The Disappearance situates itself in the architectural setting of a previous exhibition Paradise Lost. It works with what is left out: the traces of the show in the space; its echoes in our memory, The Disappearance conceals and reveals: what has…
Trinh T. Minh-ha’s approach to film has addressed a wide field of discussions—reaching from the ethics of representation in ethnographic film, to aspects of migration, debates on global socio-political developments, and different layers of feminist…
This film programme was originally intended to be screened on-site in parallel with the exhibition Non-Aligned. During Singapore’s Circuit-Breaker period, selected films were available to be streamed on our website for limited periods of time,…