Residencies AiRCAST Episode #18: Anthony Chin
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Wrapping up our third season, we invited back curator Hsu Fang-Tze to dig deep into the practice of Artist-in-Residence Anthony Chin. In their insightful exchange, Anthony discusses his art-making process that often begins with extensive research into archives addressing imperial and colonial histories, and how this eventually informs the conceptualisation of his site-specific installations that bring to light the geopolitical reverberations that continue to resonate until today. Anthony also considers how his background in industrial design has shaped his practice and interest in the symbolic significance of objects.
Contributors: Anthony Chin, Hsu Fang-Tze
Editor: Magdalena Magiera
Programme Manager: Nadia Amalina
Sound Engineer: Ashwin Menon
Intro & Outro Music: Zachary Chan
Cover Image & Design: Arabelle Zhuang, Kristine Tan
2023
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Anthony+Chin">Anthony Chin</a>
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English
<a href="https://www.buzzsprout.com/1845756/14605729-aircast-18-anthony-chin">https://www.buzzsprout.com/1845756/14605729-aircast-18-anthony-chin</a>
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Residencies AiRCAST Episode #5: Han Xuemei
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Artistic+Research">Artistic Research</a>
<p>For our fifth episode of AiRCAST, we entrusted curator and scholar Hsu Fang-Tze to pick the mind of our Artist-in-Residence Han Xuemei. In their insightful exchange, Xuemei discusses how her urgency for engagement steers her fluid theatre practice towards experimenting with different modes of audience participation. As she shares about her current efforts to carve out “intervals of quiet” and “plots of rest” in the hectic context of Singapore, you will also discover that the research on the topic of “rest as resistance” she conducted throughout her residency at NTU CCA Singapore grows out from another residency she did in Taipei a few years ago.<br /><br />Committed to socially engaged practices, multi-disciplinary theatre practitioner Han Xuemei (b. 1987, Singapore) employs art as a tool for bringing communities together and engaging the audience in visceral and personal ways. In her practice, she creates spaces and experiences that incite participants to think outside the box of existing paradigms and articulate forms of hope and resistance. Since 2012, she is Resident Artist at the Singapore-based theatre company Drama Box. In 2021 she received Young Artist Award, Singapore’s highest award for young arts practitioners.<br /><br />Hsu Fang-Tze is a lecturer at the Communications and New Media Department, National University of Singapore where she is also a coordinator of the M.A. in Arts and Cultural Entrepreneurship. Her research interests include the formation of audiovisual modernity in Asia, Cold War aesthetics, philosophies of sonic technology, and the embodiment of artistic praxis in everyday life. Apart from her academic work, she is also active as a curator and has curated exhibitions such as A<em>rt Histories of a Forever War: Modernism between Space and Home</em><span> </span>at the Taipei Fine Art Museum, Taiwan (2021-2022) and<span> </span><em>Wishful Images</em><span> </span>at National University of Singapore Museum (2020). <br /><br />Contributors: Han Xuemei, Hsu Fang-Tze<br />Editor: Anna Lovecchio<br />Programme Manager: Kristine Tan <br />Sound Engineer: Ashwin Menon (The Music Parlour) <br />Intro & Outro Music: Tini Aliman <br />Cover Image & Design: Arabelle Zhuang, Kristine Tan</p>
<p>CREDITS<br />12’38”: Audio excerpt from<span> </span><em>MISSING: The City of Lost Things</em>, 2018. Courtesy Drama Box.<br />15’07”: Audio excerpt from<span> </span><em>MISSING: The City of Lost Things</em>, 2018. Courtesy Drama Box.<br />19’15”: Audio excerpt from<span> </span><em>FLOWERS</em>, 2019. Courtesy Drama Box.<br />21’00”: Audio excerpt from<span> </span><em>FLOWERS</em>, 2019. Courtesy Drama Box. <br />26’24”: Audio excerpt from Taipei Main Station & Research Field Recording workshop part of<br />Asia Discovers Asia Meeting for Contemporary Performance Artist Lab, 2019. Courtesy the artist. <br />35’30’’: Audio excerpt from Han Xuemei, field recordings at Tanah Merah, January 2022. Courtesy the artist.</p>
2022-03-02
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Han+Xuemei">Han Xuemei</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hsu+Fang-Tze">Hsu Fang-Tze</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Anna+Lovecchio">Anna Lovecchio</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kristine+Tan">Kristine Tan</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ashwin+Menon">Ashwin Menon</a>
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=42&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Podcast">Podcast</a>
English
<a href="https://www.buzzsprout.com/1845756/10518783-aircast-5-han-xuemei">https://www.buzzsprout.com/1845756/10518783-aircast-5-han-xuemei</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
Transcript of Residencies AiRCAST Episode #5: Han Xuemei
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Theatre">Theatre</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Artistic+Research">Artistic Research</a>
<span>For our fifth episode of AiRCAST, we entrusted curator and scholar Hsu Fang-Tze to pick the mind of our Artist-in-Residence Han Xuemei. In their insightful exchange, Xuemei discusses how her urgency for engagement steers her fluid theatre practice towards experimenting with different modes of audience participation. As she shares about her current efforts to carve out “intervals of quiet” and “plots of rest” in the hectic context of Singapore, you will also discover that the research on the topic of “rest as resistance” she conducted throughout her residency at NTU CCA Singapore grows out from another residency she did in Taipei a few years ago.</span>
2022-03-02
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Han+Xuemei">Han Xuemei</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hsu+Fang-Tze">Hsu Fang-Tze</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fang-Tze+Hsu">Fang-Tze Hsu</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Anna+Lovecchio">Anna Lovecchio</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=42&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Transcript">Transcript</a>
English
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
Fang-Tze Hsu
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Curatorial+Practice">Curatorial Practice</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fang-Tze+Hsu">Fang-Tze Hsu</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fang+Tze+Hsu">Fang Tze Hsu</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hsu+Fang-Tze">Hsu Fang-Tze</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Asia">Asia</a>
Residencies Studio Sessions: Exploring ‘Sisterhood’: How Can We Imagine A Better Way Forward?
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Feminism">Feminism</a>
A panel discussion with Dr Tan Kai Syng (Singapore), Artist-in-Residence, Amanda Heng (Singapore), artist, and Véronique Sapin (France/Singapore), curator. Respondents: Professor C.J. Wan-ling Wee (Singapore), School of Humanities, NTU and Dr Fang-Tze Hsu (Taiwan/Singapore), curator, NUS Museum, introduced by Dr Anna Lovecchio, curator, NTU CCA Singapore. <br /><br />How have notions and practices of sisterhood evolved over the last four decades? Is it possible to co-create a vision for the future in dialogue with each other? For the second part of her residency, Dr Tan Kai Syng picks up from when she last collaborated with pioneering feminist artist Amanda Heng and Singapore-based arts professional Véronique Sapin to trigger a collective reflection upon gender and social change in the arts in today’s Singapore and beyond. Through the lens of their artworks and projects, the speakers and respondents will address the problematic notion of ‘sisterhood’ and its relevance for envisioning a different future. <br /><br />This session will take place in the artist’s studio.
2019-09-26
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Tan+Kai+Syng">Tan Kai Syng</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Amanda+Heng">Amanda Heng</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=V%C3%A9ronique+Sapin">Véronique Sapin</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=C.J.+Wan-ling+Wee">C.J. Wan-ling Wee</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fang-Tze+Hsu">Fang-Tze Hsu</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Anna+Lovecchio">Anna Lovecchio</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Veronique+Sapin">Veronique Sapin</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hsu+Fang-Tze">Hsu Fang-Tze</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=C.J.+Wee+Wan-ling">C.J. Wee Wan-ling</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
Residencies Studio Sessions: <em>Seeing Another: Working With and Through Representation</em> by Wei Leng Tay and Dr Fang-Tze Hsu
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ways+of+Seeing">Ways of Seeing</a>
In this conversation, Wei Leng Tay and Dr Fang Tze Hsu will discuss how they think about and work with representation in their respective practice. Wei Leng will touch upon past works, such as <i>you think it over slowly, slowly choose… (2018) and The first chapter it begins with the horses </i>(2017-18), and the new works she is developing during the residency, while Fang Tze will expand upon her ongoing research on Taiwanese photo and video artist Kao Chung-li and Okinawan photographer Toyomitsu Higa. Intertwining the points of view of an artist and a researcher/curator, they will challenge each other to reflect upon issues of representation and the subjective entanglements embedded in the process of image-making. <br /><br />The talk will take place in the artist’s studio.
2019-09-10
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Wei+Leng+Tay">Wei Leng Tay</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fang-Tze+Hsu">Fang-Tze Hsu</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hsu+Fang-Tze">Hsu Fang-Tze</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>