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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Planting Rice is a curatorial collaboration of Lian Ladia and Sidd Perez. This platform is aimed at fostering the rise of cross-pollination among artistic communities and has been in existence since 2011. Planting Rice’s major component is a web-based platform that generates and circulates an archive of open source republished texts that highlight scholarship on art history and criticism that is at the risk of being inaccessible. The team’s curatorial practice extends off-site and their projects include repotentializing spaces, rehistoricizing narratives of art, and expanding the roles, forms and gestures of curatorial practice.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Philippines
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Collaborator
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Birth Date
2011
Birthplace
Philippines
Occupation
Professional title or identity
Collective
Professional Website
Leave blank if not applicable
<a href="http://www.plantingrice.com/#home">http://www.plantingrice.com/#home</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Planting Rice
Subject
The topic of the resource
Curatorial Practice
Artistic Research
History
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Planting Rice
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
In the selection of video works by Filipino artists, Planting Rice brings to the fore questions involved in Philippine contemporary art practice that opens up to further queries on the global and the local.
Programme Type
Screening
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
Yes
Commissioned Work
No
Education
No
Dublin Core
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Title
A name given to the resource
Screening programme: Everything but…. Curated by Planting Rice in collaboration with The Drawing Room
Description
An account of the resource
<span>6 Apr 2014, Sun 2:00 - 4:00 pm<br /></span><br />Attention has been given to everything but the event. Conditions, such as planning, theory, negotiation, framework, lead to the definition of context while intended results become an afterthought. To highlight this particular issue, Planting Rice brought together a series of works addressing everything else but the end point. For this screening programme, the event and the absent end are the means of inquiry. In the selection of video works by Filipino artists, Planting Rice brings to the fore questions involved in Philippine contemporary art practice that opens up to further queries on the global and the local. <br /><br />Planting Rice is the curatorial banner of Manila-based Lian Ladia and Sidd Perez.<br /><br /><span>Shireen Seno, </span><em>Fine Times</em><span> (2011), is the artist’s guerilla documentation of a site-specific project in an exhibition site. The video explores the relationship of viewership and authorship, with the exhibiting subject in focus being ephemeral in nature.</span><br /><br /><span>Mark Salvatus, </span><em>Haiku</em><span> (2012), transforms the artist’s collection of graffiti tags photographed from his residency stints in Japan, New York, Australia, Indonesia and the Philippines into poetic configurations of what seems to be a universal code.</span><br /><br /><span>Yason Banal, </span><em>Untitled / again (Marienbad)</em><span> (2008-2010), is a film-performance-installation inspired by Alain Resnais’ seminal film </span><em>Last Year at Marienbad</em><span> (1961). Yason Banal forms a contemporary constellation around etiquette, modernity and desire by transporting “Marienbad” to different sites (Manila, Hong Kong, Singapore, Jakarta, San Francisco, Berlin, London), inhabited by human figurines, sculptural garments, gallery artifacts and exhibition attendees.</span><br /><br /><span>Juan Alcazaren, </span><em>Cube descending staircase</em><span> (2010), is turned into an object travelling within the exhibition site. The animation video work refers to the seminal Duchamp work by means of stop-motion in providing a recall to the discourse on spatial continuity and constructs that art objects succeed to in their exhibiting sites.</span><br /><br /><span>Gaston Damag, </span><em>Nature Culture</em><span> (2009), addresses the gestures the artist takes in deconstructing the relationship of exhibiting sites and the main aspect of his practice – the wooden anthromorphic figure “bulul”: guardians of rice and objects of ritual and territorial indication.<br /><br />A public programme of <em>The Disappearance</em>.</span>
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-04-06
Contributor
An entity responsible for making contributions to the resource
Planting Rice
The Drawing Room
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Globalisation
Cultural Production
-
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PDF Text
Text
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Resources
Exhibition Resource
Collateral and other print or digital materials pertaining to exhibitions held at the Centre. Examples include exhibition guides, banners, postcards, digital tour videos, etc.
Short Description
The Disappearance Exhibition Guide
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>The Disappearance</i> Exhibition Guide
Description
An account of the resource
<i>The Disappearance</i> Exhibition Guide
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-04-05
Contributor
An entity responsible for making contributions to the resource
Anca Rujoiu
Vera May
Cyprien Gaillard
Malak Helmy
Sonya Lacey
Manuel Pelmus
Laure Prouvost
Shubigi Rao
Nigel Rolfe
Marie Shannon
Diego Tonus
Mona Vatamanu
Florin Tudo
Erin Gleeson
Planting Rice
David Teh
Format
The file format, physical medium, or dimensions of the resource
Guide
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Subject
The topic of the resource
Experiential
Embodiment
Spaces of the Curatorial
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, Laure Prouvost, Eva 43 years old (2002). Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, Shubigi Rao, Visual snow (2014), Performance. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, Still from Desniansky Raion (2007), Cyprien Gaillard; part of the screening programme The tear down curated by Anca Rujoiu & Vera Mey. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, Still from Untitled (2011), Khvay Samnang; part of the screening programme Phnom Penh: Rescue Archaeology The Body and The Lens in the City curated by Erin Gleeson presented in collaboration with Sa Sa Bassac, Phnom Penh, Cambodia. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Disappearance, 5 April –6 April 2014, I feel their pane (2014), Sonya Lacey, Performance. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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The Disappearance, 5 April –6 April 2014, I feel their pane (2014), Sonya Lacey, Performance. Photograph by Clare Bottomley.
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Dublin Core
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Title
A name given to the resource
T H E P A R A D I S E = L O S T B O D Y (2014), Nigel Rolfe, Performance, Part 1 & 2. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
CCA – Centre for Contemporary Art, Singapore; The Disappearance, 5 April –6 April 2014, Stills from the screening programme The Margins of Exhibition curated by David Teh.With works by: Anthea Behm, Sherman Ong, Wok the Rock, Emile Zile, Nitipong Thinthubthai. Photograph by Clare Bottomley.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
CCA – Centre for Contemporary Art, Singapore; The Disappearance, 5 April –6 April 2014, Stills from the screening programme The Margins of Exhibition curated by David Teh.With works by: Anthea Behm, Sherman Ong, Wok the Rock, Emile Zile, Nitipong Thinthubthai. Photograph by Clare Bottomley.
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ad61a70d5e018b4da4215ed712504777
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
CCA – Centre for Contemporary Art, Singapore; The Disappearance, 5 April –6 April 2014, Stills from the screening programme The Margins of Exhibition curated by David Teh.With works by: Anthea Behm, Sherman Ong, Wok the Rock, Emile Zile, Nitipong Thinthubthai. Photograph by Clare Bottomley.
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4cfd9a876575520367f104e37876ce35
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
CCA – Centre for Contemporary Art, Singapore; The Disappearance, 5 April –6 April 2014, Stills from the screening programme Phnom Penh: Rescue Archaeology The Body and The Lens in the City curated by Erin Gleeson presented in collaboration with Sa Sa Bassac, Phnom Penh, Cambodia. With works by: Khvay Samnang, Lim Sokchanlina, Anida Yeou Ali, Sok Chanrado, Leang Seckon, Tith Kanitha and Svay Sareth. Photograph by Clare Bottomley.
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fafaca6cdbcbae78cf4cb38334e01d18
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
CCA – Centre for Contemporary Art, Singapore; The Disappearance, 5 April –6 April 2014, Stills from the screening programme Phnom Penh: Rescue Archaeology The Body and The Lens in the City curated by Erin Gleeson presented in collaboration with Sa Sa Bassac, Phnom Penh, Cambodia. With works by: Khvay Samnang, Lim Sokchanlina, Anida Yeou Ali, Sok Chanrado, Leang Seckon, Tith Kanitha and Svay Sareth. Photograph by Clare Bottomley.
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cda971a3167a0abc2ebacecd0396044c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nigel Rolfe, T H E P A R A D I S E = L O S T B O D Y (2014), Performance Part 2
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2dd7ce0d1e1af66655f1f90d3ba40135
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nigel Rolfe, T H E P A R A D I S E = L O S T B O D Y (2014), Performance Part 2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
The Disappearance acknowledges the inherent changes into an exhibition space and its continuous rewriting. What happens after an exhibition is over? What we remember? How we remember?
Exhibition Mode
Exhibition
Curated Film Programme
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2014-04-05
Exhibition End Date
2014-04-06
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>The Disappearance</i>
Subject
The topic of the resource
Experiential
Embodiment
Spaces of the Curatorial
Description
An account of the resource
<i>The Disappearance</i> situates itself in the architectural setting of a previous exhibition <i>Paradise Lost</i>. It works with what is left out: the traces of the show in the space; its echoes in our memory, <i>The Disappearance</i> conceals and reveals: what has happened before and what will follow. Subject to operations of installation and de-installation, an exhibition space if continuously edited: we erase one text to inscribe another. <i>The Disappearance</i> acknowledges the inherent changes into an exhibition space and its continuous rewriting. What happens after an exhibition is over? What we remember? How we remember? <br /><br />Curated by Anca Rujoiu (Curator for Exhibitions) and Vera Mey (Curator for Residencies), <i>The Disappearance</i> is conceived as a durational event unfolding over two days including a continuous series of manifestations from live performances to film screenings.
Contributor
An entity responsible for making contributions to the resource
Anca Rujoiu
Vera May
Cyprien Gaillard
Malak Helmy
Sonya Lacey
Manuel Pelmus
Laure Prouvost
Shubigi Rao
Nigel Rolfe
Marie Shannon
Diego Tonus
Mona Vătămanu & Florin Tudor
Erin Gleeson
Planting Rice
David Teh
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Performance
Film