Screening Series: Unruly Shadows: Artist Films and Videos on Challenging Spheres
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<div class="event_single_dates text__exhibitions">18 Nov 2017, Sat 12:00 PM - 07:30 PM<br />19 Nov 2017, Sun 12:00 PM - 07:00 PM</div>
<div class="event_single_venue">The Seminar Room, Block 43 Malan Road<br /><br /><span>Taking place on the closing weekend of </span><em>Ghosts and Spectres – Shadows of History</em><span><span>, the screening of selected films and videos by artists from Asia will expand on the discussion of moving image as an apparatus for capturing and propagating narratives. Through the notion of “ghost” and “spectres”, the programme entails discussions that take the exhibition as a point of departure, referencing mythologies, folklore, traditions, politics, and other prevalent themes portrayed in the artworks. It looks into the strategies employed by artists in visualising and imagining socio-political minefields. Due to the spectrum of collective experiences in a wider Asia, the film programme presents alternate visions of the exhibition, surfacing the undercurrents that permeate geopolitical entanglements. These anxieties present ways of approaching other logics of generational understanding, temporal localities, and regional variations as artists embark on translations of the past into contemporary imaginings. Confronting the unruliness of memory, the film programme draws parallels between history and the moving image: as moments that, in their unfolding, haunt us again and again.<br /><br />The two-day event is divided into four themes: “Film and Cinema as Ghost”, “Acting and Re-enacting”, “Histories Turning Ghosts”, and “Rituals”. The screening programme will consist of works by <strong>Ayisha Abraham </strong>(India),<strong> akumassa </strong>(Indonesia),<strong> Phuttiphong Aroonpheng </strong>(Thailand),<strong> Martha Atienza </strong>(Philippines),<strong> Ashish Avikunthak </strong>(India),<strong> Chien-Chi Chang </strong>(Taiwan/Austria),<strong> Tiane Doan na Champassak </strong>and<strong> Jean Dubrel </strong>(France),<strong> Köken Ergun </strong>(Turkey),<strong> Bayu Prihantoro Filemon</strong> (Indonesia),<strong> Hikaru Fujii </strong>(Japan),<strong> Hao Jingban </strong>(China),<strong> Ho Tzu Nyen </strong>(Singapore),<strong> Daniel Hui</strong> (Singapore),<strong> Ing K </strong>(Thailand),<strong> Meiro Koizumi </strong>(Japan),<strong> Soni Kum </strong>(Korea/Japan),<strong> Lee Kai Chung </strong>(Hong Kong),<strong> K. M. Madhusudhanan </strong>(India),<strong> Nguyen Trinh Thi </strong>(Vietnam),<strong> Vandy Rattana </strong>(Cambodia/Taiwan),<strong> Taiki Sakpisit </strong>(Japan),<strong> Chulayarnnon Siriphol </strong>(Thailand),<strong> Angela Su </strong>(Hong Kong),<strong> Tan Pin Pin </strong>(Singapore),<strong> Erika Tan </strong>(Singapore/UK),<strong> John Torres </strong>(Philippines),<strong> </strong>and<strong>Otty Widasari </strong>(Indonesia). Scheduled screening will be accompanied by introductions, talks, and discussions between a group of Singapore-based curators and researchers, addressing the complexities embedded in the selected works. Speakers include <strong>Dr Marc Glöde</strong>, film scholar and Assistant Professor, School of Art, Design and Media, NTU; <strong>Fang-Tze Hsu</strong>, independent researcher and curator; <strong>Qinyi Lim</strong>, Curator, National Gallery Singapore; <strong>Sam I-Shan</strong>, Curator of Visual Arts, Esplanade; and <strong>Silke Schmickl</strong>, Curator, National Gallery Singapore.<br /><br /></span></span>
<h3>SCHEDULE</h3>
<p>Saturday, 18 November 2017, 12.00 – 7.30pm<strong> </strong></p>
<p><strong><span>Film and Cinema as Ghost</span><br /><u><br /></u>Short films, </strong><strong>12.00 – 1.15pm<br /></strong><em>Straight 8</em>, Ayisha Abrahams, India, 2005, 17 min<br /><em>Imaginati</em>, akumassa, Indonesia, 2013, 13 min<br /><em>A Presentation By Proxy</em>, Erika Tan, UK, 2014, 21 min<br /><em>Horor Satu Menit / One Minute Horror</em>, Otty Widasari, Indonesia, 2005, 1 min<br /><em>Mesures et Démesures</em>, Angela Su, Hong Kong, 2015, 6 min<br /><em>History is a Silent Film</em>, K. M. Madhusudhanan, India, 2007, 17 min</p>
<p><strong>Conversation, 1.15 – 1.35pm<br /></strong></p>
<p><strong>Feature film: 1.35 – 3.00pm</strong><span><strong><br /></strong></span><em>People Power Bombshell: The Diary of Vietnam Rose 89’</em>, John Torres, Philippines, 2016, 89 min</p>
<p><strong><br /><span>Acting and Re-enacting</span><br /></strong></p>
<p><strong>Short films, 3.00 – 4.15pm<br /></strong><em>4×4 — Episodes of Singapore Art: Episode 3 — Tang Da Wu, The Most Radical Art Gesture</em>, Ho Tzu Nyen, Singapore, 2005, 23 min<br /><i>On the Origin of Fear</i>, Bayu Prihantoro Filemon, Indonesia, 2016, 12 min<br /><em>The History of Riots (The DJ)</em>, Lee Kai Chung, Hong Kong, 2013, 7 min<br /><em>The Educational System of an Empire</em>, Hikaru Fujiii, Japan, 2016, 21 min<br /><em>Portrait of a Young Samurai</em>, Meiro Koizumi, Japan, 2009, 10 min</p>
<p><strong>Conversation, 4.15 – 4.35pm</strong></p>
<p><strong>Feature film, 4.35 – 7.30pm</strong><br /><em>Shakespeare Must Die</em>, Ing K, Thailand, 2012, 176 min<br /><br /></p>
<p>Sunday, 19 November 2017, 12.00 – 7.00pm</p>
<p><span><strong>Histories Turning Ghosts</strong></span></p>
<p><strong>Short films, 12.00 – 1.25pm<br /></strong><em>The Impossibility of Knowing</em>, Tan Pin Pin, Singapore, 2010, 12 min<br /><em>A Brief History of Memory</em>, Chulayarnnon Siriphol, Thailand, 2010, 14 min<br /><em>The War That Never Was</em>, Chien-Chi Chang, Taiwan/Austria, 2017, 16 min<br /><em>Landscape Series #1</em>, Nguyen Trinh Thi, Vietnam, 2013, 5 min<br /><em>Monologue</em>, Vandy Rattana, Cambodia, 2015, 20 min<br /><em>A Ripe Volcano</em>, Taiki Sakpisit, Thailand, 2011, 16 min<br /><em>Sukati / A Tale of Heaven</em>, Phuttiphong Aroonpheng, Thailand, 2010, 6 min</p>
<p><strong>Conversation, 1.25 – 1.45pm</strong></p>
<p><strong>Feature film, 1.45 – 3.30pm</strong><br /><i>Snakeskin</i>, Daniel Hui, Singapore/Portugal, 2014, 105 min</p>
<span></span>
<p><strong><span>Rituals</span></strong></p>
<p><strong>Short films, 3.30 – 5.25pm<br /></strong><em>Anito</em>, Martha Atienza, Philippines, 2012, 8 min<br /><em>Vakratunda Swaha</em>, Ashish Avikunthak, India, 2010, 21 min<br /><em>Off Takes</em>, Hao Jingban, China, 2016, 22 min<br /><em>Ashura</em>, Köken Ergun, Turkey, 2013, 25 min<br /><em>Naptwe, the feast of the spirits</em>, Tiane Doan na Champassak and Jean Dubrel, France, 2012, 31 min<br /><em>Spring Comes Winter After</em>, Nguyen Trinh Thi, Vietnam, 2008, 5 min</p>
<p><strong>Conversation, 5.25 – 5.45pm</strong></p>
<p><strong>Feature film, 5.45 – 7.00pm</strong><br /><em>Foreign Sky</em>, Soni Kum, Korea/Japan, 2005, 70 min<br /><br />A public programme of <em>Ghosts and Spectrres – Shadows of History</em>.</p>
</div>
18 -19 November 2017
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Marc+Gl%C3%B6de">Marc Glöde</a>
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Residencies AiRCAST Episode #5: Han Xuemei
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Theatre">Theatre</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Artistic+Research">Artistic Research</a>
<p>For our fifth episode of AiRCAST, we entrusted curator and scholar Hsu Fang-Tze to pick the mind of our Artist-in-Residence Han Xuemei. In their insightful exchange, Xuemei discusses how her urgency for engagement steers her fluid theatre practice towards experimenting with different modes of audience participation. As she shares about her current efforts to carve out “intervals of quiet” and “plots of rest” in the hectic context of Singapore, you will also discover that the research on the topic of “rest as resistance” she conducted throughout her residency at NTU CCA Singapore grows out from another residency she did in Taipei a few years ago.<br /><br />Committed to socially engaged practices, multi-disciplinary theatre practitioner Han Xuemei (b. 1987, Singapore) employs art as a tool for bringing communities together and engaging the audience in visceral and personal ways. In her practice, she creates spaces and experiences that incite participants to think outside the box of existing paradigms and articulate forms of hope and resistance. Since 2012, she is Resident Artist at the Singapore-based theatre company Drama Box. In 2021 she received Young Artist Award, Singapore’s highest award for young arts practitioners.<br /><br />Hsu Fang-Tze is a lecturer at the Communications and New Media Department, National University of Singapore where she is also a coordinator of the M.A. in Arts and Cultural Entrepreneurship. Her research interests include the formation of audiovisual modernity in Asia, Cold War aesthetics, philosophies of sonic technology, and the embodiment of artistic praxis in everyday life. Apart from her academic work, she is also active as a curator and has curated exhibitions such as A<em>rt Histories of a Forever War: Modernism between Space and Home</em><span> </span>at the Taipei Fine Art Museum, Taiwan (2021-2022) and<span> </span><em>Wishful Images</em><span> </span>at National University of Singapore Museum (2020). <br /><br />Contributors: Han Xuemei, Hsu Fang-Tze<br />Editor: Anna Lovecchio<br />Programme Manager: Kristine Tan <br />Sound Engineer: Ashwin Menon (The Music Parlour) <br />Intro & Outro Music: Tini Aliman <br />Cover Image & Design: Arabelle Zhuang, Kristine Tan</p>
<p>CREDITS<br />12’38”: Audio excerpt from<span> </span><em>MISSING: The City of Lost Things</em>, 2018. Courtesy Drama Box.<br />15’07”: Audio excerpt from<span> </span><em>MISSING: The City of Lost Things</em>, 2018. Courtesy Drama Box.<br />19’15”: Audio excerpt from<span> </span><em>FLOWERS</em>, 2019. Courtesy Drama Box.<br />21’00”: Audio excerpt from<span> </span><em>FLOWERS</em>, 2019. Courtesy Drama Box. <br />26’24”: Audio excerpt from Taipei Main Station & Research Field Recording workshop part of<br />Asia Discovers Asia Meeting for Contemporary Performance Artist Lab, 2019. Courtesy the artist. <br />35’30’’: Audio excerpt from Han Xuemei, field recordings at Tanah Merah, January 2022. Courtesy the artist.</p>
2022-03-02
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Han+Xuemei">Han Xuemei</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hsu+Fang-Tze">Hsu Fang-Tze</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Anna+Lovecchio">Anna Lovecchio</a>
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Arabelle+Zhuang">Arabelle Zhuang</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fang-Tze+Hsu">Fang-Tze Hsu</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=42&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Podcast">Podcast</a>
English
<a href="https://www.buzzsprout.com/1845756/10518783-aircast-5-han-xuemei">https://www.buzzsprout.com/1845756/10518783-aircast-5-han-xuemei</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
Transcript of Residencies AiRCAST Episode #5: Han Xuemei
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Theatre">Theatre</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Artistic+Research">Artistic Research</a>
<span>For our fifth episode of AiRCAST, we entrusted curator and scholar Hsu Fang-Tze to pick the mind of our Artist-in-Residence Han Xuemei. In their insightful exchange, Xuemei discusses how her urgency for engagement steers her fluid theatre practice towards experimenting with different modes of audience participation. As she shares about her current efforts to carve out “intervals of quiet” and “plots of rest” in the hectic context of Singapore, you will also discover that the research on the topic of “rest as resistance” she conducted throughout her residency at NTU CCA Singapore grows out from another residency she did in Taipei a few years ago.</span>
2022-03-02
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Han+Xuemei">Han Xuemei</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hsu+Fang-Tze">Hsu Fang-Tze</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fang-Tze+Hsu">Fang-Tze Hsu</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Anna+Lovecchio">Anna Lovecchio</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=42&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Transcript">Transcript</a>
English
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
Fang-Tze Hsu
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Curatorial+Practice">Curatorial Practice</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fang-Tze+Hsu">Fang-Tze Hsu</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fang+Tze+Hsu">Fang Tze Hsu</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hsu+Fang-Tze">Hsu Fang-Tze</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Asia">Asia</a>
Seeing Another: Working With and Through Representation – Wei Leng Tay in conversation with Dr Fang-Tze Hsu
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Diaspora">Diaspora</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Migration">Migration</a>
10 Sep 2019, Tue 07:00 PM - 08:30 PM <br /><br />In this conversation, Wei Leng Tay and Dr Fang Tze Hsu will discuss how they think about and work with representation in their respective practice. Wei Leng will touch upon past works, such as you think it over slowly, slowly choose… (2018) and The first chapter it begins with the horses (2017-18), and the new works she is developing during the residency, while Fang Tze will expand upon her ongoing research on Taiwanese photo and video artist Kao Chung-li and Okinawan photographer Toyomitsu Higa. Intertwining the points of view of an artist and a researcher/curator, they will challenge each other to reflect upon issues of representation and the subjective entanglements embedded in the process of image-making.
2019-09-10
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Wei+Leng+Tay">Wei Leng Tay</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fang-Tze+Hsu">Fang-Tze Hsu</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Anna+Lovecchio">Anna Lovecchio</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=42&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Video">Video</a>
English
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Asia">Asia</a>
Residencies Studio Sessions: Exploring ‘Sisterhood’: How Can We Imagine A Better Way Forward?
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Feminism">Feminism</a>
A panel discussion with Dr Tan Kai Syng (Singapore), Artist-in-Residence, Amanda Heng (Singapore), artist, and Véronique Sapin (France/Singapore), curator. Respondents: Professor C.J. Wan-ling Wee (Singapore), School of Humanities, NTU and Dr Fang-Tze Hsu (Taiwan/Singapore), curator, NUS Museum, introduced by Dr Anna Lovecchio, curator, NTU CCA Singapore. <br /><br />How have notions and practices of sisterhood evolved over the last four decades? Is it possible to co-create a vision for the future in dialogue with each other? For the second part of her residency, Dr Tan Kai Syng picks up from when she last collaborated with pioneering feminist artist Amanda Heng and Singapore-based arts professional Véronique Sapin to trigger a collective reflection upon gender and social change in the arts in today’s Singapore and beyond. Through the lens of their artworks and projects, the speakers and respondents will address the problematic notion of ‘sisterhood’ and its relevance for envisioning a different future. <br /><br />This session will take place in the artist’s studio.
2019-09-26
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Tan+Kai+Syng">Tan Kai Syng</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Amanda+Heng">Amanda Heng</a>
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=C.J.+Wan-ling+Wee">C.J. Wan-ling Wee</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fang-Tze+Hsu">Fang-Tze Hsu</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Anna+Lovecchio">Anna Lovecchio</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Veronique+Sapin">Veronique Sapin</a>
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Residencies Studio Sessions: <em>Seeing Another: Working With and Through Representation</em> by Wei Leng Tay and Dr Fang-Tze Hsu
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ways+of+Seeing">Ways of Seeing</a>
In this conversation, Wei Leng Tay and Dr Fang Tze Hsu will discuss how they think about and work with representation in their respective practice. Wei Leng will touch upon past works, such as <i>you think it over slowly, slowly choose… (2018) and The first chapter it begins with the horses </i>(2017-18), and the new works she is developing during the residency, while Fang Tze will expand upon her ongoing research on Taiwanese photo and video artist Kao Chung-li and Okinawan photographer Toyomitsu Higa. Intertwining the points of view of an artist and a researcher/curator, they will challenge each other to reflect upon issues of representation and the subjective entanglements embedded in the process of image-making. <br /><br />The talk will take place in the artist’s studio.
2019-09-10
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