2
10
23
-
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c653408e486ad7592714b1044fbe8bf7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Navin
Surname or Business Name
Rawanchaikul
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014
Birth Date
1971
Birthplace
Thailand
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Navin Rawanchaikul works in various media including sculpture, painting, performance, photography, and film. Rawanchaikul’s Places of Rebirth (2009) was inspired by the artist’s first visit to Pakistan, the birthplace of his ancestors. Purchased for the Guggenheim’s collection, the painting narrates his family’s migration to Thailand in pursuit of new opportunity during the aftermath of 1947’s partition of South Asia. In 2010, Rawanchaikul was awarded the national Silapathorn citation from the Thai Ministry of Culture in the field of visual arts. His work has been featured in solo exhibitions at MoMA P.S.1 in collaboration with Public Art Fund, New York (2001); Tang Contemporary Art, Hong Kong (2008); and Valentine Willie Fine Art, Singapore (2011). He represented Thailand at the 54th Venice Biennale (2011) and has participated in numerous group exhibitions around the world. Rawanchaikul lives and works in Chiang Mai and Fukuoka, Japan.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Thailand
Japan
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Navin Rawanchaikul
Subject
The topic of the resource
Geopolitics
Migration
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Navin Rawanchaikul
-
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047f3fef81d2cdd5ea807a629871c1b1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Taiki
Surname or Business Name
Sakpisit
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018
Affiliation
Company, organization, or institution name
NTU CCA Singapore
Birthplace
Japan
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Taiki Sakpisit (b.1975, Japan) is a Thai artist and filmmaker based in Bangkok. He applies his cinematic skills to create haunting evocations of memory through the repetition and imperceptible manipulation of images that interweave found footage and archival material. Featuring rich soundscapes produced in collaboration with a sound designer, his films produce heightened and uneasy modes of spectatorship that often relate to the tumultuous socio-political climate in Thailand. Taiki's most recent solo exhibition <i>Until the Morning Comes</i> took place at S.A.C. Subhashok The Arts Centre, Bangkok, Thailand (2018) and his work has been presented at numerous exhibitions, screenings, and film festivals.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Thailand
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Birth Date
1975
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Taiki Sakpisit
Subject
The topic of the resource
History
Politics
Technology
Contributor
An entity responsible for making contributions to the resource
Taiki Sakpisit
-
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c0bc1a0ab058d1bc02d532313426e380
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Prapat
Surname or Business Name
Jiwarangsan
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2020
Birthplace
Thailand
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
The practice of Prapat Jiwarangsan (b. 1979, Thailand) is rooted in a deep fascination with archival materials which the artist peruses and reconfigures in order to question the relationships between nationalism and history, memory and politics in Thailand. In recent years, he has turned his focus tothe experience of migrant workers outside of their home countries. His films and installations havebeen included in international group exhibitions such as, most recently, Singapore Biennale 2019: <i>Every Step in the Right Direction</i>; <i>DIASPORA: Exit, Exile, Exodus of Southeast Asia</i>, MAIIAM ContemporaryArt Museum, Chiang Mai, Thailand (2018), and festivals including the 47th International Film FestivalRotterdam, Netherlands (2018) and the 27th Onion City Experimental Film and Video Festival,Chicago, United States (2016).
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Thailand
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Birth Date
1979
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Prapat Jiwarangsan
Subject
The topic of the resource
History
Politics
Identity
Contributor
An entity responsible for making contributions to the resource
Prapat Jiwarangsan
-
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7623a7159a0e82091a3b86d5f516ca32
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Narwan
Surname or Business Name
Pathomvat
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015
Affiliation
Company, organization, or institution name
NTU CCA Singapore
Birthplace
Thailand
Occupation
Professional title or identity
Curator
Writer
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Narawan Pathomvat (b. 1980, Thailand)is the founder and director of contemporary art library and non-profit platform, The Reading Room, Bangkok. She is also lecturer at the Department of Art History, Faculty of Archaeology at Silpakorn University, Bangkok. She received her MPS (Arts and Cultural Management) from Pratt Institute, New York and previously worked for Lower Manhattan Cultural Council, New York, and Asia Art Archive, Hong Kong. Pathomvat is also an independent curator, writer, and translator.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Thailand
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Birth Date
1980
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Narawan Pathomvat
Contributor
An entity responsible for making contributions to the resource
Narawan Pathomvat
-
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18b5e5ba3b4b8cda8ea68d9c51c96dbe
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Arin
Surname or Business Name
Rungjang
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016/2017/2019/2020
Affiliation
Company, organization, or institution name
NTU CCA Singapore
Birthplace
Thailand
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
The artistic practice of Arin Rungjang (b. 1974, Thailand) is deeply intertwined with Southeast Asian histories, symbols, memories and addresses the ways in which social and economic transformations affect individuals‚ lives. Exploring power relations embedded in traditional practices and daily objects, he creates works that stand on the threshold between the public and the private and recast collective histories through personal narratives. Regarded as a pioneer of installation art in Thailand, his work spans across different media and often engage collaborative practice. Arin Rungjang has recently received a solo exhibition at the Jim Thompson Art Center in Bangkok, Thailand (2015). He has participated to the 18th Biennale of Sydney, Sydney, Australia (2012), the Bandung Pavilion at the Shanghai Biennale, Shanghai, China (2012) and the Asia Triennial, Manchester, United Kingdom (2011). He represented Thailand at the 55th Venice Biennale, Venice, Italy (2015).<br /><br /><span>Between October and November 2016, Rungjang was Artist-in-Residence at NTU CCA Singapore, where he focused on unofficial stories that circulate by word of mouth while connecting them to the politics of governance and notions of historical truth. During his residency, Rungjang conducted an interview with Johnston, who offered a poignant account of the difficulties of growing up as an albino man in Singapore. Based on an agreement with him, the artist decided to limit the work to a fully washed-out still from the recording, a symbolic indication of how such narratives circulate at the margins of visibility.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Thailand
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Arin Rungjang
Subject
The topic of the resource
History
Identity
Tradition
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Description
An account of the resource
Arin Rungjang is an artist. His practice is deeply intertwined with Southeast Asian histories, symbols, and memories.
Contributor
An entity responsible for making contributions to the resource
Arin Rungjang
-
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2f28fb016e1596a28252872ccfacd54f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Thanavi
Surname or Business Name
Chotpradit
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016/2020
Affiliation
Company, organization, or institution name
Silpakorn University
Occupation
Professional title or identity
Lecturer in modern and contemporary Thai art history at the Department of Art History, Faculty of Archaeology, Silpakorn University
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Thanavi Chotpradit is a lecturer in modern and contemporary Thai art history at the Department of Art History, Faculty of Archaeology, Silpakorn University, Bangkok, Thailand, and a member of the editorial collective of <i>Southeast of Now: Directions in Contemporary and Modern Art in Asia</i>. She completed her PhD in art history from Birkbeck, University of London. She has contributed essays for both Thai and international scholarly journals such as <i>Aan, Fah Diew Kan</i>, and <i>Journal of Asia-Pacific Pop Culture and South East Asia Research</i>, art magazines, as well as exhibition catalogues. In 2015–16, she participated in a cross-regional research programme, <i>“Ambitious Alignments: New Histories of Southeast Asian Art.”</i> Her current research on photographs of the 6th October Massacre (1976) is funded by the Thailand Research Fund (TRF) for 2019–21. Chotpradit’s areas of interest include modern and Thai contemporary art in relation to memory studies, war commemoration, Thai politics, and archival practices.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Thailand
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Scholar
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Thanavi Chotpradit
Subject
The topic of the resource
History
Urbanism
Description
An account of the resource
Thanavi Chotpradit is a lecturer in modern and contemporary Thai art history at the Department of Art History, Faculty of Archaeology, Silpakorn University, Bangkok, Thailand, and a member of the editorial collective of Southeast of Now.
Contributor
An entity responsible for making contributions to the resource
Thanavi Chotpradit
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Pratchaya
Surname or Business Name
Phinthong
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014/2018
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Pratchaya Phinthong (b. 1974, Thailand) creates situations as an invitation made to the visitor to share an experience with him. His projects (without any specific or pre-defined form) suggest a crack in which the spectators are invited to fill the gaps. He builds a set, a fiction, or a process where he can test our perceptions. He proposes to his audience a story with multiple paths. A trip down memory lane combined with subjective perceptions. His projects are often constructed in a dialogue between the artist and the others, making the artist‚ movement glide towards the social field. Beyond any artistic or formal experience, the artist is looking to find his place and his identity playing on the economic representations and cultural existences. The ‚Äògallery‚ space becomes a free area.Therefore, Phinthong works in a dynamic area in between different realities underlining the space and distance that separates them: two geographical points, two societies, two economic systems.</span><br /><br />Phinthong was Artist-in-Residence at NTU CCA Singapore between October and December 2014. As part of his residency, Phinthong explored the idea of airspace as monitored and ambiguous, researching into the histories and negotiations of airspace between Singapore and its neighbours, with particular attention given to Thailand.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Thailand
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Birth Date
1974
Birthplace
Thailand
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Pratchaya Phinthong
Subject
The topic of the resource
Ways of Seeing
Fiction
Description
An account of the resource
Pratchaya Phinthong is an artist. His works often test individuals’ perception and invite visitors to share their experiences.
Contributor
An entity responsible for making contributions to the resource
Pratchaya Phinthong
-
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9cb4ae34622a9250dfc5ffc79d699610
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Anocha
Surname or Business Name
Suwichakornpong
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014/2018
Occupation
Professional title or identity
Film director
Screenwriter
Producer
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Anocha Suwichakornpong is an independent film director, screenwriter, and producer. Suwichakornpong’s filmic research is on Thai history within Southeast Asia, in particular the Thai politics and student movements of the 1970s. Between September and November 2014, Suwichakornpong was Artist-in-Residence at NTU CCA Singapore where she worked on <i>Nightfall</i> (2016), a short video essay exploring the relationship between Thailand and Singapore, harking back to 1871 when King Rama V—the first monarch in Thai history to visit a foreign country, Singapore, donated as a token of appreciation a bronze statue of an elephant; and a multiplatform project on the Golden Mile Complex, the most popular gathering place of the Thai community in Singapore.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Thailand
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Artist-in-Residence
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Birth Date
1976
Birthplace
Thailand
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Anocha Suwichakornpong
Subject
The topic of the resource
History
Identity
Description
An account of the resource
Anocha Suwichakornpong is an independent film director, screenwriter, and producer.
Contributor
An entity responsible for making contributions to the resource
Anocha Suwichakornpong
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Apichatpong
Surname or Business Name
Weerasethakul
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
2017
Birthplace
Thailand
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Apichatpong Weerasethakul is an artist and filmmaker. Recognised as one of the most original voices in contemporary cinema, his feature films, short films and installations have won him widespread international recognition and numerous awards, including the Cannes Palme d’Or in 2010 with <i>Uncle Boonmee Who Can Recall His Past Lives</i>; the Cannes Competition Jury Prize in 2004 with <i>Tropical Malady</i>; and the Cannes Un Certain Regard Award in 2002 with<i> Blissfully Yours</i>. His latest feature Cemetery of Splendour was released to critical acclaim at the 68th Cannes Film Festival in 2015. Apichatpong began making films and video shorts in 1994 and completed his first feature, <i>Mysterious Object at Noon</i> in 2000. He has also mounted exhibitions and installations in many countries since 1998. Lyrical and often mysterious, his film works are non-linear, dealing with memory in subtle ways, invoking personal politics and social issues. Working independently of the Thai commercial film industry, Apichatpong devotes himself to promoting experimental and independent filmmaking through his company Kick the Machine Films, founded in 1999, which also produces all his films. Major installations have been presented at dOCUMENTA(13) (2012) and in solo exhibitions in Oslo, London, Mexico City, Kyoto, and New York.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Thailand
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Birth Date
1970
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Apichatpong Weerasethakul
Subject
The topic of the resource
Fiction
Mythology
Politics
Contributor
An entity responsible for making contributions to the resource
Apichatpong Weerasethakul
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bac29185c69826fdfe104d5576534fa9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
Surname or Business Name
Animali Domestici
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019-2020
Birthplace
Italy
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Animali Domestici (Antonio Bernacchi and Alicia Lazzaroni) is a duo and design practice based in Bangkok. They focus on the development of experimental and speculative projects, products and processes, beyond the dichotomies of culture and nature, 'infra-ordinary' and 'ab-normal', human and non-human. <br />With admittedly fragmented and heterogeneous sources of inspiration, they are interested in post-anthropocentric spaces, subjects and materialities, in human and animal behavior, vernacular crafts and traditions, popular tastes and everyday life references, rendered 'lifestyles' and marketing strategies. Animali Domestici is also intensively involved in teaching and research and have been coordinating the International Program in Design and Architecture (INDA) at Chulalongkorn University in Bangkok, Thailand.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Italy
Thailand
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Animali Domestici
Subject
The topic of the resource
Posthumanism
Sustainability
Coexistence
Biodiversity
Ecology
Technology
Climate Crisis
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Animali Domestici