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                    <text>Entanglements – Writing the Environment
Instructors: Jason Wee &amp; Anca Rujoiu
Date:21, 22, 24 and 25 February 2022
Time: 9:00am – 4:00pm
Day 1 - Monday, 21 February 2022
Who Writes?
Required Texts:
Camille Stories D Haraway Pp.143-168
Supplementary:
Observer-narrator - Michael Taussig - Becoming Palm
Interviews - Anca Rujoiu, Walking Conversation with Robert Zhao Renhui
Feral Atlas, Introduction https://feralatlas.supdigital.org/?cd=true&amp;bdtext=introduction-to-feral-atlas
Svetlana Alexievich: The author interviews herself on missing history and why Chernobyl calls our world
into question (essay from the Chernobyl Prayer)
Day 2: Tues 22 February 2022
Environmental Histories of Singapore
Required Texts:
Film: Storytelling for Earthly Survival by Fabrizio Terranova
Lucy Davis - Like Shadows Through Leaves - Migrant Ecologies film
Timothy Pwee https://biblioasia.nlb.gov.sg/vol-17/issue-1/apr-jun-2021/agriculture
Editors’ Introduction to Making Kin
Supplementary:
Resilience: A Journal of the Environmental Humanities 4.2-3 166. Web.
Wong, M. E. ‘Revisiting Jane Jacobs’s Urban Complexity in Global Sustainability City Discourse’.
Architecture_MPS 19, 1 (2021): 3. DOI: https://doi.org/10.14324/111.444.amps.2021v19i1.003
Ursula Heise: From the Blue Planet to Google Earth: Environmentalism, Ecocriticism and the Imagination
of the Global
Day 3: Thurs, 23 February 2022
Interdependencies Ecologies &amp; Wildness
Required Texts:
Excerpts from Jason Wee’s ‘In Short, Future Now’
Jack Halberstam’s Wildness - introduction
Anna Tsing The Mushroom at the End of the World

NANYANG TECHNOLOGICAL UNIVERSITY

�Supplementary:
Simryn Gill &amp; Michael Taussig Becoming Palm
Alison Bechdel's The Secret to Superhuman Strength
Richard Powers: Overstory: Patricia Westerford
http://www.richardpowers.net/the-overstory/
John Durham Peters The Marvelous Clouds: Toward a Philosophy of Elemental Media
Day 4: Fri, 24 February 2022
Editing Voices, Collective Voices
Required Texts:
Italio Calvino’s Six Memos for the Millenium
Phillip Lopate on the Essay and Anthologies
https://diymfa.com/podcast/episode-377-phillip-lopate
Supplementary:
Schneider-Mayerson, Matthew. “Some Islands Will Rise: Singapore in the Anthropocene.”

NANYANG TECHNOLOGICAL UNIVERSITY

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                <text>Entanglements – Writing the Environment is a 4-day course which offers participants the opportunity to develop their writing skills and interests in ways that promote and illustrate environmental awareness, concerns, and sensitivities. Participants will explore diverse issues of the environment captured in writing through experimenting with a variety of writing forms from the glossary definition, annotations, essay, review, poetry, short fiction and novel. The course format will include examination of literary texts related to environmental themes, class discussions, as well as writing and editing practice to texts produced throughout the course. By the end of this course, participants will have a new literary appreciation and increased confidence in writing about the natural world. &#13;
&#13;
What You Will Learn &#13;
1. To understand different formats of writing and writing conventions that can be applied to other facets of daily life. &#13;
2. To integrate environmental concerns in writing of fiction and non-fiction.&#13;
 3. To identify and analyse developments in the field of environmental literature through the study of specific works.&#13;
 4. To develop a personal style of writing by connecting ideas and creating an effective narrative. &#13;
&#13;
Who Should Sign Up &#13;
Artists, Cultural Producers, Curators, Researchers, Educators, Naturalists, Editors, Art Critics, Budding Writers or someone who simply enjoys writing&#13;
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 Course Instructors &#13;
Jason Wee  and Anca Rujoiu</text>
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