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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
We Are Open! brings the artists’ files of NTU CCA Singapore’s Public Resource Platform into the spotlight by reinterpreting The Lab, the Centre’s space for introducing research in process, as an open studio for activation
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2018-05-08
Exhibition End Date
2018-07-08
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Public Resource Platform: <i>We Are Open!</i>
Subject
The topic of the resource
Artistic Research
Archival Practice
Description
An account of the resource
<i>We Are Open!</i> brings the artists’ files of NTU CCA Singapore’s Public Resource Platform into the spotlight by reinterpreting The Lab, the Centre’s space for introducing research in process, as an open studio for activation. Each artist’s file contains materials ranging from books, collaterals, photographs, and videos to grey literature, donated to the Centre by the Artists-in-Residence, as well as Singaporean artists outside our Residency Programme. <br /><br />Spanning eight weeks, this presentation by NTU CCA Singapore’s Young Professional Trainees takes the form of an ongoing experiment to explore the potential of these files as a tool for research and education, inviting the public to engage with materials for research, creation, and commentary about subjects such as culture, identity, and alternate realities. <i>We Are Open!</i> will also include collaborations with local artists who have been invited to utilise the diverse resource materials in the context of education workshops. <br /><br />Curated by Young Professional Trainees: <br /><br />Qamarul Asyraf, Productions<br />Ho Mun Yee, Research<br />Sara Ng, Residencies<br />Joey Sim, Residencies<br />Priscilla Toh, Communications<br />Olivia Wong, Exhibitions<br />Zhang Jing Chao, Outreach and Education <br /><br /><b>The Public Studio<b><br /><br /></b></b>The Public Studio consists of two workshops in which the public will be able to work first-hand with invited local artists who are also educators in the arts field. Through these workshops, the public and artists will have the opportunity to generate tangible interpretations of the resources in the Public Resource Platform. <br /><br />These collaborative discussions on contemporary subjects found in the artists’ files, aim to provide a better understanding of how the Public Resource Platform can be utilised beyond the intended context of curatorial research. Insights derived from these workshops will be exhibited on the walls throughout the course of the show as demonstrations of the experimental processes.
Contributor
An entity responsible for making contributions to the resource
Qamarul Asyraf
Ho Mun Yee
Sara Ng
Joey Sim
Priscilla Toh
Olivia Wong
Zhang Jing Chao
Ang Song Nian
Felicia Low
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Print
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Dublin Core
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Rights
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NTU CCA Singapore
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Rights
Information about rights held in and over the resource
NTU CCA Singapore
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Following the global call for an ecological turn in art, architecture, and design, NTU CCA Ideas Fest FOOD Eat. Secure. Sustain. presents projects that engage, investigate, and aim to ensure food security on a healthy planet.
Exhibition Mode
Festival
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Block 37
Block 38
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Offsite
Exhibition Start Date
2023-02-16
Exhibition End Date
2023-02-19
Collaboration
Yes
Commissioned Work
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU CCA IdeasFest 2023 FOOD: Eat. Secure. Sustain
Subject
The topic of the resource
Sustainability
Environmental Crisis
Description
An account of the resource
<p><strong><em>NTU CCA IdeasFest</em></strong> is a platform to catalyse critical exchange of ideas and encourage thinking “out of the box”. It links the artistic and academic communities with grassroots and self-organised initiatives and small-scale entrepreneurship. Following the global call for an ecological turn in art, architecture, and design,<em> NTU CCA IdeasFest 2023 FOOD</em> <em>Eat. Secure. Sustain. </em>presents projects that engage, investigate, and aim to ensure food security on a healthy planet. The vitality of food poses a wide-ranging set of questions and problems when confronted with nature’s diminishing capacity to nourish life as a result of harmful anthropocentric activity. Such challenges demand that we rethink our modes of production and consumption.</p>
<p>This third edition of IdeasFest draws relational links to improve the understanding of sustainable food systems and their urgencies, opening a pathway towards actionable steps to ensure food security. Current food practices are threatening both people and planet; more nourishing and sustainable ways of eating and producing need to be developed. This need to transform our societies towards socio-ecological sustainability is clear, but many proposals lack the concrete economic and political scaffolding necessary to make their implementation feasible.</p>
<p>The global food system encompasses all economic sectors, and understanding its components is essential for developing and executing effective measures to strengthen its sustainability. <em>IdeasFest 2023 FOOD Eat. Secure. Sustain. </em>looks into how various technologies affect (traditional) food practices and culinary techniques, and which of these are valued. Food security hinges on sustainable food systems which are based on subsystems, including farming, waste management, and supply infrastructures, which in turn interact with trade, energy, and health systems.<br /><br /></p>
<p>Focusing on social interactions that connect academic research with artistic and cultural fields as well as with architecture and design applications, this edition draws a direct relation between human societies and their impact on the environment. It presents environmentally friendly ways of living, exploring regional crafts, reusing, repairing und upcycling. While scientific evidence on climate change and food scarcity is widely discussed, to materialise future-proof food communities, it requires socially robust and impactful proposals that create a relay between local perspectives and knowledge generated in academia. To address food related issues and the climate crisis in a continued dialogue is necessary, as there is a risk that the gravity and urgency of this crisis will not be fully comprehended.</p>
<p>As a platform to feature new initiatives, <em>NTU CCA Ideas Fest FOOD Eat. Secure. Sustain</em>. is an invitation to share and engage in cooperative projects and collective experiences through workshops, site visits, screenings, performances, public installations, participatory projects, and a summit. This diverse programme will be enriched by presentations of start-up initiatives and public dialogues on how to support Singapore’s aspiration to meet 30% of its nutritional requirements domestically by 2030 collectively and individually. A two-day Ideas Conference will bring together a prominent group of architects, theorists, researchers, curators, designers, and community groups to discuss further ideas on sustainability, circular economy, food security, creative learning, and the potential of cultural heritage such as crafts and sustainable urbanism to envision a responsible future city.</p>
<p><strong><em>Ideas Fest 2023 FOOD Eat. Secure.</em></strong> <em><strong>Sustain.</strong></em>, conceived in partnership with Singapore-ETH Centre Future Cities Laboratory Global, contemplates on sustainable food systems, climate awareness and solutions for a more sustainable future. Curated by <strong>Prof. Ute Meta Bauer</strong> (NTU CCA and NTU ADM), <strong>Magdalena Magiera</strong> (NTU CCA), <strong>Assoc. Prof. Laura Miotto</strong> (NTU ADM), <strong>Prof. Thomas Schroepfer</strong> (ETH FCL and SUTD), <strong>Dr. Tanvi Maheshwari</strong> (Associate Director for Research, Future Cities Laboratory Global)</p>
<p>Registration and tickets can be purchased through Eventbrite.<br /><br /></p>
<p><strong>SUMMIT</strong><br /><br /><strong>Free registration for Conference Days through </strong><a href="https://bit.ly/ntuccaideasfest2023_events"><strong>https://bit.ly/ntuccaideasfest2023_events</strong></a></p>
<p></p>
<p><strong>Thursday, 16 February 2023</strong><br /><strong>5.15pm – 8.00pm</strong><br />Venue: CREATE Tower, 1 Create Way, 138602<br />Theatrette, Level 2</p>
<p></p>
<p>5.15 pm <strong>Registration and Coffee</strong><br /><br />5.45pm <strong>Opening addresses</strong> by <br />Guest of Honor Dr. <strong>Alvin Yeo</strong> (Singapore), Senior Director, Joint Policy and Planning Division, Singapore Food Agency<br />Prof. <strong>Subodh Mhaisalkar </strong>(Singapore), Executive Director for Academic Research, National Research Foundation Singapore, President’s Chair in Energy and Professor, School of Materials Science and Engineering, Nanyang Technological University (NTU)<br />Prof. <strong>Tim White </strong>(Australia/ Singapore), Vice President (International Engagement); President’s Chair in Materials Science and Engineering; Professor, School of Materials Science & Engineering at the Nanyang Technological University (NTU)<br />Prof. <strong>Sacha Menz</strong> (Switzerland), Director of Future Cities Lab (FCL) Global and Professor of Architecture and Building Process, ETH Zürich<br />Prof. <strong>Thomas Schroepfer </strong>(Germany/Singapore), Co-Director, Future Cities Lab (FCL) Global, Singapore-ETH Centre (SEC) and Professor of Architecture and Sustainable Design, Singapore University of Technology and Design (SUTD)<br />Prof. <strong>Ute Meta Bauer </strong>(Germany/Singapore), Founding Director, NTU CCA Singapore and Professor at the School of Art, Design and Media (ADM), NTU </p>
<p>6.30pm <strong>Keynote Lecture</strong> <strong><em>CLOSING THE LOOP</em></strong><em><strong>: The Role of Circular Economy in the Food Sector</strong></em> <br />by <strong>Paula Huerta</strong> (Spain/Indonesia), Circular Economy Consultant and Director Bambook Studio and GUASL<br /><br />Followed by a conversation with <strong>Assoc. Prof. Laura Miotto</strong> (Italy/Singapore), at the School of Art, Design, and Media (ADM), NTU<br />8.00pm <strong>RECEPTION</strong></p>
<p></p>
<p><strong>Friday, 17 February 2023</strong><br /><strong>8.30am – 7.30pm</strong><br /><br />CREATE Tower, 1 Create Way, 138602<br />Theatrette, Level 2</p>
<p>8.30am Registration and Coffee</p>
<p><strong>Food Ecosystems</strong><br /><br />9.00am Welcome by Co-Curators<br /><strong>Prof. Ute Meta Bauer</strong> (Germany/Singapore), Founding Director, NTU CCA and Professor at NTU ADM, <strong>Assoc. Prof.</strong> <strong>Laura Miotto</strong>(Italy/Singapore), NTU ADM, <strong>Prof. Thomas Schroepfer</strong> (Germany/Singapore), Co-Director, FCL-G, SEC, and Professor of Architecture and Sustainable Design, SUTD<br /><br />9.10am <strong><em>Food Connects</em></strong> <br />Lecture by <strong>Raine Melissa Riman</strong> (Malaysia), Co-Curator, E.A.T Borneo Conference, media strategist and social media lead, <em>What About Kuching</em> Festival<br /><br />9.40am <strong><em>Hello! I am a Black Soldier Fly and I am Transforming the Global Food System</em></strong> <br />Flash Lecture by <strong>Niraly Mangal</strong> (India/Singapore), Doctoral Researcher at SEC<br /><br />10.00am <strong><em>Clinically Relevant Materials & Applications Inspired by Food Technologies</em></strong> <br />Flash Lecture by <strong>Prof. Wiliam Chen</strong> (Singapore), Michael Fam Endowed Professor and Director, Food Science and Technology, NTU <br /><br />10.20am <strong><em>Human Created Food Crisis</em></strong> <br />Flash Lecture by <strong>Britto Arts Trust / Mahbubur Rahman</strong>(Bangladesh), Artist, Co-Founder and Trustee, Britto Arts Trust</p>
<p>10.40am BREAK</p>
<p>11.00am Discussion with <strong>Prof. William Chen</strong> (Singapore), Michael Fam Endowed Professor, Director Food Science and Technology, NTU, <strong>Niraly Mangal</strong> (India/Singapore), Doctoral Researcher, SEC, <strong>Britto Arts Trust / Mahbubur Rahman</strong> (Bangladesh), Artist, Co-Founder and Trustee, Britto Arts Trust, and<strong> Raine Melissa Riman</strong> (Malaysia), Co-Curator, E.A.T Borneo Conference, media strategist and social media lead, <em>What About Kuching</em> Festival, Moderated by <strong>Prof. Ute Meta Bauer</strong> (Germany/Singapore), Founding Director, NTU CCA Singapore and Professor, NTU ADM</p>
<p>12.00pm LUNCH BREAK</p>
<p><strong>Urban Food Alternatives</strong><br /><br />1.30pm <strong><em>Architecture of Urban Agriculture for Building Sustainable Cities</em></strong>, <br />by <strong>Prof. Thomas Schroepfer</strong> (Germany/Singapore), Co-Director, FCL-G, SEC Global, <strong>Assoc. Prof. Carlos Banon</strong> (Spain/ Singapore), SUTD and Director and Co-Founder, AIRLAB Singapore <br /><br />2.00pm <strong><em>How Singapore is Addressing Global Food and Environmental Challenges through Alternative Proteins</em>, </strong><br />Flash Lecture by <strong>Valerie Pang</strong> (Singapore), Innovation Associate, The Good Food Institute (GFI) APAC<br /><br />2.20pm <strong><em>Healing Remedies & Roadside Beauties</em>, </strong><br />Flash Lecture by <strong>Adeline Kueh</strong> (Singapore), Artist, Senior Lecturer at LASALLE College of the Arts <br /><br />2.40pm <strong><em>Consumer Acceptance of Alternative Proteins: Enduring and Emerging Issues</em></strong>, <br />Flash Lecture by <strong>Bianca Wassmann </strong>(Germany/Philippines), Doctoral Researcher, SEC</p>
<p>3.00pm BREAK</p>
<p>3.20pm Discussion with <strong>Assoc. Prof. Carlos Banon </strong>(Spain/Singapore), SUTD, Director and Co-Founder, AIRLAB Singapore, <strong>Valerie Pang</strong> (Singapore), Innovation Associate, GFI APAC, <strong>Adeline Kueh</strong> (Singapore), Artist, Senior Lecturer at LASALLE College of the Arts, and <strong>Bianca Wassmann </strong>(Germany/Philippines), Doctoral Researcher, SEC, Moderated by <strong>Prof. Thomas Schroepfer</strong>(Germany/Singapore), Co-Director, FCL-G, SEC</p>
<p>4.20pm BREAK</p>
<p><strong>Non Conventional Food Sources</strong><br /><br />4.40pm <strong><em>Quantifying the Environmental Impact of Our Food – How To Make More Sustainable Choices</em></strong> <br />Flash Lecture by <strong>Dr. Iris Haberkorn</strong> (Germany/Singapore) Senior Researcher and Project Lead, SEC <br /><br />5.10pm <strong><em>Urban Food Production in a Circular Bioeconomy with Microalgae as Case Study</em></strong> <br />Flash Lecture by <strong>Byron Perez </strong>(Ecuador/Singapore) Doctoral Researcher, SEC<br /><br />5.30pm <strong><em>I Have Never Seen a Swimming Salmon in My Life</em></strong><br />Flash Lecture by <strong>Hoo Fan Chon</strong> (Malaysia), Artist<em> </em><br /><br />5.50pm <strong><em>Reporting on Singapore’s Innovations of Cultivated Meat</em></strong> <br />Flash Lecture <strong>Dr. Keri Matwick</strong> (USA/Singapore) Lecturer, School of Humanities NTU and <strong>Dr. Kelsi Matwick</strong> (USA/Singapore) Adjunct Assistant Professor, University of Florida</p>
<p>6.10pm BREAK</p>
<p>6.30pm Discussion with <strong>Dr. Iris Haberkorn</strong> (Germany/Singapore), Senior Researcher and Project Lead, SEC, Byron Perez (Ecuador/Singapore), Doctoral Researcher, SEC, <strong>Hoo Fan Chon</strong> (Malaysia), Artist, and <strong>Dr. Keri Matwick</strong>, Lecturer, School of Humanities NTU, and<strong> Dr. Kelsi Matwick </strong>(USA/Singapore), Adjunct Assistant Professor, University of Florida, Moderated by <strong>Dr. Tanvi Maheshwari </strong>(India/Singapore), Associate Director (Research), FCL-G, SEC</p>
<p></p>
<p><strong>Saturday, 18 February 2023</strong><br /><strong>09.00am – 1.00pm</strong><br /><br />CREATE Tower, 1 Create Way, 138602<br />Theatrette, Level 2</p>
<p>9.00am Registration and Coffee</p>
<p><strong><em>Food Industries</em></strong><br /><br />9.30am Welcome by Co-Curators<br /><strong>Magdalena Magiera</strong> (Germany/Singapore), Curator and Research Associate NTU CCA Singapore, <strong>Dr. Tanvi Maheshwari </strong>(India/Singapore), Assoc. Director (Research), FCL-G, SEC<br /><br />9.40am <strong><em>Sarawak Rice: From Traditional Significance to Modern Sustainability</em></strong>, <br />Lecture by <strong>Karen Shepherd</strong> (Malaysia) writer, content creator, and Strategic Director for UCCN Kuching Creative City<br /><br />10.40am <em><strong>On Palms, Weevils, and Owls: Tracing more-than-human labour in the oil palm territories of Johor, Malaysia</strong></em>, <br />Flash Lecture by <strong>Hans Hortig </strong>(Austria/Singapore), Doctoral Researcher, FCL-G, SEC<br /><br />11.00am <strong><em>Collective Making and Domestic Hacking</em></strong>, <br />Flash Lecture by <strong>Irene Agrivina </strong>(Indonesia), Artist, Co-Founder HONF and XXLAB<br /><br />11.20am <strong><em>Microbial Fuel Cells: Mud, Microbes, and Midichlorians (of The Force)</em></strong>, <br />Flash Lecture by <strong>Saad Chinoy</strong> (Singapore) Co-Founder, SpudnikLab, Storytellers’ Kitchen, and EdibleMakerspace</p>
<p>11.40am BREAK</p>
<p>12.00pm Discussion with <strong>Karen Shepherd</strong> (Malaysia), writer, content creator, and Strategic Director for UCCN Kuching Creative City, <strong>Hans Hortig </strong>(Austria/Singapore), Doctoral Researcher, FCL-G, SEC, <strong>Irene Agrivina </strong>(Indonesia), Artist, Co-Founder HONF and XXLAB, and <strong>Saad Chinoy</strong> (Singapore), Co-Founder, SpudnikLab, Storytellers’ Kitchen, and EdibleMakerspace, Moderated by <strong>Magdalena Magiera</strong> (Germany/Singapore), Curator and Research Associate NTU CCA Singapore</p>
<p></p>
<p><strong>Saturday, 18 February 2023</strong><br /><strong>04.00 – 6.00pm</strong><br /><br />National Design Centre, 111 Middle Road, Singapore 188969<br />Auditorium</p>
<p></p>
<p>4.00pm <em><strong>Circularity and 3D-printing for Addressing Urban Agriculture for Sustainable Future Cities</strong></em>, <br />A Talk by <strong>Assoc. Prof. Carlos Banon</strong>, SUTD, Director and Co-Founder, AIRLAB Singapore <br />5.00pm Guided Exhibition Tour of <em>Circular Futures: Next Gen</em> (following the lecture)</p>
<p><strong>Sunday, 19 February 2023</strong><br /><strong>04.00 – 6.00pm</strong><br /><br />National Design Centre, 111 Middle Road, Singapore 188969<br />Auditorium</p>
<p>4.00pm <strong><em>The Potential for Digital Models in Urban Agriculture</em></strong> <br />A Sharing Session by <strong>Alba Lombardia</strong> (Spain/Singapore) PhD Researcher SUTD, with introductions by <strong>Prof. Thomas Schroepfer</strong>(Germany/Singapore), Co-Director, FCL-G, SEC, and Professor of Architecture and Sustainable Design, SUTD, and <strong>Assoc. Prof. Carlos Banon</strong>, SUTD, Director and Co-Founder, AIRLAB Singapore <br />5.00pm Guided Exhibition Tour of <em>Circular Futures: Next Gen</em> (following the sharing session)</p>
<p></p>
<p><strong>WORKSHOPS</strong></p>
<p><strong>Saturday, 18 February 2023</strong><br /><strong>Tickets for workshops can be purchased or registered for at </strong><a href="https://bit.ly/ntuccaideasfest2023_events"><strong>https://bit.ly/ntuccaideasfest2023_events</strong></a></p>
<p>10am – 1pm <strong><em>To Gathering: Food Flows</em></strong> <br />with <strong>Alecia Neo</strong> (Singapore) artist, <strong>Ground-Up Initiative </strong>(Singapore), and <strong>Madhumitha Ardhanari </strong>(Singapore), Principal Sustainability Strategist, Forum for the Future<br />Venue: Kampung Kampus, 91 Lorong Chencharu, Singapore 769201</p>
<p>2.30 – 5.30pm <strong><em>Grow Your Own Microgreens with PVs</em></strong> <br />with <strong>Dr. Christoph Waibel</strong> (Germany/Singapore), Module Coordinator, Powering the City, FCL-G, <strong>Dr. Shi Zhongming </strong>(China/Singapore), Principal Investigator, Building Integrated Agriculture, FCL-G, <strong>Dr. Zhang Qianning</strong> (China/Singapore), Principal Investigator, Building Integrated Agriculture, NUS, <strong>Dr. Huang Zhaolu</strong> (China/Singapore), Research fellow, Building Integrated Agriculture, NUS<br /><br />Venue: Future Cities Laboratory, Value Lab, Level 6, CREATE Tower, 1 Create Way, Singapore 138602 </p>
<p>3.00–5.30pm <strong><em>Novel Materials</em></strong> <br />with <strong>Irene Agrivina</strong> (Indonesia) Artist, Co-Founder HONF and XXLAB, and <strong>Saad Chinoy </strong>(Singapore), Co-Founder, SpudnikLab, Storytellers’ Kitchen, EdibleMakerspace<br />Venue: NTU CCA Singapore, Block 37 Malan Road, #01-04, Singapore 109452</p>
<p>4.00 – 6.00pm <strong><em>An Afternoon with “Salmon” Tea Sandwich</em></strong> <br />with <strong>Hoo Fan Chon</strong> (Malaysia) Artist<br />Venue: NTU CCA Singapore, Block 38 Malan Road, #01-06, Singapore 109441</p>
<p></p>
<p><strong>Sunday, 19 February 2023</strong><br /><br /><strong>Tickets for workshops can be purchased or registered for at <a href="https://bit.ly/ntuccaideasfest2023_events">https://bit.ly/ntuccaideasfest2023_events</a></strong></p>
<p></p>
<p>10.00am – 12.00pm<em> </em><strong><em>Stories & Food of Semakau</em></strong> <br />with <strong>Firdaus San</strong>i (Singapore), Founder Oranglaut.sg and The Black Sampan <br />Venue: West Coast Park</p>
<p>10.00 – 11.30am<strong> <em>Elevating the Ordinary: Crafting a Creative Exploration of an Everyday Staple</em></strong> <br />with <strong>Karen Shepherd</strong> (Malaysia) writer, content creator, and Strategic Director, UCCN Kuching Creative City, <strong>Raine Melissa Riman</strong>(Malaysia), Co-Curator, E.A.T Borneo Conference, media strategist and social media lead, <em>What About Kuching</em> Festival, and <strong>Dr. Franca Cole</strong> (UK/Malaysia), Consultant in Conservation and Archaeology, Sarawak Museum, Lecturer, NTU ADM<br /><br />Venue: NTU CCA Singapore, Block 37 Malan Road, #01-04, Singapore 109452</p>
<p>10.00 – 12pm <strong><em>Healing Remedies & Roadside Beauties</em></strong> <br />with <strong>Adeline Kueh</strong> (Singapore), Artist, Senior Lecturer at LASALLE College of the Arts <br />Venue: NTU CCA Singapore, Block 37 Malan Road, #01-02, Singapore 109452</p>
<p>10am – 12.30pm <strong><em>Edible Wild</em></strong> <br />with Native’s <strong>Joy Chee</strong>, Resident Bartender, Gardener at Native Bar<br />Venue: NTU CCA Singapore, Block 6 Lock Road, Research Office, Singapore 108934</p>
<p>11.30am – 1.30pm <strong><em>Human Created Food Crisis</em></strong> <br />with <strong>Mahbubur Rahman </strong>(Bangladesh), Artist, Co-Founder and Trustee, Britto Arts Trust and <strong>Shimul Saha </strong>(Bangladesh), Artist, both members of <strong>Britto Arts Trust. </strong><br />Venue: Intermission Bar, The Projector, 6001 Beach Rd, #05-00 GOLDEN MILE TOWER, Singapore 199589</p>
<p>2.30 – 5.30pm <strong><em>DIY Self-Watering Plant Robot!</em></strong> <br />with <strong>Dr. Christoph Waibel</strong> (Germany/Singapore), Module Coordinator, Powering the City, FCL-G, <strong>Dr. Shi Zhongming </strong>(China/Singapore), Principal Investigator, Building Integrated Agriculture, FCL-G, <strong>Dr. Zhang Qianning</strong> (China/Singapore), Principal Investigator, Building Integrated Agriculture, NUS, <strong>Dr. Huang Zhaolu</strong> (China/Singapore), Research Fellow, Building Integrated Agriculture, NUS<br />Venue: NTU CCA Singapore, Block 37 Malan Road, #01-02, Singapore 109452</p>
<p>3.00 – 5.00pm <strong><em>How Food Media Affect What We Eat</em></strong> <br />with <strong>Dr. Keri Matwick </strong>(USA /Singapore) Lecturer, School of Humanities NTU and <strong>Dr. Kelsi Matwick</strong> (USA /Singapore) Adjunct Assistant Professor, University of Florida<br />Venue: NTU CCA Singapore, Block 37 Malan Road, #01-04, Singapore 109452</p>
<p><strong>EXHIBITIONS</strong></p>
<p>NTU CCA Singapore, Block 37 & 38 Malan Road, Gillman Barracks, Singapore<br />Exhibition Hours<br />Thursday, 16 – Sunday, 19 February 2023, 12.00 – 7.00pm <br />Free admission to all exhibitions</p>
<p><em><strong>Hello! I am a Black Soldier Fly and I am Transforming the Global Food System</strong></em><br />Primary Contributor:<strong> Niraly Mangal</strong>, Doctoral Researcher, SEC <br />Other Contributors: <strong>Adrian Fuhrmann</strong>, PhD Researcher, SEC, <strong>Vartika Goenka</strong>, Research Assistant, <strong>SEC, Heng Chin Wee</strong>, Research Assistant SEC, <strong>Shaktheeshwari Silvaraju,</strong> PhD Student, SEC, <strong>Chloe Tan</strong>, Research Assistant, SEC, <strong>Tan Yong Jen</strong>, Research Assistant, SEC, <strong>Yanyun Yan</strong>, Research Associate, <strong>Zhang Qihui</strong>, PhD student <br />NTU CCA Singapore, Block 37 Malan Road, #01-03, Singapore 109452</p>
<p><em><strong>Sustainable Food Systems with Microalgae-based Proteins</strong></em><br /><strong>Dr.</strong> <strong>Iris Haberkorn</strong>, Senior Researcher and Project Lead, SEC, <strong>Byron Perez</strong>, Doctoral Researcher, SEC, <strong>Helena Schmitt</strong>, PhD Researcher, SEC,<strong> Carole Zermatten</strong>, Student SEC<br />NTU CCA Singapore, Block 37 Malan Road, #01-03, Singapore 109452</p>
<p><strong>Hoo Fan Chon</strong><br />NTU CCA Singapore, Block 38 Malan Road, #01-06, Singapore 109441</p>
<p><em><strong>The Journey of Food</strong></em><br />Primary Contributors:<strong> Yuhao Lu,</strong> Postdoc. Researcher, FCL-G,<strong> Helen Lei Fan,</strong> Research Assistants, FCL-G <br />Other Contributors:<strong> Kaiyu Lu,</strong> Research Assistants, FCL-G,<strong> Muhammad Is’Maill Bin Azman, </strong>Research Assistants, FCL-G,<strong> Isabella Meo, </strong>Research Assistants, FCL-G,<strong> Jasper Phang Wee Keat,</strong> Research Assistants, FCL-G,<strong> Zi Gui Toh, </strong>Research Assistants, FCL-G,<strong>Loo Yanshan, </strong>Research Assistants, FCL-G<br />NTU CCA Singapore, Block 38 Malan Road, #01-05, Singapore 109441</p>
<p><strong><em>Potential Agriterritories – Agrarian Questions and Agroecological Design Architecture of Territory</em></strong><br /><strong>Assoc. Prof. Milica Topalovic, </strong>Architecture and Territorial Planning, Department of Architecture, ETH Zurich,<strong> Alice Clarke</strong>, Teaching Assistant, Architecture of Territory, ETH Zurich,<strong> Hans Hortig</strong>, Doctoral Researcher, FCL-G, SEC, <strong>Karoline Kostka</strong>, Senior Researcher, New Urban Agendas for Agrarian Territories, FCL-G, SEC, and Students of the joint Master of Advanced Studies at the ETH Zürich and Swiss Federal Institute of Technology Lausanne (ETH EPFL MAS UTD)<br />NTU CCA Singapore, Block 38 Malan Road, #01-07, Singapore 109441 </p>
Date
A point or period of time associated with an event in the lifecycle of the resource
16 - 19 February 2023
Contributor
An entity responsible for making contributions to the resource
Ute Meta Bauer
Magdalena Magiera
Laura Miotto
Thomas Schroepfer
Tanvi Maheshwari
Irene Agrivina
Carlos Banon
Mahbubur Rahman
Shimul Saha
Joy Chee
Alice Clarke
William Chen
Saad Chinoy
Hoo Fan Chon
Franca Cole
Helen Lei Fan
Adrian Fuhrmann
Vartika Goenka
Iris Haberkorn
Paula Huerta
Hans Hortig
Adeline Kueh
Yuhao Lu
Niraly Mangal
Keri Matwick
Valerie Pang
Byron Perez
Zhang Qianning
Zhang Qihui
Raine Melissa Riman
Firdaus Sani
Helena Schmitt
Karen Shepherd
Shaktheeshwari Silvaraju
Chloe Tan
Milica Topalovic
Christoph Waibel
Bianca Wassmann
Yanyun Yan
Carol Zermatten
Huang Zhaolu
Shi Zhongming
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
Europe
Oceania
North America
South America
Middle East
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Darcy Lange: Hard, however, and useful is the small, day-to-day work takes the video work of New Zealand artist, Darcy Lange (1946 – 2005) as the starting point for a complex discussion concerning the representation of labour.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2015-08-12
Exhibition End Date
2015-09-27
Collaboration
No
Commissioned Work
No
Related Countries
United Kingdom
New Zealand
Spain
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Darcy Lange: <i>Hard, however, and useful is the small, day-to-day work</i>
Subject
The topic of the resource
Labour
Capitalism
Inequality
Politics
Description
An account of the resource
Integrated within NTU CCA Singapore’s overarching research framework PLACE.LABOUR.CAPITAL, The Lab will present Darcy Lange: <i>Hard, however, and useful is the small, day-to-day work</i>, taking the video work of New Zealand artist, <b>Darcy Lange</b> (1946 – 2005) as the starting point for a complex discussion concerning the representation of labour. During the 1970s, Lange developed a socially engaged video practice with remarkable studies of people at work that draw from documentary traditions as well as conceptual and structuralist video making. With his seminal style of real-time, unedited, without commentary, lengthy observations of workers that came to characterise his Work Studies series (1972 – 77), Lange aimed to “convey the image of work as work, as an occupation, as an activity, as creativity and as a time consumer”. <br /><br />Curated by guest curator, Mercedes Vicente.
Contributor
An entity responsible for making contributions to the resource
Darcy Lange
Mercedes Vicente
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Oceania
Medium
The material or physical carrier of the resource.
Video
Print
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Vitrine
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
The Mouthful mask is both conceptual and practical. Mouthful projects a new sound which follows the guidelines of our time while it overcomes and embraces the obstacles we face with poetry and humour.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Vitrine
Exhibition Start Date
2021-01-09
Exhibition End Date
2021-03-07
Collaboration
Yes
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ana Prvački in collaboration with Joyce Bee Tuan Koh and Galina Mihaleva <i>Mouthful (masked duet)</i>
Subject
The topic of the resource
Politics
Activism
Embodiment
Body
Description
An account of the resource
How to breathe deeply and sing expressively in this moment when the mouth and nose embody danger? How to have pleasure in music when in its essences it is airborne and moist? <br /><br />Let us return power and agency to the mouth and voice while still protecting ourselves and others. Let us express our emotions freely into the air that we all share. The <i>Mouthful</i> mask is both conceptual and practical. It exposes the breath and gives us an earful and eyeful of air. <i>Mouthful</i> projects a new sound which follows the guidelines of our time while it overcomes and embraces the obstacles we face with poetry and humor. <br /><br /><i>Mouthful</i> is conceived by Ana Prvački, produced and manifested by Galina Mihaleva and activated by Reginald Jalleh and Zerlina Tan with original music by Joyce Bee Tuan Koh. A transdisciplinary, collaborative work, Mouthful is realized with two performative activations and as an installation and sound work in The Vitrine at NTU CCA Singapore, Block 43 Malan Road.
Contributor
An entity responsible for making contributions to the resource
Ana Prvački
Ana Prvacki
Joyce Bee Tuan Koh
Galina Mihaleva
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Installation
Object
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
siren eun young jung presents materials from the Yeoseong Gukgeuk archives, offering an insight into the politics of recollecting, weaving together queer desires and patterns of resistance.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2017-09-09
Exhibition End Date
2017-10-08
Collaboration
No
Commissioned Work
No
Related Countries
South Korea
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Wrong Indexing: Yeoseong Gukgeuk Archive</i> by siren eun young jung
Subject
The topic of the resource
Identity
Description
An account of the resource
As a genre of theatre that features exclusively women actors, <i>Yeoseong Gukgeuk</i> reached the peak of popularity in the 1950s and 1960s, its success being tightly intertwined with the process of modernisation of South Korea. While today it lingers on the verge of extinction, in the post-colonial period <i>Yeoseong Gukgeuk</i> opened up a space for women to embody “other” identities and perform different subjectivities. Reinventing the traditional Korean theatre, they brought the process of gender-shifting to the limelight and subverted socially acceptable norms by blurring conventional gender binaries. Since 2008, <b>siren eun young jung</b> has investigated the public and private lives of <i>Yeoseong Gukgeuk</i> performers who, after the genre fell out of favour, went on to live disparate lives. This configuration of archival materials offers an insight into the artist’s research process and articulates the politics of recollecting, weaving together queer desires and patterns of resistance, affective matters and subversive subjectivities, gender fluidity and the performance of difference.<br /><br /><em>Wrong Indexing: Yeoseong Gukgeuk Archive</em><span> is curated by </span><strong>Dr Anna Lovecchio</strong><span>, Curator, Residencies.</span>
Contributor
An entity responsible for making contributions to the resource
siren eun young jung
Anna Lovecchio
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Photography
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
“Speaking nearby” to the exhibition Trinh T. Minh-ha. Films., this research presentation showcases the Wattis Institute’s year-long research season on Trinh’s multifaceted practice as a filmmaker, writer and theorist.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2020-10-24
Exhibition End Date
2021-01-10
Collaboration
Yes
Commissioned Work
No
Related Countries
United States
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Why are they so afraid of a lotus?</i>
Subject
The topic of the resource
Feminism
Identity
Politics
Description
An account of the resource
“Speaking nearby” to the exhibition <i>Trinh T. Minh-ha. Films.,</i> this research presentation showcases the Wattis Institute’s year-long research season on Trinh’s multifaceted practice as a filmmaker, writer and theorist. What does the promise of “speaking nearby” rather than “speaking about” look like today? What are the politics of hospitality? What are the problematics of “post-feminism,” and how do we challenge the West as the authoritative subject of feminist knowledge? Expanding the discursive orbit of these questions, the presentation features projects by artists <b>Hồng-Ân Trương </b>(US) and <b>Genevieve Quick</b> (US), and is accompanied by the online convening <i>Mother Always Has a Mother</i>, a result of the ongoing research collaboration between NTU CCA Singapore, Rockbund Art Museum (Shanghai), and the Wattis Institute. <br /><br />Conceived by <b>Kim Nguyen</b> (Canada/United States), Curator and Head of Programs, CCA Wattis Institute for Contemporary Arts (Wattis), San Francisco.
Contributor
An entity responsible for making contributions to the resource
Hồng-Ân Trương
Genevieve Quick
Kim Nguyen
Rockbund Art Museum
CCA Wattis Institute for Contemporary Arts
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
Medium
The material or physical carrier of the resource.
Video
Installation
Print
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
What is Deep Sea Mining? addresses both knowledge of the deep sea and ocean governance, but also efforts to defend a sustained ocean literacy beyond the United Nations’ “blue economy” at a time when the deep ocean, its species, and its resources remain largely unmapped and understudied.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2019-11-02
Exhibition End Date
2020-02-08
Collaboration
Yes
Commissioned Work
No
Related Countries
Papua New Guinea
Fiji
Tonga
New Zealand
Japan
Portugal
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>What is deep sea mining?</i>
Subject
The topic of the resource
Environmental Crisis
Oceans & Seas
Extractivism
Nature
Postcolonialism
Description
An account of the resource
By <b>inhabitants</b> in collaboration with <b>Margarida Mendes</b> <br /><br />Deep sea mining is a new frontier of resource extraction located on the ocean seabed. It is set to begin in the next few years, as the technology is currently under development. Mining companies are, at present, leasing areas for exploitation in national and international waters in order to assess the potential to extract minerals and metals such as manganese, cobalt, gold, copper, iron, and other rare earth elements. The main geological sites targeted are areas rich in polymetallic nodules, seamounts, and hydrothermal vents; areas typically found where tectonic plates meet. The areas to be mined could cover parts of the Mid-Atlantic Ridge and the Clarion Clipperton Zone in the Pacific Ocean in international waters, and national waters off the islands of Papua New Guinea, Fiji, Tonga, New Zealand, Japan, and the Portuguese archipelago of the Azores. Assessment of the impact on deep sea ecosystems is underway, though their cumulative effects remain difficult to comprehend given the unprecedented variety and expanse of the mining sites targeted. At the same time, local and indigenous communities living in these regions are not being adequately consulted. <br /><br />The prospects of this form of mining re-actualise a colonial, frontier mentality and are redefining extractivist economies for the twenty-first century. <i>What is Deep Sea Mining?</i> addresses both knowledge of the deep sea and ocean governance, but also efforts to defend a sustained ocean literacy beyond the United Nations’ “blue economy” at a time when the deep ocean, its species, and its resources remain largely unmapped and understudied. <br /><br />Episode 1, <i>Tools for Ocean Literacy</i>, is historical and geographical introduction to deep sea mining, playing with Charles and Ray Eames’ 1977 film Powers of Ten. <br /><br />Episode 2, <i>Deep Frontiers</i>, tells a story about knowledge of the seabed and its alien life, written by anthropologist Stefan Helmreich. <br /><br />Episode 3, <i>The Azore Case</i>, focuses on the Portuguese Azores nine island archipelago, following European Union plans to mine in the region, based on a series of interviews with marine biologists and politicians conducted in the islands. <br /><br />Episode 4, <i>A Glossary on Mining</i>, offers a brief glossary of terms that can be used to better tackle the issue of mining reserves and monopolies on land, which in turn may lead to the potential threat of deep sea mining. <br /><br />Episode 5,<i> The Papua New Guinea Case</i>, addresses the plans to mine off the coast of Papua New Guinea as well as the long activist struggle by local communities across the Pacific against deep sea mining. Episode 5 will be premiered at NTU CCA Singapore, simultaneously in the Lab space and online on social media and the websites of NTU CCA Singapore’s website, the funding and partner institution TBA21 – Academy’s website, and inhabitants-tv.
Contributor
An entity responsible for making contributions to the resource
inhabitants
Margarida Mendes
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Oceania
Asia
South America
Medium
The material or physical carrier of the resource.
Video
Multimedia Installation
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Vitrine
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Fyerool’s Vivarium (wii fl∞w w/ l4if but t4k£ ø f0rms,♥) encapsulates an object-based index of the area wherein the items slide like cursors along intricate trajectories and the realms of the physical and digital, the archive and the display, are merged.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Vitrine
Exhibition Start Date
2019-12-07
Exhibition End Date
2020-07-12
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Viva<span style="text-decoration:line-through;">r</span>i<span style="text-decoration:line-through;">u</span>m (wii fl∞w w/ l4if but t4k£ ø forms, ♥) </i>by Fyerool Darma
Subject
The topic of the resource
Urbanism
Public Sphere
Identity
Description
An account of the resource
Engaging The Vitrine as a site imbricated with complex histories and practices of display, Fyerool Darma complicates our understanding of Telok Blangah, the area where Gillman Barracks is located and where the artist recently moved, through objects found or acquired, deconstructed and reoriented by the artist and his collaborators. <br /><br /><i>Viva<span style="text-decoration:line-through;">r</span>i<span style="text-decoration:line-through;">u</span>m (wii fl∞w w/ l4if but t4k£ ø f0rms,♥)</i> is an exercise in four parts. Identified through keywords caches on internet-based community marketplaces and by skimming through nearby shops, the items are representations of the artist’s movements and encounters around Telok Blangah and of the possible future of the area: from its literal meaning of “cooking pot” to the forthcoming “Greater Southern Waterfront” development plan. Three items will be placed in The Vitrine, one at a time, with a monthly cadence and each accession will be captured in the Highlights section of the artist’s Instagram account (@fdarma). <br /><br />Asking questions such as: What is Telok Blangah? And, more importantly if objects are to be taken as registers of the site: Where exactly is Telok Blangah?, Fyerool’s <i>Viva<span style="text-decoration:line-through;">r</span>i<span style="text-decoration:line-through;">u</span>m (wii fl∞w w/ l4if but t4k£ ø f0rms,♥)</i> encapsulates an object-based index of the area wherein the items slide like cursors along intricate trajectories and the realms of the physical and digital, the archive and the display, are merged.
Contributor
An entity responsible for making contributions to the resource
Fyerool Darma
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Installation
Mixed Media
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Taking Donna Haraway's quote as a starting point, Vapour Islands invites us to consider the global ecosystem as a network of entangled and interconnected life-forces, taking the earth's hydrolic cycle and consider the ways in which thin air can be transformed into a present thick with possibility.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2019-03-07
Exhibition End Date
2019-04-07
Collaboration
No
Commissioned Work
No
Related Countries
None
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Vapour Islands: to live and die well together in a thick present*</i>
Subject
The topic of the resource
The Anthropocene
Environmental Crisis
Capitalism
Coexistence
Posthumanism
Ecosystems
Description
An account of the resource
“To live and die well together in a thick present,” quotes the seminal text <i>Staying with the Trouble: Making Kin in the Cthulhucene</i> by Donna Haraway. In this text, Haraway responds to the rising sense of alarm surrounding ecological discourses on the Anthropocene and the Capitalocene. The book is a proposal to move instead towards the discursive framework of the Cthulhucene—an ecological epoch that, for Haraway, “eschews futurism” and remains resolutely with the present and all its problems; one that stays with the trouble and finds kin within it. <br /><br />To consider the global ecosystem as a network of entangled and interconnected life-forces, the ecological imminence is also an imminence of existence. It begins with disappearance—of water, of trees, of entire habitats and species—all turned to vapour and thin air. And yet thin air in a thick present takes vapour as a beginning, too: vapour cycles through time, becoming cloud, becoming rainfall, becoming water-body again. Taking the Earth’s hydrologic cycle—that is, the sequence of processes detailing the cyclical movement of water on and off the Earth’s surface—as its entry-point, <i>Vapour Islands: to live and die well together in a thick present*</i> is an archipelago of thematic “islands,” in which each island corresponds to one of the four main stages of the hydrologic cycle: evaporation, condensation, precipitation, and percolation. Interacting with books and research materials from the Centre’s Public Resource Platform while thinking through the cycle of water, this presentation moves through and between loss and regain, release and redistribution, to consider the ways in which thin air can be transformed into a present thick with possibility.
Contributor
An entity responsible for making contributions to the resource
Sophie Goltz
Soh Kay Min
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Europe
Medium
The material or physical carrier of the resource.
Video
Print
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
The wind that cuts the body presents Choi Ka Fai's investigation into Butoh, which arose in Japan at the end of the 1950s, encompassing a diverse range of techniques from dance, theatre, and movement.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2017-10-13
Exhibition End Date
2017-12-10
Collaboration
No
Commissioned Work
No
Related Countries
Japan
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>The wind that cuts the body </i>by Choy Ka Fai
Subject
The topic of the resource
Body
Performance
Description
An account of the resource
Driven by his interest in exploring the conditions of the human body, multi-disciplinary artist <b>Choy Ka Fai</b> focuses his research on choreographic practices in
Asia. <i>The wind that cuts the body</i> presents his current investigation into Butoh, which arose in Japan at the end of the 1950s, encompassing a diverse range of techniques from dance, theatre, and movement. Choy traces the legacy of one of the key founders, Tatsumi Hijikata (1928–1986) who sought a new form of physical expression he referred to as <i>ankoku butō</i> (“dance of darkness”), delving into imageries of the grotesque and sickness of the human form. The research presentation will feature a selection of reference materials from the Tatsumi Hijikata Archive in Tokyo and from the artist’s expeditions, interviews, and documentary sketches. In his pursuit, Choy went to the extent of interviewing the spirit of Hijikata through an <i>itako</i> (Japanese shaman) and to speculate on the technological possibilities of dancing with Hijikata again. <br /><br /><i>The wind that cuts the body</i> is curated by Khim Ong, Deputy Director, Curatorial Programmes.
Contributor
An entity responsible for making contributions to the resource
Choy Ka Fai
Khim Ong
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Print
Video
Photography