1
10
4
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Short Description
In this series, the Centre looks back at the Residencies Programme’s archives of talks, conversations, and performances.
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/showcase/residenciesrecorded1">https://vimeo.com/showcase/residenciesrecorded1</a>
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
4:17:04
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies Recorded #1: Ideas that are lying around
Subject
The topic of the resource
Institutional Critique
Cultural Production
Description
An account of the resource
In this series, the Centre looks back at the Residencies Programme’s archives of talks, conversations, and performances to periodically highlight select events that take on particular resonance with the present times.<br /><p><strong>The Making of an Institution – <em>Reason to Exist: The Director’s Review. Instituting Otherwise,</em> talk by Maria Hlavajova (Slovakia/Netherlands), Curator-in-Residence</strong><br />22 March 2017</p>
<p>Drawing upon the practice of BAK, basis voor actuele kunst in Utrecht (Netherlands), Curator-in-Residence Maria Hlavajova discusses the notion of “instituting otherwise”. Dedicated to thinking <em>about</em>, <em>with</em>, and <em>through</em> art at the intersection of research and social action, she addresses the long-term strategies of BAK aimed to collectively confront the urgencies that define our contemporary. </p>
<p><strong>Residencies Insights: <em>Against Efficiency</em>, lecture by Anthony Huberman (Switzerland/United States), Curator-in-Residence</strong><br />31 Jan 2018 </p>
<p>In this talk, Curator-in-Residence Anthony Huberman reflects upon the criteria of efficiency and fast-paced consumption that inform most of contemporary art production and proposes institutional approaches that favour small scale, slowing-down and, perhaps, even inefficiency, in order to complicate an understanding of the world where only efficiency and productivity are rewarded.</p>
<p><strong>Residencies Insights:<em> On the Necessity of Transforming One’s Practice,</em> curator talk by Nataša Petrešin-Bachelez (Slovenia/France), Curator-in-Residence</strong><br />27 Feb 2019 </p>
<p>In the context of her latest project, <em>Contour Biennale 9: Coltan as Cotton </em>(2019),<em> </em>Curator-in-Residence Nataša Petrešin-Bachelez discusses the necessity to slow down one’s way of working and being, to imagine new ecologies of care as a continuous practice of support, and to open up institutional borders to render them more palpable, audible, sentient, soft, porous and, most of all, decolonial and anti-patriarchal. </p>
Contributor
An entity responsible for making contributions to the resource
Maria Hlavajova
Anthony Huberman
Nataša Petrešin-Bachelez
Format
The file format, physical medium, or dimensions of the resource
Video
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
<em>Ideas that are lying around </em><span>reminds us that proposals to operate differently are already there. In these three talks, previous Curators-in-Residence Maria Hlavajova, Anthony Huberman, and Nataša Petrešin-Bachelez distinctly question conventional parameters of exhibition-making and advance propositions for news modes of existence for art institutions. </span>
Programme Type
Talk and Lecture
Location
Onsite (CCA)
Offsite
Online
Online
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Place.Labour.Capital.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies Recorded #1: Ideas that are lying around
Description
An account of the resource
<span>In this series, the Centre looks back at the Residencies Programme’s archives of talks, conversations, and performances to periodically highlight select events that take on particular resonance with the present times.<br /><br />In </span><a href="https://theintercept.com/2020/03/16/coronavirus-capitalism/"><em>Corona Virus Capitalism – And How to Beat it</em></a><span>, Canadian scholar and activist Naomi Klein invokes Milton Friedman’s insight into the connection between crises and change to expand our sense of the possible. In the economist’s words: “Only a crisis—actual or perceived—produces real change. When that crisis occurs, the actions that are taken depend on the ideas that are lying around.” If crises can be magnets for radical change, which ideas should be rehashed as we build our future? </span><em>Ideas that are lying around </em><span><span>reminds us that proposals to operate differently are already there. In these three talks, previous Curators-in-Residence Maria Hlavajova, Anthony Huberman, and Nataša Petrešin-Bachelez distinctly question conventional parameters of exhibition-making and advance propositions for news modes of existence for art institutions. <br /><br /></span></span>
<p><strong>The Making of an Institution – <em>Reason to Exist: The Director’s Review. Instituting Otherwise,</em> talk by Maria Hlavajova (Slovakia/Netherlands), Curator-in-Residence</strong><br />22 March 2017</p>
<p>Drawing upon the practice of BAK, basis voor actuele kunst in Utrecht (Netherlands), Curator-in-Residence Maria Hlavajova discusses the notion of “instituting otherwise”. Dedicated to thinking <em>about</em>, <em>with</em>, and <em>through</em> art at the intersection of research and social action, she addresses the long-term strategies of BAK aimed to collectively confront the urgencies that define our contemporary. </p>
<p><strong>Residencies Insights: <em>Against Efficiency</em>, lecture by Anthony Huberman (Switzerland/United States), Curator-in-Residence</strong><br />31 Jan 2018 </p>
<p>In this talk, Curator-in-Residence Anthony Huberman reflects upon the criteria of efficiency and fast-paced consumption that inform most of contemporary art production and proposes institutional approaches that favour small scale, slowing-down and, perhaps, even inefficiency, in order to complicate an understanding of the world where only efficiency and productivity are rewarded.</p>
<p><strong>Residencies Insights:<em> On the Necessity of Transforming One’s Practice,</em> curator talk by Nataša Petrešin-Bachelez (Slovenia/France), Curator-in-Residence</strong><br />27 Feb 2019 </p>
<p>In the context of her latest project, <em>Contour Biennale 9: Coltan as Cotton </em>(2019),<em> </em>Curator-in-Residence Nataša Petrešin-Bachelez discusses the necessity to slow down one’s way of working and being, to imagine new ecologies of care as a continuous practice of support, and to open up institutional borders to render them more palpable, audible, sentient, soft, porous and, most of all, decolonial and anti-patriarchal. </p>
Date
A point or period of time associated with an event in the lifecycle of the resource
26 June - 27 September 2020
Contributor
An entity responsible for making contributions to the resource
Maria Hlavajova
Anthony Huberman
Nataša Petrešin-Bachelez
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
North America
Subject
The topic of the resource
Cultural Production
Institutional Critique
-
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4fca0995f828d8847a8a160171025017
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During the residency, Nataša Petrešin-Bachelez will connect with local artists and institutions in Singapore.
Cycle
Cycle 5 (2018 – 2019)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
France
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nataša Petrešin-Bachelez
Description
An account of the resource
During the residency, Nataša Petrešin-Bachelez will connect with local artists and institutions in Singapore. She will deliver a talk to discuss the necessity to engage various art institutional constituencies through curatorial practice in relation to her latest project: Contour Biennale 9: <em>Coltan as Cotton</em> (11 January – 20 October 2019, Mechelen, Belgium). This recently opened exhibition explores the possibility of opening up institutional borders and render them more palpable, audible, sentient, soft, porous and, most of all, decolonial and anti-patriarchal.
Date
A point or period of time associated with an event in the lifecycle of the resource
25 February – 28 February 2019
Contributor
An entity responsible for making contributions to the resource
Nataša Petrešin-Bachelez
Natasa Petresin-Bachelez
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Southeast Asia
Medium
The material or physical carrier of the resource.
Curating
Video
Subject
The topic of the resource
Curatorial Practice
-
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5ae78208e569e7676a04c86d2061d581
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Nataša
Surname or Business Name
Petrešin-Bachlez
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019
Affiliation
Company, organization, or institution name
NTU CCA Singapore
Birthplace
Slovenia
Occupation
Professional title or identity
Curator
Writer
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Nataša Petrešin-Bachelez is an independent curator, editor, and writer based in Paris whose research interest spans situated curatorial practices, empathy, transnational feminism, slow institutions, degrowth, and performative practices in the former Eastern Europe.She is the curator of the Contour Biennale 9 (Mechelen, Belgium, 2019). She is developing, with Giovanna Zapperi, the first comprehensive exhibition of the videos of French actress and feminist activist Delphine Seyrig (1932-1990). She co-founded, with Elisabeth Lebovici and Patricia Falguières,<i>Something You Should Know</i>, a seminar series held at the School of Advanced Studies in the Social Sciences (EHESS) and she is a member of the research group <i>Travelling Féministe</i> at the Centre audiovisuel Simone de Beauvoir, both in Paris. <br /><br /><span>Her previous exhibitions include: </span><em>Let’s Talk about the Weather. Art and Ecology in a Time of Crisis</em><span> (curated with Nora Razian), Sursock Museum (Beirut, Lebanon, 2016); </span><em>Becoming Earthlings. Blackmarket for Useful Knowledge and Non-Knowledge #18</em><span> (curated with Alexander Klose, Council, and Mobile Academy), Musée de l’Homme (Paris, France, 2015); </span><em>Tales of Empathy</em><span>, Jeu de Paume (Paris, France, 2014), and </span><em>Resilience</em><span>, Triennial of Contemporary Art, Museum of Contemporary Art (Ljubljana, Slovenia, 2013) amongst others. Petrešin-Bachelez was chief editor of </span><em>L’Internationale Online</em><span> (2014-2017) and of the </span><em>Manifesta Journal</em><span> (2012-2014); co-director of Les Laboratoires d’Aubervilliers (2010-2012), and co-founder of Cluster, an European network of small-scale art institutions. She has contributed texts to numerous publications and magazines such </span><em>e-flux journal</em><span>, </span><em>Bidoun</em><span>, </span><em>Sarai Reader,</em><span> </span><em>Springerin</em><span>, </span><em>Parkett Magazine</em><span>.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
France
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Curator-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nataša Petrešin-Bachelez
Subject
The topic of the resource
Feminism
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Nataša Petrešin-Bachelez
Natasa Petresin-Bachelez