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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alexandra Pirici, Re-Collection, 2018, performative exercise with performers. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alexandra Pirici, Re-Collection, 2018, performative exercise with performers. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alexandra Pirici, Re-Collection, 2018, performative exercise with performers. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alexandra Pirici, Re-Collection, 2018, performative exercise with performers. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cally Spooner, DRAG DRAG SOLO, 2016, single-channel projection and Bedtime Beats, 2016, sound installation, with choreographies by Maggie Segale, 2018. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cally Spooner, DRAG DRAG SOLO, 2016, single-channel projection and Bedtime Beats, 2016, sound installation, with choreographies by Maggie Segale, 2018. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cally Spooner, DRAG DRAG SOLO, 2016, single-channel projection and Bedtime Beats, 2016, sound installation, with choreographies by Maggie Segale, 2018. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cally Spooner, DRAG DRAG SOLO, 2016, single-channel projection and Bedtime Beats, 2016, sound installation, with choreographies by Maggie Segale, 2018. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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d1bba0893f08c9f3f99dfb577be2fbe2
Dublin Core
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Title
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Maria Loboda, This Work is Dedicated to an Emperor, 2012–ongoing, installation with 10 Eugenia oleina trees. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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5c4db2abe8b662dbf58bc3c0f6adcc59
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Title
A name given to the resource
Maria Loboda, This Work is Dedicated to an Emperor, 2012–ongoing, installation with 10 Eugenia oleina trees. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
Dublin Core
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Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Stagings. Soundings. Readings. employs an open, multidisciplinary structure that challenges traditional modes of presentation and re-presentation through a range of artistic practices and formats.
Exhibition Mode
Festival
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Offsite
Exhibition Start Date
2018-09-21
Exhibition End Date
2018-11-06
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Stagings. Soundings. Readings. Free Jazz II</i>
Subject
The topic of the resource
Body
Performance
Identity
Institutional Critique
Description
An account of the resource
<i>Stagings. Soundings. Readings. Free Jazz II</i> reviews the performative format that marked NTU CCA Singapore’s inauguration in 2013. <i>Free Jazz</i> 2013 was a series of talks and performances where participants of various disciplines were invited to imagine and envision a new institution and its potential. On its five-year anniversary, the Centre continues advocating for free spaces, celebrating the practice of improvisation, as well as of collective and performative approaches. Discussing ethical values with an expanded sense of community, territorial, and environmental concerns, <i>Stagings. Soundings. Readings.</i> employs an open, multidisciplinary structure that challenges traditional modes of presentation and re-presentation through a range of artistic practices and formats. <br /><br />Situated within a complex and contemporary understanding of the Centre’s current overarching research topic CLIMATES. HABITATS. ENVIRONMENTS., the featured works link theory and practice, emphasising collectiveness. Today, the planet is witnessing a moment of unprecedented loss of biodiversity, habitat destruction, and cultural transformations. In the face of such agitated times juxtaposed with advanced communicative tools, contemporary social and environmental issues require responses from a collective body, through establishing processes of instigation, negotiation, and collaboration. <br /><br />Can we learn from what we see as opposed to being merely seduced by images, becoming active participants instead of only passive observers? <i>Stagings. Soundings. Readings.</i> is an enactment between the artists and the audience. The invited artists engage with a less prescribed environment, reflecting on history, collective action, and human interaction. <br /><br />Located outside the Centre, <b>Maria Loboda</b>‘s sculptural installation is grounded in historical narratives as a reminder that things can change and be taken down overnight, especially by the invisible mechanisms of power. In the Centre’s foyer, <b>Tyler Coburn</b> addresses forms of labour and examines the notion of writing in the 21st century by engaging with complexities of our legal, technological, and geopolitical networks, while <b>Heman Chong</b> analyses motifs of exchange and its boundaries, embracing the space of inter-human connections. <br /><br />Unfolding in the exhibition space, <b>Cally Spooner</b> brings to Singapore an exercise in building new vocabulary and knowledge through bodily means. Using the space as a laboratory, the work investigates new ways of organising and working together. <b>Alexandra Pirici</b>’s choreography explores the possibility of collectively assembling memories of human and non-human presence on the planet. <b>Carlos Casas</b> presents his long-term multi-format ethnographic research based on the human ecology and richness of one of the world’s highest inhabited villages, Hichigh, located in the Pamir mountain range in Tajikistan. Together with composer <b>Phill Niblock</b>, they will create an audio-visual experience, traversing landscape, soundscape, and contemporary music that changes with every iteration. <br /><br />In response to the five-year anniversary and by taking the topic of its celebration <i>Free Jazz</i> literally, <b>Ming Wong</b> will stage an improvisational performance. Similarly, <b>Boris Nieslony</b> (Germany), Co-founder of the artist collective Black Market International, will engage with pioneering Singaporean artist <b>Lee Wen</b> with a discussion and performance. <br /><br />Further probing conventional formats, the accompanying programmes include readings by curator <b>Anca Rujoiu</b> (Romania/Singapore) and poets <b>Peter Sipeli</b> and <b>1angrynative</b> (both Fiji), as well as Behind the Scenes conversations with contributing artists. In The Single Screen, works by <b>Anton Ginzburg</b> (Russia/United States), <b>Mariana Silva</b> (Portugal/United States), <b>Luke Fowler</b> (United Kingdom), <b><b><b>Justin Shoulder </b></b></b>and <b><b><b>Bhenji Ra </b></b></b>(both Philippines/Australia), and others, will add a filmic perspective to the dialogue. <br /><br />This multitude of celebratory events instigates an active engagement with the now, following a conscious desire to become truly present. <br /><br />Curated by <strong>Ute Meta Bauer</strong>, Founding Director, NTU CCA Singapore, and Professor, School of Art, Design and Media, Nanyang Technological University, and <strong>Magdalena Magiera</strong>, Curator, Outreach and Education, NTU CCA Singapore.
Contributor
An entity responsible for making contributions to the resource
Heman Chong
Maria Loboda
Cally Spooner
Maggie Segale
Jesper List Thomsen
Tyler Coburn
Richard Roe
Carlos Casas
Phill Niblock
Ming Wong
Alexandra Pirici
Ying Cai
Weixin Chong
Chloe Chotrani
Nina Djekic
Farid Fairuz
Adam Lau
Je Leung
Loo Zihan
Yue Ru Ma
Hanna Mikosch
Yulin Ng
Rachel Nip
Isabel Phua
Jamil Schulze
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Performance
Sound
Installation
-
Dublin Core
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Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
As a response to Theatrical Fields, Ming Wong will introduce his research on the Cantonese cinema history in Hong Kong, looking at how the arrival of Cinema influenced traditional Cantonese opera.
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Programme Type
Talk and Lecture
Audience
General
Programme Series
Exhibition (de)Tour
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
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Title
A name given to the resource
Exhibition de (Tour) with Ming Wong
Description
An account of the resource
<span>29 Aug 2014, Fri 7:30pm - 9:00pm</span><br /><br />As a response to <i>Theatrical Fields</i>, Ming Wong will introduce his research on the Cantonese cinema history in Hong Kong, looking at how the arrival of Cinema influenced traditional Cantonese opera.<br /><br />A public programme of <em>Theatrical Fields: Critical strategies in performance, film and video</em>.
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-08-29
Contributor
An entity responsible for making contributions to the resource
Ming Wong
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Subject
The topic of the resource
Theatre
Ways of Seeing
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Performances celebrating NTU CCA Singapore's 5th anniversary
Programme Type
Performance
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
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Title
A name given to the resource
Late Night at NTU CCA Singapore
Subject
The topic of the resource
Performance
Description
An account of the resource
27 Oct 2018, Sat 10:00 PM - 12:00 AM <br />Block 43 Malan Road<br /><br /><div><strong>NTU CCA SINGAPORE 5th ANNIVERSARY CELEBRATION</strong></div>
<div> </div>
<div>10.00 – 11.00pm</div>
<div><strong>Improvisation</strong> by artist <strong>Ming Wong</strong> (Singapore/Germany)</div>
<div>The Single Screen, Block 43 Malan Road</div>
<div> </div>
<div class="_1mf _1mj"><span>Taking the theme of the celebration, <em>Free Jazz</em>, literally, Ming Wong will create an improvised performance during the five-year anniversary party of NTU CCA Singapore. Highly influenced by cinema, Wong’s work unravels ideas of “authenticity,” “originality,” and the “other,” with reference to the act of human performativity. He explores how culture, gender, and identity are constructed, reproduced, and circulated, forming politics of representation.</span></div>
<br /><div>11.00pm – 12.00am</div>
<div><strong><em>Avalanche XIV </em></strong>(2009–ongoing) by artist <strong>Carlos Casas</strong> (Spain/France) and guests <strong>George Chua </strong>and <strong>Cheryl Ong</strong> (both Singapore)</div>
<div>The Exhibition Hall, Block 43 Malan Road</div>
<div> </div>
<div>For this special occasion, Carlos Casas invited musicians George Chua and Cheryl Ong to respond to his site-specific installation through a live-editing and sound situation.</div>
<div> <br /><span>Part of </span><em>Stagings. Soundings. Readings. Free Jazz II</em></div>
Date
A point or period of time associated with an event in the lifecycle of the resource
2018-10-28
Contributor
An entity responsible for making contributions to the resource
Ming Wong
Carlos Casas
George Chua
Cheryl Ong
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Ming
Surname or Business Name
Wong
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014/2018
Birthplace
Singapore
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Ming Wong is a Singapore-born, Berlin based artist who builds layers of cinematic language, social structure, identity, and introspection through re-telling world cinema and popular culture in videos, installations, and performances. He often “mis-casts” himself in multiple roles in a foreign language, interconnecting concepts of gender, representation, culture, and identity. Wong represented Singapore at the 53rd Venice Biennale (2009). He has had solo exhibitions at leading institutions worldwide and has participated in international biennials, including Performa, New York; Asia Pacific Triennial of Contemporary Art, Brisbane; and Sydney Biennale, among others.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Germany
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Performer
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Birth Date
1971
Personal Website
Leave blank if not applicable
<a href="http://www.mingwong.org">http://www.mingwong.org</a>
Dublin Core
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Title
A name given to the resource
Ming Wong
Subject
The topic of the resource
Theatre
Performance
History
Ways of Seeing
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
Ming Wong
-
Dublin Core
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Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Short Description
Theatrical Fields – Exhibition de (Tour) with Ming Wong
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/471320050">https://vimeo.com/471320050</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
471320050
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields – Exhibition de (Tour) with Ming Wong
Description
An account of the resource
As a response to Theatrical Fields, Ming Wong will introduce his research on the Cantonese cinema history in Hong Kong, looking at how the arrival of Cinema influenced traditional Cantonese opera. <br /><br />Ming Wong is a Singapore-born, Berlin based artist who creates digital media installations informed by the history of cinema, to explore the relationship between language, identity and performance. He deliberately ‘mis-casts’ himself or others in re-interpretations of classic film scenes, often playing multiple roles in foreign languages.
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-09-05
Contributor
An entity responsible for making contributions to the resource
Ming Wong
Subject
The topic of the resource
Theatre
Performance
Identity
Format
The file format, physical medium, or dimensions of the resource
Video
Language
A language of the resource
English
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia