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Mona Vatamanu & Florin Tudor, The end of the working day (2015), film still. Courtesy of the artists.
Bring
It
To
LIFE.
16 Jun - 12 Jul 2015
The Lab, Block 43 Malan Road,
Gillman Barracks
Bring it to LIFE is a curatorial project that engages with
NTU CCA Singapore’s Artist Resource Platform, a research
initiative that aims to provide a point of entry to the work
and practice of local artists, independent art spaces and
NTU CCA Singapore's Artists-in-Residence. Temporarily
situated in The Lab, the Artist Resource Platform lives a
quiet existence – visitors stop by, browse through the folders rigorously displayed on the tables, take notes and often
ask questions. Concentrated in its folders are works that
we might want to see, experience, think and discuss. Bring
it to LIFE aims to overcome the mediated experience and
create direct encounters with artistic production, with
contributions from Mona Vatamanu & Florin Tudor, Kray
Chen, Sufian Samsiyar and Geraldine Kang.
Curated by Shona Findlay, Curatorial Assistant, Residencies,
Syaheedah Iskandar, Curatorial Assistant, Exhibitions,
Samantha Leong, Executive, Conference, Workshops & Archive,
and Kimberly Shen, Manager, Communications.
Open during exhibition hours
Tue - Sun
Fri
Mon
12 - 7pm
12 - 9pm
Closed
�Bring it to LIFE
Structured in four different episodes, Bring it to LIFE responds to the wider narrative of NTU CCA Singapore’s overarching
curatorial framework, PLACE.LABOUR.CAPITAL. – an open-ended research addressing the complexities of a world in flux
and the dynamic relation between the local and global. Bring it to LIFE brings to the fore artworks that directly engage with
the subject matter of PLACE.LABOUR.CAPITAL. through themes of migration and capital transactions. In addition, it uses
spatial interventions to highlight that the production of meaning is also a spatial process. Our movement within a confined
place, impacts the way we experience and make meaning out of it.
The work of Mona Vatamanu & Florin Tudor produced during their residency at NTU CCA Singapore is conceived as a
visual poem focused on the migrant workers whose individual destinies are influenced by the wider movements of capital
flow. Kray Chen’s contribution is a playful installation highlighting that transactional activities such as cutting queues,
getting out of a train or simply shopping are punctuating our everyday life. Sufian Samsiyar’s collaborative project tests
the thin boundaries between work and life space. Geraldine Kang’s intervention into the spatial arrangement of the
Platform is a proposition for another reading and way of engagement with an archive that eschews linearity and prescribed
movement into the space.
Episode 1: Mona Vatamanu & Florin Tudor | 16 – 21 June 2015
When I sleep I miss them, when I work I also miss them (2015), 7 min
and The end of the working day (2015), 15:20 min, double channel
video installation.
When I sleep I miss them, when I work I also miss them (2015) is a
quote that surfaced during an interview with Bangladeshi worker and
poet, Zakir Hussain. His words echo the sentiments and situation of
millions of migrant workers, many who have travelled long distances
in order to provide a living for their families back home. The end of
the working day (2015) documents the daily journey of a group of
young men going home after a hard day’s work, a familiar routine for
foreign workers in Singapore who consist of 37.9% of the total workforce in Singapore (source: Ministry of Manpower, Singapore, 2014).
Both films explore how modernity, globalisation, capitalism, colonialism, war and nature intersect with one another, affecting the destinies of various individuals. The work was produced during the artists’
residency at NTU CCA Singapore.
Mona Vatamanu & Florin Tudor have been working together since
2000. Their artistic practice confronts the traumatic legacy of Communism in their native Romania and Eastern Europe.
Episode 3: Sufian Samsiyar | 30 June – 5 July 2015
Some Project: Sufian Samsiyar and Friends (2015), installation.
Episode 2: Kray Chen | 23 – 28 June 2015
Exercise Now and Fit a Standard Size Coffin Later (2015),
installation.
Kray Chen dissects and plays with the idea of transaction
not only in a monetary sense, but also through referrals,
delegations and misdirection. The new installation of his
Exercise Now and Fit a Standard Size Coffin Later series is
done in collaboration with computer engineer, Chang
Poo Hee and continues Chen’s playful approach to
gestures and repetition, and offers to expand on his
research through participation and dialogue.
Schedule
24 June, 6pm: Conversations between Kray Chen and
Michael Lee on Lottery, Superstitions and Art
27 & 28 June, 6pm: 4D announcement / observing five
minutes of silence
The artist will be based in The Lab throughout the week
and conduct informal Q&A sessions with visitors.
Based in Singapore, Kray Chen is a visual artist whose
work discusses the absurdities and anxieties of modern
society through video and performance.
Responding to the community’s limited access to an artist’s
practice, Some Project: Sufian Samsiyar and Friends depicts itself as
a contrasting / contradicting view of how artists’ working spaces are
commonly perceived. Presented in a form of a tent; a metaphor for
a safe shelter or cover, Sufian has invited artists to contribute
personal objects, which may reflect resemblances of their practice,
and are intimate or indicative of their art making process. The
artwork encourages viewers to interact within this intimate space
and hopes to bridge the gap between the community and Sufian’s
fellow artist friends.
Episode 4: Geraldine Kang | 7 – 12 July 2015
Sufian Samsiyar is a visual artist based in Singapore whose practice
focuses on the urban landscape and responds to the complex issues
surrounding urbanity that present themselves in architecture today.
Geraldine Kang is a visual artist working and living in Singapore whose relationship with photography funnels into two
main threads, firstly using the medium as a private introspective channel, and secondly by exploring the undercurrents and ambivalences of familiar places.
2 Parts 2 (2015), corrugated metal sheets with support.
Geraldine Kang’s installation relooks the current layout of
the Artist Resource Platform where the folders of each
artist’s practice and the tables they rest on form a linear
path of movement within the space. By sawing tables in
two and repositioning folders from the Platform, Kang
removes linearity of its current layout and proposes a more
participatory mode of engagement for the visitors.
�Bring
It
To
LIFE.
16 Jun - 12 Jul 2015
The Lab, Block 43 Malan Road,
Gillman Barracks
Mona Vatamanu & Florin Tudor, The end of the working day (2015), film still. Courtesy of the artists.
Bring it to LIFE is a curatorial project that engages with
NTU CCA Singapore’s Artist Resource Platform, a research
initiative that aims to provide a point of entry to the work
and practice of local artists, independent art spaces and
NTU CCA Singapore's Artists-in-Residence. Temporarily
situated in The Lab, the Artist Resource Platform lives a
quiet existence – visitors stop by, browse through the folders rigorously displayed on the tables, take notes and often
ask questions. Concentrated in its folders are works that
we might want to see, experience, think and discuss. Bring
it to LIFE aims to overcome the mediated experience and
create direct encounters with artistic production, with
contributions from Mona Vatamanu & Florin Tudor, Kray
Chen, Sufian Samsiyar and Geraldine Kang.
Curated by Shona Findlay, Curatorial Assistant, Residencies,
Syaheedah Iskandar, Curatorial Assistant, Exhibitions,
Samantha Leong, Executive, Conference, Workshops & Archive,
and Kimberly Shen, Manager, Communications.
Open during exhibition hours
Tue - Sun
Fri
Mon
12 - 7pm
12 - 9pm
Closed
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Resources
Exhibition Resource
Collateral and other print or digital materials pertaining to exhibitions held at the Centre. Examples include exhibition guides, banners, postcards, digital tour videos, etc.
Short Description
Bring it to LIFE Exhibition Brochure
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Bring it to LIFE</i> Exhibition Brochure
Description
An account of the resource
<i>Bring it to LIFE</i> Exhibition Brochure
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-06-16
Contributor
An entity responsible for making contributions to the resource
Mona Vatamanu & Florin Tudor
Kray Chen
Sufian Samsiyar
Geraldine Kang
Shona Findlay
Syaheedah Iskandar
Samantha Leong
Kimberly Shen
Format
The file format, physical medium, or dimensions of the resource
Brochure
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Bring it to LIFE is a curatorial project that engages with NTU CCA Singapore’s Artist Resource Platform which aims to overcome the mediated experience and create direct encounters with artistic production.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2015-06-16
Exhibition End Date
2015-07-12
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Bring it to LIFE</em>
Subject
The topic of the resource
Migration
Capitalism
Knowledge Production
Public Sphere
Description
An account of the resource
<i>Bring it to LIFE</i> is a curatorial project that engages with NTU CCA Singapore’s Artist Resource Platform which aims to overcome the mediated experience and create direct encounters with artistic production. Structured in four different episodes, <i>Bring it to LIFE</i> brings to the fore artworks by <b>Mona Vatamanu & Florin Tudor</b>,<b> Kray Chen</b>,<b> Sufian Samsiyar</b>, and <b>Geraldine Kang</b> that directly engage with the subject matter of PLACE.LABOUR.CAPITAL. through themes of migration and capital transactions. In addition, it uses spatial interventions as a tool to highlight that the production of meaning is also a spatial process and our movement into a confined place impacts upon the way we relate to it and make meaning out of it. <br /><br />The work of Mona Vatamanu & Florin Tudor produced during their residency at NTU CCA Singapore is conceived as a visual poem focused on the migrant workers whose individual destinies are influenced by the wider movements of capital flow. Kray Chen’s contribution is a playful installation highlighting how transactional activities such as cutting queues, getting out of a train or simply shopping are punctuating our everyday life. Sufian Samsiyar’s collaborative project tests the thin boundaries between work and life space. Geraldine Kang’s intervention into the spatial arrangement of the Platform is a proposition for another reading and way of engagement with an archive that eschews linearity and prescribed movement into the space. <br /><br />Conceived by a constellation of voices from NTU CCA Singapore, <i>Bring it to LIFE</i> is curated by Shona Findlay, Curatorial Assistant, Residencies, Syaheedah Iskandar, Curatorial Assistant, Exhibitions, Samantha Leong, Executive, Conference, Workshops & Archive, and Kimberly Shen, Manager, Communications.
Contributor
An entity responsible for making contributions to the resource
Mona Vatamanu & Florin Tudor
Kray Chen
Sufian Samsiyar
Geraldine Kang
Shona Findlay
Syaheedah Iskandar
Samantha Leong
Kimberly Shen
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Multimedia Installation
Video
Installation
Object
Print
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, Laure Prouvost, Eva 43 years old (2002). Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, Shubigi Rao, Visual snow (2014), Performance. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, Still from Desniansky Raion (2007), Cyprien Gaillard; part of the screening programme The tear down curated by Anca Rujoiu & Vera Mey. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, Still from Untitled (2011), Khvay Samnang; part of the screening programme Phnom Penh: Rescue Archaeology The Body and The Lens in the City curated by Erin Gleeson presented in collaboration with Sa Sa Bassac, Phnom Penh, Cambodia. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, I feel their pane (2014), Sonya Lacey, Performance. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, I feel their pane (2014), Sonya Lacey, Performance. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
T H E P A R A D I S E = L O S T B O D Y (2014), Nigel Rolfe, Performance, Part 1 & 2. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
CCA – Centre for Contemporary Art, Singapore; The Disappearance, 5 April –6 April 2014, Stills from the screening programme The Margins of Exhibition curated by David Teh.With works by: Anthea Behm, Sherman Ong, Wok the Rock, Emile Zile, Nitipong Thinthubthai. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
CCA – Centre for Contemporary Art, Singapore; The Disappearance, 5 April –6 April 2014, Stills from the screening programme The Margins of Exhibition curated by David Teh.With works by: Anthea Behm, Sherman Ong, Wok the Rock, Emile Zile, Nitipong Thinthubthai. Photograph by Clare Bottomley.
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ad61a70d5e018b4da4215ed712504777
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
CCA – Centre for Contemporary Art, Singapore; The Disappearance, 5 April –6 April 2014, Stills from the screening programme The Margins of Exhibition curated by David Teh.With works by: Anthea Behm, Sherman Ong, Wok the Rock, Emile Zile, Nitipong Thinthubthai. Photograph by Clare Bottomley.
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4cfd9a876575520367f104e37876ce35
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
CCA – Centre for Contemporary Art, Singapore; The Disappearance, 5 April –6 April 2014, Stills from the screening programme Phnom Penh: Rescue Archaeology The Body and The Lens in the City curated by Erin Gleeson presented in collaboration with Sa Sa Bassac, Phnom Penh, Cambodia. With works by: Khvay Samnang, Lim Sokchanlina, Anida Yeou Ali, Sok Chanrado, Leang Seckon, Tith Kanitha and Svay Sareth. Photograph by Clare Bottomley.
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fafaca6cdbcbae78cf4cb38334e01d18
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
CCA – Centre for Contemporary Art, Singapore; The Disappearance, 5 April –6 April 2014, Stills from the screening programme Phnom Penh: Rescue Archaeology The Body and The Lens in the City curated by Erin Gleeson presented in collaboration with Sa Sa Bassac, Phnom Penh, Cambodia. With works by: Khvay Samnang, Lim Sokchanlina, Anida Yeou Ali, Sok Chanrado, Leang Seckon, Tith Kanitha and Svay Sareth. Photograph by Clare Bottomley.
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cda971a3167a0abc2ebacecd0396044c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nigel Rolfe, T H E P A R A D I S E = L O S T B O D Y (2014), Performance Part 2
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2dd7ce0d1e1af66655f1f90d3ba40135
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nigel Rolfe, T H E P A R A D I S E = L O S T B O D Y (2014), Performance Part 2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
The Disappearance acknowledges the inherent changes into an exhibition space and its continuous rewriting. What happens after an exhibition is over? What we remember? How we remember?
Exhibition Mode
Exhibition
Curated Film Programme
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2014-04-05
Exhibition End Date
2014-04-06
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>The Disappearance</i>
Subject
The topic of the resource
Experiential
Embodiment
Spaces of the Curatorial
Description
An account of the resource
<i>The Disappearance</i> situates itself in the architectural setting of a previous exhibition <i>Paradise Lost</i>. It works with what is left out: the traces of the show in the space; its echoes in our memory, <i>The Disappearance</i> conceals and reveals: what has happened before and what will follow. Subject to operations of installation and de-installation, an exhibition space if continuously edited: we erase one text to inscribe another. <i>The Disappearance</i> acknowledges the inherent changes into an exhibition space and its continuous rewriting. What happens after an exhibition is over? What we remember? How we remember? <br /><br />Curated by Anca Rujoiu (Curator for Exhibitions) and Vera Mey (Curator for Residencies), <i>The Disappearance</i> is conceived as a durational event unfolding over two days including a continuous series of manifestations from live performances to film screenings.
Contributor
An entity responsible for making contributions to the resource
Anca Rujoiu
Vera May
Cyprien Gaillard
Malak Helmy
Sonya Lacey
Manuel Pelmus
Laure Prouvost
Shubigi Rao
Nigel Rolfe
Marie Shannon
Diego Tonus
Mona Vătămanu & Florin Tudor
Erin Gleeson
Planting Rice
David Teh
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Performance
Film