The Posthuman City. Climates. Habitats. Environments]]> Posthumanism]]> Sustainability]]> Coexistence]]> Biodiversity]]> Ecology]]> Technology]]> Climate Crisis]]> The Posthuman City features artists who propose a shift in perspective.

Taking NTU CCA Singapore’s overarching research topic Climates.Habitats.Environments. as point of departure, the exhibition The Posthuman City considers the possibilities of a conscious sharing of resources, and a respectful and mindful coexistence between humans and other species. Through imaginative propositions at the intersection of art, design, and architecture, the selected artists engage questions addressing issues of sustainability, water scarcity, invisible communities, nature as a form of culture, and suggest the implementation of lived indigenous knowledges. Examining the urban fabric in its condition as a habitat for a diversity of life forms, the featured works range from installations to time-based media.

Stressing the vital importance of clean water and the challenges of its scarcity around the world, the artist and design duo Lucy + Jorge Orta have developed a long-term project on water collection, purification, and distribution. OrtaWater focuses on the general issues surrounding clean water and the privatisation and corporate control effecting access to it. Starting from a rigorous analysis of this crucial resource through visual and textual research and collaborative workshops with engineers, Lucy + Jorge Orta create sculptures, large-scale installations, and public artworks, that are both artefacts and functional design. One angle of their research—low-cost water purification devices enabling filthy water to be pumped and filtered directly from local sources—is translated into Portable Water Fountain (2005) and Mobile Intervention Unit (2007). These devices have been used to purify and distribute water from the Venice’s Canal Grande (2005) and the Huang Pu River in Shanghai (2012), among others, and now from the creek that runs through Gillman Barracks.

Similarly combating water pollution, Irene Agrivina’s Soya C(o)u(l)ture is a mixed media installation that demonstrates how to transform wastewater from tofu and tempeh production into usable biomaterials, such as fuel, fertiliser, and leather-like fabrics. Soya C(o)u(l)ture was developed in collaboration with XXLab, an all-female transdisciplinary collective that Agrivina co-founded. Usually, large amounts of wastewater pollute the water in the rivers surrounding the plants, which in turn causes cholera and skin and bowel diseases in humans. Soya C(o)u(l)ture intends to divert this wastewater from tofu factories and put it in a homegrown starter culture medium to create useful products. A biological process using various bacteria and cell cultures, for instance Acetobacter xylinum, generates alternative energy sources, foodstuffs, and biological material. This process creates cellulose sheets that can either be used for consumption—nata de coco, a variant made of coconut water, is a popular snack food—or further processed (pressed, dried, enhanced with colouring and coating) to make clothing and craft materials. This biological procedure can be reproduced in any household using normal kitchen utensils in combination with open-source software and simple hardware. In this way, the project could provide women in poverty-stricken regions with opportunities to increase their income.

Indigenous peoples of various territories around the world, with deep historical and cultural ties to their land, have preserved sustainable ways of living that respect the limits of the planet’s resources. The artist and architect Marjetica Potrč’s Earth Drawings refer to these unique indigenous cosmogonies and their essential knowledges, based on research done over the past 15 years, centred on indigenous communities, such as the Asháninkas (in the Brazilian state of Acre in Amazonia), the Aboriginal (in Australian), and the Sami (in northern Norway), The Earth Drawings, a series on paper, point to the growing alliances between indigenous groups and bottom-up initiatives in the effort to ensure a more resilient future, beyond the social and economic agreement of the neoliberal order. Potrč stresses that the world’s diverse societies, taken together, form an intelligent organism: when necessary, they self-generate new models of existence and coexistence—a precondition for human resilience on Earth. Sharing life experiences is, after all, a basic human condition. Coexistence on Earth requires new foundations that foreground collective ownership of the land and a socially-conscious individualism.

Planetary coexistence of species acknowledges the presence and agency of diverse forms of intelligence. The artist Nicholas Mangan is inspired by termites and their capacity to build sophisticated and dynamic architectures that provide a model for decentralised social and economic organisation. The starting point of Termite Economies (Phase 1) was the anecdote that Australia’s Commonwealth Scientific and Industrial Research Organisation (CSIRO) researched termite behaviour in the hope that the insects might one day lead humans to gold deposits; a proposal to exploit the natural activity of termite colonies for economic gain. Mangan, on the contrary, proposes that the termites’ way of living in colonies might suggest other complex and global-scale systems for people to live and work together, better regulating and metabolising human consumption, production, and digestion. Termite Economies combines footage Mangan filmed on locations in Western Australia, alongside archival video and table-mounted sculptures, to speculate on the use of termites as miners and ruminating on how capitalism puts nature to work. The 3D-printed models reference existing infrastructures, for instance an underground tunnelling system for Tindals Mining Centre, a gold mine in Western Australia. The idea was to produce a 1:100 scale model to train termites.

In Bangkok Opportunistic Ecologies, the design practice Animali Domestici studied the urbanity of Bangkok from a non-anthropocentric perspective, focusing on the presence of pythons. Mapping the city through a snake’s experience, the resulting tapestry puts multiple beings of different species at the centre, displacing the human from its exceptionalism. The graphic realisation is freely inspired by the representation techniques, colour palettes, and composition of Thai traditional mural paintings. Their work process translates research and statistics on the Thai capital into multiple encapsulated narratives, including such elements as sewerage, canals, water swamps, and rain water “cracked” pipes—typical spots used by snakes, according to fire department experts—, as well as folkloric cultural practices like the numerology and superstitions connected to the shape and location of the animals.

In Untitled (Human Mask), the artist Pierre Huyghe films a monkey, Fuku-chan, who in real life has a work permit as a “waitress” in a traditional sake house in Tokyo. In the film, the animal is wearing a dress and a wig, as well as a white, human-like mask created by Huyghe. Made of resin, the mask is inspired by traditional Japanese Noh theatre masks, where only the main actor wears a mask, meant to show the essential traits of the character. The film’s first images are drone shots of a devastated landscape, that of Fukushima in 2011, after the earthquake-triggered tsunami caused the meltdown of three nuclear plant reactors. It then shifts to an empty restaurant and house, where we follow Fuku-chan moving around in the dark. Fuku-chan is seen acting, and seems to be waiting, shaking her leg, looking at her nails, playing with her hair. A cat appears, and we see close-ups of insects and cockroaches. Raising questions about the essence of human nature and of non-human forms of intelligence and communication, the work points at the prevailing relationship of domination between humans and other species.

Ghostpopulations, a series of collages by the artist Ines Doujak, combines ill human bodies with flora and fauna, transforming drawings from 19th-century medical textbooks into provocative assemblages that investigate desperation as an economic force. Doujak points out that entire populations uproot and flee in the direction of the faintest glimmer of hope, only to find themselves in the worst of predicaments: abandoned and deported, sold, abused or stigmatised forever, circulating as extremely cheap and disposable commodities. While she is giving visibility to such marginalised, abused, and displaced populations, these collages draw a dystopian mirage, reminding us of the pending threat of pandemic illnesses.

Death, from a post-humanist perspective, is not only inevitable and part of life, but is an event that is already in our past. The artist and entrepreneur Jae Rhim Lee developed a burial suit as an environmentally-conscious alternative to conventional funerary processes, shifting the negative narratives around death. The presented Infinity Burial Suit, a handcrafted garment that is worn by the deceased, is completely biodegradable, and co-created with zero waste fashion designer Daniel Silverstein. In addition, the Forever Spot Pet Shroud is featured, also consisting of a built in bio­mix of mushrooms and other microorganisms that together do three things: aid in decomposition, work to neutralise toxins found in dead bodies, and transfer nutrients to plant life, enriching the earth and fostering new life. Highlighting the importance of decompiculture—the cultivation of waste-decomposing organisms—, this project also suggests a strong link between human resistance to mortality and climate change denial. She advocates for a post-mortem responsibility towards the natural world and a direct engagement with our own mortality, making funerals new beginnings instead of endpoints, becoming more emotionally and socially accessible.

A parable on economic crashes, financial trading, mixed martial arts, and general contemporary culture, artist and writer Hito Steyerl’s large-scale architectural environment features Liquidity Inc., a single-screen projection that uses water and liquidity as guiding tropes. Opening with the quote “be water, my friend” by martial arts legend and actor Bruce Lee, the film comments on the circulation of digital images, big data, information, financial assets, labour, and weather systems. The installation consists of a double-sided projection screen in front of a blue, wave-like ramp, where the viewers find themselves in “troubled water.” Steyerl merges CGI and green screen scenes with an assortment of embedded videos, swipes, clips, scrolls, and pop-up windows, that include the story of Jacob Wood, a former financial analyst who lost his job during the 2008 economic recession and decided to turn his mixed martial arts hobby into a new career. The intricate mesh of late capitalism structures needs to be hijacked in order to allow space for new ecological and sustainable policies that value people and life over profit.

The Posthuman City, through artistic propositions, intends to open a discussion about the imbalanced relationship between an anthropocentric thinking that puts the human at the centre, and the fact that the urban environment is a habitat for many life forms. In her book The Posthuman (2013), Rosi Braidotti calls for resilience, stating that “sustainability does assume faith in a future, and also a sense of responsibility for ‘passing on’ to future generations a world that is liveable and worth living in. A present that endures is a sustainable model of the future.”

Curated by Ute Meta Bauer, Professor, NTU ADM, and Founding Director, NTU CCA Singapore, and Laura Miotto, Associate Professor, NTU ADM

The accompanying public programmes include seminars addressing techno-optimism and eco-hacktivism on 23 November 2019, and biodiver-city and urban futurism on 18 January 2020, deepening the discussion around posthumanism and the urban condition.

From 15 – 23 February 2020, the second edition of NTU CCA Ideas Fest takes place, guest curated by IdeasCity, New Museum, New York.]]>
Irene Agrivina]]> Animali Domestici]]> Ines Doujak]]> Pierre Huyghe]]> Jae Rhim Lee]]> Lucy + Jorge Orta]]> Nicholas Mangan]]> Marjetica Potrč]]> Hito Steyerl ]]> Video]]> Multimedia Installation]]> Film]]> Painting]]> Sculpture]]> Object]]> Installation]]> Southeast Asia]]>
Technology]]> Irene Agrivina]]> Southeast Asia]]> Sustainability]]> Technology]]> Biodiversity]]> A Perfect Marriage, investigates the symbiotic relationship between Azolla, an aquatic water fern, and Anabaena, a microscopic blue-green cyanobacterium. The two organisms have never been apart for 70 million years, co-evolving in complementary ways that allow them to be increasingly efficient. Besides ensuring their survival, other outcomes of this remarkably sustainable and mutually beneficial relationship involve the production of biofuel and textile dyes, the purification of water, and the reduction of global warming. During her residency, Agrivina aims to expand on her research and conduct experiments inspired by this unique symbiotic process using eco-friendly materials. A Perfect Marriage intends to emphasise the global importance of patterns of co-dependency and the potential of the photosynthesis process in connection with environmental issues.]]> Irene Agrivina]]> Multimedia Installation]]> Southeast Asia]]> The Posthuman City. Climates. Habitats. Environments Exhibition Guide]]> Sustainability]]> Posthumanism]]> Technology]]> Climate Crisis]]> The Posthuman City. Climates. Habitats. Environments Exhibition Guide]]> Irene Agrivina]]> Animali Domestici]]> Ines Doujak]]> Pierre Huyghe]]> Jae Rhim Lee]]> Lucy + Jorge Orta]]> Nicholas Mangan]]> Marjetica Potrč]]> Hito Steyerl ]]> Guide]]> Southeast Asia]]> Activism]]> Nature]]> Oceans & Seas]]> Sustainability]]> 23 Nov 2019, Sat 02:00 PM - 07:00 PM
The Single Screen, Block 43 Malan Road

With practices at the intersection of art and activism, Irene Agrivina and inhabitants will share more about their works, on view in the Exhibition Hall and the Lab respectively. While Agrivina teaches local women communities in Indonesia how to transform wastewater into valuable goods, inhabitants informs a wider public about the threats of seabed mining. Environmental researchers Dr Serina Abdul Rahman and Dr Janelle Thompson will present their findings on floral and faunal marine communities, as well as sustainable and ecological solutions regarding natural resources.

Part of Symposium: Techno-Optimism and Eco-Hacktivism]]>
Serina Abdul Rahman]]> Janelle Thompson]]> Karin Oen]]> Irene Agrivina]]> inhabitants]]> Southeast Asia]]>
Materiality]]> Nature]]> 24 Nov 2019, Sun 02:00 PM - 05:00 PM
The Seminar Room, Blk 43 Malan Road

Get a hands-on experience in making your very own eco-prints using easily available materials such as flowers and leaves. You will get the opportunity to print on SOYA C(O)U(L)TURE, a bio-leather derived from the byproduct of soy production. This is a Bring Your Own Flowers workshop!

A public programme of The Posthuman City.Climates.Habitats.Environments.]]>
Irene Agrivina]]> Southeast Asia]]>
Botany]]> Nature]]> Sustainability]]> Ecology]]> Oceans & Seas]]> 23 Nov 2019, Sat 02:00 PM - 07:00 PM The Single Screen, Block 43 Malan Road

3.20 – 5.00pm Presentation and Conversation: Eco-Hacktivism with Irene Agrivina, artist; inhabitants, artists; Dr Serina Abdul Rahman, Visiting Fellow, ISEAS-Yusof Ishak Institute, Singapore; and Janelle Thompson, Associate Professor, Asian School of the Environment, NTU; moderated by Dr Karin Oen, Deputy Director, Curatorial Programmes, NTU CCA Singapore

With practices at the intersection of art and activism, Irene Agrivina and inhabitants will share more about their works, on view in the Exhibition Hall and the Lab respectively. While Agrivina teaches local women communities in Indonesia how to transform wastewater into valuable goods, inhabitants informs a wider public about the threats of seabed mining. Environmental researchers Dr Serina Abdul Rahman and Dr Janelle Thompson will present their findings on floral and faunal marine communities, as well assustainable and ecological solutions regarding natural resources."]]>
Irene Agrivina]]> Serina Abdul Rahman]]> Janelle Thompson]]> Karin Oen]]> inhabitants]]> Video]]> Southeast Asia]]> Asia]]>
Climate Crisis]]> Cultural Production]]> Edited by Ute Meta Bauer
Design by mono.studio
Printed by DZA Druckerei zu Altenburg GmbH
© 2022 the artists, the authors, NTU Centre for Contemporary Art Singapore, Nanyang Technological University 
ISBN: 978-0-262-04681-7 
Distributed by The MIT Press 
Copies are available for sale at NTU CCA Singapore and through MIT Press S$80/US$60

Modeling the curatorial as a method for uniting cultural production and science, Climates. Habitats. Environments. weaves together image and text to address the global climate crisis. Through exhibitions, artworks, and essays, artists and writers transcend disciplinary boundaries and linear histories to bring their knowledge and experience to bear on the fight for environmental justice. In doing so, they draw on the rich cultural heritage of the Asia-Pacific, in conversation with international discourse, to demonstrate transdisciplinary solution-seeking.

Experimental in form as well as in method, Climates. Habitats. Environments. features an inventive book design by mono.studio that puts word and image on equal footing, offering a multiplicity of media, interpretations, and manifestations of interdisciplinary research. For example, botanist Matthew Hall draws on Ovid's Metamorphoses to discuss human-plant interpenetration; curator and writer Venus Lau considers how spectrality consumes—and is consumed—in animation and film, literature, music, and cuisine; and critical theorist and filmmaker Elizabeth Povinelli proposes “Water Sense” as a geontological approach to “the question of our connected and differentiated existence,” informed by the “ancestral catastrophe of colonialism.” Artists excavate the natural and cultural DNA of indigo, lacquer, rattan, and mulberry; works at the intersection of art, design, and architecture explore “The Posthuman City”; an ongoing research project investigates the ecological urgencies of Pacific archipelagos. The works of art, the projects, and the majority of the texts featured in the book were commissioned by NTU Centre for Contemporary Art Singapore.

]]>
Ute Meta Bauer]]> Anna Lovecchio]]> Michael Marder]]> Kong Yin Ying]]> Marian Pastor Roces]]> Ravi Agarwal]]> Donna J. Haraway]]> Matthew Hall]]> Nikos Papastergiadis]]> Donna J. Haraway]]> David Pledger]]> Dan Koh]]> Tan Zi Hao]]> May Adadol Ingawanij]]> Michael M. J. Fischer]]> Venus Lau]]> Elizabeth A. Povinelli]]> Cynthia Chou]]> Nina Oeghoede]]> Philippe Pirotte]]> Epeli Hau'ofa]]> Nabil Ahmed]]> Édouard Glissant]]> Tania Roy]]> Alfian Sa'at]]> Jake Atienza]]> Kenneth Dean]]> Faizah Zakaria]]> Stefanie Hessler]]> Huang Jui-mao]]> Anna Källén]]> Philippa Lovatt]]> Laura Miotto]]> Rob Nixon]]> Khim Ong]]> Markus Reymann]]> Dirk Snauwaert]]> Matariki Williams]]> Irene Agrivina]]> Nabil Ahmed]]> Irwan Ahmett]]> Tita Salina]]> Atif Akin]]> Animali Domestici]]> Apichatpong Weerasethakul]]> Martha Atienza]]> Tarek Atoui]]> Laura Anderson Barbata]]> Rosella Biscotti]]> Guigone Camus]]> Choy Ka Fai]]> Roko Josefa Cinavilakeba]]> Sean Connelly]]> Ade Darmawan]]> Lucy Davis]]> Ines Doujak]]> Jef Geys]]> Tue Greenfort]]> Newell Harry]]> Ho Tzu Nyen]]> Chia-Wei Hsu]]> Pierre Huyghe]]> ila]]> inhabitants]]> The Institute of Critical Zoologists]]> Kristy H. A. Kang]]> Susanne Kriemann]]> Zac Langdon-Pole]]> Jae Rhim Lee]]> Liang Shaoji]]> PerMagnus Lindborg]]> Armin Linke]]> Nicholas Mangan]]> Alice Miceli]]> Manish Nai]]> Nguyễn Trinh Thi]]> Phi Phi Oanh]]> Lucy + Jorge Orta]]> Park Chan-kyong]]> Sophia Pich]]> Marjetica Potrč]]> Shubigi Rao]]> Lisa Rave]]> Lucy Raven]]> Bridget Reweti]]> Hito Steyerl]]> Melati Suryodarmo]]> Tanatchai Bandasak]]> Sung Tieu]]> Jegan Vincent de Paul]]> Wu Mali]]> Vivian Xu]]> Yeo Siew Hua]]> Zarina Muhammad]]> Edouard Glissant]]> Anna Kallen]]> Nguyen Trinh Thi]]> Marjetica Potrc]]> mono.studio]]> Publication]]> Southeast Asia]]> Asia]]>
Artistic Research]]> Blocks 37 & 38 Malan Road

Residencies OPEN offers a rare insight into the often-introverted sphere of the artist studios. Through showcasing discussions, performances, installations, and works-in-progress, Residencies OPEN profiles the diversity of contemporary art practice from around the globe and the divergent ways artists conceive an artwork with the studio as a constant space for experimentation and research.

Featuring Artists-in-Residence: Irene Agrivina (Indonesia), Chang Wen-Hsuan (Taiwan), Bridget Reweti (Aotearoa New Zealand), Tan Kai Syng (Singapore/United Kingdom), Wei Leng Tay(Singapore), Zarina Muhammad (Singapore).

]]>
Irene Agrivina ]]> Chang Wen-Hsuan]]> Bridget Reweti]]> Tan Kai Syng]]> Wei Leng Tay]]> Zarina Muhammad]]> Southeast Asia]]> Oceania]]>
Sustainability]]> Environmental Crisis]]> NTU CCA IdeasFest is a platform to catalyse critical exchange of ideas and encourage thinking “out of the box”. It links the artistic and academic communities with grassroots and self-organised initiatives and small-scale entrepreneurship. Following the global call for an ecological turn in art, architecture, and design, NTU CCA IdeasFest 2023 FOOD Eat. Secure. Sustain. presents projects that engage, investigate, and aim to ensure food security on a healthy planet. The vitality of food poses a wide-ranging set of questions and problems when confronted with nature’s diminishing capacity to nourish life as a result of harmful anthropocentric activity. Such challenges demand that we rethink our modes of production and consumption.

This third edition of IdeasFest draws relational links to improve the understanding of sustainable food systems and their urgencies, opening a pathway towards actionable steps to ensure food security. Current food practices are threatening both people and planet; more nourishing and sustainable ways of eating and producing need to be developed. This need to transform our societies towards socio-ecological sustainability is clear, but many proposals lack the concrete economic and political scaffolding necessary to make their implementation feasible.

The global food system encompasses all economic sectors, and understanding its components is essential for developing and executing effective measures to strengthen its sustainability. IdeasFest 2023 FOOD Eat. Secure. Sustain. looks into how various technologies affect (traditional) food practices and culinary techniques, and which of these are valued. Food security hinges on sustainable food systems which are based on subsystems, including farming, waste management, and supply infrastructures, which in turn interact with trade, energy, and health systems.

Focusing on social interactions that connect academic research with artistic and cultural fields as well as with architecture and design applications, this edition draws a direct relation between human societies and their impact on the environment. It presents environmentally friendly ways of living, exploring regional crafts, reusing, repairing und upcycling. While scientific evidence on climate change and food scarcity is widely discussed, to materialise future-proof food communities, it requires socially robust and impactful proposals that create a relay between local perspectives and knowledge generated in academia. To address food related issues and the climate crisis in a continued dialogue is necessary, as there is a risk that the gravity and urgency of this crisis will not be fully comprehended.

As a platform to feature new initiatives, NTU CCA Ideas Fest FOOD Eat. Secure. Sustain. is an invitation to share and engage in cooperative projects and collective experiences through workshops, site visits, screenings, performances, public installations, participatory projects, and a summit. This diverse programme will be enriched by presentations of start-up initiatives and public dialogues on how to support Singapore’s aspiration to meet 30% of its nutritional requirements domestically by 2030 collectively and individually. A two-day Ideas Conference will bring together a prominent group of architects, theorists, researchers, curators, designers, and community groups to discuss further ideas on sustainability, circular economy, food security, creative learning, and the potential of cultural heritage such as crafts and sustainable urbanism to envision a responsible future city.

Ideas Fest 2023 FOOD Eat. Secure. Sustain., conceived in partnership with Singapore-ETH Centre Future Cities Laboratory Global, contemplates on sustainable food systems, climate awareness and solutions for a more sustainable future. Curated by Prof. Ute Meta Bauer (NTU CCA and NTU ADM), Magdalena Magiera (NTU CCA), Assoc. Prof. Laura Miotto (NTU ADM), Prof. Thomas Schroepfer (ETH FCL and SUTD), Dr. Tanvi Maheshwari (Associate Director for Research, Future Cities Laboratory Global)

Registration and tickets can be purchased through Eventbrite.

SUMMIT

Free registration for Conference Days through https://bit.ly/ntuccaideasfest2023_events

Thursday, 16 February 2023
5.15pm – 8.00pm
Venue: CREATE Tower, 1 Create Way, 138602
Theatrette, Level 2

5.15 pm Registration and Coffee

5.45pm Opening addresses by 
Guest of Honor Dr. Alvin Yeo (Singapore), Senior Director, Joint Policy and Planning Division, Singapore Food Agency
Prof. Subodh Mhaisalkar (Singapore), Executive Director for Academic Research, National Research Foundation Singapore, President’s Chair in Energy and Professor, School of Materials Science and Engineering, Nanyang Technological University (NTU)
Prof. Tim White (Australia/ Singapore), Vice President (International Engagement); President’s Chair in Materials Science and Engineering; Professor, School of Materials Science & Engineering at the Nanyang Technological University (NTU)
Prof. Sacha Menz (Switzerland), Director of Future Cities Lab (FCL) Global and Professor of Architecture and Building Process, ETH Zürich
Prof. Thomas Schroepfer (Germany/Singapore), Co-Director, Future Cities Lab (FCL) Global, Singapore-ETH Centre (SEC) and Professor of Architecture and Sustainable Design, Singapore University of Technology and Design (SUTD)
Prof. Ute Meta Bauer (Germany/Singapore), Founding Director, NTU CCA Singapore and Professor at the School of Art, Design and Media (ADM), NTU 

6.30pm Keynote Lecture CLOSING THE LOOP: The Role of Circular Economy in the Food Sector
by Paula Huerta (Spain/Indonesia), Circular Economy Consultant and Director Bambook Studio and GUASL

Followed by a conversation with Assoc. Prof. Laura Miotto (Italy/Singapore), at the School of Art, Design, and Media (ADM), NTU
8.00pm RECEPTION

Friday, 17 February 2023
8.30am – 7.30pm

CREATE Tower, 1 Create Way, 138602
Theatrette, Level 2

8.30am Registration and Coffee

Food Ecosystems

9.00am Welcome by Co-Curators
Prof. Ute Meta Bauer (Germany/Singapore), Founding Director, NTU CCA and Professor at NTU ADM, Assoc. Prof. Laura Miotto(Italy/Singapore), NTU ADM, Prof. Thomas Schroepfer (Germany/Singapore), Co-Director, FCL-G, SEC, and Professor of Architecture and Sustainable Design, SUTD

9.10am Food Connects
Lecture by Raine Melissa Riman (Malaysia), Co-Curator, E.A.T Borneo Conference, media strategist and social media lead, What About Kuching Festival

9.40am Hello! I am a Black Soldier Fly and I am Transforming the Global Food System
Flash Lecture by Niraly Mangal (India/Singapore), Doctoral Researcher at SEC

10.00am Clinically Relevant Materials & Applications Inspired by Food Technologies
Flash Lecture by Prof. Wiliam Chen (Singapore), Michael Fam Endowed Professor and Director, Food Science and Technology, NTU 

10.20am Human Created Food Crisis
Flash Lecture by Britto Arts Trust / Mahbubur Rahman(Bangladesh), Artist, Co-Founder and Trustee, Britto Arts Trust

10.40am BREAK

11.00am Discussion with Prof. William Chen (Singapore), Michael Fam Endowed Professor, Director Food Science and Technology, NTU, Niraly Mangal (India/Singapore), Doctoral Researcher, SEC, Britto Arts Trust / Mahbubur Rahman (Bangladesh), Artist, Co-Founder and Trustee, Britto Arts Trust, and Raine Melissa Riman (Malaysia), Co-Curator, E.A.T Borneo Conference, media strategist and social media lead, What About Kuching Festival, Moderated by Prof. Ute Meta Bauer (Germany/Singapore), Founding Director, NTU CCA Singapore and Professor, NTU ADM

12.00pm LUNCH BREAK

Urban Food Alternatives

1.30pm Architecture of Urban Agriculture for Building Sustainable Cities,
by Prof. Thomas Schroepfer (Germany/Singapore), Co-Director, FCL-G, SEC Global, Assoc. Prof. Carlos Banon (Spain/ Singapore), SUTD and Director and Co-Founder, AIRLAB Singapore 

2.00pm How Singapore is Addressing Global Food and Environmental Challenges through Alternative Proteins,
Flash Lecture by Valerie Pang (Singapore), Innovation Associate, The Good Food Institute (GFI) APAC

2.20pm Healing Remedies & Roadside Beauties,
Flash Lecture by Adeline Kueh (Singapore), Artist, Senior Lecturer at LASALLE College of the Arts 

2.40pm Consumer Acceptance of Alternative Proteins: Enduring and Emerging Issues,
Flash Lecture by Bianca Wassmann (Germany/Philippines), Doctoral Researcher, SEC

3.00pm  BREAK

3.20pm Discussion with Assoc. Prof. Carlos Banon (Spain/Singapore), SUTD, Director and Co-Founder, AIRLAB Singapore, Valerie Pang (Singapore), Innovation Associate, GFI APAC, Adeline Kueh (Singapore), Artist, Senior Lecturer at LASALLE College of the Arts, and Bianca Wassmann (Germany/Philippines), Doctoral Researcher, SEC, Moderated by Prof. Thomas Schroepfer(Germany/Singapore), Co-Director, FCL-G, SEC

4.20pm BREAK

Non Conventional Food Sources

4.40pm Quantifying the Environmental Impact of Our Food – How To Make More Sustainable Choices
Flash Lecture by Dr. Iris Haberkorn (Germany/Singapore) Senior Researcher and Project Lead, SEC

5.10pm Urban Food Production in a Circular Bioeconomy with Microalgae as Case Study
Flash Lecture by Byron Perez (Ecuador/Singapore) Doctoral Researcher, SEC

5.30pm I Have Never Seen a Swimming Salmon in My Life
Flash Lecture by Hoo Fan Chon (Malaysia), Artist 

5.50pm Reporting on Singapore’s Innovations of Cultivated Meat
Flash Lecture Dr. Keri Matwick (USA/Singapore) Lecturer, School of Humanities NTU and Dr. Kelsi Matwick (USA/Singapore) Adjunct Assistant Professor, University of Florida

6.10pm BREAK

6.30pm Discussion with Dr. Iris Haberkorn (Germany/Singapore), Senior Researcher and Project Lead, SEC, Byron Perez (Ecuador/Singapore), Doctoral Researcher, SEC, Hoo Fan Chon (Malaysia), Artist, and Dr. Keri Matwick, Lecturer, School of Humanities NTU, and Dr. Kelsi Matwick (USA/Singapore), Adjunct Assistant Professor, University of Florida, Moderated by Dr. Tanvi Maheshwari (India/Singapore), Associate Director (Research), FCL-G, SEC

Saturday, 18 February 2023
09.00am – 1.00pm

CREATE Tower, 1 Create Way, 138602
Theatrette, Level 2

9.00am Registration and Coffee

Food Industries

9.30am Welcome by Co-Curators
Magdalena Magiera (Germany/Singapore), Curator and Research Associate NTU CCA Singapore, Dr. Tanvi Maheshwari (India/Singapore), Assoc. Director (Research), FCL-G, SEC

9.40am Sarawak Rice: From Traditional Significance to Modern Sustainability,
Lecture by Karen Shepherd (Malaysia) writer, content creator, and Strategic Director for UCCN Kuching Creative City

10.40am On Palms, Weevils, and Owls: Tracing more-than-human labour in the oil palm territories of Johor, Malaysia,
Flash Lecture by Hans Hortig (Austria/Singapore), Doctoral Researcher, FCL-G, SEC

11.00am Collective Making and Domestic Hacking,
Flash Lecture by Irene Agrivina (Indonesia), Artist, Co-Founder HONF and XXLAB

11.20am Microbial Fuel Cells: Mud, Microbes, and Midichlorians (of The Force),
Flash Lecture by Saad Chinoy (Singapore) Co-Founder, SpudnikLab, Storytellers’ Kitchen, and EdibleMakerspace

11.40am BREAK

12.00pm Discussion with Karen Shepherd (Malaysia), writer, content creator, and Strategic Director for UCCN Kuching Creative City, Hans Hortig (Austria/Singapore), Doctoral Researcher, FCL-G, SEC, Irene Agrivina (Indonesia), Artist, Co-Founder HONF and XXLAB, and Saad Chinoy (Singapore), Co-Founder, SpudnikLab, Storytellers’ Kitchen, and EdibleMakerspace, Moderated by Magdalena Magiera (Germany/Singapore), Curator and Research Associate NTU CCA Singapore

Saturday, 18 February 2023
04.00 – 6.00pm

National Design Centre, 111 Middle Road, Singapore 188969
Auditorium

4.00pm Circularity and 3D-printing for Addressing Urban Agriculture for Sustainable Future Cities,
A Talk by Assoc. Prof. Carlos Banon, SUTD, Director and Co-Founder, AIRLAB Singapore 
5.00pm   Guided Exhibition Tour of Circular Futures: Next Gen (following the lecture)

Sunday, 19 February 2023
04.00 – 6.00pm

National Design Centre, 111 Middle Road, Singapore 188969
Auditorium

4.00pm The Potential for Digital Models in Urban Agriculture
A Sharing Session by Alba Lombardia (Spain/Singapore) PhD Researcher SUTD, with introductions by Prof. Thomas Schroepfer(Germany/Singapore), Co-Director, FCL-G, SEC, and Professor of Architecture and Sustainable Design, SUTD, and Assoc. Prof. Carlos Banon, SUTD, Director and Co-Founder, AIRLAB Singapore 
5.00pm Guided Exhibition Tour of Circular Futures: Next Gen (following the sharing session)

WORKSHOPS

Saturday, 18 February 2023
Tickets for workshops can be purchased or registered for at https://bit.ly/ntuccaideasfest2023_events

10am – 1pm To Gathering: Food Flows
with Alecia Neo (Singapore) artist, Ground-Up Initiative (Singapore), and Madhumitha Ardhanari (Singapore), Principal Sustainability Strategist, Forum for the Future
Venue: Kampung Kampus, 91 Lorong Chencharu, Singapore 769201

2.30 – 5.30pm Grow Your Own Microgreens with PVs
with Dr. Christoph Waibel (Germany/Singapore), Module Coordinator, Powering the City, FCL-G, Dr. Shi Zhongming (China/Singapore), Principal Investigator, Building Integrated Agriculture, FCL-G, Dr. Zhang Qianning (China/Singapore), Principal Investigator, Building Integrated Agriculture, NUS, Dr. Huang Zhaolu (China/Singapore), Research fellow, Building Integrated Agriculture, NUS

Venue: Future Cities Laboratory, Value Lab, Level 6, CREATE Tower, 1 Create Way, Singapore 138602 

3.00–5.30pm Novel Materials
with Irene Agrivina (Indonesia) Artist, Co-Founder HONF and XXLAB, and Saad Chinoy (Singapore), Co-Founder, SpudnikLab, Storytellers’ Kitchen, EdibleMakerspace
Venue: NTU CCA Singapore, Block 37 Malan Road, #01-04, Singapore 109452

4.00 – 6.00pm An Afternoon with “Salmon” Tea Sandwich
with Hoo Fan Chon (Malaysia) Artist
Venue: NTU CCA Singapore, Block 38 Malan Road, #01-06, Singapore 109441

Sunday, 19 February 2023

Tickets for workshops can be purchased or registered for at https://bit.ly/ntuccaideasfest2023_events

10.00am – 12.00pm Stories & Food of Semakau
with Firdaus Sani (Singapore), Founder Oranglaut.sg and The Black Sampan
Venue: West Coast Park

10.00 – 11.30am Elevating the Ordinary: Crafting a Creative Exploration of an Everyday Staple
with Karen Shepherd (Malaysia) writer, content creator, and Strategic Director, UCCN Kuching Creative City, Raine Melissa Riman(Malaysia), Co-Curator, E.A.T Borneo Conference, media strategist and social media lead, What About Kuching Festival, and Dr. Franca Cole (UK/Malaysia), Consultant in Conservation and Archaeology, Sarawak Museum, Lecturer, NTU ADM

Venue: NTU CCA Singapore, Block 37 Malan Road, #01-04, Singapore 109452

10.00 – 12pm Healing Remedies & Roadside Beauties
with Adeline Kueh (Singapore), Artist, Senior Lecturer at LASALLE College of the Arts 
Venue: NTU CCA Singapore, Block 37 Malan Road, #01-02, Singapore 109452

10am – 12.30pm Edible Wild
with Native’s Joy Chee, Resident Bartender, Gardener at Native Bar
Venue:  NTU CCA Singapore, Block 6 Lock Road, Research Office, Singapore 108934

11.30am – 1.30pm Human Created Food Crisis
with Mahbubur Rahman (Bangladesh), Artist, Co-Founder and Trustee, Britto Arts Trust and Shimul Saha (Bangladesh), Artist, both members of Britto Arts Trust. 
Venue: Intermission Bar, The Projector, 6001 Beach Rd, #05-00 GOLDEN MILE TOWER, Singapore 199589

2.30 – 5.30pm DIY Self-Watering Plant Robot!
with Dr. Christoph Waibel (Germany/Singapore), Module Coordinator, Powering the City, FCL-G, Dr. Shi Zhongming (China/Singapore), Principal Investigator, Building Integrated Agriculture, FCL-G, Dr. Zhang Qianning (China/Singapore), Principal Investigator, Building Integrated Agriculture, NUS, Dr. Huang Zhaolu (China/Singapore), Research Fellow, Building Integrated Agriculture, NUS
Venue: NTU CCA Singapore, Block 37 Malan Road, #01-02, Singapore 109452

3.00 – 5.00pm How Food Media Affect What We Eat
with Dr. Keri Matwick (USA /Singapore) Lecturer, School of Humanities NTU and Dr. Kelsi Matwick (USA /Singapore) Adjunct Assistant Professor, University of Florida
Venue: NTU CCA Singapore, Block 37 Malan Road, #01-04, Singapore 109452

EXHIBITIONS

NTU CCA Singapore, Block 37 & 38 Malan Road, Gillman Barracks,  Singapore
Exhibition Hours
Thursday, 16 – Sunday, 19 February 2023,   12.00 – 7.00pm 
Free admission to all exhibitions

Hello! I am a Black Soldier Fly and I am Transforming the Global Food System
Primary Contributor: Niraly Mangal, Doctoral Researcher, SEC
Other Contributors: Adrian Fuhrmann, PhD Researcher, SEC, Vartika Goenka, Research Assistant, SEC, Heng Chin Wee, Research Assistant SEC, Shaktheeshwari Silvaraju, PhD Student, SEC, Chloe Tan, Research Assistant, SEC, Tan Yong Jen, Research Assistant, SEC, Yanyun Yan, Research Associate, Zhang Qihui, PhD student 
NTU CCA Singapore, Block 37 Malan Road, #01-03, Singapore 109452

Sustainable Food Systems with Microalgae-based Proteins
Dr. Iris Haberkorn, Senior Researcher and Project Lead, SEC, Byron Perez, Doctoral Researcher, SEC, Helena Schmitt, PhD Researcher, SEC, Carole Zermatten, Student SEC
NTU CCA Singapore, Block 37 Malan Road, #01-03, Singapore 109452

Hoo Fan Chon
NTU CCA Singapore, Block 38 Malan Road, #01-06, Singapore 109441

The Journey of Food
Primary Contributors: Yuhao Lu, Postdoc. Researcher, FCL-G, Helen Lei Fan, Research Assistants, FCL-G
Other Contributors: Kaiyu Lu, Research Assistants, FCL-G, Muhammad Is’Maill Bin Azman, Research Assistants, FCL-G, Isabella Meo, Research Assistants, FCL-G, Jasper Phang Wee Keat, Research Assistants, FCL-G,  Zi Gui Toh, Research Assistants, FCL-G,Loo Yanshan, Research Assistants, FCL-G
NTU CCA Singapore, Block 38 Malan Road, #01-05, Singapore 109441

Potential Agriterritories – Agrarian Questions and Agroecological Design Architecture of Territory
Assoc. Prof. Milica Topalovic, Architecture and Territorial Planning, Department of Architecture, ETH Zurich, Alice Clarke, Teaching Assistant, Architecture of Territory, ETH Zurich, Hans Hortig, Doctoral Researcher, FCL-G, SEC, Karoline Kostka, Senior Researcher, New Urban Agendas for Agrarian Territories, FCL-G, SEC, and Students of the joint Master of Advanced Studies at the ETH Zürich and Swiss Federal Institute of Technology Lausanne (ETH EPFL MAS UTD)
NTU CCA Singapore, Block 38 Malan Road, #01-07, Singapore 109441 

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Ute Meta Bauer]]> Magdalena Magiera]]> Laura Miotto]]> Thomas Schroepfer]]> Tanvi Maheshwari]]> Irene Agrivina]]> Carlos Banon]]> Mahbubur Rahman]]> Shimul Saha]]> Joy Chee]]> Alice Clarke]]> William Chen]]> Saad Chinoy]]> Hoo Fan Chon]]> Franca Cole]]> Helen Lei Fan]]> Adrian Fuhrmann]]> Vartika Goenka]]> Iris Haberkorn]]> Paula Huerta]]> Hans Hortig]]> Adeline Kueh]]> Yuhao Lu]]> Niraly Mangal]]> Keri Matwick]]> Valerie Pang]]> Byron Perez]]> Zhang Qianning]]> Zhang Qihui]]> Raine Melissa Riman]]> Firdaus Sani]]> Helena Schmitt]]> Karen Shepherd]]> Shaktheeshwari Silvaraju]]> Chloe Tan]]> Milica Topalovic]]> Christoph Waibel]]> Bianca Wassmann]]> Yanyun Yan]]> Carol Zermatten]]> Huang Zhaolu]]> Shi Zhongming]]> Southeast Asia]]> Asia]]> Europe]]> Oceania]]> North America]]> South America]]> Middle East]]>