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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Short Description
A Convening: Mother Always Has a Mother (Online)
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/492411417">https://vimeo.com/492411417</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
492411417
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
A Convening: Mother Always Has a Mother (Online)
Description
An account of the resource
In "Grandma's Story," the last chapter of <em>Women, Native, Other </em>(1989), Trinh T. Minh-ha writes that, "The story depends upon every one of us to come into being. It needs us all, needs our remembering, understanding, and creating what we have heard together to keep coming into being." This convening builds upon this idea of a multiplicity of storytellers and intergenerational, intercultural linkages in art, activism, stories, and histories.
Date
A point or period of time associated with an event in the lifecycle of the resource
2020-12-12
Contributor
An entity responsible for making contributions to the resource
Eunsong Kim
Jungmin Choi
Kim Nguyen
Karin Oen
Green Zeng
Hong-An Truong
Hồng-Ân Trương
Ranu Mukherjee
Billy Tang
Ute Meta Bauer
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Activism
Feminism
Displacement
Identity
Fiction
Format
The file format, physical medium, or dimensions of the resource
Video
Language
A language of the resource
English
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
This convening builds upon the idea of a multiplicity of storytellers and intergenerational, intercultural linkages in art, activism, stories, and histories.
Programme Type
Discussion - Panel
Screening
Location
Onsite (CCA)
Offsite
Online
Online
Collaboration
Yes
Commissioned Work
No
Related Countries
Singapore
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
A Convening: Mother Always has a Mother
Description
An account of the resource
In “Grandma’s Story,” the last chapter of artist, filmmaker and theorist Trinh T. Minh-ha’s Woman, Native, Other (1989), she writes that, “The story depends upon every one of us to come into being. It needs us all, needs our remembering, understanding, and creating what we have heard together to keep on coming into being.” <br /><br />Co-presented by NTU CCA Singapore, the CCA Wattis Institute for Contemporary Arts, and Rockbund Art Museum, this convening builds upon the idea of a multiplicity of storytellers and intergenerational, intercultural linkages in art, activism, stories, and histories. A two-part programme, the first segment involves a conversation between artists Hồng-Ân Trương and Ranu Mukherjee (both United States), reflecting on the Wattis’ year-long research season on the practice of Trinh T. Minh-ha. The conversation will close by screening video artworks by Ranu Mukherjee, 0rphan drift, and Genevieve Quick (United States), then the convening flows into a panel discussion with short presentations by Jungmin Choi (Korea), Eunsong Kim (United States), Green Zeng (Singapore) and Billy Tang (United Kingdom/China), exploring intergenerational dialogues, transnational and diasporic identities, and activism in creative practice and public life.<br /><p>10.00 – 11.00am<br /><strong>In Conversation: Hồng-Ân Trương</strong> (United States) and <strong>Ranu Mukherjee</strong> (United States), moderated by <strong>Kim Nguyen</strong> (Canada/United States)</p>
<p>11.00 – 11.20am<br /><strong>Video Art Screenings: <em>Home and the World</em></strong> (2015) and <em><strong>Dear Future</strong></em> (2020) by <strong>Ranu Mukherjee</strong>(United States), <em><strong>IF AI / AIBOHPORTSUALC</strong></em> (2020) by <strong>0rphan drift</strong> (Ranu Mukherjee and Maggie Roberts), and <em><strong>Planet Celadon: Operation Completed</strong></em> (2020) by <strong>Genevieve Quick</strong> (United States)</p>
<p>11.30am – 1.00pm<br /><strong>Panel Discussion: </strong><em><strong>The Welling Up and the Very Coursing of Water: On the Transnational, the Transgenerational, and the Diasporic</strong></em><br />Moderators: <strong>Kim Nguyen </strong>and<strong> Dr Karin Oen</strong> (United States/Singapore)<br />Panelists: <strong>Jungmin Choi</strong> (Korea), <strong>Eunsong Kim</strong> (Korea/United States), and <strong>Green Zeng</strong> (Singapore)<br />Respondent: <strong>Billy Tang</strong> (United Kingdom/China)</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
2020-12-12
Contributor
An entity responsible for making contributions to the resource
Hồng-Ân Trương
Ranu Mukherjee
Kim Nguyen
Genevieve Quick
Karin Oen
Eunsong Kim
Jungmin Choi
Green Zeng
Billy Tang
Hong-An Truong
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Subject
The topic of the resource
Identity
History
Diaspora
Migration
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Hồng-Ân
Surname or Business Name
Trương
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2020
Affiliation
Company, organization, or institution name
University of North Carolina at Chapel Hill
Birthplace
United States
Occupation
Professional title or identity
Artist and Associate Professor of Art
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Hồng-An Trương (United States) uses photography, sound, video, and performance to examine histories of war and immigrant and refugee narratives through a decolonial framework. By interrogating archival materials, she examines the production of knowledge through structures of time and memory. Her interdisciplinary projects are premised on the concept that aesthetic battles are also political and ideological battles. Her work has been shown at venues such as the International Center for Photography (NY), Art in General (NY), the Nasher Museum of Art (Durham, NC), The Kitchen (NY), Nhà Sàn (Hanoi), the Irish Museum of Modern Art (Dublin, Ireland), Leslie Tonkonow Gallery (NY), the Rubber Factory (NY), the Phillips Collection (Washington D.C.) and the Minneapolis Institute of Art (MN). She was included in the New Orleans triennial Prospect.4: The Lotus in Spite of the Swamp in 2017-2018. Her collaborative work with Hương Ngô was exhibited in Being: New Photography 2018 at the Museum of Modern Art in New York. Her work has been reviewed in Artforum, The New Yorker, the New York Times, The Wall Street Journal, and Hyperallergic, among others. She has been awarded an Art Matters Foundation Grant, a Foundation for Contemporary Arts emergency grant, and is a 2019-2020 Guggenheim Foundation Fellow in Fine Art. She is currently the Capp Street Project Artist-in-Residence at the Wattis Institute at the California College of the Arts in San Francisco. She received her MFA from the University of California, Irvine and was a fellow in the Whitney Independent Study Program. Hồng-Ân is based in Durham, North Carolina where she is an activist and an Associate Professor of Art at the University of North Carolina at Chapel Hill.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United States
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Contributor Type
Artist
Speaker
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Hồng-Ân Trương
Subject
The topic of the resource
Decolonialism
History
Migration
Diaspora
Contributor
An entity responsible for making contributions to the resource
Hồng-Ân Trương
Hong-An Truong
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
“Speaking nearby” to the exhibition Trinh T. Minh-ha. Films., this research presentation showcases the Wattis Institute’s year-long research season on Trinh’s multifaceted practice as a filmmaker, writer and theorist.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2020-10-24
Exhibition End Date
2021-01-10
Collaboration
Yes
Commissioned Work
No
Related Countries
United States
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Why are they so afraid of a lotus?</i>
Subject
The topic of the resource
Feminism
Identity
Politics
Description
An account of the resource
“Speaking nearby” to the exhibition <i>Trinh T. Minh-ha. Films.,</i> this research presentation showcases the Wattis Institute’s year-long research season on Trinh’s multifaceted practice as a filmmaker, writer and theorist. What does the promise of “speaking nearby” rather than “speaking about” look like today? What are the politics of hospitality? What are the problematics of “post-feminism,” and how do we challenge the West as the authoritative subject of feminist knowledge? Expanding the discursive orbit of these questions, the presentation features projects by artists <b>Hồng-Ân Trương </b>(US) and <b>Genevieve Quick</b> (US), and is accompanied by the online convening <i>Mother Always Has a Mother</i>, a result of the ongoing research collaboration between NTU CCA Singapore, Rockbund Art Museum (Shanghai), and the Wattis Institute. <br /><br />Conceived by <b>Kim Nguyen</b> (Canada/United States), Curator and Head of Programs, CCA Wattis Institute for Contemporary Arts (Wattis), San Francisco.
Contributor
An entity responsible for making contributions to the resource
Hồng-Ân Trương
Genevieve Quick
Kim Nguyen
Rockbund Art Museum
CCA Wattis Institute for Contemporary Arts
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
Medium
The material or physical carrier of the resource.
Video
Installation
Print