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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Stakes of Conscious(ness) brings together works of Danilo Correale (Italy/United States), Liu Yu (Taiwan), and a new film by Marianna Simnett (United Kingdom) specifically produced for this occasion, three artists whose residency at NTU CCA Singapore has been disrupted by the viral pandemic.
Programme Type
Screening
Location
Onsite (CCA)
Offsite
Online
Online
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies Online Screening Programme: Stakes of Conscious(ness)
Description
An account of the resource
With national frontiers sealed worldwide and bodies forced into a standstill, it can be all the more relevant to embark onto journeys of the mind and explore different states of consciousness. Which shape(s) does human consciousness take when time unfolds within conditions of spatial confinement? What happens when the body plunges into increasingly immaterial networks and disembodied social relations? Is an emancipated society already inscribed in the deep recesses of our conscious? Stakes of Conscious(ness) brings together works of Danilo Correale (Italy/United States), Liu Yu (Taiwan), and a new film by Marianna Simnett (United Kingdom) specifically produced for this occasion, three artists whose residency at NTU CCA Singapore has been disrupted by the viral pandemic. Each work modulates a unique mindscape and pushes our imagination beyond the boundaries of normative reason, the entrapments of capitalistic development, and the limits of our sensorium.<br /><br />Curated by Dr Anna Lovecchio, Curator, Residencies<br /><br /><p><strong>DANILO CORREALE<br /></strong><strong><em>Reverie. On the Liberation from Work. Transition, </em>2017<br /></strong>HD colour and sound, 20 min. </p>
<span>Developed in collaboration with a hypnotherapist, </span><em>Reverie. On the Liberation from Work</em><span> (2017) is a two-part hypnosis exercise that soothes the body and the mind into a state of relaxation wherein “the ease of a post-work society” slowly comes into focus. Through the lull of the voiceover and mesmerising visual aids, </span><em>Transition</em><span> releases our mental confines and prompts us on a inward journey towards a future society where work is no longer commanded and humanity is free to dedicate itself to mutual care and collective improvement. Neither a retreat nor an escapist lure, </span><em>Reverie. On the Liberation from Work</em><span> rather paves the way for visions of future freedom by eliciting a renewed sense of presence and the empowering awareness that the future is there for us to shape.</span><br /><br /><p><strong>LIU YU<br /></strong><strong><i>Somehow</i><i> I </i><i>f</i><i>eel </i><i>r</i><i>elaxed </i><i>h</i><i>ere, </i>2017<br /></strong>HD colour and sound, 12 min 52 sec. </p>
<span>Taking place within the ruins of Taiwan’s former Zhongxing Paper Factory—built by the Japanese in 1935 and heavily bombed during WWII—</span><em>Somehow I feel relaxed here </em><span>(2017) overlaps fragmentary experiences and visual narratives that blend the boundaries between past and present, space and time, sleep and wakefulness. Recounts of World War II air raid survivors, images captured by urban explorers’ handheld cameras, and sequences from online war gaming sessions unfurl along a guided meditation path led by a entrancing voiceover. Through these site-specific and mind-shifting detours, the film draws an imaginary map where the entanglements of historical decay, memory, and disembodied experience chart out different modes of consciousness while also speculating on the status of contemporary corporeality.</span><br /><br /><p><strong>MARIANNA SIMNETT<br /></strong><strong><em>Tito’s Dog</em><i>, </i>2020<br /></strong>HD colour and sound, 6 min 56 sec. </p>
<span>What impact does lockdown have on identity when borders are closed and movement is restricted? In this work, produced during the recent global lockdown and performed in Croatian and English, Marianna Simnett enacts the remarkable story of Tito and his dog, Luks. Tito, the former President of Yugoslavia, was a contested symbol of unity in the artist’s childhood memory and this month marks the 40th anniversary of his death. Continuing her investigation of interspecies relationships whilst also confronting her own identity, Simnett uses makeup and prosthetics to transition from human to German Shepherd as she tells a story of survival and animal suicide.</span>
Date
A point or period of time associated with an event in the lifecycle of the resource
22 May - 5 June 2020
Contributor
An entity responsible for making contributions to the resource
Danilo Correale
Liu Yu
Marianna Simnett
Anna Lovecchio
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
Europe
North America
Subject
The topic of the resource
Experiential
Materiality
Identity
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
The artist was scheduled to be in-residence from July – September 2020. Due to the COVID-19 virus outbreak and international travel restrictions, the artist was unable to participate in the residency programme physically.
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
United Kingdom
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Cycle
Cycle 7 (2020 – 2021)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marianna Simnett
Description
An account of the resource
The artist was scheduled to be in-residence from July – September 2020. Due to the COVID-19 virus outbreak and international travel restrictions, the artist was unable to participate in the residency programme physically.<br /><br />Marianna Simnett made a new film <em>Tito’s Dog</em> (2020) as part of the Residencies Online Screening Programme <em>Stakes of Conscious(ness)</em>, conceived by Dr Anna Lovecchio for the <span>three artists whose residency at NTU CCA Singapore has been disrupted by the viral pandemic.</span>
Date
A point or period of time associated with an event in the lifecycle of the resource
1 July – 30 September 2020
Contributor
An entity responsible for making contributions to the resource
Marianna Simnett
Medium
The material or physical carrier of the resource.
Installation
Sculpture
Subject
The topic of the resource
Body
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
-
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6da21283e24489fd56d5e8f9900f7d35
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Marianna
Surname or Business Name
Simnett
Birthplace
United Kingdom
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Marianna Simnett (b.1986, United Kingdom) lives and works in London. Her interdisciplinary practice includes video, installation, performance, sculpture and watercolour. Simnett uses vivid and visceral means to explore the body as a site of transformation. Working with animals, children, organs, and often performing herself, she imagines radical new worlds filled with untamed thoughts, strange tales, and desires. Simnett has shown in major museums internationally. Recent solo exhibitions include LAB RATS, Kunsthalle Zürich, Switzerland (2019), <i>My Broken Animal</i>, Frans Hals Museum, Haarlem, Netherlands (2019), <i>CREATURE</i>, Institute of Modern Art, Brisbane, Australia (2019), <i>Blood In My Milk</i>, New Museum, New York, United States (2018) among others. She is a joint winner of the Paul Hamlyn Award 2020, received the Jerwood / FVU Award in 2015, and was shortlisted for the Jarman Award in 2017.<br /><br />The artist was scheduled to be in-residence from July - Sept 2020. Due to the COVID-19 virus outbreak and international travel restrictions, the artist was unable to participate in the residency programme physically.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United Kingdom
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Birth Date
1986
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marianna Simnett
Subject
The topic of the resource
Performance
Nature
Animals
Fiction
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Contributor
An entity responsible for making contributions to the resource
Marianna Simnett