater.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
France
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Scholar
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jacques Derrida
Subject
The topic of the resource
Theatre
Description
An account of the resource
Jacques Derrida was a French semiotic theorist and philosopher.<br /><br />His essay, The Theater Of Cruelty And The Closure Of Representation is featured in NTU CCA Singapore's first publication, <em>Theatrical Fields: Critical Strategies in Performance, Film, and Video</em> (2016).
Contributor
An entity responsible for making contributions to the resource
Jacques Derrida
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Antonin
Surname or Business Name
Artaud
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Birth Date
1896
Birthplace
France
Death Date
1948
Occupation
Professional title or identity
Playwright
Theorist
Poet
Actor
Theater director
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Antonin Artaud was a French playwright, theorist, poet, actor, and theater director. His seminal work, <i>The Theatre and Its Double</i>, was published in 1938 and introduced his vision of “the theater of cruelty,” a form of nonnarrative theater that breaks with the Western tradition and becomes a vehicle for the audience to experience and express unconscious fears and repressed emotions. Artaud was associated with the Surrealists in Paris during the 1920s, and after splitting with them, went on to form the short-lived but influential <i>Theatre Alfred Jarry</i>, with Roger Vitrac and Robert Aron, in 1926. His theory has a profound impact upon the work of modern playwrights, from Samuel Beckett to Jean Genet.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
France
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Scholar
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
A name given to the resource
Antonin Artaud
Subject
The topic of the resource
Theatre
Description
An account of the resource
Antonin Artaud was a French playwright, theorist, poet, actor, and theater director.<br /><br />His essay, On the Balinese Theater was featured in NTU CCA Singapore's first publication, <em>Theatrical Fields: Critical Strategies in Performance, Film, and Video</em> (2016)
Contributor
An entity responsible for making contributions to the resource
Antonin Artaud