1
10
4
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Dublin Core
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Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Performance
Location
Onsite (CCA)
Offsite
Online
Online
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Short Description
Free Jazz III. Sound. Walks. offers the curatorial proposition that collectivity and communality can be explored through art experiences that draw on the long histories of sound and walking, offering concrete ways to connect with nature, technology, and each other during times of social distancing.
Audience
General
Dublin Core
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Title
A name given to the resource
<i>Free Jazz III. Sound. Walks.</i>
Description
An account of the resource
<i>Free Jazz III. Sound. Walks.</i> offers the curatorial proposition that collectivity and communality can be explored through art experiences that draw on the long histories of sound and walking, offering concrete ways to connect with nature, technology, and each other during times of social distancing. Dematerialized, asynchronous, and participatory, these artworks each reflect how our current collective negotiations between physical and online realms need not be seen as binary opposites, but as opportunities for rethinking social interaction through our senses. <br /><br />We invite you bring your headphones and your walking shoes to experience the artworks of Free Jazz III. Sound. Walks. <br /><br /><i>Free Jazz III. Sound. Walks. </i>is curated by Magdalena Magiera (Germany/Singapore), NTU CCA Singapore Curator, Education and Outreach, and Dr Karin Oen (United States/Singapore), NTU CCA Singapore Deputy Director, Curatorial Programmes.
Date
A point or period of time associated with an event in the lifecycle of the resource
22 January - 28 March 2021
Contributor
An entity responsible for making contributions to the resource
Tini Aliman
Arahmaiani
Jimmy Ong
Christa Donner
Andrew S. Yang
bani haykal
Lee Weng Choy
Diana Lelonek
Denim Szram
Cheryl Ong
Ana Prvački
Joyce Bee Tuan Koh
Galina Mihaleva
Reetu Sattar
anGie seah
Vivian Wang
Magdalena Magiera
Karin Oen
Subject
The topic of the resource
Experiential
Nature
Technology
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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6ee680f9ffc007b4ae1cf948ae56fa98
Dublin Core
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Title
A name given to the resource
Arahmaiani, Monk praying for tree in the Lab Monastery area, 2014. Documentation of work with a community of monks (2010–ongoing). Khamp, Qinghai plateau. Photo: Feri Latief. Courtesy the artist.
Dublin Core
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Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Performance
Audience
General
Programme Series
None
Location
Onsite (CCA)
Offsite
Online
Online
Collaboration
No
Commissioned Work
No
Related Countries
Indonesia
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Arahmaiani in collaboration with Jimmy Ong <em>Flag Project</em>, 2006 – 2021
Subject
The topic of the resource
Nature
Description
An account of the resource
<p><i><strong><em>Free Jazz III. Sound. Walks.<br /></em></strong><br />“Song For A Tree”</i></p>
<p><i>Since the beginning of the birth</i></p>
<p><i>of creatures on earth –</i></p>
<p><i>We have lived together</i></p>
<p><i>We take care of each other</i></p>
<p><i>And love each other.</i> </p>
<p><i><span class="markgz2ythaht">– Arahmaiani</span>,<span> </span></i>2021 </p>
<p>Arahmaiani’s practice is anchored within communities with the goal of studying and developing collective creativity, to find alternative, innovative and creative solutions to problems communities are facing these days. By implementing an “open art system” through an inter-disciplinary approach, Arahmaiani open invitation is to overcome rigid discourses and establish new value systems. When in Yogyakarta, she stays often with Jimmy Ong, with whom she shares an interest in dealing with issues of culture, environment and social-political conflicts. An artist who left Singapore 30 years ago, Jimmy found himself back in Singapore during the COVID-19 pandemic, where he attempted a community project with migrant workers under quarantine. Together they intend to hold dialogues and discussions to identify issues and concerns important to such communities in Singapore, including permaculture, urban farming, and food security while exploring the creative interconnections of culture, music, and botany.<br /><br /><span>In this performance incorporating a flag bearing the word </span><em>guyub</em><span> – the Javanese term for living harmoniously – Arahmaiani offers an original sound composition by </span>Wukir Suryadi<span> (Indonesia) as a “song for the plants.” She invites us all to respond to this offering and create our own songs for plants, inspired by mutual care and harmony.</span></p>
Contributor
An entity responsible for making contributions to the resource
Arahmaiani
Jimmy Ong
Wukir Suryadi
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
Surname or Business Name
Arahmaiani
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2021
Birthplace
Indonesia
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Arahmaiani (Indonesia) is one of Indonesia’s most respected and pioneering artists in the field of performance art. From the 1980’s, she has performed in many public spaces — even during the rule of an oppressive military regime. Since then, she has engaged with issues about the environmental, politics, violence, critique of capital, the female body, and in recent years, with her own identity, which although Muslim, lays between Islamic, Hindu, Buddhist, and animist beliefs. Her interactive performances have developed into a community-based practice, bringing attention to subjects prevalent in Indonesia and to issues of violence against the environment on the Tibetan Plateau.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Indonesia
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Birth Date
1961
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Arahmaiani
Subject
The topic of the resource
Performance
Body
Nature
Geopolitics
Identity
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Arahmaiani
-
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Dublin Core
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Title
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Free Jazz III. Sound. Walks., October 2 2020 – March 31 2021, Courtesy NTU CCA Singapore.
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Title
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Ana Prvački in collaboration with Joyce Bee Tuan Koh, Galina Mihaleva, Mouthful (masked duet), 2021, installation, performance, and sound work.
Commissioned by NTU CCA Singapore for Free Jazz III. Sound. Walks. Courtesy NTU CCA Singapore.
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46e833602d80a449925937d5c8f2faca
Dublin Core
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Title
A name given to the resource
Ana Prvački in collaboration with Joyce Bee Tuan Koh, Galina Mihaleva, Mouthful (masked duet), 2021, installation, performance, and sound work.
Commissioned by NTU CCA Singapore for Free Jazz III. Sound. Walks. Courtesy NTU CCA Singapore.
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aab4d0d078661b9d642c3b951af1f492
Dublin Core
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Title
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Free Jazz III. Sound. Walks., October 2 2020 – March 31 2021, Courtesy NTU CCA Singapore.
Dublin Core
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Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Collaborative and experimental by nature, Free Jazz III builds upon its past iterations by activating and challenging common understandings of exhibition-making and the use of space. Sound walks. Machines listen. We are living through unusual times.
Exhibition Mode
Festival
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
The Vitrine
Single Screen
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Online
Exhibition Start Date
2020-10-02
Exhibition End Date
2021-03-31
Collaboration
Yes
Commissioned Work
No
Related Countries
Singapore
Bangladesh
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Free Jazz III. Sound. Walks.</em>
Description
An account of the resource
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<p>Collaborative and experimental by nature, <em>Free Jazz III </em>builds upon its past iterations by activating and challenging common understandings of exhibition-making and the use of space. Sound walks. Machines listen. We are living through unusual times. </p>
<p>As the NTU Centre for Contemporary Art Singapore approaches a major transformation away from a permanent exhibition space in early 2021, <em>Free Jazz III</em> continues to explore the possibilities of an international research centre for contemporary art, featuring many artists who have been part of NTU CCA Singapore’s exhibitions, residencies, and programs since 2013, when the Centre presented <em>Free Jazz</em> as its inaugural event. The project began as a form of inquiry and an active tool to generate new possibilities for conceptualizing and programming an art institution. <em>Free Jazz III </em>convenes diverse projects united by themes of adaptation via masterful improvisation, trans-mediatic pivots, and the conscious renegotiation of our relationships to nature, technology, and each other. The disparate components of <em>Free Jazz III </em>explore the elements of dissonance, resistance, and innovation embedded in its musical namesake and the ability for sound and art to transcend physical and social distance. Embracing sound and walking as two powerful ways to overcome distance and bring people together, <em>Free Jazz III </em>comprises projects that can take place in non-gallery spaces, independently, asynchronously, or in purposeful syncopation with the present moment, reflecting on the past and looking forward to the future. </p>
<p>Admission to all programmes and events is free.</p>
<p><strong><span><a href="http://ntu.ccasingapore.org/events/sound-walks/"><em>Sound. Walks.</em></a></span><br />January–March 2021 (On-site and online)</strong></p>
<p>Reflecting on the loss of physicality through increased virtual interactions as well as many histories of sound and walking, artists address common life and communality in times of social distancing. In this series of performative explorations of sound, music, and community building, reflections take the form of soundwalks, sonic wayfinding and other physical and aural experiences, offering multiple ways for the public to actively witness, listen and participate, both remotely and on-site. Soundwalks by <strong>Tini Aliman</strong> (Singapore), <strong>Christa Donner</strong> and <strong>Andrew S Yang</strong> (United States), and <strong>Diana Lelonek </strong>(Poland) and <strong>Denim Szram</strong> (Poland/Switzerland) are propelled by sonic outputs of nature. Storytelling, correspondence, and the impossibility of direct communication factor into projects by <strong>Cheryl Ong</strong> (Singapore), <strong>Ana Prvački</strong> (Romania/Germany) in collaboration with <strong>Joyce Bee Tuan Koh</strong> (Singapore) and <strong>Galina Mihaleva </strong>(Bulgaria/Singapore), and <strong>Vivian Wang</strong> (Singapore/Switzerland). Sound, history, culture, and space overlap and intertwine in works by <strong>Arahmaiani </strong>(Indonesia) and <strong>Jimmy Ong</strong> (Singapore),<strong> bani haykal</strong> (Singapore) and <strong>Lee Weng Choy </strong>(Malaysia),<strong> Reetu Sattar</strong> (Bangladesh), and<strong> anGie Seah</strong> (Singapore).</p>
<p><em>Free Jazz III. Sound. Walks. </em>is curated by <strong>Magdalena Magiera</strong> (Germany/Singapore), NTU CCA Singapore Curator, Education and Outreach, and <strong>Dr Karin Oen</strong> (United States/Singapore), NTU CCA Singapore Deputy Director, Curatorial Programmes</p>
<p><strong><span><a href="http://ntu.ccasingapore.org/events/under-the-skin/"><em>Under the Skin</em></a><br /></span>1 December 2020 – 31 January 2021 (Online)</strong></p>
<p>World premiere and special performance<br />1 December 2020, 7pm SGT</p>
<p>This trio of performative works by artists <strong>George Chua </strong>(Singapore), <strong>Nina Djekić </strong>(Slovenia/Singapore/Netherlands), and <strong>Noor Effendy Ibrahim </strong>(Singapore) engages with sound, bodily movements, and performance. These new pieces are cinematically translated into the medium of video by filmmaker <strong>Russell Morton</strong> (Singapore) and viewed online, acknowledging the curatorial premise that, “the pandemic has pushed us into a space of dramatic convergence—where a deep tech, hyper-connected future collides with social political unrest,” in both the work itself and the medium in which it is presented.</p>
<p><em>Under the Skin</em> is curated for <em>Free Jazz III </em>by artist <strong>Cheong Kah Kit </strong>(Singapore) as part of <a href="https://www.novelwaysofbeing.sg/"><em>Proposals for Novel Ways of Being</em></a>, a united response to the changes brought about by COVID-19 hosted by twelve Singapore arts institutions, initiated by the National Gallery Singapore and Singapore Art Museum.</p>
<p><strong>Partner programmes:</strong></p>
<p><strong><span><a href="https://machinelistening.exposed/curriculum/"><em>Machine Listening, a curriculum</em></a></span><br />From October 2020 (Online)</strong></p>
<p>Expanded collaborations and explorations of curatorial spaces also took form in support of <em>Machine Listening, a curriculum</em> instigated by Melbourne-based <strong>Liquid Architecture</strong>. This evolving online resource, comprising existing and newly commissioned writing, interviews, music and artworks is a new investigation and experiment in collective learning around the emergent field of machine listening. It premiered with three online sessions open to all as part of <span><a href="https://www.unsound.pl/en/intermission"><em>Unsound 2020: Intermission</em></a></span>, an experimental sound festival in Krakow, Poland. NTU CCA Singapore and Liquid Architecture will convene another collaborative online session open to the public in early 2021.</p>
<p><em>Machine Listening, a curriculum </em>is curated by <strong>Sean Dockray</strong>, <strong>Dr James Parker</strong>, and <strong>Joel Stern </strong>(all Australia).</p>
<p>Visit the evolving<span> </span><span><a href="https://machinelistening.exposed/curriculum/">open source curriculum</a></span><span> </span>and the recorded Unsound sessions:</p>
<p><span><a href="https://www.youtube.com/watch?v=ddnvR7IGpes">(Against) the coming world of listening machines</a></span><br /><span><a href="https://www.youtube.com/watch?v=aM5SVoMBnKI&t=2935s">Lessons in How (Not) to be Heard</a></span><br /><span><a href="https://www.youtube.com/watch?v=vuNmI9Xdgpo&t=7795s">Listening with the Pandemic</a></span></p>
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<p><span><em><strong>Sollum</strong><strong> Swaramum<br /></strong></em></span><strong>26 February 2021, 7.30 – 9.00pm</strong><strong><br />On-Site at Blk 43 Malan Road</strong></p>
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<p>Presented in collaboration with The Arts House’s Poetry with Music series, the 4th edition of<span> </span><em>Sollum Swaramum</em>, brings together musicians <strong>Ramesh Krishnan</strong>,<span> </span><strong>Mohamed Noor</strong><span> </span>and<span> </span><strong>Munir Alsagoff</strong><span> </span>in exploration of the synergies between music and text, with devised and improvised texts based on the work of Tamil literary stalwarts<span> </span><strong>P Krishnan</strong>,<span> </span><strong>Ma Ilangkannnan</strong><span> </span>and<span> </span><strong>Rama Kannabiran</strong>. These newly devised texts are written by<span> </span><strong>Harini V</strong>,<span> </span><strong>Ashwinii Selvarai</strong><span> </span>and<span> </span><strong>Bharathi Moorthiappan</strong>, performed by<span> </span><strong>Sivakumar Palakrishnan</strong>, and art direction by<span> </span><strong>Laura Miotto</strong>.</p>
<p>Curated by Magdalena Magiera, Curator, Outreach and Education, and Dr. Karin Oen, Deputy Director, Curatorial Programmes, NTU CCA Singapore. </p>
<p><em>Free Jazz III. Sound. Walks.</em><span> </span>presented in partnership with Proposals for Novel Ways of Being, The Arts House, Liquid Architecture, as part of Singapore Art week, supported by National Arts Council.</p>
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</div>
Contributor
An entity responsible for making contributions to the resource
Tini Aliman
Christa Donner
Andrew S Yang
Diana Lelonek
Denim Szram
Cheryl Ong
Ana Prvački
Joyce Bee Tuan Koh
Galina Mihaleva
Vivian Wang
Arahmaiani
Jimmy Ong
bani haykal
Lee Weng Choy
Reetu Sattar
anGie Seah
Magdalena Magiera
Karin Oen
George Chua
Nina Djekić
Russell Morton
Noor Effendy Ibrahim
Cheong Kah Kit
Liquid Architecture
Ramesh Krishnan
Laura Miotto
Mohamed Noor
Harini V
Ashwinii Selvarai
Bharathi Moorthiappan
Sivakumar Palakrishnan
Munir Alsagoff
Nanthiyni Aravindan
Sean Dockray
James Parker
Joel Stern
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Performance
Body
Nature