1
10
5
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Short Description
Roundtable Discussion with Antonia Carver, Catherine David, Philip Tinari, moderated by Ute Meta Bauer
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/489725188">https://vimeo.com/489725188</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
489725188
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Roundtable Discussion with Antonia Carver, Catherine David, Philip Tinari, moderated by Ute Meta Bauer
Description
An account of the resource
Art, Urban Change, and the Public Sphere: Public Art Education Summit <br /><br />Thursday, 17 October 2019 <br /><br />7:00pm Roundtable Discussion with Antonia Carver (United Kingdom/United Arab Emirates), Director, Jameel Arts Centre; Catherine David (France), Deputy Director, Research and Globalisation, MNAM/CCI, Centre Pompidou; Philip Tinari (United States/China), Director, UCCA Center for Contemporary Art, moderated by Ute Meta Bauer (Germany/Singapore), Founding Director, NTU CCA Singapore and Professor, School of Art, Design and Media, NTU
Date
A point or period of time associated with an event in the lifecycle of the resource
2019-10-17
Contributor
An entity responsible for making contributions to the resource
Antonia Carver
Catherine David
Philip Tinar
Ute Meta Bauer
Subject
The topic of the resource
Public Art
Public Sphere
Urbanism
Format
The file format, physical medium, or dimensions of the resource
Video
Language
A language of the resource
English
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Europe
Middle East
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Art, Urban Change, and the Public Sphere engages with art in privately owned public spaces through a Public Art Education Summit and research presentation.
Programme Type
Conference and Symposium
Audience
Graduate/Post-Graduate
Programme Series
None
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Art, Urban Change, and the Public Sphere</em>: Public Art Education Summit
Subject
The topic of the resource
Architecture
Public Art
Urbanism
Description
An account of the resource
<p>NTU CCA Singapore is pleased to present <em>Art, Urban Change, and the Public Sphere</em>, which engages with art in privately owned public spaces through a Public Art Education Summit and research presentation. Taking as its point of departure the neighbouring <em>Culture City. Culture Scape. </em>Public Art Trail at Mapletree Business City—developed with curatorial consultation by NTU CCA Singapore—the presentation and Summit explore broader cultural and artistic developments on a civic scale situated in urban landscapes. How do political and economic changes in the public realm evoke a regional discourse on art in cities?</p>
<p>The Public Art Education Summit is the first of its kind in Singapore and part of a larger engagement of NTU CCA Singapore in professional education of public art. It focuses on cultural place-making and building communities through artistic practices. It aims to stimulate a debate between art professionals, policy makers, urban developers and other local stakeholders, on how and for whom art creates public spaces in our built environment. Any artistic or curatorial initiative in “public space” must address the question of how to construct “a public” and with it, how to encounter identity. Any difference—be it regional and local, ethnic and religious, economic and social—generates its own cohabitation of urban space and public culture to communicate with. The challenge for art in the public sphere lies in its openness to existing and yet, imagined communities of civic urbanism. Ranging from corporate cultural engagement in privately owned public spaces to urban regeneration, the invited speakers draw connections to the beginnings of community engagement in public art with its fluid methods. Furthermore, they suggest a critical look at different artistic and curatorial practices which reflect on “artists as citizens.” Or, how any space called public, first and foremost, is created by the different people inhabiting that space.</p>
<p>Guest-of-Honour:<span> </span><strong>Prof Wang Dawei</strong>, Executive Dean, College of Fine Arts, Shanghai University</p>
<p>With contributions by:<span> </span><strong>Ute Meta Bauer </strong>(Germany/Singapore),<span> </span><strong>Richard Bell </strong>(Australia),<span> </span><strong>Lewis Biggs </strong>(United Kingdom),<span> </span><strong>Antonia Carver</strong><span> </span>(United Kingdom/United Arab Emirates), <strong>Lilian Chee </strong>(Singapore),<span> </span><strong>Amanda Crabtree </strong>(United Kingdom/France), <strong>Daniel Mudie Cunningham </strong>(Australia), <strong>Catherine David </strong>(France),<span> </span><strong>Eileen Goh </strong>(Singapore),<span> </span><strong>Sophie Goltz </strong>(Germany/Singapore),<span> </span><strong>Limin Hee<span> </span></strong>(Singapore),<span> </span><strong>Kok Heng Leun </strong>(Singapore), <strong>Richard Lim </strong>(Singapore),<span> </span><strong>Hongjohn Lin<span> </span></strong>(Taiwan/Singapore),<span> </span><strong>Massamba Mbaye </strong>(Senegal),<span> </span><strong>Alecia Neo </strong>(Singapore),<span> </span><strong>Alan Oei </strong>(Singapore),<span> </span><strong>Nikos Papastergiadis </strong>(Australia),<span> </span><strong>Jasmeen Patheja </strong>(India),<span> </span><strong>Lorenzo Petrillo</strong><span> </span>(Italy/Singapore), <strong>Milenko Prvački </strong>(Ex-Yugoslavia/Singapore),<span> </span><strong>Ashley Thompson </strong>(United Kingdom),<span> </span><strong>Philip Tinari</strong><span> </span>(United States/China), <strong>Katherine Ann Leilani Tuider </strong>(United States), et al.</p>
<p>With capability-development workshops by<span> </span><strong>Amanda Crabtree </strong>(United Kingdom/France),<span> </span><strong>Daniel Mudie Cunningham </strong>(Australia),<span> </span><strong>Hongjohn Lin<span> </span></strong>(Taiwan/Singapore) and<span> </span><strong>Katherine Ann Leilani Tuider </strong>(United States).</p>
<p>Held in association with Shanghai Academy of Fine Arts, Shanghai University, and Institute for Public Arts, London. Supported by Mapletree Investments and, additionally, by Public Art Trust, an initiative of National Arts Council Singapore.<br /><br /></p>
<p><u>Programme for Public Art Education Summit</u></p>
<p><strong>Thursday, 17 October 2019, 9.00am – 7.30pm<br /></strong>Venue: The Single Screen, Block 43 Malan Road</p>
<p>8.45am Registration and Coffee</p>
<p>9.00am Opening addresses by <strong>Low Eng Teong </strong>(Singapore), Assistant Chief Executive, Sector Development, National Arts Council Singapore, <strong>Ute Meta Bauer </strong>(Germany/Singapore), Founding Director, NTU CCA Singapore and Professor, NTU ADM, and Guest-of-Honour<span> </span><strong>Wang Dawei<span> </span></strong>(China), Executive Dean, College of Fine Arts, Shanghai University followed by Introduction by<span> </span><strong>Sophie Goltz </strong>(Germany/Singapore), Deputy Director, Research & Academic Programmes, NTU CCA Singapore, and Assistant Professor, School of Art, Design and Media, NTU</p>
<p>9.45am <i>Context is Everything</i>, Presentation by<span> </span><strong>Lewis Biggs </strong>(United Kingdom) Chair, Institute for Public Art, London</p>
<p>10.15am <em>Making Art, Making Society</em>, Presentation by<span> </span><strong>Amanda Crabtree </strong>(France), Director, artconnexion</p>
<p>10.45am <em>Community-First Public Art</em>, Presentation by<span> </span><strong>Katherine Ann Leilani Tuider </strong>(United States), Executive Director and Co-founder, Honolulu Biennial Foundation</p>
<p>11.15am Coffee Break and Discussions</p>
<p>12.00pm <em>Public Art and Community Building</em><br />Roundtable Discussion with<span> </span><strong>Eileen Goh</strong><span> </span>(Singapore), Assistant Manager, Art-in-Transit at Land Transport Authority;<span> </span><strong>Richard Lim</strong><span> </span>(Singapore), Manager, Art Management, Project Development, CapitaLand; <strong>Lorenzo Petrillo</strong><span> </span>(Italy/Singapore), Director and Founder, LOPELAB, moderated by<span> </span><strong>Lilian Chee</strong><span> </span>(Singapore), Associate Professor, Department of Architecture, National University of Singapore</p>
<p>1.00pm Lunch Break</p>
<p>2.00pm <span> </span><strong>Capability-Development Workshops</strong><br /> Venue: Studios, Block 37 Malan Road</p>
<p>#Activating#Communities <em>New Patron Model for Public Art Commissioning</em>, Workshop by<span> </span><strong>Amanda Crabtree<span> </span></strong>(France), Director, artconnexion. Register at<span> </span><a href="http://tiny.cc/amandacrabtreeworkshop?fbclid=IwAR3Q93kI4t12Kp6mr_4qz528NIwqFFdnIfRvckulb8kZaBX_zDAVy64s1e4" target="_blank" rel="noreferrer noopener">tiny.cc/amandacrabtreeworkshop</a>.</p>
<p>#Building#Communities, <em>Fundraising as Community Engagement</em>, Workshop by<span> </span><strong>Katherine Ann Leilani Tuider<span> </span></strong>(United States), Executive Director and Co-founder, Honolulu Biennial Foundation. Register at<span> </span><a href="http://tiny.cc/katherinetuiderworkshop?fbclid=IwAR1G11dbsM4GNxdqeHy00qtjn9ySWKX6_kNHdd8QpSlbedHZDPZ_eF-hjjs" target="_blank" rel="noreferrer noopener">tiny.cc/katherinetuiderworkshop</a>.</p>
<p>5:30pm End of Workshop</p>
<p>On the occasion of NTU CCA’s International Advisory Board annual meeting, invited members share their knowledge and experience.</p>
<p>6.00pm Lecture by<span> </span><strong>Nikos Papastergiadis </strong>(Australia), Professor, School of Culture and Communication, University of Melbourne</p>
<p>6:30pm Lecture by<span> </span><strong>Ashley Thompson </strong>(United Kingdom), Hiram W. Woodward Chair of Southeast Asian Art, SOAS University of London</p>
<p>7:00pm Roundtable Discussion with<span> </span><strong>Antonia Carver</strong><span> </span>(United Kingdom/United Arab Emirates), Director, Jameel Arts Centre; <strong>Catherine David </strong>(France), Deputy Director, Research and Globalisation, MNAM/CCI, Centre Pompidou; <strong>Philip Tinari</strong><span> </span>(United States/China), Director, UCCA Center for Contemporary Art, moderated by<span> </span><strong>Ute Meta Bauer </strong>(Germany/Singapore), Founding Director, NTU CCA Singapore and Professor, School of Art, Design and Media, NTU</p>
<p>7:30pm Reception</p>
<p><strong> </strong></p>
<p><strong>Friday, 18 October 2019, 9.00am – 5.30pm<br /></strong>Venue: The Single Screen, Block 43 Malan Road</p>
<p>8.45am Registration and Coffee</p>
<p>9.00am Introduction by<span> </span><strong>Sophie Goltz </strong>(Germany/Singapore), Deputy Director, Research & Academic Programmes, NTU CCA Singapore, and Assistant Professor, School of Art, Design and Media, NTU</p>
<p>9.15am <em>A Railroad Switch in Time: South Eveleigh Case Study</em>, Presentation by<span> </span><strong>Daniel Mudie Cunningham </strong>(Australia), Director, Programs, Carriageworks</p>
<p>9.45am <span> </span><em>Biennials as Public Space</em>, Presentation by<span> </span><strong>Hongjohn </strong><strong>Lin </strong>(Taiwan/Singapore), Associate Professor, Taipei National University of Arts</p>
<p>10.15am <span> </span><em>Action Sheroes, Heroes, Theyroes. Resonate #NeverAskForIt</em>, Presentation by<span> </span><strong>Jasmeen Patheja </strong>(India), Founder, Blank Noise</p>
<p>10.45am <span> </span><em>Beyond Education, Beyond Community</em>, Presentation by<span> </span><strong>Milenko Prvački </strong>(Ex-Yugoslavia/Singapore), Senior Fellow, LASALLE College of the Arts, artist and founder, ART WALK Little India</p>
<p>11.15am Coffee Break and Discussions</p>
<p>12.00pm <span> </span><em>Art, Public Space, and Urban Development</em><br />Roundtable Discussion with<span> </span><strong>Kok Heng Leun</strong><span> </span>(Singapore), Artistic Director, Drama Box;<span> </span><strong>Alecia Neo</strong><span> </span>(Singapore), artist and co- founder, Brack;<span> </span><strong>Alan Oei</strong><span> </span>(Singapore), Artistic Director, The Substation, moderated by<span> </span><strong>Limin Hee</strong><span> </span>(Singapore), Director, Research, Centre for Liveable Cities</p>
<p>1.00pm Lunch Break</p>
<p>2.00pm <span> </span><strong>Capability-Development Workshops</strong><br /> Venue: Studios, Block 37 Malan Road</p>
<p>#Supporting#Communities <em>Urban Communities and their Stakeholders</em>, Workshop by<span> </span><strong>Daniel Mudie Cunningham </strong>(Australia), Director, Programs, Carriageworks.</p>
<p>#Educating#Communities <em>Biennials as Public Space</em><em>:<span> </span></em><em>Between Artistic Approaches and Public Demands</em>, Workshop by<span> </span><strong>Hongjohn </strong><strong>Lin </strong>(Taiwan/Singapore), Associate Professor, Taipei National University of Arts.</p>
<p>5:30pm End of Workshop</p>
<p> </p>
<p><strong>Saturday, 19 October 2019, 9.00am – 1.00pm<br /></strong>Venue: The Single Screen, Block 43 Malan Road</p>
<p>8.45am Registration and Coffee</p>
<p>9.00am Introduction by<span> </span><strong>Sophie Goltz </strong>(Germany/Singapore), Deputy Director, Research & Academic Programmes, NTU CCA Singapore, and Assistant Professor, School of Art, Design and Media, NTU</p>
<p>9.15am <em>Participation in Practice: Artists as Ally</em>, Presentation by<span> </span><strong>Alecia Neo<span> </span></strong>(Singapore), artist</p>
<p>9.45am <span> </span><em>The Village of the Arts of Senegal</em>, Presentation by <strong>Massamba Mbaye </strong>(Senegal), lecturer, Dakar Cheikh Anta Diop University & Virtual University of Senegal</p>
<p>10.15am <span> </span><em>Aboriginal Tent Embassy</em>, Presentation by<span> </span><strong>Richard Bell </strong>(Australia), artist</p>
<p>10.45am Coffee Break and Discussions</p>
<p>11.15am Roundtable Discussion with<span> </span><strong>Richard Bell<span> </span></strong>(Australia), artist,<span> </span><strong>Hongjohn Lin<span> </span></strong>(Taiwan/Singapore), Associate Professor, Taipei National University of Arts,<span> </span><strong>Massamba Mbaye </strong>(Senegal), lecturer, Dakar Cheikh Anta Diop University & Virtual University of Senegal, and<span> </span><strong>Alecia Neo </strong>(Singapore), artist, moderated by<span> </span><strong>Sophie Goltz<span> </span></strong>(Germany/Singapore), Deputy Director, Research & Academic Programmes, NTU CCA Singapore, and Assistant Professor, School of Art, Design and Media, NTU</p>
<p>12.00pm Closing Remarks by Lewis Biggs (United Kingdom)</p>
<p> </p>
<p>Programme as of 1 October 2019, subject to change.</p>
Contributor
An entity responsible for making contributions to the resource
Ute Meta Bauer
Richard Bell
Lewis Biggs
Antonia Carver
Lilian Chee
Amanda Crabtree
Daniel Mudie Cunningham
Catherine David
Eileen Goh
Sophie Goltz
Limin Hee
Kok Heng Leun
Richard Lim
Hongjohn Lin
Massamba Mbaye
Alecia Neo
Alan Oei
Nikos Papastergiadis
Jasmeen Patheja
Lorenzo Petrillo
Milenko Prvački
Ashley Thompson
Philip Tinari
Katherine Ann Leilani Tuider
Low Eng Teong
Wang Dawei
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Roundtable Discussion
Programme Type
Discussion - Roundtable
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Education
Yes
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Roundtable Discussion with Antonia Carver (United Kingdom/United Arab Emirates), Director, Jameel Arts Centre; Catherine David (France), Deputy Director, Research and Globalisation, MNAM/CCI, Centre Pompidou; Philip Tinari (United States/China), Director, UCCA Center for Contemporary Art, moderated by Ute Meta Bauer (Germany/Singapore), Founding Director, NTU CCA Singapore and Professor, School of Art, Design and Media, NTU
Description
An account of the resource
Invited experts from the fields of urban regeneration, real estate development, and visual art are invited to a dialogue about their professional engagements with Public Art and its communities in Singapore. These platforms shall unpack, probe, and investigate pressing concerns and current conditions, as well as identify challenges and changes in the near future for both communities and art practitioners.<br /><br />Part of the <em>Art, Urbang Change, and the Public Sphere: Public Art Education Summit</em> from 17 - 19 October 2019
Date
A point or period of time associated with an event in the lifecycle of the resource
2019-10-17
Contributor
An entity responsible for making contributions to the resource
Antonia Carver
Catherine David
Philip Tinari
Ute Meta Bauer
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
North America
Europe
Subject
The topic of the resource
Public Art
Public Sphere
-
https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/ab82cfcb8f69bcb7724dea46d2c7f7d9.pdf?Expires=1712793600&Signature=trhHN8w4RilBgmU6tQEONYclfV4ybkxlufSnBeBCUiB1l5alMPeXE1ivkgPTbvJVVCUhrP0it1sQTsYUhpXBxcuczUiW2fvKasWpiRSwKOek6-B59Y1l%7E96ARX8QfCkqgSpiOdIhLtO-NKan9PRt4ewqdT1I-TGwi8f05x67ugIJdbRjtVpm8zzPc8YrFYP6MmJfa06mD0hcmT9QmjRFz30hnt-WCa9vq-Cj9zhLQrzKFZG0MWAmM5fdDUWwx8g7JdayrGOtkyr2BDxk0qChDJwmNITu-fb4rJS0KSbRODp4edy0VXy2DTDHauUxiTQzH4rZw7iIKc3Pp65LG9hYXQ__&Key-Pair-Id=K6UGZS9ZTDSZM
ff71b38fe76eb21c8176d27a6ef6f623
PDF Text
Text
Public Art Education Summit
17 – 19 October 2019
The Single Screen, Block 43 Malan Road
Art, Urban Change,
and the Public Sphere
Culture City. Culture Scape.
Commissioned by Mapletree Investments, and themed “Culture City. Culture
Scape.”, the Mapletree Business City II (MBC II) Art Trail features a series of
newly commissioned permanent public artworks by renowned international
artists Dan Graham, Zulkifle Mahmod, Tomás Saraceno, and Yinka Shonibare.
It is curated by Ute Meta Bauer, Founding Director, NTU Centre for
Contemporary Art Singapore and Professor, NTU School of Art, Design and
Media, and Khim Ong, Deputy Director, Curatorial Programmes, NTU CCA
Singapore, 2016 – 2019.
MBC II Art Trail is part of a first of its kind Public Art Education Programme
that will include guided tours, artists’ talks, workshops, seminars, and a summit,
as well as higher education on art in public space as part of the MA in Museum
Studies and Curatorial Practices at the NTU School of Art, Design and Media.
These activites underscore the commitment to provide education for different
audiences as well as new generations of creative practitioners in engaging with
the built environment in innovative and thoughtful ways.
The programme also aims to bring the arts closer to the communities, while
activating the community space and amenities at MBC, designed for tenants and
visitors for active interaction.
For more information, scan the QR code.
Guest-of-Honour: Prof Wang Dawei (China), Executive Dean, College of Fine Arts,
Shanghai University
With contributions by: Ute Meta Bauer (Germany/Singapore), Richard Bell
(Australia), Lewis Biggs (United Kingdom), Antonia Carver (United Arab Emirates),
Lilian Chee (Singapore), Amanda Crabtree (United Kingdom/France),
Daniel Mudie Cunningham (Australia), Catherine David (France), Eileen Goh
(Singapore), Sophie Goltz (Germany/Singapore), Limin Hee (Singapore),
Kok Heng Leun (Singapore), Richard Lim (Singapore), Hongjohn Lin
(Taiwan/Singapore), Massamba Mbaye (Senegal), Alecia Neo (Singapore), Alan Oei
(Singapore), Nikos Papastergiadis (Australia), Jasmeen Patheja (India),
Lorenzo Patrillo (Italy/Singapore), Milenko Prvački (Singapore), Ashley
Thompson (United Kingdom), Philip Tinari (United States/China),
Katherine Ann Leilani Tuider (United States)
Culture City. Culture Scape. is a programme of Mapletree Investments Pte Ltd.
The Public Art Education Summit is supported in part, by the Public Art Trust,
an initiative of National Arts Council.
With capability-development workshops by Amanda Crabtree (United
Kingdom/France), Daniel Mudie Cunningham (Australia), Hongjohn Lin
(Taiwan/Singapore) and Katherine Ann Leilani Tuider (United States)
Public Art Education
Summit
17 – 19 October 2019
Art, Urban Change, and the Public Sphere is convened by: Sophie Goltz
(Germany/Singapore), Deputy Director, Research & Academic Programmes,
NTU CCA Singapore, and Assistant Professor, School of Art, Design and Media,
NTU; and organised together with Clifford Loh, Project Manager, External
Collaborations (until August 2019); Guineviere Low, Young Professional Trainee,
Research and Academic Programmes; Soh Kay Min, Executive, Conference,
Workshops & Archive; Leon Tan, Project Manager, External Collaborations.
�Mapletree Business City II
Yinka Shonibare CBE (RA)
Wind Sculpture, 2013
Zulkifle Mahmod
Sonic Pathway, 2017
Tomás Saraceno
Stillness in Motion,
3 Airborne Dwellings,
2017
Link to Alexandra
Retail Centre
Dan Graham
Elliptical Pavillion, 2017
To NTU CCA Singapore and
Gillman Barracks
Mapletree Business City I
Jason Lim
Silver Lining 1&2, 2010
Public Art Trail, Mapletree Business City
Culture City. Culture Scape. Public Art Trail at Mapletree Business City II, artworks. Clockwise from top left: Dan Graham, Elliptical Pavilion, 2017. Zulkifle Mahmod, Sonic Pathway, 2017. Tomás Saraceno, Stillness in Motion, 3 AirborneArchifest 2017. Yinka Shonibare CBE (RA), Wind Sculpture, 2013/17.
Discursive Picnic, Dwellings, 2017, image courtesy NTU Centre for Contemporary Art.
All images courtesy NTU CCA Singapore.
Public Art Trail, Mapletree Business City
Lim Shing Ee
Humbly on Hills, 2010
Coral Lowry
Circle of Life, 2010
FARM
The Conch, 2010
West Coast Highway
Baet Yeok Kuan
Wave, 2010
Jane Cowie
From Little Things,
Big Things Grow, 2010
Kim Jongku
Rain Tree, 2010
Nola Farman
The Cascade, 2010
�Art, Urban Change, and the Public Sphere
01
03
Introduction
Programme
06
08
Workshops
Abstracts
15
21
Biographies
Research
Presentation
23
26
Colophon
NTU CCA Singapore
Partners
and Supporters
�Public Art Education
Summit
NTU CCA Singapore is pleased to present Art, Urban Change, and the Public Sphere,
which engages with art in privately owned public spaces through a Public Art
Education Summit and research presentation. Taking as its point of departure the
neighbouring Culture City. Culture Scape. Public Art Trail at Mapletree Business
City—developed with curatorial consultation by NTU CCA Singapore—the Summit
and presentation explore broader cultural and artistic developments on a civic scale
situated in urban landscapes. How do political and economic changes in the public
realm evoke a regional discourse on art in cities?
The Public Art Education Summit is the first of its kind in Singapore and part of
a larger engagement of NTU CCA Singapore in professional education of public
art. It focuses on cultural place-making and building communities through artistic
practices. It aims to stimulate a debate between art professionals, policy makers,
urban developers and other local stakeholders, on how and for whom art creates
public spaces in our built environment. Any artistic or curatorial initiative in “public
space” must address the question of how to construct “a public” and with it, how
to encounter identity. Any difference—be it regional and local, ethnic and religious,
economic and social—generates its own cohabitation of urban space and public
culture to communicate with. The challenge for art in the public sphere lies in its
openness to existing and yet, imagined communities of civic urbanism. Ranging
from corporate cultural engagement in privately owned public spaces to urban
regeneration, the invited speakers draw connections to the beginnings of community
engagement in public art with its fluid methods. Furthermore, they suggest a critical
look at different artistic and curatorial practices which reflect on “artists as citizens.”
Or, how any space called public, first and foremost, is created by the different people
inhabiting that space.
Held in association with College of Fine Arts, Shanghai University, and Institute for
Public Art, London. Supported by Mapletree Investments and, additionally, by the
Public Art Trust, National Arts Council Singapore.
1
�Art, Urban Change, and the Public Sphere, 31 August – 27 October 2019, The Lab, NTU CCA Singapore, installation view. Photo by KYT Studio.
2
�Programme
1.00pm Lunch Break with Guided Tours at The
Lab and Mapletree Business City
Thursday, 17 October 2019
9.00 am – 7.30 pm
The Single Screen, Block 43 Malan Road
8.45am
Registration and Coffee
9.00am Opening addresses by
Low Eng Teong (Singapore) Assistant Chief Executive,
Sector Development, National Arts Council, Ute
Meta Bauer (Germany/Singapore), Fouding Director,
NTU CCA Singapore and Professor, School of Art,
Design and Media, NTU, Guest-of-Honour Wang
Dawei (China), Executive Dean, College of Fine
Arts, Shanghai University, followed by introduction
by Sophie Goltz (Germany/Singapore), Deputy
Director, Research & Academic Programmes, NTU
CCA Singapore, and Assistant Professor, School of
Art, Design and Media, NTU
9.45am Context is Everything
Presentation by Lewis Biggs (United Kingdom)
Chair, Institute for Public Art, London
10.15am Making Art, Making Society
Presentation by Amanda Crabtree
Director, artconnexion
(France),
10.45am Community-First Public Art
Presentation by Katherine Ann Leilani Tuider
(United States), Executive Director and Co-founder,
Honolulu Biennial Foundation
11.15am Discussion and Coffee Break
12.00pm Public Art and Community Building,
Roundtable Discussion with Eileen Goh (Singapore),
Assistant Manager, Art-in-Transit at Land Transport
Authority; Richard Lim (Singapore), Manager, Art
Management, Project Development, CapitaLand;
Lorenzo Petrillo (Italy/Singapore), Director and
Founder, LOPELAB, moderated by Lilian Chee
(Singapore), Associate Professor, Department of
Architecture, National University of Singapore
3
2.00 – 5.30pm Capability-Development Workshops
Residencies Studios, Block 37 Malan Road,
NTU CCA Singapore
#Activating#Communities, New Patron Model for
Public Art Commissioning, Workshop by Amanda
Crabtree (France), Director, artconnexion
#Building#Communities, Fundraising as Community
Engagement,
Workshop by Katherine Ann Leilani Tuider
(United States), Executive Director and Co-founder,
Honolulu Biennial Foundation
6.00pm* Going Out,
Lecture by Nikos Papastergiadis (Australia),
Professor, School of Culture and Communication,
University of Melbourne,
6.30pm* Anybody Anywhere,
Lecture by Ashley Thompson (United Kingdom),
Hiram W. Woodward Chair of Southeast Asian Art,
SOAS University of London
7.00pm* Roundtable Discussion
with Antonia Carver (United Arab Emirates),
Director, Jameel Arts Centre; Catherine David
(France), Deputy Director, Research and Globalisation,
MNAM/CCI, Centre Pompidou; Philip Tinari
(United States/China), Director, UCCA Center for
Contemporary Art, Beijing China, moderated by
Ute Meta Bauer (Germany/Singapore)
7.30pm Reception
*On occassion of the annual meeting of NTU CCA Singapore’s
International Advisory Board, invited members of the board share their
knowledge and experience.
�Friday, 18 October 2019
9.00am – 5.30pm
1.00pm Lunch Break with Guided Tours at The
Lab and Mapletree Business City
The Single Screen, Block 43 Malan Road
8.45am
Registration and Coffee
9.00am Introduction by Sophie Goltz (Germany/
Singapore), Deputy Director, Research & Academic
Programmes, NTU CCA Singapore, and Assistant
Professor, School of Art, Design and Media, NTU
9.15am A Railroad Switch in Time: South Eveleigh
Case Study
Presentation by Daniel Mudie Cunningham
(Australia), Director, Programs, Carriageworks
9.45am Biennials as Public Space
Presentation by Hongjohn Lin (Taiwan/Singapore),
Associate Professor, Taipei National University of
Arts
2.00 – 5.30pm Capability-Development Workshops
Residencies Studios, Block 37 Malan Road,
NTU CCA Singapore
#Supporting#Communities,
Urban Communities and their Stakeholders
Workshop by Daniel Mudie Cunningham
(Australia), Director, Programs, Carriageworks
#Educating#Communities, Biennials as Public Space:
Between Artistic Approaches and Public Demands
Workshop by Hongjohn Lin (Taiwan/Singapore),
Associate Professor, Taipei National University of
Arts
10.15am Action Sheroes, Heroes, Theyroes. Resonate
#NeverAskForIt
Presentation by Jasmeen Patheja (India), Founder,
Blank Noise
10.45am Beyond Education, Beyond Community,
Presentation by Milenko Prvački (Singapore),
Senior Fellow, LASALLE College of the Arts, artist
and founder, ART WALK Little India
11.15am
Discussion and Coffee Break
12.00pm Public Art and Urban Development,
Roundtable Discussion with Kok Heng Leun
(Singapore), Artistic Director, Drama Box; Alecia
Neo, (Singapore), artist and co-founder, Brack; Alan
Oei (Singapore), Artistic Director, The Substation,
moderated by Limin Hee (Singapore), Director,
Research, Centre for Liveable Cities
4
�Programme
Saturday, 19 October 2019
9.00am – 12.45pm
The Single Screen, Block 43 Malan Road
8.45am
Registration and Coffee
9.00am Introduction by Sophie Goltz (Germany/
Singapore), Deputy Director, Research & Academic
Programmes, NTU CCA Singapore, and Assistant
Professor, School of Art, Design and Media, NTU
9.15am Participation in Practice: Artists as Ally
Presentation by Alecia Neo (Singapore), artist and
co-founder, Brack
10.45am Discussion and Coffee Break
11.15am Roundtable Discussion with Richard Bell
(Australia), artist, Hongjohn Lin (Taiwan/Singapore),
Associate Professor, Taipei National University of
Arts, Massamba Mbaye (Senegal), lecturer, Dakar
Cheikh Anta Diop University & Virtual University
of Senegal, and Alecia Neo, (Singapore), artist and
co-founder, Brack, moderated by Sophie Goltz
(Germany/Singapore)
12.00pm Closing Remarks by Lewis Biggs (United
Kingdom)
9.45am Village de arts de Dakar
Presentation by Massamba Mbaye (Senegal),
lecturer, Dakar Cheikh Anta Diop University &
Virtual University of Senegal
10.15am The Embassy Project
Presentation by Richard Bell (Australia), artist
Admission to the summit and the workshops is free.
Please scan the QR code to register for the summit. (Limited seats are available.)
Programme as of 7 October 2019, subject to change.
5
�Capability-Development
Workshops
Thursday, 17 October 2019, 2.00 – 5.30pm (incl. coffee break)
Block 37 Malan Road, NTU CCA Singapore
#Activating#Communities
New Patron Model for Public Art Commissioning
Workshop by Amanda Crabtree (France),
Director, artconnexion
#Building#Communities
Fundraising as Community Engagement
Workshop by Katherine Ann Leilani Tuider
(United States), Executive Director and Cofounder, Honolulu Biennial Foundation
The workshop explores the potential role of
councils and government bodies in enabling
local communities to take more initiative
regarding the commissioning of art works.
This New Patron Model has been developed
since 2000 in favour of a dialogue between
society and artists. The originality lies in a
radical new collaborative form between the
artist, the community, and a cultural mediator
supported by public and private partners.
Using the New Patrons protocol, initiated
by the Fondation de France, as case study,
Amanda Crabtree will guide participants
through the entire process of commissioning
an artwork within the public realm in this
remarkably new way.
www.artconnexion.org
Successful fundraising is dependent upon
a deep understanding of the community in
which it is taking place, where “community”
is understood as a complex ecosystem of
individuals, government, businesses, and nonprofit organisations that overlap, collaborate,
and sometimes compete with one another.
In this workshop, participants will explore
various case studies of how public art works
and exhibitions are funded in international
cities with diverse fundraising opportunities
and challenges based on their unique
community ecosystems. Participants will walk
away with a deeper understanding of how to
design public-private collaborations from
various perspectives, whether it be a top-down
or grassroots approach, or a hybrid of the two.
www.honolulubiennal.org
Please scan the QR codes to register for the workshops
6
�Capability-Development
Workshops
Friday, 18 October 2019, 2.00 – 5.30pm (incl. coffee break)
Block 37 Malan Road, NTU CCA Singapore
#Supporting#Communities
Urban Communities and their Stakeholders
Workshop by Daniel Mudie Cunningham
(Australia), Director, Programs, Carriageworks
#Educating#Communities
Biennials as Public Space: Between Artistic
Approaches and Public Demands
Workshop by Hongjohn Lin (Taiwan/
Singapore), Associate Professor, Taipei
National University of Arts
As one of the largest and most significant
multi-arts centres in Australia, Carriageworks
commissions new contemporary large-scale
works of visual and performative arts that
intersect with the different communities of
urban Sydney. Looking back into the various
developments of the site as cultural precinct
since 2007, the workshop will give insights
on how this former Railway Workshop was
established as a cultural site through publicprivate partnerships. It further explores how
sustainable relationships between various
stakeholders, including artists, were built up
for sustaining a diverse and flexible artistic
programme.
www.carriageworks.com.au
How to curate a biennial as a public space? In
his curatorial practice, Hongjohn Lin develops
collaborative and interdisciplinary methods for
shaping an exhibition as public space. Looking
into the case study of the Taipei Biennial,
amongst others, the workshop will focus on
how to work, as an artist, curator, or educator
in large-scale projects. How to work around the
instrumentalization of art and how to answer
the need for a success-based outcome? Lin
will also discuss how artists, curators, and the
public(s) can engage in such a situation through
building up emancipatory social relations.
www.taipeibiennial.org
For further information and questions, please contact Soh Kay Min, Executive, Conference, Workshops &
Archive at sohkaymin@ntu.edu.sg.
Please scan the QR codes to register for the workshops
7
�Abstracts
Richard Bell
The Embassy Project
19 October 2019
10.15 – 10.45am
Lewis Biggs
Context is Everything
17 October 2019
9.45 – 10.15am
Richard Bell established the Aboriginal Tent
Embassy outside the Australian national
parliament in 1972. It was founded to
challenge the status and rights of Aboriginal
people in Australia. Until today the Tent
Embassy remains in place as one of the longest
ongoing (artistic) struggles in the world. Bell
will introduce the Embassy (2013–) as a public
space for imagining and articulating futures
beyond oppression and displacement, while
referring to the history of black power politics,
political theatre, and performance art. Bell will
further draw on the idea of his Embassy as a
satellite of the original Tent Embassy, utilizing
his agency within the infrastructure of art as a
means of furthering its reach: the work shall
be understood as coalition building, seeking
solutions towards fairness through solidarity.
Discussion of Public Art is clouded by the
difficulty that the concepts ‘public’ and ‘art’
mean different things in different cultures
and political systems. Lewis Biggs argues that
the commissioning process should focus on
the energy provided by a ‘common interest’
shared by the artist and the artwork’s intended
audiences — rather than either attempting
to appeal to “everyone” in a given society,
or seeking to reinforce the stereotypes that
underpin identity politics. Culturally and
ethnically diverse groupings of people may
often have to share a physical environment.
This creates a common interest in “place”.
This reasoning has contributed to why the
Institute for Public Art and International
Award for Public Art have focused on placemaking since their inception in 2012.
8
�Amanda Crabtree
Making Art, Making Society
17 October 2019
10.15 – 10.45am
Crabtree’s presentation explores the New
Patrons Protocol proposed by the French artist
François Hers in 1990, which urged for art to
enter into the civic sphere by creating a platform
for citizens to commission artworks in response
to the needs of their immediate environments
and communities. Under the protocol,
individuals and groups were able to assert the
raison d’être of art through the commissioning
of new artworks, thereby activating a network
of artistic and cultural production—from
artists, who devise the form of the work, to
cultural producers, who establish the various
links required to bring together the knowledge
and expertise needed for the realisation of the
initiative, to elected political representatives, to
funders, who supply the wherewithal to act and
whose support show that in a democracy, the
responsibility for art can be entrusted to civil
society. While recognising the complexities in
implementing socio-political shifts, Crabtree
calls for a reconsideration of the convictions
and prejudices on which present-day cultural
policies are based. To recognise the capacity of
civil society to fully assume its responsibility in
the development of art is, at the highest level, a
political choice.
9
Daniel Mudie Cunningham
A Railroad Switch in Time: South Eveleigh
Case Study
18 October 2019
9.15 – 9.45am
Drawing on the history of South Eveleigh and
its adjacent northern precinct, Cunningham
outlines Carriageworks’ methodology of
developing and delivering an integrated Public
Art Strategy as part of the revitalisation of
Eveleigh, in relation to the area’s deep ties to
Aboriginal history. Situated on Gadigal Land,
Eveleigh is part of Redfern, a suburb on the
urban fringe of Sydney which has a deeply
rooted Aboriginal history: it is the birthplace
of the Aboriginal civil rights movement in
Australia. Currently undergoing massive
change and gentrification, Redfern is a place of
Aboriginal significance and storytelling. South
Eveleigh’s past and present acknowledges
this legacy and its narratives of connectivity
in large part through its public art. In this
presentation, Cunningham will expand upon
the various stages of implementing a Public
Art Strategy: writing artist briefs; the artist
tendering process; and the subsequent local
government, heritage council and community
stakeholder management intrinsic to the
process. Of particular focus is the importance of
consultation within the Aboriginal community.
�Hongjohn Lin
Biennials as Public Space
18 October 2019
9.45 – 10.15am
Massamba Mbaye
Village de arts de Dakar
19 October 2019
9.45 – 10.15am
In 2010, Tirdad Zolghadr and Hongjohn Lin
cocurated Taipei Biennial (TB10). By exploring
what a biennial can do and can be, several
structural designs of the exhibition were done
in order to reflect on its origin, size, mood,
and instrumentality. Public programs, echoing
with the education turn, were combinations of
performances, forums, study groups, and book
lunches in the exhibition. Cooperation with
alternative art spaces in Taipei were conducted
inside and outside of the main venue, Taipei
Fine Arts Museum, in order to reach out the
public, which was not set as the homogenous
and general audience, being the participatory
nature. TB10 was a curatorial experiment
to turn an exhibition inward in fact, against
its grain to dissolve the supposed boundary
between art and life. TB10, therefore, was
never a mere collection of artworks, but rather
a set of social relations to mediate the public
space, where the spectators can be active and
possibly emancipatory.
Placed under the tutelage of the Ministry
of Culture of Senegal, it is a space of four
hectares, consisting of an exhibition gallery,
a cafeteria, a bronze foundry (installed by the
artist-sculptor), vacant lots, and a series of
workshops for resident and transient artists.
The village has the vocation of being a space of
creation, production, dissemination, research,
animation, promotion, and exchange. It is thus
open to all people of Culture of Senegal and
friendly countries, to ensure the promotion of
artists and their works. His study will focus
on the concept of this village, its evolution,
its current limits, and especially its impact
on the urban landscape of Dakar and on the
populations. To carry out this study, we will
combine documentary research with interviews
with artists, guardianship authorities, and the
population.
10
�Alecia Neo
Participation in Practice: Artists as Ally
19 October 2019
9.15 – 9.45am
Through the sharing of diverse projects which
she has initiated independently, as well as via
arts platform Brack, Alecia Neo reflects upon
ways in which artists practice cooperation,
participation, sustainability, responsibility and
authorship. In Neo’s projects, a diverse range
of participants, observers and collaborators
ranging from non-profit organisations, youths
living with visual impairment, to residents
in public housing estates and caregivers,
are engaged in a creative, experiential, and
relational process and are given platforms
to develop their own projects and ideas.
The analysis explores how these art projects
and participants raise questions about
access, power and social relations, bringing
insights into the discussion of inclusivity,
empowerment, and education. Outside of an
artistic framework, these projects are often
at the mercy of interpretation from all sides.
Hence, these artistic engagements also explore
the potentials and limitations of artists in
generating shifts or transformation in society
through artistic interventions.
11
Nikos Papastergiadis
Going Out
17 October 2019
6.00 – 6.30pm
What follows is not so much a history of art,
or an impressionist version of the sociology
of the city, but a gazetteer of cultural ideas
and artistic practices, from which Nikos
Papastergiadis’ investigation will draw, and
which have been influential in shaping the
contours of contemporary experiences. It is
in the spirit of the ancient gazetteer, that is
not so much a gathering of random events,
but an account that navigates the contours of
the aesthetic experiments and philosophical
ruminations
of
contemporary
urban
experience. It is an outline of the sensibility
that is more than just urban and poetic. This
expansive sensibility tends to be understood
as either a political effort to democratise art in
the lifeworld of communities, or an aesthetic
exploration that reaches all the way to the
cosmos. What this gazetteer reveals is that
these two gestures are not necessarily separate
from each other, and that artists oscillate
between both the political and the cosmic
categories of thinking and action.
�Jasmeen Patheja
Milenko Prvački
Action Sheroes, Heroes, Theyroes. Resonate Beyond Education, Beyond Community
#NeverAskForIt
18 October 2019
18 October 2019
10.45 – 11.15am
10.15 – 10.45am
The presentation will draw attention to Blank
Noise’s vision and approach to ending sexual
and gender based violence. The I Never Ask
For It mission is a call to end victim blame by
building testimonies of clothing. Survivors of
violence, i.e. all women across varying degrees
of such acts, are invited to bring a garment
they wore when they experienced sexual
violence. The garment is memory, witness,
and voice to an experience of sexual assault.
Blank Noise is working towards 2023, where
10,000 garments will stand united at sites of
public significance. This project or mission is
an invitation to collaborate and also an inquiry
to respond to: How do we recognise sexual
violence in an environment of normalised fear,
warnings, and vicitim blame? How do we spark
conversation in a climate of denial? How do we
work to bring a story to spotlight? How do we
make meaning, intervention, resistance in a
climate where women’s bodies and identities
are controlled by the state and the patriarchy?
How do we collaborate? How do we co-create?
What is personal and collective healing? What
is local and universal? Who does the practice
speak to? Who is witness? How do we shift
from community consciousness to a public
consciousness? These are questions, and these
questions are works in progress.
Milenko Prvački will speak about his becoming
of a “local” artist, whose practice is painting,
that relates both his work as an artist and as an
educator to public space in Singapore. Having
lived here for more than 28 years, he has
initiated the ART WALK Little India in 2015
in his position as a Senior Fellow at LASALLE
College of the Arts. Working together with
students and different stakeholders such
as Singapore Tourism Board (STB), Little
India Shopkeepers’ and Heritage Association
(LISHA), Prvački reflects on the collaborative
efforts of the previous editions as well as of the
challenges of working in Little India and with
its communities. How does Little India inform
our ideas of public space in Singapore and what
artistic practices can emerge in such a former
colonial precinct? Following which there is
also the question of what kind of art education
is needed for the next generation of artists to
work in public space?
12
�Ashley Thompson
Anybody Anywhere
17 October 2019
6.30 – 7.00pm
Examining what we might call a placewithout-self or a self-without-place, which
the Buddha figure or alter-iterations thereof
embody, Ashley Thompson will discuss place
with regards to (Buddhist) subjectivity and
Cambodian diasporic affect. The presentation
will focus on artistic performances by Amy Lee
Sanford and Anida Yoeu Ali which comment
on, intervene in, and shape public space in
contemporary Cambodia. In the context of
the symposium, these practices can be taken
to probe the haunting place of arts precincts
established in Phnom Penh over the course of
the colonial and independence periods, their
destruction and/or commodification.
13
Katherine Ann Leilani Tuider
Community-First Public Art
17 October 2019
10.45 – 11.15am
Katherine Tuider, Executive Director and Cofounder of Honolulu Biennial Foundation,
will speak about building a biennial from
the ground up in what has been described
as the most isolated, populated landmass in
the world, Hawai‘i. Despite the perceived
challenges associated with building an
international, city-wide exhibition with no
start-up capital in a seemingly isolated place,
the contributions and involvement of the local
community in Hawai‘i made the Honolulu
Biennial a success. Prioritising the needs and
desires of the local community was an integral
part of the planning process in order to create
a biennial that was locally relevant, while also
being reflective of what makes Hawai‘i so
unique for those who were visiting. A biennial
that honours and involves its community
is not only more sustainable, but also more
interesting for those who visit because the
biennial serves as a portal for understanding
the history and culture of that place. As urban
spaces rapidly grow and change, Tuider will
explain why a “community-first” approach is
essential in order to create successful public
art exhibitions that are reflective of the past,
while also relevant in the future.
�Public Art and Community Building,
17 October 2019
12.00 – 1.00pm
Public Art and Urban Development,
18 October 2019
12.00 – 1.00pm
Roundtable Discussion with Eileen Goh
(Singapore), Assistant Manager, Art-inTransit at Land Transport Authority; Richard
Lim (Singapore), Manager, Art Management,
Project Development, CapitaLand; Lorenzo
Petrillo (Italy/Singapore), Director and
Founder, LOPELAB, moderated by Lilian
Chee (Singapore), Associate Professor,
Department of Architecture, National
University of Singapore
Roundtable Discussion with Kok Heng
Leun (Singapore), Artistic Director, Drama
Box; Alecia Neo, (Singapore), artist and cofounder, Brack; Alan Oei (Singapore), Artistic
Director, The Substation, moderated by
Limin Hee (Singapore), Director, Research,
Centre for Liveable Cities
Invited experts from the fields of urban regeneration, real estate development, and visual
art are invited to a dialogue about their professional engagements with Public Art and its
communities in Singapore. These platforms shall unpack, probe, and investigate pressing
concerns and current conditions, as well as identify challenges and changes in the near future
for both communities and art practitioners.
14
�Biographies
Richard BELL (Australia) lives and works in
Brisbane, Australia. He works across a variety of
media including painting, installation, performance,
and video. Bell’s work explores the complex artistic
and political problems of Western, colonial, and
Indigenous art production. He grew out of a
generation of Aboriginal activists and has remained
committed to the politics of Aboriginal emancipation
and self-determination—his 2003 achievement of the
Telstra National Aboriginal Art Award established
him as an important Australian artistic figure. In
2019, Bell exhibited his Embassy project in Venice as
part of PERSONAL STRUCTURES—Identities. In 2021,
Embassy will be presented at the Tate Modern.
Antonia CARVER (United Arab Emirates) is a
member of NTU CCA’s International Advisory Board
and is currently the Director of Art Jameel, Dubai,
an organisation that fosters and promotes a thriving
arts and culture scene and support the development
of creative enterprises in the region of Middle East,
North Africa, Turkey and beyond. Art Jameel is the
founding partner of Edge of Arabia, The Crossway
Foundation, Jeddah Art Week, and The Archive. Prior
to joining Art Jameel, Antonia was the director of Art
Dubai, where she has overseen its development into
the leading art fair of the Middle East and South Asia,
along with its diverse programmes, artists residencies
and commissions as well as other educational
initiatives and prizes. Before relocating to the UAE,
Antonia was editor at Phaidon Press and had roles at
Institute of international Visual Arts and G+B Arts
International.
15
Lewis BIGGS (United Kingdom) is an independent
curator (Co-Curator, Aichi Triennale 2013; Curator,
Folkestone Triennial 2014, 2017, 2020; Curator,
Land Art Mongolia 2018; advisory curator Kaunas
Biennial 2019). As International Adviser and now
Distinguished Professor of Public Art at Shanghai
University (since 2011) he is also Chairman of the
Institute for Public Art, dedicated to the research,
propagation, and advocacy of artist-led urbanism. He
was a Director of Tate Liverpool (1990–2000); and
General Series Editor for Tate Modern Artists Series,
Tate Publishing 2001–14. Lewis was the Artistic
Director / CEO of Liverpool Biennial 2000–11. The
Biennial exhibitions under his leadership focused on
newly-commissioned art, much of it site specific for
the urban environment, researched collaboratively
and realised by a team of locally based curators.
Lilian CHEE (Singapore) is an Associate Professor
at the Department of Architecture in the National
University of Singapore (NUS). She is a writer,
academic, designer, curator, and award-winning
educator who has lecturered at the Bartlett,
Delft, ETH Zurich, Melbourne, and the Berlage
Centre. Her work is situated at the intersections
of architectural representation, gender, and affect
in a contemporary interdisciplinary context. Her
research explores the emergence of architecture
through, and from within, everyday encounters
and its archives, influenced by film, art and
literature. She conceptualised, researched, and
collaborated on the award-winning architectural
essay film about single women occupants in
Singapore’s public housing 03-FLATS (2014), which
won the best ASEAN documentary Salaya (2015);
shortlisted for the Busan Wide Angle Documentary
Prize 2014; and screened at the Singapore Pavilion
at the Venice Biennale 2016. She is working on a
book about public art in Singapore, and co-editing
a volume on domesticity in architecture.
�Amanda CRABTREE (United Kindgom/France)
established artconnexion, an independent nonprofit cultural production agency based in Lille
in 1994 and joined the organisation full-time
in 2001. Prior to this, she worked at the British
Council, Paris; Le Fresnoy, Studio national des
arts contemporains, Tourcoing; Le Magasin
contemporary art centre, Grenoble, and the Centre
d’art contemporain of Geneva. She teaches at
the University of Lille and directs the Master’s
programme in Art and Society with a particular
focus on the production of contemporary artworks
within the public realm. She has just established
a short-course University Diploma entitled
Reclaiming Art/Reshaping Democracy based on the
protocol of New Patrons public art projects.
Daniel Mudie CUNNINGHAM (Australia) is
Director of Programs at Carriageworks in Sydney,
Australia. He has held curatorial roles at Artbank
and Hazelhurst Regional Gallery, and academic
positions at Western Sydney University, where he
completed his doctorate in cultural studies in 2004.
At Carriageworks he is currently leading the
curatorial delivery of a major public art strategy tied
to the redevelopment of South Eveleigh in Sydney.
Cunningham is a widely published academic and
arts writer and has authored numerous artist
monographs and edited publications, including the
magazine Sturgeon (2013–16).
Catherine DAVID (France) is the Deputy Director
of the Musée National d’Art Moderne at the Centre
Pompidou in Paris. From 1982 to 1990, David was
curator at the Musée National d’Art Moderne,
Centre Georges Pompidou, Paris, and from 1990 to
1994 she was curator at the Galerie Nationale du Jeu
de Paume, Paris. From 1994 to 1997, David served as
Artistic Director for documenta X in Kassel (1997).
Since 1998, she has been director of the long-term
project Contemporary Arab Representations, which
began at the Fundació Antoni Tàpies, Barcelona.
Between 2002 and 2004, David was director of
the Witte de With Center of Contemporary Art
in Rotterdam. In 2016, David curated Reframing
Modernism at the National Gallery Singapore, which
brought together over 200 iconic works from the
collections of the National Gallery Singapore and
the Centre Pompidou in Paris.
Eileen GOH (Singapore) is an Assistant Manager
for the Art in Transit programme at the Land
Transport Authority (LTA), Singapore. Goh oversees
and leads a team in the initiation, development, and
implementation of the Art in Transit programme
as well as other special art-related projects
undertaken by LTA. Goh plays a large part at every
stage of the process of conceptualising, developing
and delivering the artworks commissioned to be
displayed in the Mass Rapid Transit (MRT) stations
managed by LTA. This includes working closely
with various internal and external stakeholders—
including civil contractors—in the fabrication and
installation of artwork to presenting the artworks
to Ministers and public communities.
Goh is a graduate of LASALLE College of the Arts
with a BA (Hons) in Arts Management.
16
�Sophie GOLTZ (Germany/Singapore) is Deputy
Director, Research & Academic Programmes at
NTU CCA Singapore, and Assistant Professor
at the NTU School of Art, Design and Media.
Goltz was the Artistic Director of Stadtkuratorin
Hamburg (City curator) from 2013 to 2016,
and has worked as Senior Curator and Head of
Communication and Public Programmes at Neuer
Berliner Kunstverein between 2008 and 2013,
becoming Associate Curator in 2014. Goltz worked
as a freelance curator, as well as an art educator
for various international exhibitions, including
Documenta11 and documenta 12 (2002 and 2007),
3rd berlin biennale for contemporary art (2004),
and Project Migration (2004-06).
KOK Heng Leun is a prominent figure in the
Singapore arts scene, having built his artistic career
as a theatre director, playwright, dramaturg and
educator. Koh is known for his ability to engage
the community on various issues through the
arts, championing civil discourse across different
segments of society. Having begun his work in
the theatre almost 30 years ago, some notable
directorial works include Manifesto (2016), Drift
(2007), Trick or Threat (2007), and Happy (2005).
His explorations with multi-disciplinary engaged
arts has produced works like It Won’t Be Too Long
(2015), which touched on the dynamics of space in
Singapore, Both Sides, Now (2013, 2014), a project
that seeks to normalise end-of-life conversations,
and Project Mending Sky (2008, 2009, 2012), a series
on environmental issues. Koh’s contributions to
the arts have landed him the National Arts Council
Singapore Young Artist Award in 2000 and the
National Arts Council Cultural Fellowship in 2014.
Koh is currently the Arts Nominated Member of
Parliament.
17
Limin HEE is Director of Research at Singapore’s
Centre for Liveable Cities (CLC), a nexus and
knowledge centre for liveable and sustainable
cities, where she focuses on research strategies,
content
development,
and
international
collaborations. She played similar leading research
roles at the National University of Singapore’s
School of Design and Environment, as well as at
the Centre for Sustainable Asian Cities and the
Asia Research Institute. She has been the recipient
of several accolades and her work on cities has
been widely published, including in international
refereed journals and architectural reviews. Recent
book publications include Constructing Singapore
Public Space (Springer, 2017) and Future Asian Space
(NUS Press, 2012). She obtained her Doctor of
Design from Harvard University Graduate School
of Design, where she has been invited to speak as a
notable alumnus.
Richard LIM (Singapore) is an art management
professional, currently caring for CapitaLand’s
corporate art collection in four broad ways:
acquisition, display, promotion, and maintenance.
As a champion of art and education, Lim regularly
runs art-related activities for the enrichment of
family, friends, and colleagues. He is also passionate
about supporting emerging regional artists, with
a special focus on Singaporean, Indonesian, and
Thai art. Lim was invited to be a guest speaker at
Art World Forum 2016, and has authored several
articles related to corporate art acquisition
processes in both English and Mandarin. In Lim’s
personal artistic practice, he creates installations,
paintings, and various craft-linked media, which
often speak as social commentary on contemporary
life.
�Hongjohn LIN (Taiwan/Singapore) is an artist,
writer and curator. Lin has a PhD in Arts and
Humanities from the New York University. He
has participated in exhibitions including Taipei
Biennial (2004), Manchester Asian Triennial 2008,
Rotterdam Film Festival 2008, and Taipei Biennial
(2012), China Asia Biennial (2014), and Guangzhou
Triennial (2015). Lin was curator of the Taiwan
Pavilion Atopia, Venice Biennial (2007), co-curator
of Taipei Biennial (with Tirdad Zolghadr, 2010).
Currently he is serving as Professor at the Taipei
National University of the Arts. His writings can
be found in international magazines, journals,
and publications. He wrote the Introductions for
Chinese edition of Art Power (Boris Groys) and
Artificial Hells (Claire Bishop and his publications in
Chinese include Poetics of Curating (2018).
Massamba MBAYE (Senegal) is an art critic,
exhibition curator, and communication theories
historian. Mbaye is a lecturer at Dakar Cheikh
Anta Diop University and at the Virtual University
of Senegal (UVS). Mbaye is a member of the Dakar
Biennale of Contemporary African Art, Dak’Art
Steering Committee and the Communication Officer
of the Biennale. A member of the International
Association of Art Critics (IAAC), he is the Executive
Director of a media and communications group.
Furthermore, Mbaye is a member of the editorial
board of Afrik’Arts, an international visual arts
magazine published by Dak’Art. He is an associate
curator at Raw Material Company (RAW) and he
is the lead curator of Kemboury Gallery. He has
been regularly writing about aesthetics for the
last 20 years. In 2019 Mbaye was a juror for the
International Award for Public Art.
Alecia NEO (Singapore) develops long-term
projects that involve collaborative partnerships
with individuals and communities. Her socially
engaged practice unfolds primarily through
photography, video, and participatory workshops
that address modes of mobility, reciprocity,
caregiving, and wellbeing to explores issues of
identity and the search for self. Her recent projects
include a collaboration with the community
engagement platform Both Sides, Now, Singapore,
(2019–17); Touch Collection, Singapore Art Museum
and Personally Speaking, Objectifs (both Singapore,
2018–ongoing). She is the co-founder of Brack,
a platform for socially engaged art. Neo was the
recipient of the Young Artist Award in 2016.
Alan OEI currently serves as the Artistic Director
at The Substation. Founded in 1990, The Substation
is Singapore’s first independent contemporary arts
centre. Under Oei’s stewardship, The Substation
has initiated programmes engaging in discourse on
public space such as Discipline the City (2017) and
A Public Square (2019). Oei is also co-founder and
executive director of OH! Open House and was the
former Artistic Director for Sculpture Square from
2012 to 2014. He holds a bachelor’s degree in art
history from Columbia University and a diploma in
fine arts from LASALLE College of the Arts.
18
�Nikos PAPASTERGIADIS (Australia) is the Director
of the Research Unit in Public Cultures, and a Professor
in the School of Culture and Communication at
the University of Melbourne. Furthermore, he is
a co- founder (with Scott McQuire) of the Spatial
Aesthetics research cluster. He is the Project Leader
of the Australian Research Council Linkage Project,
“Large Screens and the Transnational Public Sphere,”
and Chief Investigator on the ARC Discovery Project
“Public Screens and the Transformation of Public
Space.” Prior to joining the School of Culture and
Communication, he was Deputy Director of the
Australia Centre at the University of Melbourne,
Head of the Centre for Ideas at the Victorian College
of Arts, and lecturer in Sociology and recipient of the
Simon Fellowship at the University of Manchester.
Throughout his career, Papastergiadis has provided
strategic consultancies for government agencies
on issues of cultural identity and has worked in
collaborative projects with international renowned
artists and theorists.
Lorenzo PETRILLO (Italy/Singapore) is a designer
and community driver. He began his career in Italy,
designing for esterni, an association that develops
cultural projects for public spaces (among them,
the Public Design Festival). Petrillo then moved to
Asia in 2007, first to Shanghai and then three years
later to Singapore. His experience over the last
eight years has been predominantly in the brand
experience space, as a lead designer for MNCs such
as Bata and Samsung. His travels around the globe
inspired him to start his own business, LOPELAB,
a design consultant agency that redesigns public
spaces through marrying urban structures and
social ideas for a more enjoyable and sustainable
city. Since then, Petrillo and his team at Lopelab
have organised eight Urban Ventures events that
have seen over 50,000 visitors.
19
Jasmeen PATHEJA (India) lives and works in
Bangalore. She is founder andfacilitator of Blank
Noise, a community of Action Sheroes, Heroes,
Theyroes, citizens and persons, taking agency to end
sexual and gender based violence. Patheja initiated
Blank Noise in 2003, in response to the normalisation
and the silence surrounding street harassment.
Over the last 16 years, Patheja has designed a wide
range of interventions to trigger discourse and shift
public consciousness. Her work rests on the power
of collaborations and community. Patheja is a TED
speaker and Ashoka Fellow. In 2015, she received the
International Award for Public Art, for the project
Talk to Me (Blank Noise).
She is currently shortlisted for the Visible Award and
was shortlisted for the Vera List Center for Arts and
Politics. She works as artist in residence at Srishti
Institute of Art Design and Technology.
Milenko PRVAČKI (Singapore) was born in 1951
in (former) Yugoslavia. He graduated with a Master
of Fine Arts (Painting) from the Institutul de Arte
Plastice “Nicolae Grigorescu” in Bucharest, Romania.
Prvački is one of Singapore’s foremost artists and
art educators, teaching at LASALLE College of the
Arts since 1994. He was Dean of the Faculty of Fine
Arts for 10 years, and is currently Senior Fellow,
Office of the President at the College. He is also
Founder of ART WALK Little India and Tropical
Lab. Prvački participated in major exhibitions, most
notably the Biennale of Sydney (2006). His work is
in various private and public collections, such as the
Art Gallery of New South Wales, Australia; Museum
of Contemporary Art, Belgrade, Serbia; Singapore
Art Museum, National Gallery Singapore; amongst
others. He was awarded the Chevalier de l’Ordre des
Arts et des Lettres by the French government in 2011,
and Singapore’s Cultural Medallion for Visual Arts in
2012.
�Ashley THOMPSON (United Kingdom) is Hiram
W. Woodward Chair in Southeast Asian Art at
SOAS University of London, where she leads the
Research and Publications division of the Southeast
Asian Art Academic Programme. She is a specialist
of Cambodian cultural history, with a focus on
classical and pre-modern arts and literatures, in
the larger South and Southeast Asian context, with
a view to theorising politico-cultural formations.
Formative experiences include working under Vann
Molyvann for the creation of a Cambodian national
management structure for Angkor, and with the
Théâtre du Soleil and Phare Ponleu Selpak on the
direction of a Cambodian production of Cixous’
Terrible but Unfinished Story of Norodom Sihanouk, King
of Cambodia. Recent publications include Hiding the
female sex: a sustained cultural dialogue between India
and Southeast Asia and Emergenc(i)es: History and the
Auto-Ethnographic Impulse in Contemporary Cambodian
Art (both 2017).
Philip TINARI (United States) has served as
Director of UCCA, Beijing, the institution at the
heart of Beijing’s 798 Art District, since late 2011.
His programme has brought to China international
figures including Robert Rauschenberg, Elmgreen
& Dragset, Haegue Yang, William Kentridge, Taryn
Simon, and Tino Sehgal, and has tracked China’s
evolving art scene through retrospectives and surveys
of artists including Zhao Bandi, Zeng Fanzhi, Liu
Wei, Xu Zhen, Wang Keping, Wang Xingwei, Kan
Xuan. In 2009, he launched LEAP, an internationally
distributed, bilingual art magazine published by the
Modern Media Group. He is a contributing editor of
Artforum, and was founding editor of the magazine’s
online Chinese edition. He holds degrees from Duke
University and Harvard University, and is currently
a PhD candidate in art history at the University of
Oxford.
Katherine Ann Leilani TUIDER (United States)
is the Executive Director and Co-founder of
Honolulu Biennial Foundation, a contemporary
art nonprofit that produces the Honolulu Biennial.
Tuider moved back to Honolulu from Paris in 2014
to build the Biennial, which launched in 2017.
After the initial success of the first Biennial, Tuider
led her team in launching the second iteration
in 2019. Tuider has built dozens of partnerships
across institutions to help fund and lower barriers
to the arts. In January 2018, Tuider won first place
at International Start-Up Weekend in Seattle for a
prototype to make visual arts more accessible for
the blind.
In recognition of raising nearly $6 million to
support Hawaii’s creative community via the
Honolulu Biennial, Tuider was recently honoured
with the Pacific Business News 40 Under 40 Award.
In 2019 she was a juror for the International Award
for Public Art.
WANG Dawei (China) is PhD supervisor, Executive
Dean of Shanghai Academy of Fine Arts, Editorin-Chief of Public Art Magazine, Vice Director of
the Graphic Design Art Committee of the Chinese
Artists Association, a member of the Design
Discipline Review Group of the State Council
Academic Degrees Office, Vice Chairman of the
Shanghai Federation of Cultural and Art Circles,
and Chairman of the Shanghai Creative Designers
Association. His “Public Art Teaching and Research
Practice” won the first prize of Shanghai Teaching
Achievement in 2009 and himself was awarded the
title of “Shanghai Leading Figure.”
20
�Art, Urban Change, and the Public Sphere, 31 August – 27 October 2019, The Lab, NTU CCA Singapore, installation view. Photo by KYT Studio.
21
�Research Presentation
Art, Urban Change, and the Public Sphere
31 August – 27 October 2019
The Lab, Block 43 Malan Road
Centre-staged at The Lab, the making of the Public Art Trail at Mapletree Business
City highlights the permanent works by international renowned artists Dan Graham
(United States), Zulkifle Mahmod (Singapore), Tomás Saraceno (Argentina/Germany)
and Yinka Shonibare CBE (RA) (Nigeria/United Kingdom). Animated through
augmented reality (AR) in a panorama-like spatial design, the artistic practices and
processes are introduced. Entitled Culture City. Culture Scape., both the Public Art
Trail and Public Art Education Programme (since 2017) go beyond mere artistic
interpretation and audience engagement. Furthermore, it raises questions on art,
urban change, and the public sphere, that not only open up a perspective on the
complexities involved in public art, but also how any space called public first and
foremost is created by the different people inhabiting the space.
Public Programme
Accompanying the research presentation are public talks that explore recent art works
in the public space by Singaporean artists who engage with the question of the public
sphere. From personal examples of self-expression to public commissions that respond
to the nation’s storied past, these artists adopt contrasting perspectives of how art in
the public space is conceived.
Looking Back Forward with Public Art
In Conversation: Artists Speak Cryptic and Robert Zhao (both Singapore),
26 October 2019, 3.30 – 5.30pm
The Single Screen, Block 43 Malan Road
With guided tours of The Lab and Public Art Trail at Mapletree Business City
The discussion will take the newly commissioned, large-scale, temporary public art
works for the Singapore Bicentennial as a point of departure. The two commissioned
artists, Robert Zhao and Speak Cryptic, will reflect on their proposals, their artistic
positions in the landscape of public art, and their material choices, as well as their
experience of working with art in the public space.
22
�NTU Centre for
Contemporary Art
Singapore
A leading international art institution, NTU CCA Singapore is a platform, host, and partner
creating and driven by dynamic thinking in its three-fold constellation: Exhibitions;
Residencies Programme; Research and Academic Education. A national research centre for
contemporary art of Nanyang Technological University, the Centre focuses on Spaces of
the Curatorial. It brings forth innovative and experimental forms of emergent artistic and
curatorial practices that intersect the present and histories of contemporary art embedded in
social-political spheres with other fields of knowledge.
VISITOR INFORMATION
The Exhibition Hall:
Block 43 Malan Road,
Gillman Barracks, Singapore 109443
Hours:
Tuesdays to Sundays: 12.00–7.00pm
Closed on Mondays.
Open on Public Holidays.
T: +65 6339 6503
23
Research Centre & Office:
Block 6 Lock Road, #01-09/10,
Gillman Barracks, Singapore 108934
T: +65 6460 0300
Residencies Studios:
Blocks 37 and 38 Malan Road,
Gillman Barracks,
Singapore 109452 and 109441
�NTU CCA SINGAPORE STAFF
Professor Ute Meta Bauer, Founding Director, NTU CCA Singapore and Professor, School
of Art, Design and Media, NTU
EXHIBITIONS & RESIDENCIES
Dr Karin Oen, Deputy Director, Curatorial Programmes
Dr Anna Lovecchio, Curator, Residencies
Magdalena Magiera, Curator, Outreach & Education
Ana Sophie Salazar, Assistant Curator, Exhibitions
Frankie Fang, Assistant Manager, Production
Seet Yun Teng, Curatorial Assistant, Residencies
Ilya Katrinnada Binte Zubaidi, Curatorial Assistant, Outreach & Education
Isrudy Shaik, Senior Executive, Production
Dyan Hidayat Bin Ismawi, Young Professional Trainee, Outreach & Education
Megan Lam, Young Professional Trainee, Residencies
Nigel Tay, Young Professional Trainee, Production
Nurshafiqah Zainudin, Young Professional Trainee, Exhibitions
Jolene Lau, Intern, Production
Ze Tian Lim, Intern, Exhibitions
RESEARCH & EDUCATION
Sophie Goltz, Deputy Director, Research & Academic Programmes, and Assistant
Professor, School of Art, Design and Media, NTU
Dr Pallavi Narayan, Manager, Publications & Public Resource Platform
Soh Kay Min, Executive, Conference, Workshops & Archive
Guineviere Low, Young Professional Trainee, Research & Academic Programmes
OPERATIONS & STRATEGIC DEVELOPMENT
Peter Lin, Deputy Director, Operations & Strategic Development
Jasmaine Cheong, Assistant Director, Operations & Human Resources
Jillian Kwan, Assistant Director, Development
Joyce Lee, Manager, Finance
Perla Espiel, Special Project Assistant
Iris Tan, Senior Executive, Administration & Finance
Louis Tan, Executive, Operations
Jaclyn Chong, Young Professional Trainee, Communications
Ong Xue Min, Young Professional Trainee, Communications
24
�NTU CCA SINGAPORE GOVERNING COUNCIL
Co-Chairs
Professor Joseph Liow, Dean, College of Humanities, Arts and Social Sciences, Nanyang
Technological University (NTU)
Paul Tan, Deputy Chief Executive Officer, National Arts Council (NAC)
Members
Linda de Mello, Director, Sector Development, NAC
Professor Kwok Kian Woon, Associate Provost (Student Life), President’s Office, NTU
Cindy Koh, Executive Director, Consumer, Economic Development Board
Michael Samson, Managing Director and Regional Head ASEAN Leveraged and Structured
Solutions, Standard Chartered Bank
Professor Michael Walsh, Chair, School of Art, Design and Media, NTU
Michael Tay, Group Managing Director, The Hour Glass Limited
Dr June Yap, Director, Curatorial, Programmes and Publications, Singapore Art Museum
NTU CCA SINGAPORE INTERNATIONAL ADVISORY BOARD
Chair
Professor Nikos Papastergiadis, Director, Research Unit in Public Cultures, and Professor,
School of Culture and Communication, The University of Melbourne, Australia
Members
Antonia Carver, Director, Jameel Arts Centre, Dubai, United Arab Emirates
Doryun Chong, Deputy Director and Chief Curator, M+, Hong Kong
Catherine David, Deputy Director in charge of Research and Globalisation, MNAM/CCI,
Centre Pompidou, Paris, France
Professor Patrick Flores, Department of Art Studies, University of the Philippines and
Curator Jorge B. Vargas Museum, Manila, Philippines
Ranjit Hoskote, cultural theorist and independent curator, Mumbai, India
Professor Ashley Thompson, Hiram W. Woodward Chair of Southeast Asian Art, SOAS
University of London, United Kingdom
Philip Tinari, Director, UCCA Center for Contemporary Art, Beijing, China
25
�Public Art Education Summit
Partners and Supporters
About Shanghai University
Shanghai University is one of the top 40 Chinese universities, top 100 Asian universities,
the premier university of Shanghai, and a member of China Project 211 Universities. It is a
comprehensive university offering 82 undergraduate programmes, 187 graduate programmes,
and 97 doctoral programmes in various disciplines including science, humanities & social
sciences, engineering, economics & management and art.
For more information, visit en.shu.edu.cn
About Institute for Public Art
The Institute for Public Art (IPA) focuses on public art as a place-maker and generator of
social capital, world-wide. It does this through: researching case studies; sharing information;
promoting great examples. IPA is an independent network initiated by the Centre for Public
Art, Shanghai University.
For more information, visit www.instituteforpublicart.org
About Public Art Trust, National Arts Council Singapore
The Public Art Trust (PAT) is an initiative by the National Arts Council to encourage
Singaporeans to embrace art around their urban environment. Through commissioning and
displaying impactful and meaningful art in public places, the PAT promotes best practices and
builds strong corporate support for public art. The PAT also promotes greater appreciation of
the visual arts through education and outreach programmes.
For more information, visit www.publicarttrust.sg
26
�Mapletree Investments Pte Ltd
Mapletree Investments Pte Ltd (Mapletree) focuses on delivering value to its stakeholders
through its business model that maximises capital efficiency. In executing a business
strategy that combines the roles of real estate development, investment, capital and property
management, Mapletree has generated consistently good returns to its stakeholders, and
established a track record for building award-winning development projects across various
real estate classes.
As of 31 March 2019, Mapletree owns and manages S$55.7 billion of office, retail, logistics,
industrial, residential and lodging properties. Mapletree currently manages four Singaporelisted real estate investment trusts (REITs) and six private equity real estate funds, which
hold a diverse portfolio of assets in Asia Pacific, Europe, the United Kingdom, and the
United States. The Group also has an extensive network of offices in Singapore, Australia,
China, Hong Kong SAR, India, Japan, Malaysia, Poland, South Korea, the Netherlands, the
UK, the US, and Vietnam.
Mapletree’s portfolio includes award-winning properties in Singapore such as VivoCity,
Mapletree Business City and STT Tai Seng 1, as well as mixed-use developments in the
region such as Nanhai Business City in China.
Mapletree Investments Pte Ltd
10 Pasir Panjang Road #13-01
Mapletree Business City
Singapore 117438
27
��
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Resources
Programme Resource
Collateral and other print or digital materials pertaining to residency programmes. Examples include residency brochures, postcards, etc.
Short Description
The Public Art Education Summit aims to stimulate a debate between art professionals, policy makers, urban developers and other local stakeholders, on how and for whom art creates public spaces in our built environment.
Programme Series
None
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Public Art Education Summit Programme Guides
Description
An account of the resource
NTU CCA Singapore is pleased to present Art, Urban Change, and the Public Sphere, which engages with art in privately owned public spaces through a Public Art Education Summit and research presentation. Taking as its point of departure the neighbouring Culture City. Culture Scape. Public Art Trail at Mapletree Business City—developed with curatorial consultation by NTU CCA Singapore—the presentation and Summit explore broader cultural and artistic developments on a civic scale situated in urban landscapes. How do political and economic changes in the public realm evoke a regional discourse on art in cities? The Public Art Education Summit is the first of its kind in Singapore and part of a larger engagement of NTU CCA Singapore in professional education of public art. It focuses on cultural place-making and building communities through artistic practices. It aims to stimulate a debate between art professionals, policy makers, urban developers and other local stakeholders, on how and for whom art creates public spaces in our built environment. Any artistic or curatorial initiative in “public space” must address the question of how to construct “a public” and with it, how to encounter identity. Any difference—be it regional and local, ethnic and religious, economic and social—generates its own cohabitation of urban space and public culture to communicate with. The challenge for art in the public sphere lies in its openness to existing and yet, imagined communities of civic urbanism. Ranging from corporate cultural engagement in privately owned public spaces to urban regeneration, the invited speakers draw connections to the beginnings of community engagement in public art with its fluid methods. Furthermore, they suggest a critical look at different artistic and curatorial practices which reflect on “artists as citizens.” Or, how any space called public, first and foremost, is created by the different people inhabiting that space.
Date
A point or period of time associated with an event in the lifecycle of the resource
2019-10-17
Contributor
An entity responsible for making contributions to the resource
Amanda Crabtree
Katherine Ann Leilani Tuider
Eng Teong Low
Ute Meta Bauer
Dawei Wang
Sophie Goltz
Lewis Biggs
Eileen Goh
Richard Lim
Lorenzo Petrillo
Lilian Chee
Nikos Papastergiadis
Ashley Thompson
Antonia Carver
Catherine David
Philip Tinari
Daniel Mudie Cunningham
Hongjohn Lin
Jasmeen Patheja
Milenko Prvački
Heng Leun Kok
Alecia Neo
Alan Oei
Massamba Mbaye
Richard Bell
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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e3a692a8039a13cbe2fbc07beea6e788
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Catherine
Surname or Business Name
David
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018-
Birthplace
France
Occupation
Professional title or identity
Independent curator
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Catherine DAVID (France) is the former Deputy Director of the Musée National d’Art Moderne at the Centre Pompidou in Paris. From 1982 to 1990, David was curator at the Musée National d’Art Moderne, Centre Georges Pompidou, Paris, and from 1990 to 1994 she was curator at the Galerie Nationale du Jeu de Paume, Paris. From 1994 to 1997, David served as Artistic Director for documenta X in Kassel (1997). Since 1998, she has been director of the long-term project Contemporary Arab Representations, which began at the Fundació Antoni Tàpies, Barcelona. Between 2002 and 2004, David was director of the Witte de With Center of Contemporary Art in Rotterdam. In 2016, David curated Reframing Modernism at the National Gallery Singapore, which brought together over 200 iconic works from the collections of the National Gallery Singapore and the Centre Pompidou in Paris.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
France
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
International Advisory Board
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catherine David
Subject
The topic of the resource
Public Art
Architecture
Urbanism
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Contributor
An entity responsible for making contributions to the resource
Catherine David