Browse Items (8 total)

As a prelude to the symposium The Geopolitical and the Biophysical: a structured conversation on Art and Southeast Asia in context, Part II, this selection of films of Apichatpong Weerasethakul, attempts to set up a “conversation” between two…

Mark Nash will discuss selected works chosen from a period of intense experimentation with the new medium of video art. In their early works Richard Foreman, Terry Fox, and Martha Rosler explore quasi-didactic scenarios similar to those Jonas has…

Mark Nash will discuss selected works chosen from a period of intense experimentation with the new medium of video art. In their early works Richard Foreman, Terry Fox, and Martha Rosler explore quasi-didactic scenarios similar to those Jonas has…

Night Fishing, 2011, 33 min, Korean with English subtitles In Night Fishing a man casually sets up for a fishing trip at the water’s edge. Evening comes and a tug on his line presents him with the body of a woman. While he tries to disentangle…

The Margins of Exhibition is a selection of artist-made videos gathered in response to the curatorial proposition of The Disappearance. The programme displaces our focus from the main game – the artwork, the exhibition or in cinema, the pro-filmic or…

Attention has been given to everything but the event. Conditions, such as planning, theory, negotiation, framework, lead to the definition of context while intended results become an afterthought. To highlight this particular issue, Planting Rice…

Phnom Penh: Rescue Archaeology, The Body and the Lens in the City, brings together single-channel video works of performance by seven artists born and living in Cambodia. In archaeological practice, a rescue archaeologist is required to react…

The tear down refers to that period of change after the exhibition has finished – the moment of de-installation and erasure. Thinking through the exhibition as an architectural ruin where residue remains and resonance cannot evaporate, the artworks…
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