Browse Items (6 total)

Blk 38 Malan Road, The Single Screen
2019, HD video, no sound, 9 min

The short cut of a mesmerizing 307-minute long video, Martha Atienza’s work is a coastal circumnavigation of Panangatan, a small island off the shores of Bantanyan Island, at…

Jana Winderen, Listening Through the Dead Zones, 2021, 2-channel sound installation, 22 min 54 sec, on loop. Photo by Kee Ya Ting.
From its first iteration in 2013, Free Jazz has pushed boundaries and expanded upon pressing concerns of our times. Free Jazz IV. Geomancers continues this approach, featuring artworks ranging from virtual reality to video, performance, and sound as…

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Published by NTU CCA Singapore and The MIT Press, 2022 Edited by Ute Meta BauerDesign by mono.studioPrinted by DZA Druckerei zu Altenburg GmbH© 2022 the artists, the authors, NTU Centre for Contemporary Art Singapore, Nanyang Technological…

10 Apr 2018, Tue 07:30 PM - 09:00 PM Studio #01-01, Block 37 Malan Road Can art trigger empowerment? Can collective action efficiently tackle social, economic, and environmental issues? Is it possible to constitute a shared platform across different…

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Born into a family of seafarers, Martha Atienza’s fascination with the maritime is nurtured by her deep-seated connection with the water and modes of living that unfold at sea. During the residency, Atienza aims to explore Singapore’s relationship…

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