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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Short Description
Drawing on the rich cultural heritage and trajectories of the Asia Pacific and beyond, the exhibitions, works of art, and essays in <em>Climates.Habitats.Environments. </em>transcend disciplinary boundaries and linear histories to affirm the role of cultural production in the fight for environmental and social justice.
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Climates.Habitats.Environments.
Subject
The topic of the resource
Climate Crisis
Cultural Production
Description
An account of the resource
Published by NTU CCA Singapore and The MIT Press, 2022 <br />Edited by Ute Meta Bauer<br />Design by mono.studio<br />Printed by DZA Druckerei zu Altenburg GmbH<br />© 2022 the artists, the authors, NTU Centre for Contemporary Art Singapore, Nanyang Technological University <br />ISBN: 978-0-262-04681-7 <br />Distributed by The MIT Press <br />Copies are available for sale at NTU CCA Singapore and through MIT Press S$80/US$60<br /><br />Modeling the curatorial as a method for uniting cultural production and science,<span class="apple-converted-space"> </span><i>Climates. Habitats. Environments</i>. weaves together image and text to address the global climate crisis. Through exhibitions, artworks, and essays, artists and writers transcend disciplinary boundaries and linear histories to bring their knowledge and experience to bear on the fight for environmental justice. In doing so, they draw on the rich cultural heritage of the Asia-Pacific, in conversation with international discourse, to demonstrate transdisciplinary solution-seeking.<br /><p><span>Experimental in form as well as in method,<span class="apple-converted-space"> </span><i>Climates. Habitats. Environments.</i><span class="apple-converted-space"> </span>features an inventive book design by mono.studio that puts word and image on equal footing, offering a multiplicity of media, interpretations, and manifestations of interdisciplinary research. For example, botanist Matthew Hall draws on Ovid's<span class="apple-converted-space"> </span><i>Metamorphoses</i><span class="apple-converted-space"> </span>to discuss human-plant interpenetration; curator and writer Venus Lau considers how spectrality consumes—and is consumed—in animation and film, literature, music, and cuisine; and critical theorist and filmmaker Elizabeth Povinelli proposes “Water Sense” as a geontological approach to “the question of our connected and differentiated existence,” informed by the “ancestral catastrophe of colonialism.” Artists excavate the natural and cultural DNA of indigo, lacquer, rattan, and mulberry; works at the intersection of art, design, and architecture explore “The Posthuman City”; an ongoing research project investigates the ecological urgencies of Pacific archipelagos. The works of art, the projects, and the majority of the texts featured in the book were commissioned by NTU Centre for Contemporary Art Singapore.</span></p>
<p></p>
Publisher
An entity responsible for making the resource available
NTU CCA Singapore
The MIT Press
Contributor
An entity responsible for making contributions to the resource
Ute Meta Bauer
Anna Lovecchio
Michael Marder
Kong Yin Ying
Marian Pastor Roces
Ravi Agarwal
Donna J. Haraway
Matthew Hall
Nikos Papastergiadis
Donna J. Haraway
David Pledger
Dan Koh
Tan Zi Hao
May Adadol Ingawanij
Michael M. J. Fischer
Venus Lau
Elizabeth A. Povinelli
Cynthia Chou
Nina Oeghoede
Philippe Pirotte
Epeli Hau'ofa
Nabil Ahmed
Édouard Glissant
Tania Roy
Alfian Sa'at
Jake Atienza
Kenneth Dean
Faizah Zakaria
Stefanie Hessler
Huang Jui-mao
Anna Källén
Philippa Lovatt
Laura Miotto
Rob Nixon
Khim Ong
Markus Reymann
Dirk Snauwaert
Matariki Williams
Irene Agrivina
Nabil Ahmed
Irwan Ahmett
Tita Salina
Atif Akin
Animali Domestici
Apichatpong Weerasethakul
Martha Atienza
Tarek Atoui
Laura Anderson Barbata
Rosella Biscotti
Guigone Camus
Choy Ka Fai
Roko Josefa Cinavilakeba
Sean Connelly
Ade Darmawan
Lucy Davis
Ines Doujak
Jef Geys
Tue Greenfort
Newell Harry
Ho Tzu Nyen
Chia-Wei Hsu
Pierre Huyghe
ila
inhabitants
The Institute of Critical Zoologists
Kristy H. A. Kang
Susanne Kriemann
Zac Langdon-Pole
Jae Rhim Lee
Liang Shaoji
PerMagnus Lindborg
Armin Linke
Nicholas Mangan
Alice Miceli
Manish Nai
Nguyễn Trinh Thi
Phi Phi Oanh
Lucy + Jorge Orta
Park Chan-kyong
Sophia Pich
Marjetica Potrč
Shubigi Rao
Lisa Rave
Lucy Raven
Bridget Reweti
Hito Steyerl
Melati Suryodarmo
Tanatchai Bandasak
Sung Tieu
Jegan Vincent de Paul
Wu Mali
Vivian Xu
Yeo Siew Hua
Zarina Muhammad
Edouard Glissant
Anna Kallen
Nguyen Trinh Thi
Marjetica Potrc
mono.studio
Format
The file format, physical medium, or dimensions of the resource
Publication
Language
A language of the resource
English
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
Date
A point or period of time associated with an event in the lifecycle of the resource
2022
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Short Description
Conversation: NTU CCA Singapore International Advisory Board Members
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/530206562">https://vimeo.com/530206562</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
530206562
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Conversation: NTU CCA Singapore International Advisory Board Members
Description
An account of the resource
27 Oct 2018, Sat 08:30 PM - 09:30 PM The Single Screen, Block 43 Malan Road <br /><br /><br /><br />*Please note the change in time. The talk will now be held from 8.30 – 9.30pm.* <br /><br />NTU CCA SINGAPORE 5th ANNIVERSARY CELEBRATION <br /><br />Take this opportunity to meet our International Advisory Board Members Doryun Chong, Deputy Director & Chief Curator, M+, Hong Kong, Professor Nikos Papastergiadis, Director of the Research Unit in Public Cultures, University of Melbourne, and Professor Ashley Thompson, Hiram W. Woodward Chair in Southeast Asian Art, SOAS University of London, and hear their views on the role of art institutions and their potential to engage in global conversations. <br /><br />BIOGRAPHIES <br /><br />Doryun Chong (South Korea/Hong Kong) is Deputy Director & Chief Curator at M+, a new museum of visual culture, which will open its Herzog and de Meuron-designed building in 2020 in the West Kowloon Cultural District in Hong Kong. Appointed as the inaugural Chief Curator in 2013, Chong oversees all curatorial activities and programs including acquisitions, exhibitions, learning and public programs, and digital initiatives encompassing the museum’s three main disciplinary areas of design and architecture, moving image, and visual art. Some of the exhibitions he has curated at M+ include Mobile M+: Live Art, Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice (both 2015), and Noguchi for Danh Vo: Counterpoint (forthcoming 2018). Prior to joining M+, Chong worked in various curatorial capacities at the Walker Art Center in Minneapolis (2003–2009) and MoMA, New York (2009–2013). <br /><br />Nikos Papastergiadis (Australia) is the Director of the Research Unit in Public Cultures, based at The University of Melbourne. He is a Professor in the School of Culture and Communication at The University of Melbourne and Founder – with Scott McQuire – of the Spatial Aesthetics research cluster. He is Project Leader of the Australian Research Council Linkage Project, “Large Screens and the Transnational Public Sphere,” and Chief Investigator on the ARC Discovery Project “Public Screens and the Transformation of Public Space.” His long involvement with the groundbreaking international journal Third Text, as both co-editor and author, was a formative experience in the development of an interdisciplinary and cross-cultural research model, which continues to inform his research practice. His publications include Spatial Aesthetics: Art Place and the Everyday (2006), and Cosmopolitanism and Culture (2012). He is also the author of numerous essays, which have been translated into over a dozen languages and appeared in major catalogues such as the Biennales of Sydney, Liverpool, Istanbul, Gwangju, Taipei, Lyon, Thessaloniki, and Documenta 13. <br /><br />Ashley Thompson (United Kingdom) is Hiram W. Woodward Chair in Southeast Asian Art at SOAS University of London, where she leads the Research and Publications division of the Southeast Asian Art Academic Programme. She is a specialist of Cambodian cultural history, with a focus on classical and pre-modern arts and literatures. Objects of analysis include sculpture, ritual practices and texts, as well as other forms of fine and performing arts. The Cambodian case is informed by research on the larger South and Southeast Asian context with a view to theorising politico-cultural formations. Formative experiences include working under Hélène Cixous for her PhD, under Vann Molyvann for the creation of a Cambodian national management structure for Angkor, and with the Théâtre du Soleil and Phare Ponleu Selpak on the direction of a Cambodian production of Cixous’ Terrible but Unfinished Story of Norodom Sihanouk, King of Cambodia. Recent publications include Engendering Cambodia: Territory, Sovereignty and Sexual Difference in the Inventions of Angkor (2016); “Hiding the female sex: a sustained cultural dialogue between India and Southeast Asia” (2017); “Emergenc(i)es: History and the Auto-Ethnographic Impulse in Contemporary Cambodian Art” (2017). <br /><br />Ute Meta Bauer (Germany/Singapore) is Founding Director, NTU CCA Singapore and Professor, NTU ADM. Previously, she was Associate Professor in the Department of Architecture at Massachusetts Institute of Technology, Cambridge, where she also served as Founding Director of the MIT Program in Art, Culture, and Technology. For more than three decades, Bauer has worked as curator of exhibitions and presentations, connecting contemporary art, film, video, and sound through transdisciplinary formats. She publishes regularly on artistic and curatorial practice. Bauer served as expedition leader of TBA21–Academy The Current 2015–18 exploring the Pacific Archipelago and littorals that are most impacted by climate change and human interventions in their environments. <br /><br />A public programme of Stagings. Soundings. Readings. Free Jazz II.
Date
A point or period of time associated with an event in the lifecycle of the resource
2018-10-27
Contributor
An entity responsible for making contributions to the resource
Doryun Chung
Nikos Papastergiadis
Ashley Thompson
Ute Meta Bauer
Subject
The topic of the resource
Education
Cultural Heritage
Format
The file format, physical medium, or dimensions of the resource
Video
Language
A language of the resource
English
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Europe
Oceania
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Short Description
Going Out Tensions in Ambient Culture: Tipping Points in Public Conduct – Lecture by Nikos Papastergiadis
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/489723452">https://vimeo.com/489723452</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
489723452
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Going Out Tensions in Ambient Culture: Tipping Points in Public Conduct – Lecture by Nikos Papastergiadis
Description
An account of the resource
Art, Urban Change, and the Public Sphere: Public Art Education Summit <br /><br />Thursday, 17 October 2019 <br /><br />6.00pm Going Out Tensions in Ambient Culture: Tipping Points in Public Conduct, Lecture by Nikos Papastergiadis (Australia), Professor, School of Culture and Communication, University of Melbourne
Date
A point or period of time associated with an event in the lifecycle of the resource
2019-10-17
Contributor
An entity responsible for making contributions to the resource
Nikos Papastergiadis
Subject
The topic of the resource
Public Sphere
Public Art
Identity
Format
The file format, physical medium, or dimensions of the resource
Video
Language
A language of the resource
English
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Oceania
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Art, Urban Change, and the Public Sphere engages with art in privately owned public spaces through a Public Art Education Summit and research presentation.
Programme Type
Conference and Symposium
Audience
Graduate/Post-Graduate
Programme Series
None
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Art, Urban Change, and the Public Sphere</em>: Public Art Education Summit
Subject
The topic of the resource
Architecture
Public Art
Urbanism
Description
An account of the resource
<p>NTU CCA Singapore is pleased to present <em>Art, Urban Change, and the Public Sphere</em>, which engages with art in privately owned public spaces through a Public Art Education Summit and research presentation. Taking as its point of departure the neighbouring <em>Culture City. Culture Scape. </em>Public Art Trail at Mapletree Business City—developed with curatorial consultation by NTU CCA Singapore—the presentation and Summit explore broader cultural and artistic developments on a civic scale situated in urban landscapes. How do political and economic changes in the public realm evoke a regional discourse on art in cities?</p>
<p>The Public Art Education Summit is the first of its kind in Singapore and part of a larger engagement of NTU CCA Singapore in professional education of public art. It focuses on cultural place-making and building communities through artistic practices. It aims to stimulate a debate between art professionals, policy makers, urban developers and other local stakeholders, on how and for whom art creates public spaces in our built environment. Any artistic or curatorial initiative in “public space” must address the question of how to construct “a public” and with it, how to encounter identity. Any difference—be it regional and local, ethnic and religious, economic and social—generates its own cohabitation of urban space and public culture to communicate with. The challenge for art in the public sphere lies in its openness to existing and yet, imagined communities of civic urbanism. Ranging from corporate cultural engagement in privately owned public spaces to urban regeneration, the invited speakers draw connections to the beginnings of community engagement in public art with its fluid methods. Furthermore, they suggest a critical look at different artistic and curatorial practices which reflect on “artists as citizens.” Or, how any space called public, first and foremost, is created by the different people inhabiting that space.</p>
<p>Guest-of-Honour:<span> </span><strong>Prof Wang Dawei</strong>, Executive Dean, College of Fine Arts, Shanghai University</p>
<p>With contributions by:<span> </span><strong>Ute Meta Bauer </strong>(Germany/Singapore),<span> </span><strong>Richard Bell </strong>(Australia),<span> </span><strong>Lewis Biggs </strong>(United Kingdom),<span> </span><strong>Antonia Carver</strong><span> </span>(United Kingdom/United Arab Emirates), <strong>Lilian Chee </strong>(Singapore),<span> </span><strong>Amanda Crabtree </strong>(United Kingdom/France), <strong>Daniel Mudie Cunningham </strong>(Australia), <strong>Catherine David </strong>(France),<span> </span><strong>Eileen Goh </strong>(Singapore),<span> </span><strong>Sophie Goltz </strong>(Germany/Singapore),<span> </span><strong>Limin Hee<span> </span></strong>(Singapore),<span> </span><strong>Kok Heng Leun </strong>(Singapore), <strong>Richard Lim </strong>(Singapore),<span> </span><strong>Hongjohn Lin<span> </span></strong>(Taiwan/Singapore),<span> </span><strong>Massamba Mbaye </strong>(Senegal),<span> </span><strong>Alecia Neo </strong>(Singapore),<span> </span><strong>Alan Oei </strong>(Singapore),<span> </span><strong>Nikos Papastergiadis </strong>(Australia),<span> </span><strong>Jasmeen Patheja </strong>(India),<span> </span><strong>Lorenzo Petrillo</strong><span> </span>(Italy/Singapore), <strong>Milenko Prvački </strong>(Ex-Yugoslavia/Singapore),<span> </span><strong>Ashley Thompson </strong>(United Kingdom),<span> </span><strong>Philip Tinari</strong><span> </span>(United States/China), <strong>Katherine Ann Leilani Tuider </strong>(United States), et al.</p>
<p>With capability-development workshops by<span> </span><strong>Amanda Crabtree </strong>(United Kingdom/France),<span> </span><strong>Daniel Mudie Cunningham </strong>(Australia),<span> </span><strong>Hongjohn Lin<span> </span></strong>(Taiwan/Singapore) and<span> </span><strong>Katherine Ann Leilani Tuider </strong>(United States).</p>
<p>Held in association with Shanghai Academy of Fine Arts, Shanghai University, and Institute for Public Arts, London. Supported by Mapletree Investments and, additionally, by Public Art Trust, an initiative of National Arts Council Singapore.<br /><br /></p>
<p><u>Programme for Public Art Education Summit</u></p>
<p><strong>Thursday, 17 October 2019, 9.00am – 7.30pm<br /></strong>Venue: The Single Screen, Block 43 Malan Road</p>
<p>8.45am Registration and Coffee</p>
<p>9.00am Opening addresses by <strong>Low Eng Teong </strong>(Singapore), Assistant Chief Executive, Sector Development, National Arts Council Singapore, <strong>Ute Meta Bauer </strong>(Germany/Singapore), Founding Director, NTU CCA Singapore and Professor, NTU ADM, and Guest-of-Honour<span> </span><strong>Wang Dawei<span> </span></strong>(China), Executive Dean, College of Fine Arts, Shanghai University followed by Introduction by<span> </span><strong>Sophie Goltz </strong>(Germany/Singapore), Deputy Director, Research & Academic Programmes, NTU CCA Singapore, and Assistant Professor, School of Art, Design and Media, NTU</p>
<p>9.45am <i>Context is Everything</i>, Presentation by<span> </span><strong>Lewis Biggs </strong>(United Kingdom) Chair, Institute for Public Art, London</p>
<p>10.15am <em>Making Art, Making Society</em>, Presentation by<span> </span><strong>Amanda Crabtree </strong>(France), Director, artconnexion</p>
<p>10.45am <em>Community-First Public Art</em>, Presentation by<span> </span><strong>Katherine Ann Leilani Tuider </strong>(United States), Executive Director and Co-founder, Honolulu Biennial Foundation</p>
<p>11.15am Coffee Break and Discussions</p>
<p>12.00pm <em>Public Art and Community Building</em><br />Roundtable Discussion with<span> </span><strong>Eileen Goh</strong><span> </span>(Singapore), Assistant Manager, Art-in-Transit at Land Transport Authority;<span> </span><strong>Richard Lim</strong><span> </span>(Singapore), Manager, Art Management, Project Development, CapitaLand; <strong>Lorenzo Petrillo</strong><span> </span>(Italy/Singapore), Director and Founder, LOPELAB, moderated by<span> </span><strong>Lilian Chee</strong><span> </span>(Singapore), Associate Professor, Department of Architecture, National University of Singapore</p>
<p>1.00pm Lunch Break</p>
<p>2.00pm <span> </span><strong>Capability-Development Workshops</strong><br /> Venue: Studios, Block 37 Malan Road</p>
<p>#Activating#Communities <em>New Patron Model for Public Art Commissioning</em>, Workshop by<span> </span><strong>Amanda Crabtree<span> </span></strong>(France), Director, artconnexion. Register at<span> </span><a href="http://tiny.cc/amandacrabtreeworkshop?fbclid=IwAR3Q93kI4t12Kp6mr_4qz528NIwqFFdnIfRvckulb8kZaBX_zDAVy64s1e4" target="_blank" rel="noreferrer noopener">tiny.cc/amandacrabtreeworkshop</a>.</p>
<p>#Building#Communities, <em>Fundraising as Community Engagement</em>, Workshop by<span> </span><strong>Katherine Ann Leilani Tuider<span> </span></strong>(United States), Executive Director and Co-founder, Honolulu Biennial Foundation. Register at<span> </span><a href="http://tiny.cc/katherinetuiderworkshop?fbclid=IwAR1G11dbsM4GNxdqeHy00qtjn9ySWKX6_kNHdd8QpSlbedHZDPZ_eF-hjjs" target="_blank" rel="noreferrer noopener">tiny.cc/katherinetuiderworkshop</a>.</p>
<p>5:30pm End of Workshop</p>
<p>On the occasion of NTU CCA’s International Advisory Board annual meeting, invited members share their knowledge and experience.</p>
<p>6.00pm Lecture by<span> </span><strong>Nikos Papastergiadis </strong>(Australia), Professor, School of Culture and Communication, University of Melbourne</p>
<p>6:30pm Lecture by<span> </span><strong>Ashley Thompson </strong>(United Kingdom), Hiram W. Woodward Chair of Southeast Asian Art, SOAS University of London</p>
<p>7:00pm Roundtable Discussion with<span> </span><strong>Antonia Carver</strong><span> </span>(United Kingdom/United Arab Emirates), Director, Jameel Arts Centre; <strong>Catherine David </strong>(France), Deputy Director, Research and Globalisation, MNAM/CCI, Centre Pompidou; <strong>Philip Tinari</strong><span> </span>(United States/China), Director, UCCA Center for Contemporary Art, moderated by<span> </span><strong>Ute Meta Bauer </strong>(Germany/Singapore), Founding Director, NTU CCA Singapore and Professor, School of Art, Design and Media, NTU</p>
<p>7:30pm Reception</p>
<p><strong> </strong></p>
<p><strong>Friday, 18 October 2019, 9.00am – 5.30pm<br /></strong>Venue: The Single Screen, Block 43 Malan Road</p>
<p>8.45am Registration and Coffee</p>
<p>9.00am Introduction by<span> </span><strong>Sophie Goltz </strong>(Germany/Singapore), Deputy Director, Research & Academic Programmes, NTU CCA Singapore, and Assistant Professor, School of Art, Design and Media, NTU</p>
<p>9.15am <em>A Railroad Switch in Time: South Eveleigh Case Study</em>, Presentation by<span> </span><strong>Daniel Mudie Cunningham </strong>(Australia), Director, Programs, Carriageworks</p>
<p>9.45am <span> </span><em>Biennials as Public Space</em>, Presentation by<span> </span><strong>Hongjohn </strong><strong>Lin </strong>(Taiwan/Singapore), Associate Professor, Taipei National University of Arts</p>
<p>10.15am <span> </span><em>Action Sheroes, Heroes, Theyroes. Resonate #NeverAskForIt</em>, Presentation by<span> </span><strong>Jasmeen Patheja </strong>(India), Founder, Blank Noise</p>
<p>10.45am <span> </span><em>Beyond Education, Beyond Community</em>, Presentation by<span> </span><strong>Milenko Prvački </strong>(Ex-Yugoslavia/Singapore), Senior Fellow, LASALLE College of the Arts, artist and founder, ART WALK Little India</p>
<p>11.15am Coffee Break and Discussions</p>
<p>12.00pm <span> </span><em>Art, Public Space, and Urban Development</em><br />Roundtable Discussion with<span> </span><strong>Kok Heng Leun</strong><span> </span>(Singapore), Artistic Director, Drama Box;<span> </span><strong>Alecia Neo</strong><span> </span>(Singapore), artist and co- founder, Brack;<span> </span><strong>Alan Oei</strong><span> </span>(Singapore), Artistic Director, The Substation, moderated by<span> </span><strong>Limin Hee</strong><span> </span>(Singapore), Director, Research, Centre for Liveable Cities</p>
<p>1.00pm Lunch Break</p>
<p>2.00pm <span> </span><strong>Capability-Development Workshops</strong><br /> Venue: Studios, Block 37 Malan Road</p>
<p>#Supporting#Communities <em>Urban Communities and their Stakeholders</em>, Workshop by<span> </span><strong>Daniel Mudie Cunningham </strong>(Australia), Director, Programs, Carriageworks.</p>
<p>#Educating#Communities <em>Biennials as Public Space</em><em>:<span> </span></em><em>Between Artistic Approaches and Public Demands</em>, Workshop by<span> </span><strong>Hongjohn </strong><strong>Lin </strong>(Taiwan/Singapore), Associate Professor, Taipei National University of Arts.</p>
<p>5:30pm End of Workshop</p>
<p> </p>
<p><strong>Saturday, 19 October 2019, 9.00am – 1.00pm<br /></strong>Venue: The Single Screen, Block 43 Malan Road</p>
<p>8.45am Registration and Coffee</p>
<p>9.00am Introduction by<span> </span><strong>Sophie Goltz </strong>(Germany/Singapore), Deputy Director, Research & Academic Programmes, NTU CCA Singapore, and Assistant Professor, School of Art, Design and Media, NTU</p>
<p>9.15am <em>Participation in Practice: Artists as Ally</em>, Presentation by<span> </span><strong>Alecia Neo<span> </span></strong>(Singapore), artist</p>
<p>9.45am <span> </span><em>The Village of the Arts of Senegal</em>, Presentation by <strong>Massamba Mbaye </strong>(Senegal), lecturer, Dakar Cheikh Anta Diop University & Virtual University of Senegal</p>
<p>10.15am <span> </span><em>Aboriginal Tent Embassy</em>, Presentation by<span> </span><strong>Richard Bell </strong>(Australia), artist</p>
<p>10.45am Coffee Break and Discussions</p>
<p>11.15am Roundtable Discussion with<span> </span><strong>Richard Bell<span> </span></strong>(Australia), artist,<span> </span><strong>Hongjohn Lin<span> </span></strong>(Taiwan/Singapore), Associate Professor, Taipei National University of Arts,<span> </span><strong>Massamba Mbaye </strong>(Senegal), lecturer, Dakar Cheikh Anta Diop University & Virtual University of Senegal, and<span> </span><strong>Alecia Neo </strong>(Singapore), artist, moderated by<span> </span><strong>Sophie Goltz<span> </span></strong>(Germany/Singapore), Deputy Director, Research & Academic Programmes, NTU CCA Singapore, and Assistant Professor, School of Art, Design and Media, NTU</p>
<p>12.00pm Closing Remarks by Lewis Biggs (United Kingdom)</p>
<p> </p>
<p>Programme as of 1 October 2019, subject to change.</p>
Contributor
An entity responsible for making contributions to the resource
Ute Meta Bauer
Richard Bell
Lewis Biggs
Antonia Carver
Lilian Chee
Amanda Crabtree
Daniel Mudie Cunningham
Catherine David
Eileen Goh
Sophie Goltz
Limin Hee
Kok Heng Leun
Richard Lim
Hongjohn Lin
Massamba Mbaye
Alecia Neo
Alan Oei
Nikos Papastergiadis
Jasmeen Patheja
Lorenzo Petrillo
Milenko Prvački
Ashley Thompson
Philip Tinari
Katherine Ann Leilani Tuider
Low Eng Teong
Wang Dawei
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
The volume positions Lim’s thoughts, concepts, and plans for action as that of a humanist who addresses the complex topography of an ever-changing urban Asia.
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Book Launch: The Impossibility of Mapping (Urban Asia)
Description
An account of the resource
<p>Guest-of-Honour: William S. W. Lim</p>
<br />Emerging from an exhibition, conference, and festival that explored architect and urban theorist William S. W. Lim’s concept on “Incomplete Urbanism” and his call for “Cities for People,” this publication juxtaposes research essays, visual and textual documentation with artistic interventions and spatio-temporal maps. Organised into three chapters—“The City as Living Room,” “The City as Multiple,” and “The City as Stage,” the contributions—by architects, scholars, planners, artists, activists, and curators—constitute a diverse set of analyses. Unexpected notions of planning, building, and living in Asian cities, suggest multiple paths into critical spatial practice of Asian urban space. The volume positions Lim’s thoughts, concepts, and plans for action as that of a humanist who addresses the complex topography of an ever-changing urban Asia.<br /><br />Contributors include: Laura Anderson Barbata, Jiat-Hwee Chang, Thanavi Chotpradit, Calvin Chua, Yvonne P. Doderer, Chomchon Fusinpaiboon, indieguerillas, Marc Glöde, Sacha Kagan, Lulu Lutfi Labibi, Magdalena Magiera, Laura Miotto, Marjetica Potrč, Pen Sereypagna, Shirley Surya, Sissel Tolaas, Etienne Turpin and Nashin Mahtani, John Wagner, H. Koon Wee, Woon Tien Wei, and Ari Wulu. Foreword by Nikos Papastergiadis. Afterword by William S. W. Lim.<br /><div>
<p>Published by World Scientific Publishing<br />Edited by Ute Meta Bauer, Khim Ong, and Roger Nelson</p>
<p></p>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
2020-02-20
Contributor
An entity responsible for making contributions to the resource
Laura Anderson Barbata
Jiat-Hwee Chang
Thanavi Chotpradit
Calvin Chua
Yvonne P. Doderer
Chomchon Fusinpaiboon
indieguerillas
Marc Glöde
Sacha Kagan
Lulu Lutfi Labibi
Magdalena Magiera
Laura Miotto
Marjetica Potrč
Marrjetica Potrc
Pen Sereypagna
Shirley Surya
Sissel Tolaas
Etienne Turpin
Nashin Mahtani
John Wagner
H. Koon Wee
Woon Tien Wei
Ari Wulu
Nikos Papastergiadis
William S. W. Lim
Ute Meta Bauer
Khim Ong
Roger Nelson
Marc Glode
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Architecture
Urbanism
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
What follows is not so much a history of art, or an impressionist version of the sociology of the city, but a gazetteer of cultural ideas amd artistic practices, from which Nikos Papastergiadis' investigation will draw, and which have been influential in shaping the contours of contemporary experiences.
Programme Type
Talk and Lecture
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
Yes
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Going Out, Lecture by Nikos Papastergiadis (Australia), Professor, School of Culture and Communication, University of Melbourne
Description
An account of the resource
What follows is not so much a history of art, or an impressionist version of the sociology of the city, but a gazetteer of cultural ideas amd artistic practices, from which Nikos Papastergiadis' investigation will draw, and which have been influential in shaping the contours of contemporary experiences. It is in the spirit of the ancient gazetter, that is not so much a gathering of random events, but an account that navigates the contours of the aesthetic experiments and philosophical ruminations of contemporary urban experience. It is an outline of the sensibility that is more than just urban and poetic. This expansive sensibility tends to be understood as either a political effort to democratise art in the lifeworld of communities, or an aesthetic exploration that reaches all the way to the cosmos. What this gazetteer reveals is that these two gestures are not necessarily separate from each other, and that artists oscillate between both the political and the cosmic categories of thinking and action.<br /><br />Part of <em>Art, Urban Change, and the Public Sphere: Public Art Education Summit</em> from 17 - 19 October 2019.
Date
A point or period of time associated with an event in the lifecycle of the resource
2019-10-17
Contributor
An entity responsible for making contributions to the resource
Nikos Papastergiadis
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
North America
Europe
Subject
The topic of the resource
Urbanism
Public Sphere
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
The International Advisory Board Members share their views on the role of art institutions and their potential to engage in global conversations.
Programme Type
Discussion - Conversation
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Conversation: NTU CCA Singapore International Advisory Board Members
Description
An account of the resource
<div class="event_single_dates text__exhibitions">27 Oct 2018, Sat 08:30 PM - 09:30 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road</div>
<b><br />NTU CCA SINGAPORE 5th ANNIVERSARY CELEBRATION</b> <br /><br />Take this opportunity to meet our International Advisory Board Members Doryun Chong, Deputy Director & Chief Curator, M+, Hong Kong, Professor Nikos Papastergiadis, Director of the Research Unit in Public Cultures, University of Melbourne, and Professor Ashley Thompson, Hiram W. Woodward Chair in Southeast Asian Art, SOAS University of London, and hear their views on the role of art institutions and their potential to engage in global conversations.<br /><br /><span>A public programme of </span><em>Stagings. Soundings. Readings. Free Jazz II.</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2018-10-27
Contributor
An entity responsible for making contributions to the resource
Doryun Chong
Nikos Papastergiadis
Ashley Thompson
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
Subject
The topic of the resource
Institutional Critique
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
This session brings together several members of the NTU CCA Singapore’s International Advisory Board into a public discussion with representatives of the Centre’s stakeholders. The session will be moderated by Founding Director Ute Meta Bauer and preceded by Heman Chong’s performance Words, They, Wrote (2015 – ongoing). Utilising words written or spoken by several artists, the performance generates a moment of introspection opening up a space for the artists’ thoughts on their own lives and works.
Programme Type
Talk and Lecture
Performance
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Making of an Institution – Ownership, Development, and Aspirations: Performance and Public Discussion
Description
An account of the resource
<div class="event_single_dates text__exhibitions">25 Feb 2017, Sat 03:00 PM - 05:00 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road</div>
<br />Who owns a public institution? How does an institution balance the different sets of expectations held by its various stakeholders? What is the role of an international advisory board and how does it contribute to the institution’s development within a global perspective? Shifting the top-down operational model, can an institution learn from artists and incorporate artistic methodologies into its own structure? To address such questions, this session brings together several members of the NTU CCA Singapore’s International Advisory Board into a public discussion with representatives of the Centre’s stakeholders. The session will be moderated by Founding Director Ute Meta Bauer and preceded by Heman Chong’s performance Words, They, Wrote (2015 – ongoing). Utilising words written or spoken by several artists, the performance generates a moment of introspection opening up a space for the artists’ thoughts on their own lives and works. <br /><br /><p>3.00 – 3.30pm<br /><b><em>Words, They, Wrote</em> (2015 – ongoing)<em>,</em> performance by Heman Chong (Singapore), Artist-in-Residence</b></p>
<p>3.30 – 5.00pm<br /><b>Public Discussion</b></p>
<p><b>Ute Meta Bauer</b> (Germany/Singapore), Founding Director, NTU CCA Singapore and Professor, School of Art Design and Media, Nanyang Technological University</p>
<p><b>Ann Demeester</b> (Belgium/Netherlands) Board Member; Director, Frans Hals Museum, Haarlem, Netherlands</p>
<p><b>Yuko Hasegawa </b>(Japan), Board Member; Artistic Director, Museum of Contemporary Art Tokyo, Japan</p>
<p><b>Nikos Papastergiadis</b> (Australia), Board Chair; Director, Research Unit in Public Cultures, and Professor, School of Culture and Communication, The University of Melbourne, Australia</p>
<p><b>Philip Tinari </b>(United States/China), Board Member; Director, Ullens Center for Contemporary Art, Beijing, China</p>
<p><b>John Tirman</b> (United States), Board Member; Executive Director, Center for International Studies, Massachusetts Institute of Technology, Cambridge, United States</p>
<br />This event is part of the public programme for <em>The Making of an Institution</em>.
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-02-25
Contributor
An entity responsible for making contributions to the resource
Heman Chong
Ute Meta Bauer
Ann Demeester
Yuko Hasegawa
Nikos Papastergiadis
Philip Tinari
John Tirman
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
Europe
North America
Subject
The topic of the resource
Institutional Critique
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
A talk by Nikos Papastergiadis with a focus on contemporary art as a form of the cosmopolitan imaginary, followed by with a free improvisation of music and movement performance by the Bani Haykal trio.
Programme Type
Talk and Lecture
Performance
Programme Series
None
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Free Jazz: Nikos Papastergiadis & Bani Haykal trio
Description
An account of the resource
<span>18 Dec 2013, Wed 07:30 PM - 09:00 AM</span><br /><br />Aesthetic Cosmopolitanism – A talk by Nikos Papastergiadis (Professor at the School of Culture and Communication, University of Melbourne) with a focus on contemporary art as a form of the cosmopolitan imaginary, followed by with a free improvisation of music and movement performance by the Bani Haykal trio. <br />
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-12-18
Contributor
An entity responsible for making contributions to the resource
Nikos Papastergiadis
Bani Haykal
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Southeast Asia
Audience
A class of entity for whom the resource is intended or useful.
General
Subject
The topic of the resource
Modernity
Performance
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Place.Labour.Capital.
Subject
The topic of the resource
Institutional Critique
Geopolitics
Urbanism
Description
An account of the resource
Place.Labour.Capital., published by NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) and Mousse Publishing, connects cultural production and artistic research to broader political and social concerns, engaging readers with contemporary debates in Southeast Asia and beyond.<br /><br />The title of the book refers to the framework employed at NTU CCA Singapore in its first cycle of activities, from 2013 to March 2017, which took Singapore, the world’s second-largest trading port and the economic epicentre of Southeast Asia, as a point of departure to investigate the notion of place, the intersection between locality and the global, labour, and flows of capital.<br /><br />Unfolding across four broad sections of “The Making of an Institution,” “The Geopolitical and the Biophysical,” “Incidental Scripts,” and “Incomplete Urbanism,” this publication reads as an exhibition. Drawing connections across disciplines and merging theory with practice, Place.Labour.Capital. weaves together a constellation of different bodies of materials from essays, poetry, and fiction to artworks and documentation of the Centre’s past exhibitions.<br /><br />Richly illustrated, the publication brings together the voices of more than 80 contributors, from former Research Fellows such as Tony Godfrey (Philippines), Regina (Maria) Möller (Germany), T. K. Sabapathy (Singapore), Yvonne Spielmann (Germany), to former Artists-in-Residence including Tiffany Chung (Vietnam/United States), Amanda Heng (Singapore), Shooshie Sulaiman (Malaysia), Lee Wen (Singapore), and Yee I-Lann (Malaysia). Other contributions include those from the Centre’s exhibitions and public programmes such as artists, academics, and curators including Amar Kanwar (India), Lee Weng Choy (Malaysia), David Teh (Australia/Singapore), and June Yap (Singapore).<br /><br />This extensive publication “reminds us that institution building remains enormously significant as a means of opening up new spaces, claims, communities, dialogues, publics, and trajectories for critical artistic practice.” (Felicity D. Scott, Associate Professor Graduate School of Architecture, Planning and Preservation, Columbia University, New York)<br /><br />“Drawing together stories, voices, and thinking by leading artists and academics, Place.Labour.Capital. traces the invention of a remarkable model of an institution. The publication is an inspiration and a valuable tool to anyone trying to find ways of building releveant arts institutions for the future.” (Sally Tallant, Director, Liverpool Biennial)<br /><br />Place.Labour.Capital. takes a reflective look the art institution, and serves as a means to review the parameters of its own position in the present globalised art world and knowledge-production economies. <br /><br />The visual concept of the book was conceived by renowned Singapore design firm H55.
Publisher
An entity responsible for making the resource available
Mousse Publishing
Date
A point or period of time associated with an event in the lifecycle of the resource
2018
Contributor
An entity responsible for making contributions to the resource
Mousse Publishing
H55
Koh Nguang How
Paul Tan
Eugene Tan
T. K. Sabapathy
Khim Ong
Fareed Armaly
Jesko Fezer
Julian "Togar" Abraham
Post-Museum
Kray Chen
Vera Mey
Amanda Heng
Yan Jun
Lee Wen
Marc Glöde
Jeremy Sharma
Heman Chong
Shooshie Sulaiman
Mona Vătămanu
Florin Tudor
Hilde Van Gelder
UuDam Tran Nguyen
James Jack
Jegan Vincent de Paul
Dennis Tan
Erika Tan
Regina (Maria) Möller
Hamra Abbas
Mercedes Vicente
Bo Wang
Ho Rui An
Stefano Harney
Arjuna Neuman
Bani Haykal
Tiffany Chung
Amar Kanwar
Helena Varkkey
Nikos Papastergiadis
Saleh Husein
Sam Durant
June Yap
Roslisham "Ise" Ismail
Shubigi Rao
Guo-Liang Tan
Tamara Weber
Loo Zihan
Zac Langdon-Pole
Trinh T. Minh-ha
Jompet Kuswidananto
Otty Widasari
Yvonne Spielmann
Mark Nash
Arin Rungjang
Filipa Ramos
Yason Banal
Kenneth Dean
Yee I-Lann
Alex Mawimbi
anGie seah
Alexandra Murray-Leslie
Andrew Johnston
Zulkifle Mahmod
Newell Harry
Jason Wee
Anocha Suwichakornpong
Shirley Surya
Sissel Tolaas
Tan Pin Pin
SHIMURAbros
Etienne Turpin
Li Ran
Gary-Ross Pastrana
Yvonne P. Doderer
Matthew Mazzotta
Art Labor
Xu Tan
Weixin Chong
Pratchaya Phinthong
Marc Glode
Mona Vatamanu
Regina Moller
Format
The file format, physical medium, or dimensions of the resource
Publication
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
978-981-11-3843-0
978-88-6749-308-1
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Access Rights
Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.
Available for browsing onsite at NTU CCA Singapore physical archive. Contact ntuccareseach@ntu.edu.sg to make an appointment.