1
10
6
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
This film screening is part of the Film Programme: Resonating Structures, which features six of Siah Armajani’s computer-generated short films from the 1970s.
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
Yes
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Film Programme: Resonating Structures (Houses)
Subject
The topic of the resource
Architecture
Design
Description
An account of the resource
<div class="page--main">
<div class="event_single_dates text__exhibitions">24 Sep 2019, Tue - 3 Nov 2019, Sun</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road</div>
</div>
<div class="sidebar page--sidebar"><strong><br />SCHEDULE</strong></div>
<div class="page--main">
<div>
<p>24 September – 6 October 2019: Ant Farm, <em>Inflatables Illustrated</em>, 1971–2003</p>
<p>8 October – 20 October 2019: Dan Graham, <em>Pavilions Compilation</em>, 2014</p>
<p>22 October – 3 November 2019: Carsten Nicolai, <em>Future Past Perfect Pt. 2 (Cité Radieuse),2007</em></p>
<p><strong>FILM SYNOPSIS</strong></p>
<p>24 September – 6 October 2019</p>
<p><strong>Ant Farm, </strong><strong><em>Inflatables Illustrated<br /></em></strong>United States, 1971–2003</p>
<p>B&w and colour, sound, 21 min 20 sec</p>
<p>As a critique of consumerism and reaction to Brutalist architecture, Ant Farm created a utopian, inflatable architecture that was participatory and communal, cheap, and easy to transport and assemble. It had been used to host festivals, conferences, or installed as university campuses. Without a fixed structure, these inflatables challenged the notions of a building as well as the reliance on expert knowledge of architects. The film, which brings its audience through the steps of making a small inflatable using basic materials found in a kitchen, is an example of “open source,” in which concepts are made accessible to the public.</p>
<p><strong>SCHEDULE</strong></p>
<p>24 September – 6 October 2019: Ant Farm, <em>Inflatables Illustrated</em>, 1971–2003</p>
<p>8 October – 20 October 2019: Dan Graham, <em>Pavilions Compilation</em>, 2014</p>
<p>22 October – 3 November 2019: Carsten Nicolai, <em>Future Past Perfect Pt. 2 (Cité Radieuse),2007</em></p>
<p> </p>
<p><strong>FILM SYNOPSIS</strong></p>
<p>24 September – 6 October 2019</p>
<p><strong>Ant Farm, </strong><strong><em>Inflatables Illustrated<br /></em></strong>United States, 1971–2003</p>
<p>B&w and colour, sound, 21 min 20 sec</p>
<p>As a critique of consumerism and reaction to Brutalist architecture, Ant Farm created a utopian, inflatable architecture that was participatory and communal, cheap, and easy to transport and assemble. It had been used to host festivals, conferences, or installed as university campuses. Without a fixed structure, these inflatables challenged the notions of a building as well as the reliance on expert knowledge of architects. The film, which brings its audience through the steps of making a small inflatable using basic materials found in a kitchen, is an example of “open source,” in which concepts are made accessible to the public.</p>
<p>8 October – 20 October 2019</p>
<p><strong>Dan Graham, <em>Pavilions Compilation<br /></em></strong>United States, 2014</p>
<p>Colour, sound, 31 min</p>
<p>This film surveys Dan Graham’s series of sculptures Pavilions, created since the late 1970s, with documentary footage of the works in different cities. Created on a human scale out of glass or mirror, they serve as instruments of perception as viewers become both the object of spectacle as well as the subject or spectator of themselves reflected in the glass walls. Representing a hybrid between a quasi-functional space and an installation, art and architecture, public and private realms, the sculptures reflect Graham’s investigation into the social phenomenology and performativity of the viewer with the art object.<br /><br /></p>
<p>22 October – 3 November 2019</p>
<p><strong>Carsten Nicolai,<em> Future Past Perfect Pt. 2 (Cité Radieuse)<br /></em></strong>Germany, 2007</p>
<p>Digital film line, colour, sound, 7 min 43 sec.</p>
<p><span>Shot at Le Corbusier’s Unité d’Habitation (built in 1952) in Marseille, a classic example of Brutalist architecture, the film focuses first on the exterior of the building followed by its interior before ending at its rooftop. Twice, the film’s calm atmosphere is disrupted by a rapid, flashing sequence, achieving a cinematic effect while engineering the elements of time, space, and social relations.<br /><br />This film screening is part of the <em>Film Programme: Resonating Structures</em>, which features six of Siah Armajani’s computer-generated short films from the 1970s. <br /><br /></span>A public programme of <em>Siah Armajani: Spaces for the Public. Spaces for Democracy</em>.</p>
</div>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
24 September - 3 November 2019
Contributor
An entity responsible for making contributions to the resource
Ant Farm
Dan Graham
Carsten Nicolai
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
Europe
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Short Description
Mapletree Business City II Art Trail Video Tour
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/529168988">https://vimeo.com/529168988</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
529168988
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mapletree Business City II Art Trail Video Tour
Description
An account of the resource
In partnership with Mapletree Investments Pte Ltd., Culture City. Culture Scape. is a public art education programme launched in 2017. A first of its kind in Singapore, the programme features a series of newly commissioned public art works by Dan Graham, Zulkifle Mahmod, Tomás Saraceno and Yinka Shonibare CBE (RA), nestled at Mapletree Business City II, and aims to bring the arts closer to the communities. Find out more at https://www.mapletreearts.sg/
Date
A point or period of time associated with an event in the lifecycle of the resource
2021-03
Contributor
An entity responsible for making contributions to the resource
Mapletree Investments Pte Ltd
NTU CCA Singapore
Dan Graham
Zulkifle Mahmod
Tomás Saraceno
Yinka Shonibare
Subject
The topic of the resource
Public Art
Urbanism
Format
The file format, physical medium, or dimensions of the resource
Digital Tour Video
Language
A language of the resource
English
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Yinka Shonibare CBE (RA), <em>Wind Sculpture I</em>, 2013, steel armature with hand painted fibreglass resin cast, Mapletree Business City II. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span>Tomás Saraceno, </span><em>Stillness in Motion – 3 Airborne Self-Assemblies</em><span>, 2017, steel frame, reflective panels, steel wire, Mapletree Business City II, installation view.</span>
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span>Zulkifle Mahmod, </span><em>Sonic Pathway</em><span>, 2017, copper pipes, 512 solenoids, microcontrollers, speakers, Mapletree Business City II, installation view.</span>
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span>Dan Graham, </span><em>Elliptical Pavillion</em><span>, 2017, glass and mirror pavilion at Mapletree Business City II. Courtesy NTU CCA Singapore.</span>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Themed Culture City. Culture Scape., this public art project, commissioned by Mapletree and curated by NTU CCA Singapore comprises works by internationally renowned artists Dan Graham, Zulkifle Mahmod, Tomás Saraceno, and Yinka Shonibare.
Programme Type
Tour
Audience
General
Programme Series
None
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
Yes
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Culture City. Culture Scape.</em> Public Art Trail at Mapletree Business City II
Subject
The topic of the resource
Public Art
Urbanism
Description
An account of the resource
<p>Our upcoming guided tour is an excellent way to get inspired and unwind in the company of art. Enjoy a well-deserved cup of coffee and snack while we walk you through the artworks nestled in the lush compounds of Mapletree Business City II (MBC II).</p>
<p>Themed<span> </span><em>Culture City. Culture Scape.</em>, this public art project, commissioned by Mapletree and curated by NTU CCA Singapore comprises works by internationally renowned artists<span> </span><strong>Dan Graham</strong><span> </span>(United States),<span> </span><strong>Zulkifle Mahmod</strong><span> </span>(Singapore),<span> </span><strong>Tomás Saraceno</strong><span> </span>(Argentina/Germany), and<span> </span><strong>Yinka Shonibare</strong><span> </span>(Nigeria/United Kingdom). Inspired by the idea of expanded sculptural environments, the artworks explore the interplay between landscape, architecture, and the broader social and economic environments they are placed in. More than being monumental or site-specific, each work alters or permeates its local context to invite visitors to a broader, richer engagement.</p>
<p>For more information about our tours, please visit:<span> </span><a href="http://www.mapletreearts.sg/">www.mapletreearts.sg</a></p>
Contributor
An entity responsible for making contributions to the resource
Dan Graham
Zulkifle Mahmod
Tomás Saraceno
Yinka Shonibare
Mapletree Investments Pte Ltd
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Date
A point or period of time associated with an event in the lifecycle of the resource
2017–2021
-
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2bf0e48d2caf478288273eb135e19116
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Culture City. Culture Scape.
Subject
The topic of the resource
Urbanism
Public Art
Description
An account of the resource
<p class="paragraph"><span class="normaltextrun">Published by NTU CCA Singapore, 2021<b><br /></b></span><span class="normaltextrun">Edited by Ute Meta Bauer, Sophie Goltz, and Khim Ong</span><span class="eop"><br /></span><span class="normaltextrun">Design by Studio Vanessa Ban</span><span class="eop"><span lang="en-gb"><br />© 2021 by NTU Centre for Contemporary Art Singapore</span></span></p>
<p class="paragraph"><span class="normaltextrun">I</span><span class="normaltextrun">SBN: 978-981-14-4377-0</span><span class="eop"><br /></span><span class="normaltextrun">Distributed by NUS Press (Asia Pacific and the Americas)</span><span class="scxw153350797"><span lang="en-gb"> </span></span><span lang="en-gb"><br /></span><span class="normaltextrun">Copies are available for sale at NTU CCA Singapore and through NUS Press</span><span class="eop"><span lang="en-gb"><br /></span></span><span class="normaltextrun">S$28</span></p>
<p><span class="normaltextrun">Works of art presented in public spaces are increasingly viewed from the perspective of place-making, a holistic approach that engages the diverse functions of a location and its wider context. As a practice, place-making integrates urban planning, landscape architecture, and cultural management.</span></p>
<p class="paragraph"><span class="normaltextrun"><i>Culture City. Culture Scape.</i><span> </span>documents a major public art commission for a newly designed business park in Singapore, Mapletree Business City II, featuring works by international and local artists<span> </span><b>Dan Graham</b>,<span> </span><b>Tomás Saraceno</b>,<span> </span><b>Yinka Shonibare CBE</b>, and<span> </span><b>Zul Mahmod</b>, which draw upon regional histories and urban politics.</span></p>
<p class="paragraph"><span class="normaltextrun">The curators’ conversations with the artists and with<span> </span><b>Edmund Cheng</b>, Chairman of Mapletree Investments Pte Ltd, as well as reflective essays on the development process and the potential of art in public spaces, lend context on the multiple points of view that must be reconciled to create meaningful public spaces and explore the role art can play in public education and social corporate investment.</span></p>
Publisher
An entity responsible for making the resource available
NTU CCA Singapore
Date
A point or period of time associated with an event in the lifecycle of the resource
2021
Contributor
An entity responsible for making contributions to the resource
Ute Meta Bauer
Edmund Cheng
Sophie Goltz
Khim Ong
Tomás Saraceno
Yinka Shonibare CBE
Dan Graham
Zul Mahmod
Tomas Saraceno
Mapletree Investments Pte Ltd
NUS Press Pte Ltd
Studio Vanessa Ban
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Access Rights
Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.
Available for browsing onsite at NTU CCA Singapore physical archive. Contact ntuccareseach@ntu.edu.sg to make an appointment.
-
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ef6ce97130064a9b24cd528382d5b560
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Dan
Surname or Business Name
Graham
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019
Birthplace
United States
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Dan Graham is an influential pioneer of conceptual art and performance-related video art. His multi-disciplinary practice, spanning across curating, writing, performance, installation, video, photography, and architecture, aligns itself with popular culture more than contemporary art. His work is informed by a social awareness, often working with hybrids that oscillate between quasi-functional spaces and installations to expose processes of perception, of which his freestanding, sculptural structures called Pavilions are an example. NTU CCA Singapore collaborated with Mapletree to permanently install Elliptical Pavilion (2017) at Mapletree Business City II.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United States
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Birth Date
1942
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Death Date
2022
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Dan Graham
Subject
The topic of the resource
Architecture
Public Art
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
North America
Contributor
An entity responsible for making contributions to the resource
Dan Graham
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Art, Urban Change, and the Public Sphere engages with the making of the Public Art Trail at Mapletree Business City II in the context of Privately-Owned Public Spaces (POPS) together with other artistic and urban developments in Singapore
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2019-08-31
Exhibition End Date
2019-10-27
Collaboration
Yes
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Culture City. Culture Scape. Art, Urban Change, and the Public Sphere</i>
Subject
The topic of the resource
Public Sphere
Urbanism
Geopolitics
Description
An account of the resource
In partnership with Mapletree Investments Pte Ltd., <i>Culture City. Culture Scape.</i> is a public art education programme launched in 2017. A first of its kind in Singapore, the programme features a series of newly commissioned public art works by <b>Dan Graham</b>, <b>Zulkifle Mahmod</b>, <b>Tomás Saraceno</b> and <b>Yinka Shonibare CBE (RA)</b>, nestled at Mapletree Business City II, and aims to bring the arts closer to the communities. <br /><br />Conceived as a research presentation at NTU CCA Singapore’s The Lab, <i>Art, Urban Change, and the Public Sphere</i> engages with the making of the Public Art Trail at Mapletree Business City II in the context of Privately-Owned Public Spaces (POPS) together with other artistic and urban developments in Singapore. The works of the Public Art Trail by international renowned artists Dan Graham, Zulkifle Mahmod, Tomás Saraceno and Yinka Shonibare CBE (RA)are animated through augmented reality in a unique spatial setting. The presentation reflects on emerging discourses such as Future Asian Spaces or Art in the Public Sphere and situates the interconnectedness of cultural politics, urban developments and economic conditions in today’s Singapore. A same-titled Public Art Education Summit in October will reflect on the socio-poltical changes and challenges of Art in the Public Sphere with a focus on community engagement, social (corporate) responsibility, and new artistic approaches in an ever-expanding urban setting.<br /><br /><span>Contributors include: </span><strong>Lewis Biggs</strong><span>, Chairman, Institute for Public Art; </span><strong>Lilian Chee</strong><span>, Associate Professor & Deputy Head (academic), Department of Architecture, National University of Singapore; </span><strong>Connie Chester</strong><span>, Head of Research and Communication, Studio Tomás Saraceno; </span><strong>Heman Chong</strong><span>, artist; </span><strong>Speak Cryptic</strong><span>, artist; </span><strong>Priyageetha Dia</strong><span>, artist; </span><strong>Eileen Goh</strong><span>, Assistant Manager, Art-In-Transit; </span><strong>Jeremy Hiah</strong><span>, artist and founder, Your Mother gallery; </span><strong>Ruth Hogan</strong><span>, Studio Manager; </span><strong>Yinka Shonibare CBE (RA)</strong><span>; </span><strong>Kevin Hsiu</strong><span>, Assistant Director, Liveable Cities; </span><strong>Eileen Lee</strong><span>, Manager, Corporate Communications, Mapletree Investments; </span><strong>Vincent Lee</strong><span>, Principal Architectural Assistant, Art-In-Transit; </span><strong>Samantha Lo/SKL0</strong><span>, artist; </span><strong>Zulkifle Mahmod</strong><span>, artist; </span><strong>Khim Ong</strong><span>, independent curator; </span><strong>Seelan Palay</strong><span>, artist and founder, Coda Culture; </span><strong>Aurel von Richthofen</strong><span>, Senior Researcher, Singapore-ETH Centre SEC; </span><strong>Regina de Rozario</strong><span>, PhD candidate, NTU ADM; </span><strong>Peter Schoppert</strong><span>, Managing Director, National University of Singapore Press; </span><strong>Mustafa Shabbir</strong><span>, Senior Curator, National Gallery Singapore; </span><strong>Angela Tan</strong><span>, Assistant Director, Sector Development (Visual Arts), National Arts Council; </span><strong>Isaiah Tan</strong><span>, 3D Modeler; </span><strong>Ludovica Tomarchio</strong><span>, Research Assistant, Singapore-ETH Centre SEC; </span><strong>Ian Woo</strong><span>, artist; </span><strong>Robert Zhao</strong><span>, artist; Epigram Books; Lisson Gallery; DCA Architects,; Shma Company Limited,; Shimizu Corporation; and among others.</span>
Contributor
An entity responsible for making contributions to the resource
Dan Graham
Zulkifle Mahmod
Tomás Saraceno
Yinka Shonibare CBE (RA)
Lewis Biggs
Lilian Chee
Connie Chester
Heman Chong
Speak Cryptic
Priyageetha Dia
Eileen Goh
Jeremy Hiah
Ruth Hogan
Kevin Hsiu
Eileen Lee
Vincent Lee
Samantha Lo/SKL0
Khim Ong
Seelan Palay
Aurel von Richthofen
Regina de Rozario
Peter Schoppert
Mustafa Shabbir
Angela Tan
Isaiah Tan
Ludovica Tomarchio
Ian Woo
Robert Zhao
Epigram Books
Lisson Gallery
DCA Architects
Shma Company Limited
Shimizu Corporation
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Multimedia Installation