The NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) presents The Geopolitical and the Biophysical: a structured conversation on Art and Southeast Asia in context, Part II, a symposium addressing the multiple notions of “Southeast Asia”…
This public conversation addresses the possibilities and uncertainties faced by societies within and beyond the boundaries of Southeast Asia, focusing on the notion of national representation and its challenges: How are geopolitical boundaries…
This public conversation will address the possibilities and uncertainties faced by societies within and beyond the boundaries of Southeast Asia, focusing on the notion of national representation and its challenges: How are geopolitical boundaries…
The Current Convening #3 Tabu / Tapu – Who Owns the Ocean? marks the culmination of TBA21–Academy The Current’s first cycle of expeditions, bringing together The Current Fellows; thought leaders from diverse disciplines; local agencies and activist…
The Current Convening #3 Tabu / Tapu – Who Owns the Ocean? marks the culmination of TBA21–Academy The Current’s first cycle of expeditions, bringing together The Current Fellows; thought leaders from diverse disciplines; local agencies and activist…
NTU Centre for Contemporary Art Singapore is pleased to be the funding partner of Thyssen-Bornemisza Art Contemporary–Academy (TBA21) for The Current Convening #2 in numerous locations on the occasion of the opening of the Kochi-Muziris Biennale…
NTU Centre for Contemporary Art Singapore is pleased to be the funding partner of Thyssen-Bornemisza Art Contemporary–Academy (TBA21) for The Current Convening #2 in numerous locations on the occasion of the opening of the Kochi-Muziris Biennale…
8 Jan 2019, Tue 07:00 PM - 08:30 PM
The Single Screen, Block 43 Malan Road
Judy Freya Sibayan looks back on 45 years of artmaking, with the first 20 years as the basis of her work of Institutional Critique. Taking the subject position of the…
In this talk Marc Glöde will discuss the role of the filmic medium in Siah Armajani’s artistic practice and how the artist’s experimentation with computer-based graphics in the early 1970s not only expanded his practice in relation to public space…