1
10
11
-
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94d52cf43e376317026b33358cd7d020
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Doryun
Surname or Business Name
Chong
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
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2015-
Affiliation
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M+, Hong Kong
Birthplace
South Korea
Occupation
Professional title or identity
Chief Curator
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Doryun Chong is the inaugural Chief Curator at M+, Hong Kong since September 2013. He oversees all curatorial activities, including exhibitions and symposia, acquisitions for the collection, as well as learning and interpretation programs. Previously Chong was associate curator of Painting and Sculpture at MoMA, where he organised contemporary exhibitions and acquired works for the museum’s collection. At MoMA, he organised <i>Bruce Nauman: Days</i> (2010) and <i>Projects 94: Henrik Olesen</i> (2011), and <i>Tokyo 1955–1970: A New Avant-Garde</i> (2012). Prior to his appointment at MoMA in 2009, Chong was a curator in the Visual Arts department at the Walker Art Center in Minneapolis. He has also curated or coordinated exhibitions at venues including REDCAT, Los Angeles; the 2006 Busan Biennale, and the Korean Pavilion at the 2001 Venice Biennale. Chong co-edited <i>From Postwar to Postmodern, Art in Japan, 1945–1989: Primary Documents</i> (2013), the first anthology in English of critical documents in the histories of postwar Japanese art, design, and architecture. His writings have appeared in numerous art journals, museum and biennale publications. Doryun Chong is the recipient of the first ICI Gerrit Lansing Independent Vision Award in 2010 and he has served on numerous prize juries, including recently the 2015 Hugo Boss Prize, Absolut Art Award, and Contemporary Chinese Art Award.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
South Korea
Hong Kong
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
International Advisory Board
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
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Title
A name given to the resource
Doryun Chong
Subject
The topic of the resource
Curatorial Practice
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
Doryun Chong
-
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2bb3e58a6dc6544f38a196ce4408a06c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Haegue
Surname or Business Name
Yang
Years Affiliated
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2015-2016
Birthplace
Korea
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Haegue Yang (b. 1971, Korea) currently lives and works in Berlin and Seoul. Her works are known for their eloquent and seductive sculptural language of visual abstraction out of her research on historical figures and events. Bringing together a variety of working methods, ranging from complex spatial installations with industrially produced items, such as Venetian blinds, to hand-made sculptures using rather low-tech craft such as paper folding, known as origami, knitting, macramé and other types of weavings. Recently, bells have been entered as sonic and performative elements, which illuminate one of her interests in the notion of movements, in physical, social and metaphorical sense. Also to mention as new material encounter is synthetic straw, an intriguing elements gesturing towards the notion of folk which is both an anthropological reference well as democratic base. Yang’s oeuvre has reached a level of rich complexity and across her work is a focus on sculpture and a rigorous negotiation with materiality through processes of creation and the final form itself, yet the invisible part of investigation on history has been additionally inherent, which has been widely discussed as a method of unique abstraction. <br /><br />Haegue Yang has exhibited in major international exhibitions including the 53rd Venice Biennale (2009) as South Korean representative, dOCUMENTA (13) in Kassel, Germany (2012); Mediacity Seoul, Korea (2014); and Taipei Biennale, Taiwan (2014). Her recent solo exhibitions include Ullens Center for Contemporary Art, Beijing, China (2015); Leeum, Samsung Museum of Art, Seoul, Korea (2015); Museum of Contemporary Art, Strasbourg (2013); Bergen Kunsthall, Bergen, Norway (2013), Haus der Kunst München, Munich, Germany (2012); and major institutions including the New Museum in New York, Walker Art Center in Minneapolis, Kunsthaus Bregenz in Austria, Modern Art Oxford in UK, Aspen Art Museum in US, Arnolfini and Tate Modern Tanks in UK among others have hosted her solo shows.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Germany
South Korea
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Birth Date
1971
Dublin Core
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Title
A name given to the resource
Haegue Yang
Subject
The topic of the resource
History
Contributor
An entity responsible for making contributions to the resource
Haegue Yang
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Hyungmin
Surname or Business Name
Pai
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2017
Affiliation
Company, organization, or institution name
University of Seoul
Birthplace
South Korea
Occupation
Professional title or identity
Professor of Architecture
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Hyungmin Pai (South Korea) is a historian, critic, and curator. Currently a Professor at the Univeristy of Seoul, he recieved his PhD from Massachusetts Institute of Technology, Cambridge, and is a two-time Fulbright Scholar. Pai is author of <i>The Portfolio and the Diagram</i> (2002), <i>Sensuous Plan: The Architecture of Seung H-Sang </i>(2007)<i>, </i>and <i><i>The Key Concepts of Korean Architecture </i></i>(2013)<i>. </i>He was twice curator for the Korean Pavilion at the Venice Biennale (2008, 2014), and in 2014 was awarded the Golden Lion for best national participation. Pai was Head Curator for the 4th Gwangju Design Biennale (2010-11), guest curator for numerous international exhibitions and is presently Director of the inaugural Seoul Biennale of Architecture and Urbanism.
Bibliography
Hyungmin Pai is Director, 1st Seoul Biennale of Architecture and Urbanism 2017 and Professor of Architecture, University of Seoul.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
South Korea
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
A name given to the resource
Hyungmin Pai
Subject
The topic of the resource
Architecture
Sustainability
Urbanism
Labour
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
Hyungmin Pai
-
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1237a7369b5cd4cd4cd4b1ce6ff5beb5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Hyunjin
Surname or Business Name
Kim
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2017
Birthplace
South Korea
Occupation
Professional title or identity
Curator and Writer
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Hyunjin Kim (South Korea) is a curator, writer, and researcher, currently teaching at R.A.T. School, Seoul. She is an advisor to Asia Art Archive, Hong Kong. Her recent curatorial and interdisciplinary practices explore disparate points of regional modernity, in various forms and productions. She was Director at Arko Art Center, Seoul (2014–15), and a co-curator of 7th Gwangju Biennale (2008). She curated numerous exhibitions and projects including <i>Tradition (Un)Realized, Arko Art Center, Seoul, South Korea (2014); Perspective Strikes Back, L’appartement22, Rabat, Morocco (2010); Plug-In #3-Undeclared Crowd</i>, Van Abbemuseum, Eindhoven, Netherlands (2006), and published extensively on contemporary artists including Park Chan-kyong.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
South Korea
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Hyunjin Kim
Subject
The topic of the resource
Fiction
History
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
Hyunjin Kim
-
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7080c01a321683e260e983aeeef749e9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Jae Rhim
Surname or Business Name
Lee
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019-2020
Birthplace
South Korea
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Jae Rhim Lee is a visual artist, designer, researcher as well as the founder and director of the Infinity Burial Project. From developing city-wide soil remediation plans for the City of New Orleans to teaching art and design at MIT and building recycling systems, furniture and wearables, Jae Rhim’s work spans multiple disciplines, including art and design, city planning, psychology, and science. <br />JR has lectured about and exhibited her work internationally and is the recipient of numerous grants and fellowships, including the Creative Capital Foundation, MIT, the MAK Center for Art +Architecture, and the Universitate der Kunste Berlin. She is a TED Fellow and Lecturer and Fellow at the ‘d.School’ (Hasso Plattner Institute of Design) at Stanford University.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
South Korea
United States
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jae Rhim Lee
Subject
The topic of the resource
Posthumanism
Sustainability
Coexistence
Biodiversity
Ecology
Technology
Climate Crisis
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Jae Rhim Lee
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Jungmin
Surname or Business Name
Choi
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2020
Affiliation
Company, organization, or institution name
World Without War, Seoul
Birthplace
South Korea
Occupation
Professional title or identity
Campaigner and nonviolence trainer
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Jungmin Choi is a campaigner and nonviolence trainer at World Without War, Seoul, an organisation that supports conscientious objectors. She also works at My Sister’s Place, an organisation that assists Korean and migrant women who live and work near US military bases in South Korea.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
South Korea
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Contributor Type
Speaker
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jungmin Choi
Subject
The topic of the resource
Activism
Diaspora
Identity
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
Jungmin Choi
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Chan-kyong
Surname or Business Name
Park
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016/2017
Birth Date
1965
Birthplace
South Korea
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Park Chan-kyong is a media artist, film director and writer. He graduated from Seoul National University with a BFA in Painting in 1988, and the California Institute of the Arts with a MFA in Photography in 1995. Park served as the Artistic Director of the SeMA Biennale Mediacity Seoul in 2014. His major works include <i>Manshin: Ten Thousand Spirits</i> (2013), <i>Night Fishing</i> (2011, co-directed by Park Chan-wook), <i>Sindoan </i>(2008), <i>Power Passage</i> (2004) and <i>Sets</i> (2000). Park’s work has been exhibited internationally in numerous solo and group exhibitions including Haus der Kulturen der Welt, Berlin (2017), Taipei Biennial (2016), Anyang Public Art Project (2016), Iniva, London (2015), Art Sonje Center, Seoul (2013), and Atelier Hermès, Seoul (2012, 2008). Park was awarded the Hermès Korea Art Award in 2004, and the Golden Bear for best short film at the Berlin International Film Festival in 2011 for <i>Night Fishing</i>. His works are included in the collection of major art institutions, such as the National Museum of Modern and Contemporary Art, Korea; KADIST, Paris and San Francisco; Musée des Beaux-Arts de Nantes; Leeum, Samsung Museum of Art, Seoul; Seoul Museum of Art; Gyeonggi Museum of Modern Art, Ansan; and Art Sonje Center, Seoul.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
South Korea
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Filmmaker
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
A name given to the resource
Park Chan-kyong
Subject
The topic of the resource
Fiction
Mythology
Politics
Contributor
An entity responsible for making contributions to the resource
Park Chan-kyong
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Chan-wook
Surname or Business Name
Park
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Birth Date
1963
Birthplace
South Korea
Occupation
Professional title or identity
Film Director
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Park Chan-wook (born August 23, 1963) is a South Korean film director, screenwriter, producer, and former film critic. One of the most acclaimed and popular filmmakers in his native country, Park is most known for his films Joint Security Area, Thirst and what has become known as The Vengeance Trilogy, consisting of 2002's Sympathy for Mr. Vengeance, Oldboy in 2003 and Sympathy for Lady Vengeance in 2005. His films are noted for their immaculate framing and often brutal subject matter.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
South Korea
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
A name given to the resource
Park Chan-wook
Subject
The topic of the resource
Ways of Seeing
Contributor
An entity responsible for making contributions to the resource
Park Chan-wook
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
Surname or Business Name
Rice Brewing Sisters Club
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2022
Birth Date
2018
Birthplace
South Korea
Occupation
Professional title or identity
Social Collective
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<div class="page" title="Page 12">
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<p><span>Currently comprising Hyemin Son, Aletheia Hyun-Jin Shin, and Soyoon Ryu, </span><span>Rice Brewing Sisters Club (RSBC) </span><span>is a collective established in 2018 around the members’ crossing interests in </span>experimenting with the processes of ‘social fermentation’ as an artistic form. With a participatory practice encompassing visual arts, performance, creative writing, oral history, ecological thinking, and auntie wisdoms, RBSC seek to build sustainable relationships and synergetic networks to co-create shared visions for the future.</p>
</div>
</div>
</div>
</div>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
South Korea
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
None
Dublin Core
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Title
A name given to the resource
Rice Brewing Sisters Club
Subject
The topic of the resource
Sustainability
Contributor
An entity responsible for making contributions to the resource
Rice Brewing Sisters Club
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
siren
eun young
Surname or Business Name
jung
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016-2017
Birthplace
South Korea
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Over the last eight years, siren eun young jung (b. 1974, Korea) has been investigating and challenging cultural expectations and genre constructs in Korean society through the lens of <em>Yeosung</em> <i>Gukgeuk</i>, a traditional type of Korean theatre combining singing and dancing that reached its peak of popularity in the 1950s and 1960s, falling out of favour thereafter. While <em>Yeosung</em> <i>Gukgeuk</i> maintains the conventional roles of melodrama, it exclusively features women actors who perform all characters in an intense process of genre-shifting. Working across a wide range of mediums such as films, photographs, performances, and installations, the artist has produced several works, endowed with a lush visual imagery, that deeply engage the aging community of <i>Yeosung Gukgeuk</i> practitioners addressing issues of resistance, affect, and performativity. <br /><br />siren eun young jung holds a M.F.A. in Painting from Ewha Womans University, Korea and an M.A. in Feminist Theory and Practice in the Visual Arts from the University of Leeds, United Kingdom. In 2015 she earned a doctoral degree in Fine Art from Ewha Womans University with a dissertation titled, "The Politics of Gender and the Aesthetics of Dissensus." Her works have been included in numerous group exhibitions such as: Taipei Biennial 2016 Taiwan (2016); Discordant Harmony, Hiroshima City Museum of Contemporary Art, Japan (2015); 8th Asia Pacific Triennial of Contemporary Art, QAGOMA, Australia (2015); The Future is Now, MAXXI, Italy (2014); Something in space escapes our attempts at surveying, Württembergischer Kunstverein, Germany (2014). In 2013, she was awarded the Hermès Foundation Missulsang Prize.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
South Korea
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Birth Date
1974
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
siren eun young jung
Subject
The topic of the resource
Performance
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
siren eun young jung