2
10
90
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Rosalia Namsai
Surname or Business Name
Engchuan
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2021
Occupation
Professional title or identity
Anthropologist and filmmaker
PhD candidate
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Rosalia Namsai Engchuan (Germany/Thailand) is a social anthropologist and filmmaker based between Berlin and Southeast Asia. Her PhD research at the Max Planck Institute for Social Anthropology in Halle, Germany looks at practices of community filmmaking in Indonesia, investigating how cinematic epistemologies produce and socialize knowledges. Her latest video work <i>Complicated Happiness</i> is a speculative research, pivoting around the Thai Park in Berlin, that aims to undo the underlying structures of colonialism, race, gender and class that shape the production of our worlds. Rosalia curates screenings and dialogical encounters with a focus on independent and experimental works from locales of the ‘epistemological’ South, often in collaboration with the Berlin based collective un.thai.tled and she is the 2021 Goethe-Institut fellow at Hamburger Bahnhof – Museum für Gegenwart – Berlin.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Germany
Thailand
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Affiliation
Company, organization, or institution name
Max Planck Institute for Social Anthropology
Contributor Type
Speaker
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rosalia Namsai Engchuan
Subject
The topic of the resource
Fiction
Performance
Contributor
An entity responsible for making contributions to the resource
Rosalia Namsai Engchuan
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Iris
Surname or Business Name
Dressler
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2021
Affiliation
Company, organization, or institution name
Württembergischer Kunstverein Stuttgart
Birthplace
Germany
Occupation
Professional title or identity
Co-director
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Iris Dressler (Germany) is with Hans D. Christ the director of the Württembergischer Kunstverein (WKV) in Stuttgart since 2005. One of her focuses is on the exploration of collaborative, transcultural and transdisciplinary practices of curating. In 2019 Dressler and Christ were the artistic directors of the Bergen Assmebly, a triennial for contemporary arts in Norway. At the Kunstverein she presented solo exhibitions of artists such as Lorenza Böttner (curated by Paul B. Preciado), Imogen Stidworthy (2018), Alexander Kluge (2020 and 2017), Ines Doujak (2016), Pedro G. Romero (2012), Teresa Burga (2011, curated by Miguel Lopez and Emilio Tarazona), Michaël Borremans (2011), Daniel G. Andújar (2008), Anna Oppermann (2007, curated by Ute Vorkoeper), or Stan Douglas (2007). Recent group exhibitions include <i>Actually, the Dead Are Not Dead (since 2019 in Bergen and Stuttgart with various constellations of co-curators), 50 Years after 50 Year of the Bauhaus (2018), Tito’s Bunker (2017, with Biennial of Contemporary Art Sarajevo, at Tito’s Bunker in Konjic and WKV), The Beast and the Sovereign (2016, with MACBA, Paul B. Preciado and Valentín Roma with at WKV and MACBA) or Acts of Voicing</i> (2012, with a core group of twelve cocurators). Dressler teaches regularly at the Staatliche Akademie der Bildenden Künste in Stuttgart and elsewhere. She largely published texts on contemporary art and its political and theoretical contexts. In 1996 she founded with Hans D. Christ the Hartware Medienkunstverein, which they directed till 2004.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Germany
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Contributor Type
Speaker
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Iris Dressler
Subject
The topic of the resource
Fiction
Performance
Contributor
An entity responsible for making contributions to the resource
Iris Dressler
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Heidrun
Surname or Business Name
Holzfeind
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2020-2021/2023
Birthplace
Austria
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Heidrun Holzfeind is an Austrian artist and filmmaker who studied at the Academy of Fine Arts in Vienna and Cooper Union in New York. Her work focuses on how architecture interacts with people’s everyday lives, questioning inherent architectural and social utopias and exploring the relationships between history and identity, individual histories, and present-day political narratives. Her films have been screened at various prestigious events and institutions, including the Istanbul Biennale 2022, MOMA New York, NTUCCA, Mumok Vienna, MAK Vienna, Belvedere-21 Vienna, and Shibaura House Tokyo. Through her films, Holzfeind continues to push boundaries and challenge traditional perspectives on architecture and society.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Germany
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Birth Date
1972
Personal Website
Leave blank if not applicable
<a href="http://www.heidrunholzfeind.com/index.html">http://www.heidrunholzfeind.com/index.html</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Heidrun Holzfeind
Subject
The topic of the resource
Politics
History
Identity
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
Heidrun Holzfeind
-
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6ea45cbae03778a370804a17ae4a7e67
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Marjetica
Surname or Business Name
Potrč
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016-2017/2020
Birthplace
Slovenia
Occupation
Professional title or identity
Artist
Professor for Social Design
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Marjetica Potrč is an artist and architect. Her work includes drawing, architectural case studies, and public art projects. Since 2011, she leads a class of participatory practice, Design for the Living World, at the University of Fine Arts (HFBK) in Hamburg, Germany. In Potrč's view, the sustainable solutions that are implemented and disseminated by communities serve to empower these communities and help create a democracy built from below. Potrč has received numerous awards, including the Hugo Boss Prize (2000) and the Vera List Center for Arts and Politics Fellowship (2007) at The New School in New York, United States.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Germany
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Collaborator
Speaker
Affiliation
Company, organization, or institution name
University of Fine Arts (HFBK), Hamburg
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marjetica Potrč
Subject
The topic of the resource
Sustainability
Biodiversity
Technology
Climate Crisis
Labour
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Description
An account of the resource
Marjetica Potrč is an artist and architect based in Ljubljana and Berlin. Her work includes drawings, architectural case studies, and public art projects.
Contributor
An entity responsible for making contributions to the resource
Marjetica Potrč
Marjetica Potrc
-
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755c0ebb041a20d788a5fa039117e9b8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Hito
Surname or Business Name
Steyerl
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019-2020
Birthplace
Germany
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Hito Steyerl is a German filmmaker, artist and writer whose work explores the complexities of the digital world, art, capitalism, and the implications of Artificial Intelligence for society. Steyerl studied cinematography and documentary filmmaking at the Academy of Visual Arts in Tokyo, the University of Television and Film in Munich, and holds a Ph.D in philosophy from the Academy of Fine Arts, Vienna. The most formative parts of her education, however, include working as a stunt-girl and bouncer. <br />Hito Steyerl is interested in the proliferation and circulation of images in our globalized world. She often works with the format of the video essay, combining a heterogeneous range of material, including interviews, found footage, fictional dramatizations, pop-music sound tracks, and first-person voiceovers. Her work focuses on the intersection of media technology, political violence, and desire by using humor, charm, and reduced gravity as political means of expression. Her sources range from appropriated low-fi clips and sounds to mostly misquoted philosophical fittings. These elements are condensed in rambling essayistic speculation in both text and imagery. Through her oversensitivity to analogies, Steyerl both collects and creates stories describing realities that are stranger than fiction and reflected upon in galloping thought experiments. Her work has been exhibited in numerous solo and group exhibitions including documenta 12, Taipei Biennial 2010, and 7th Shanghai Biennial. Her written essays have proliferated more on- than offline in journals such as e-flux and eipcp. She has published filmic and written essays centred around questions of globalization, urbanism, racism and nationalism. She is also involved in the movement of feminist migrants and women of colour in Germany. <br />Steyerl teaches New Media Art at University of the Arts in Berlin. As well as being a visiting professor for Cultural and Gender Studies, at University of Arts, Berlin, she has lectured at Goldsmith’s College, London and at the Center for Curatorial Studies, Bard College, Annandale-on-Hudson, among other institutions. A collection of her essays was published in The Wretched of the Screen (2012).
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Germany
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Hito Steyerl
Subject
The topic of the resource
Posthumanism
Sustainability
Coexistence
Biodiversity
Ecology
Technology
Climate Crisis
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Hito Steyerl
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Philippe
Surname or Business Name
Pirotte
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019-2021
Birthplace
Belgium
Occupation
Professional title or identity
Art Historian
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Philippe Pirotte is Rector of Staatliche Hochschule für Bildende Künste – Städelschule, and Director of Portikus, Frankfurt, and Visiting Professor (2018/19) of MA Museum Studies and Curatorial Practices, School of Art, Design and Media, NTU.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Belgium
Germany
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Guest Curator
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Philippe Pirotte
Subject
The topic of the resource
Posthumanism
Sustainability
Coexistence
Biodiversity
Ecology
Technology
Climate Crisis
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Philippe Pirotte
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Jan Peter
Surname or Business Name
Hammer
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019-2021
Birthplace
Germany
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Jan Peter Hammer is an artist who creates films and performances that connects literature and cinema. He is primarily interested in the narrative structure of a work. His videos, films, and synchronised slideshows allow for a literary reading or a point of view for criticism. He studied painting and sculpture before attending courses at the New School’s Film Theory department and graduating in Fine Arts at the Hunter College. In 2016 he was selected as artistic research fellow at KHiO – Oslo National Academy of the Arts, Norway. His works have been shown in international solo and group exhibitions and screened at several international film festivals.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Germany
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jan Peter Hammer
Subject
The topic of the resource
Fiction
Identity
Politics
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Jan Peter Hammer
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Carsten
Surname or Business Name
Nicolai
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019
Birthplace
Germany
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Carsten Nicolai is a cross-disciplinary artist whose work intersects art, music, and science. He introduced the dimensions of time and temporality and concepts of ephemerality in his work as well as experiments with sound and light frequencies in the mid-1990s. He is interested in the subject of human consciousness and how the complex phenomena of micro and macrosystems, and abstract concepts of physics, influence someone’s behaviour. For his musical outputs, he uses the pseudonym Alva Noto.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Germany
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carsten Nicolai
Subject
The topic of the resource
Ecosystems
Embodiment
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
North America
Contributor
An entity responsible for making contributions to the resource
Carsten Nicolai
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Ulrich
Surname or Business Name
Lang
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019
Affiliation
Company, organization, or institution name
MMK Museum of Modern Art
Birthplace
Germany
Occupation
Professional title or identity
Conservator
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Ulrich Lang is Senior Conservator, MMK Museum of Modern Art, Frankfurt Global Specialised Services Pte Ltd.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Germany
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Collaborator
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ulrich Lang
Subject
The topic of the resource
Artistic Research
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Contributor
An entity responsible for making contributions to the resource
Ulrich Lang
-
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601fdf8d906e3f4e28b700623a9df0cc
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Zac
Surname or Business Name
Langdon-Pole
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016/2018/2019
Birth Date
1988
Birthplace
New Zealand
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Zac Langdon-Pole’s work is underpinned by questions of belonging, translation, and identification. He has worked in a variety of media, including sculpture, performance, photography, film, textiles, poetry, installation, and using the work of other artists, to explore processes of montage, transposition, travelling, reinterpretation, collaboration, and appropriation. He is the latest recipient of the BMW Art Journey Prize (2018), was awarded the Ars Viva Prize for Visual Arts in Germany (2017), and received the Charlotte Prinz Stipendium in Darmstadt (2016). Langdon-Pole completed a BFA (Hons) at Elam School of Fine Arts, Auckland (2010) and at the Städelschule, Staatliche Hochschule für Bildende Künste, Frankfurt (2016). Recent exhibitions include scions, Kunsthalle Darmstadt (2018); <i>Ars Viva</i>, S.M.A.K., Ghent (2018), and Kunstverein Munich (2017–18); Discoveries, Art Basel Hong Kong 2018 (presented by Michael Lett Gallery); <i>emic etic</i>, Between Bridges, Berlin (2018); <i>Trappings</i>, Station Gallery, Melbourne (2017); La Biennale de Montréal (2016–17); and <i>Oratory Index</i>, Michael Lett Gallery, Auckland (2016). <span>Between March and April 2016, Langdon-Pole was Artist-in-Residence at NTU CCA Singapore, where he developed further his work <em>My body ...</em> (Brendan Pole) (2015), a text based upon the memory of a poem that was only ever conveyed orally to the artist’s mother by her brother shortly before he died of AIDS complications.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Germany
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Place.Labour.Capital.
Affiliation
Company, organization, or institution name
NTU CCA Singapore
Dublin Core
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Title
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Zac Langdon-Pole
Subject
The topic of the resource
Ecology
Mythology
History
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Oceania
Description
An account of the resource
Through the processes of montage and collaboration, Zac Langdon-Pole seeks out meeting points and the discord of history, mythology, and subjecthood.
Contributor
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Zac Langdon-Pole