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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Talk and Lecture
Audience
General
Programme Series
OPEN Studios
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies OPEN x Singapore Art Week
Subject
The topic of the resource
Artistic Research
Description
An account of the resource
<div class="event_single_dates text__residencies">17 Jan 2020, Fri 07:00 PM - 11:00 PM<br />18 Jan 2020, Sat 02:00 PM - 07:00 PM</div>
<div class="event_single_venue">Blocks 37 & 38 Malan Road<br /><br /><p>Residencies OPEN offers a rare insight into the artist’s studio. Through discussions, performances, installations, and presentations of works-in-progress, Residencies OPEN showcases the diversity of contemporary art practice from around the globe and the divergent ways artists conceive an artwork with the studio as a constant space for experimentation and research.</p>
<p>Featuring Artists-in-Residence: <strong>Rossella Biscotti</strong> (Italy/Belgium), <strong>Carolina Caycedo</strong> (United Kingdom/United States), <strong>Fyerool Darma</strong> (Singapore), <strong>Ho Tzu Nyen</strong> (Singapore), <strong>Prapat Jiwarangsan</strong>(Thailand), <strong>Alecia Neo</strong> (Singapore), <strong>Trevor Yeung</strong> (Hong Kong).</p>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
17 - 18 January 2020
Contributor
An entity responsible for making contributions to the resource
Rossella Biscotti
Carolina Caycedo
Fyerool Darma
Ho Tzu Nyen
Prapat Jiwarangsan
Alecia Neo
Trevor Yeung
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
North America
Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
The Teaching of the Hands is an experimental documentary that overwrites colonial cartographies and extractivist economies with the cosmological consciousness of indigenous people and the history of their suppression.
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
None
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Free Jazz IV. Geomancers Screening Programme: The Teaching of the Hands, Caroline Caycedo (United Kingdom/United States) & David de Rozas (Spain/United States)
Subject
The topic of the resource
Postcolonialism
Cultural Heritage
Capitalism
Description
An account of the resource
Blk 38 Malan Road, The Single Screen<br />2020, HD panoramic video, colour, surround sound, 47 min<br /><br /><em>The Teaching of the Hands</em> is an experimental documentary that overwrites colonial cartographies and extractivist economies with the cosmological consciousness of indigenous people and the history of their suppression. Observational landscape views, archival footage, ancient imagery, and environmental wounds caused by infrastructural development are punctuated by re-enactments of gestures of colonial occupation. These visually compelling sequences are oriented by a narrative voiceover solely entrusted to Juan Mancias, Chairman of the Carrizo/Comecrudo Tribe of Texas. Wielding ownership over the storyline, Mancias brings forth the perspective of indigenous people. He asserts that the cosmological value of tribal epistemologies is based on a profound knowledge of the elements and a deep relationship to the environment. The film powerfully denounces the desecration of the land and the continuous struggle of the indigenous people against ongoing forms of erasure and exploitation.
Date
A point or period of time associated with an event in the lifecycle of the resource
14 - 23 January 2022
Contributor
An entity responsible for making contributions to the resource
Carolina Caycedo
David de Rozas
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jana Winderen, <em>Listening Through the Dead Zones</em>, 2021, 2-channel sound installation, 22 min 54 sec, on loop. Photo by Kee Ya Ting.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Katie Paterson, <em>To Burn, Forest, Fire</em>. 2021, performance, 30 min approx. Photo by Kee Ya Ting.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Free Jazz IV. Geomancers, from Daniel Steegmann Mangrané's <em>Phantom (Kingdom of All the Animals and All The Beasts is My Name)</em>, January 14 - 23 2022, NTU CCA Singapore. Photo by Kee Ya Ting.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Free Jazz IV. Geomancers, video screening at Screening Room, 14 - 23 Janaury 2022, NTU CCA Singapore. Photo by Kee Ya Ting.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
From its first iteration in 2013, Free Jazz has pushed boundaries and expanded upon pressing concerns of our times. Free Jazz IV. Geomancers continues this approach, featuring artworks ranging from virtual reality to video, performance, and sound as an exercise in planetary awareness.
Exhibition Mode
Festival
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Single Screen
Block 37
Block 38
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Offsite
Exhibition Start Date
2022-01-14
Exhibition End Date
2022-01-23
Collaboration
Yes
Commissioned Work
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Free Jazz IV. Geomancers
Subject
The topic of the resource
Performance
Nature
Technology
Description
An account of the resource
<p>From its first iteration in 2013, <em>Free Jazz</em> has pushed boundaries and expanded upon pressing concerns of our times. <em><strong>Free Jazz IV. Geomancers</strong></em> continues this approach, featuring artworks ranging from virtual reality to video, performance, and sound as an exercise in planetary awareness. The exhibition presents significant artistic practices from across the globe that are deeply invested in creating an environmental consciousness and that share an understanding of the world as a vulnerable, yet resilient, mesh of coexistences, correlations, and co-creations. As with geomancy, these artworks can help us to read the signs that our planet is trying to send us and that they can inspire a stronger commitment to create a sustainable future for life on Earth.</p>
<p>Alongside scientists, environmental activists, enlightened policy makers and civil society members, contemporary artists are increasingly concerned with future prospects of ecological collapse and planetary survival. They address these issues through the language of art, creating images, sounds, narratives, and experiences that allow us to establish affective and cognitive connections with the environment and partake in the planetary intelligence of the Earth. Stemming from NTU CCA Singapore’s ongoing engagement with the overarching subject of <em>Climates.Habitats. Environments.</em>, <em>Free Jazz IV. Geomancers</em> brings together a selection of creative practitioners who are distinctly alert to these urgencies.</p>
<p>Conceived for Singapore Art Week 2022, this programme consists of a film screening series, a virtual reality installation, a performance and a sound installation. Some of the featured artworks zero in on signs of earthly demise, others indicate pathways of resilience and strategies for regeneration. All the works result from long-term research and extensive fieldwork and, when presented together, they engender a kaleidoscopic overview of the multitudinous forms of ecological entanglements.</p>
<p>Artists: <strong>Martha Atienza </strong>(Philippines), <strong>Ursula Biemann</strong> (Switzerland), <strong>Carolina Caycedo & David de Rozas</strong> (United Kingdom; Spain/United States), <strong>Chu Hao Pei </strong>(Singapore), <strong>Liu Chuang</strong> (China), <strong>Pedro Neves Marques</strong> (Portugal), <strong>Katie Paterson </strong>(Scotland), <strong>Rice Brewing Sisters Club </strong>(South Korea), <strong>Daniel Steegmann Mangrané </strong>(Spain/Brazil), <strong>Jana Winderen </strong>(Norway), <strong>Zarina Muhammad & Zachary Chan</strong> (Singapore), and <strong>Robert Zhao Renhui </strong>(Singapore).<br /><br /></p>
<p class="has-medium-font-size"><strong><span>Exhibition Information</span></strong></p>
<p><strong>Katie Paterson<br /></strong><em>To Burn, Forest, Fire</em>, 2021, performance<br />Performance schedule: 14, 15, 18, 22, and 23 January, 6.30 – 7.00pm<br />Block 37 Malan Road, #01-04, Gillman Barracks<br />Entrance is on a first-come first-served basis up to the capacity allowed by the<br />prevailing social distancing measures. Audience to arrive at least 15 minutes<br />before the performance starts. Please note that the performance entails the<br />burning of incense inside an indoor space.<br />Please see our <a href="https://www.facebook.com/events/614164509912322/?acontext=%7B%22event_action_history%22%3A%5B%7B%22surface%22%3A%22page%22%7D%5D%7D">Facebook event</a> for the latest updates.</p>
<p><strong>Daniel Steegmann Mangrané</strong> <br /><em>Phantom (kingdom of all the animals and all the beasts is my name)<br /></em>2014–2015, VR installation<br />Tuesday to Sunday, 12.00 – 7.00pm<br />Fridays, 12.00 – 9.00pm<br />Block 38 Malan Road, #01-07, Gillman Barracks<br />Please see our <a href="https://www.facebook.com/events/472012560983385/">Facebook event</a> for the latest updates.</p>
<p><strong>Jana Winderen</strong><br /><em>Listening through the Dead Zones</em>, 2021, sound installation, 20 min, on loop.<br />Monday to Thursday: 8.00am to 9.00pm (last entry 8.00pm)<br />Fridays to Sundays: 8.00am to 10.00pm (last entry 9.00pm)<br />Please see our <a href="https://www.facebook.com/events/1327631087681077/">Facebook event</a> for the latest updates.</p>
<p>Green Roof, Marina Barrage, 8 Marina Gardens Drive, Singapore 018951<br />The sound installation is located on the Green Roof at Marina Barrage, above the<br />Sustainable Singapore Gallery, accessible either via the walking ramp or the elevator.<br />Once on the rooftop, visitors will find the work in the proximity of the glass house, on<br />the southern edge of the rooftop. Visitors are encouraged to take the time to pause and<br />experience Listening to the Dead Zones while facing the open sea.</p>
<p class="has-medium-font-size"><strong><span>Screening Programme</span></strong></p>
<p>Friday, 14 and 21 January 2022, 12.00 – 9.00pm<br />Session I: 12.00 – 2.50pm<br />Session II: 3.00 – 5.50pm<br />Session III: 6.00 – 8.50pm</p>
<p>Tuesday to Sunday, 15 – 23 January 2022, 12.00 – 7.00pm<br />Session I: 12.00 – 3.20pm (intermission: 1.30 – 2.00pm)<br />Session II: 3.30 – 6.50pm (intermission: 5.00 – 5.30pm)</p>
<p>Block 38 Malan Road, #01-06, Gillman Barracks<br />Films will be screened in the order as below during each session.<br />Please see our<a href="https://www.facebook.com/events/389146689658432/?acontext=%7B%22event_action_history%22%3A%5B%7B%22surface%22%3A%22page%22%7D%5D%7D"> Facebook event</a> for the latest updates.</p>
<p><em><strong>Martha Atienza <br /></strong>Panangatan 11°09’53.3”N 123°42’40.5”E</em> 2019-10-24, 9min<br /><br /><strong>Zarina Muhammad & Zachary Chan</strong><br /><em>earth, land, sky and sea as palimpsest</em>, 17 min 37 sec<br /><strong></strong><br /><strong>Rice Brewing Sisters Club</strong><br /><em>Mountain Storytellers, Storytelling Mountains: A Tale Theatre</em>, 15 min 37 sec</p>
<p><strong>Carolina Caycedo & David de Rozas</strong><br /><em>The Teaching of the Hands</em>, 47 min<br /><br /><strong>Pedro Neves Marques</strong><br /><em>Semente Exterminadora [Exterminator Seed]</em>, 28 min<br /><br /><strong>Ursula Biemann</strong><br /><em>Acoustic Ocean</em>, 18 min<br /><br /><strong>Liu Chuang</strong><br /><em>Can Sound be Currency?</em>, 19 min 43 sec<br /><br /><strong>Chu Hao Pei<br /></strong><em>Inventing Miracle: The Rice to Power</em>, 9 min 59 sec</p>
<p><strong>Robert Zhao Renhui</strong><br /><em>And A Great Sign Appeared</em>, 4 min 52 sec</p>
<p><em>Free Jazz IV. Geomancers </em>is supported by National Arts Council Singapore and Nicoletta Fiorucci Russo De Li Galli. NTU CCA Singapore also wishes to thank our collaborators IHME Helsinki, and PUB Singapore’s National Water Agency at Marina Barrage.</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
14 - 23 January 2022
Contributor
An entity responsible for making contributions to the resource
Martha Atienza
Ursula Biemann
Carolina Caycedo
Zachary Chan
Chu Hao Pei
Liu Chuang
Pedro Neves Marques
Katie Paterson
Rice Brewing Sisters Club
David de Rozas
Daniel Steegmann Mangrané
Jana Winderen
Zarina Muhammad
Robert Zhao Renhui
Anna Lovecchio
Magdalena Magiera
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
South America
Europe
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During her residency, the artist will expand her research in a two-pronged direction by inquiring on the current state of traditional fishing practices and communities in Singapore and on the country’s integrated water supply strategy known as Four National Taps (FNT).
Cycle
Cycle 6 (2019 – 2020)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
United States
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carolina Caycedo
Description
An account of the resource
Understanding water as a living entity, a public resource, and a human right, Carolina Caycedo’s project <em>Be Dammed</em> (2012-ongoing) investigates the environmental and social effects caused by human intervention on water flows. During her residency, the artist will expand her research in a two-pronged direction by inquiring on the current state of traditional fishing practices and communities in Singapore and on the country’s integrated water supply strategy known as Four National Taps (FNT). On one hand, she will research the impact of coastal and economic developments on traditional fishermen’s lifestyle in the past two decades, taking into consideration related processes of resistance and/or adaptation to change and dispossession. On the other hand, she will probe the history of rivers and reservoirs and the FNT water management plan implemented by the Public Utilities Board in order to question the internationally acclaimed “holistic approach” of this strategy. <br /><br />This residency was cancelled due to personal circumstances.
Contributor
An entity responsible for making contributions to the resource
Carolina Caycedo
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Environmental Crisis
Ecosystems
Date
A point or period of time associated with an event in the lifecycle of the resource
27 January – 27 March 2020
-
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4378f848eef136bc5fd250e217f421a1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Carolina
Surname or Business Name
Caycedo
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2020, 2022
Affiliation
Company, organization, or institution name
NTU CCA Singapore
Birthplace
United Kingdom
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Merging studio practice and long-term involvements with local communities, the artistic practiceof Carolina Caycedo (b. 1978, United Kingdom/United States) shows a deep commitment tomovements of resistance, economies of solidarity, and environmental rights. Through her work,she investigates dynamics of assimilation and resistance, representation and control, addressing human and natural environments affected by extractivist modes of development. Recently,she held solo exhibitions at Institute of Contemporary Art, Boston, United States (2020) andOrange County Museum of Art, Santa Ana, United States (2019). Her work has been included innumerous international exhibitions and biennials including 32nd São Paulo Biennial, Brazil (2016);8th Berlin Biennial, Germany (2014), and X Havana Biennial, Cuba (2009) among others.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United States
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist-in-Residence
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Birth Date
1978
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carolina Caycedo
Subject
The topic of the resource
Environmental Crisis
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
Contributor
An entity responsible for making contributions to the resource
Carolina Caycedo