2
10
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Paola
Surname or Business Name
Bellani
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018
Affiliation
Company, organization, or institution name
disegno, Italy
Birthplace
Italy
Occupation
Professional title or identity
Architect and designer
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<strong>Paola Bellani</strong><span> (Italy) </span><span class="s1">is the Deputy Editor and Founder of <i>disegno</i>, </span><span class="s1">a biannual paper magazine dedicated to design culture. Her interest focuses on design communication and contemporary design culture. She has worked extensively as a consultant on brand communication and creative direction. Among her clients are Yamakawa, a Japanese company specialising in hand-woven rattan furniture; and Fritz Hansen, the historical Danish furniture brand. Bellani is also an educator and currently teaches Culture of Project at NABA University in Milano.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Italy
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Paola Bellani
Subject
The topic of the resource
Architecture
Design
Contributor
An entity responsible for making contributions to the resource
Paola Bellani
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Federico
Surname or Business Name
Fellini
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015
Birth Date
1920
Birthplace
Italy
Death Date
1993
Occupation
Professional title or identity
Filmmaker
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span><span>Federico Fellini, Cavaliere di Gran Croce OMRI was an Italian film director and screenwriter known for his distinctive style, which blends fantasy and baroque images with earthiness. He is recognized as one of the greatest and most influential filmmakers of all time.<br /></span></span><br />Fellini began his career as a caricaturist. He later entered the film industry as a screenwriter, working within the much-lauded Italian Neorealist tradition—most notably cowriting Roberto Rossellini’s <em>Rome, Open City</em> (1945) and <em>Paisan</em> (1946)—before eventually creating a cinema entirely his own as a director. While his early films share Neorealist traits, with straightforward narratives and realistic portrayals of ordinary people and their struggles, they also quickly introduced Fellini’s trademark preoccupations. His lifelong love of the circus and the whimsical, carnivalesque theater is on full display in <em>Variety Lights</em> (1950), about a struggling vaudeville troupe, which he codirected with Alberto Lattuada, and <em>La Strada</em> (1954), about the plight of a childlike, clownish woman who performs circus acts. Fantasy has also guided his characters in dreamlike scenarios: <em>The White Sheik</em> (1952) follows a woman’s outlandish pursuit of a romantic hero straight out of a comic strip, while a jaded tabloid journalist’s escapade with a glamorous starlet is as surreal and fantastical as it gets in <em>La Dolce Vita</em> (1960), a film that takes a sharp look at elite society, marking another turn in Fellini’s trajectory.<span><span><br /></span></span>
<p>It was with <em>8 1/2</em> (1963) that Fellini fully exorcised established cinematic conventions. His self-referential masterpiece, about a film director’s struggle with creative block, switches freely between past and present, reality and dream, creating a delirious, stormy dreamscape. Known for his keen interest in Jungian psychoanalysis, he would journey further into the hallucinatory mind with <em>Juliet of the Spirits</em> (1965), about a woman’s path to self-discovery through dreams and visions. Autobiographical and deeply personal threads run throughout his oeuvre, most obviously in <em>I Vitelloni</em> (1953) and <em>Amarcord</em> (1973), inspired by his upbringing in Rimini, a city on the Adriatic coast. The characters brought to life by Marcello Mastroianni in <em>La Dolce Vita</em>, <em>8 1/2</em>, and <em>City of Women</em> (1980) can all be viewed as manifestations of the director himself.</p>
<p>The consistency Fellini achieved was also a result of his enduring collaborations. The actors Mastroianni and Giulietta Masina come to mind instantly—if Mastroianni acts as Fellini’s alter ego, Masina represents the dreamer in him. Nino Rota’s stirring music carries a life of its own, and forms the backbone of Fellini’s cinema. His key writing partners included Tullio Pinelli, Ennio Flaiano, and Brunello Rondi, who contributed to some of his most celebrated works. And Cinecittà’s Rome soundstages provided Fellini with a home base and a malleable dream machine that allowed him to actualize his imagination with no need for compromise.</p>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Italy
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Federico Fellini
Subject
The topic of the resource
Ways of Seeing
Contributor
An entity responsible for making contributions to the resource
Federico Fellini
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Rosa
Surname or Business Name
Barba
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2023
Birth Date
1972
Birthplace
Italy
Occupation
Professional title or identity
Artist and Filmmaker
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Rosa Barba is an artist and filmmaker who balances conceptualism with a distinctly personal vision in her work. She merges films, sculptures, installations, live-performances, text pieces, and publications that are grounded in the material and conceptual qualities of cinema. She also creates installations and site-specific interventions to analyse the ways space is articulated and reflected by Time, placing the work and the viewer in a new relationship. Her work has been exhibited internationally at prestigious institutions and biennials worldwide including Tate Modern, London (2023), PICA, Australia (2023), Neue Nationalgalerie, Berlin (2021/2022), Cukrarna, Ljubljana (2022), Museo Reina Sofia, Madrid (2017), the 56th, 53rd, 52nd Biennale di Venezia, Italy and the 7thBeaufort Triennial, Belgium. In 2020, Rosa Barba was awarded the Calder Prize by The Calder Foundation. Her work is part of numerous public and private collections and has been widely published, most recently, in the monograph Rosa Barba: On the Anarchic Organization of Cinematic Spaces – Evoking Spaces beyond Cinema (2021).
Personal Website
Leave blank if not applicable
<a href="https://www.rosabarba.com">https://www.rosabarba.com</a>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Italy
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Filmmaker
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rosa Barba
Subject
The topic of the resource
Ways of Seeing
Contributor
An entity responsible for making contributions to the resource
Rosa Barba
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe