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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Based on an exhibition of the same name, Theatrical Fields presents seminal texts and newly commissioned essays that explore theatricality as a critical strategy in performance, film, and video.
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Programme Type
Book Launch
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Book Launch and Screening – <em>Theatrical Fields: Critical Strategies in Performance, Film, and Video </em>
Description
An account of the resource
<div class="event_single_dates text__research">24 Sep 2016, Sat 7:00pm - 10:00pm</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road</div>
<br /><p>Introduction by editors: Ute Meta Bauer, NTU CCA Founding Director and Anca Rujoiu, NTU CCA Singapore Manager, Publication</p>
<p>Followed by screening of <em>Johanna d’Arc of Mongolia</em>, Ulrike Ottinger, Germany 1989, 165mins. Coproduction with Popular-Film GmbH, Leinfelden in cooperation with ZDF, Mainz, and LaSept, Paris.</p>
<p>A limited amount of publications will be available for sale.</p>
<br />NTU CCA Singapore is pleased to launch its very first publication <i>Theatrical Fields Critical Strategies in Performance, Film, and Video</i>. The reader is published by NTU CCA Singapore, König Books, London, and Bildmuseet, Umeå. Edited by Ute Meta Bauer and Anca Rujoiu with the editorial project under the management of Leah Whitman-Salkin, the publication has been elegantly designed by Sam de Groot. <br /><br />Based on an exhibition of the same name, <i>Theatrical Fields</i> presents seminal texts and newly commissioned essays that explore theatricality as a critical strategy in performance, film, and video. The reader stages conversations between theatre and visual arts, theoretical discourse and artistic practice juxtaposing artists and theoreticians from different generations and backgrounds who share a communal interest in the theatricality as a methodology to address questions of ideology, gender, power relations. <br /><br />The reader includes seminal texts from Antonin Artaud, Mikhail Bakhtin, Ute Meta Bauer, Bertolt Brecht, Jacques Derrida, Regis Durand, Josette Féral, Jean-François Lyotard; commissioned essays from Giuliana Bruno, Eva Meyer, Timothy Murray, Katharina Sykora, Marina Warner, documentation of the exhibition <i>Theatrical Fields</i> curated by Ute Meta Bauer with Anca Rujoiu at Bildmuseet, Umea (2013) and itinerated at NTU CCA Singapore (2014) in a different configuration, excerpts of conversations between artists and curators. Artists involved in the project include: Judith Barry, Marcel Dzama, Stan Douglas, Marie-Louise Ekman, Eva Meyer and Eran Schaerf, Isaac Julien, Joan Jonas, Constanze Ruhm, Ulrike Ottinger. <br /><br />The launch of the reader is accompanied by a screening of the German filmmaker Ulrike Ottinger’s <i>Johanna d’Arc of Mongolia</i>, This epic adventure film traces a fantastical encounter between two worlds on a Trans-Siberian railway addressing the complexities of cross-cultural encounters. Combining linear and nonlinear narrative, <i>Johanna d’Arc of Mongolia</i> illustrates Ottinger’s appropriation of theatrical strategies in the cinematic, such as eccentric costumes, lush mise-en-scènes, exaggerated acting.
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-09-24
Contributor
An entity responsible for making contributions to the resource
Ute Meta Bauer
Ulrike Ottinger
Anca Rujoiu
Antonin Artaud
Mikhail Bakhtin
Bertolt Brecht
Jacques Derrida
Régis Durand
Regis Durand
Josette Féral
Josette Feral
Jean-François Lyotard
Jean-Francois Lyotard
Giuliana Bruno
Eva Meyer
Timothy Murray
Katharina Sykora
Marina Warner
Judith Barry
Marcel Dzama
Stan Douglas
Marie-Louise Ekman
Eran Schaerf
Isaac Julien
Joan Jonas
Constanze Ruhm
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Europe
North America
Subject
The topic of the resource
Theatre
Performance
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields: Critical Strategies in Performance, Film, and Video
Subject
The topic of the resource
Theatre
Description
An account of the resource
NTU CCA Singapore’s first publication, this reader stages conversations between theatre and visual arts, theoretical discourse and artistic practice juxtaposing artists and theoreticians who share a communal interest in theatricality as a critical strategy to address questions of ideology, gender, power relations. The reader includes writings by Antonin Artaud, Mikhail Bakhtin, Ute Meta Bauer, Bertolt Brecht, Giuliana Bruno, Jacques Derrida, Regis Durand, Josette Féral, Jean-François Lyotard, Eva Meyer, Timothy Murray, Katharina Sykora, and Marina Warner, documentation of the exhibition Theatrical Fields, Bildmuseet, Umea (2013) and NTU CCA Singapore (2014) presenting the works of Judith Barry, Marcel Dzama, Stan Douglas, Marie-Louise Ekman, Eva Meyer and Eran Schaerf, Isaac Julien, Joan Jonas, Constanze Ruhm, and Ulrike Ottinger.
Publisher
An entity responsible for making the resource available
König Books
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Contributor
An entity responsible for making contributions to the resource
König Books
Bildmuseet
Ute Meta Bauer
Anca Rujoiu
Sam de Groot
Antonin Artaud
Mikhail Bakhtin
Bertolt Brecht
Giuliana Bruno
Jacques Derrida
Regis Durand
Josette Féral
Jean-Francois Lyotard
Eva Meyer
Timothy Murray
Katharina Sykora
Marina Warner
Format
The file format, physical medium, or dimensions of the resource
Publication
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
978-981-11-0362-9
978-9-81110-362-9
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Giuliana
Surname or Business Name
Bruno
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Affiliation
Company, organization, or institution name
Harvard University
Birth Date
1957
Birthplace
Italy
Occupation
Professional title or identity
Professor in the Department of Visual and Environmental Studies at Harvard University
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Giuliana Bruno is a professor in the Department of Visual and Environmental Studies at Harvard University. She is internationally known for her research on the intersections of the visual arts, architecture, film, and media. Her seminal body of work <i>Atlas of Emotion: Journeys in Art, Architecture, and Film</i> (2002) is an intellectual journey into cinematic spaces, providing new directions for visual studies. In her latest book, <i>Surface: Matters of Aesthetics, Materiality, and Media</i> (2014), she revisits the concept of materiality in the contemporary world. She has contributed to numerous monographs on contemporary artists, including Isaac Julien’s <i>Riot </i>(2014), <i>The Imaginary Landscapes of Jesper Just </i>(2013), Chantal Akerman’s <i>Too Far, Too Close</i> (2012), and <i>Jane and Louise Wilson: A Free and Anonymous Monument</i> (2004), among others. <span>She was a contributing writer for NTU CCA Singapore publication </span><em>Theatrical Fields: Critical Strategies in Performance, Film, and Video</em><span>.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United States
Italy
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Scholar
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Giuliana Bruno
Subject
The topic of the resource
Theatre
Description
An account of the resource
Giuliana Bruno <span>was a contributing writer for NTU CCA Singapore publication </span><em>Theatrical Fields: Critical Strategies in Performance, Film, and Video</em><span>.</span>
Contributor
An entity responsible for making contributions to the resource
Giuliana Bruno