Knowledge Production]]> Mark Rappolt]]> Asia]]> Knowledge Production]]>

SPEAKERS

Dr. Ana Bilbao (Mexico/United Kingdom), Editor, Afterall

Verónica Sanchis Bencomo (Venezuela/ Hong Kong), Editor, Writer, and Founder of Foto Feminas

Helen Hughes (Australia), Co-founder and Co-editor,Discipline

Peera Songkünnatham (Thailand), Aan Journal

Moderated by Mark Rappolt (United Kingdom), Editor-in-Chief, Art Review& Art Review Asia

Part of the Singapore Art Book Fair 2019.]]>
Ana Bilbao]]> Verónica Sanchis Bencomo]]> Veronica Sanchis Bencomo]]> Helen Hughes]]> Peera Songkünnatham]]> Peera Songkunnatham]]> Mark Rappolt]]> Southeast Asia]]>
The Single Screen, Block 43 Malan Road

This session discusses some of the strategies art magazine publishers adopt to present a comprehensible outlook of current developments in contemporary art, as well as evaluates the magazine’s role in generating discourse in the arts. Magazine publishers have grown beyond producing conventional printed series to delving into, not only digital platforms, but also activities such as exhibition making, fair and festival initiatives, education programmes, and other forms of artistic production while maintaining their core business in publishing.

Speakers:
Kaye Cain-Nielsen (United States), Editor-in-Chief, e-flux journal
Chloe Chu (Hong Kong), Associate Editor, ArtAsiaPacific
Robin Peckham (United States/China), Editor-in-Chief, LEAP magazine
Mark Rappolt (United Kingdom), Editor-in-Chief, ArtReview and ArtReview Asia
Amy Sherlock (United Kingdom), Deputy Editor, frieze magazine

Moderated by
Shabbir Hussain Mustafa (Singapore), Senior Curator, National Gallery Singapore

Part of the Singapore Art Book Fair 2018 Publishing As Discourse programme.]]>
Kaye Cain-Nielsen]]> Chloe Chu]]> Robin Peckham]]> Mark Rappolt]]> Amy Sherlock]]> Shabbir Hussain Mustafa]]> Asia]]> Europe]]> North America]]>